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Embrace female empowerment with J. J. Martin, founder of world–renowned Milanese lifestyle brand LaDoubleJ, in the ultimate insider’s guide to Italy and her magic.

After moving from Manhattan to Milan 20 years ago, with no job, no friends, and no patience for the Italian way of life, J. J. Martin realized she had no option but to surrender to the vibrant but slow-paced lifestyle. In so doing, she discovered more joy (and success) than she could ever have imagined. In this uplifting volume, Martin invites us to jump on board and join her on her journey – an outsider’s evolution through life, love, loss, creativity, and magic – to today’s beloved ‘Milano’. Dive into the delights of Italian fashion, food, and good living; meet some of Italy’s leading female tastemakers (the ‘LaDoubleJ Babes’); tap into Martin’s spiritual secrets for unleashing inner creativity and wisdom; and more – all with a dash of LaDoubleJ vintage chic and oodles of Italian style. This feel-good book is a celebration and a creation story – both of a brand and of becoming your own woman, the Italian way.

Each copy is bound in one of three LaDoubleJ fabrics. Orders will be fulfilled with one of the fabrics available, selected at random.

About the Author:

J.J. Martin is a Los Angeles–born editor turned entrepreneur and founder of the hugely successful Milanese lifestyle brand La DoubleJ — now a global phenomenon. Having spent years scoping out the very best of Italian fashion and design as a contributing editor for publications including Harper’s Bazaar and Wallpaper*, Martin launched La DoubleJ in 2015 as a shoppable magazine selling vintage clothing and jewelry. The brand soon expanded into a full lifestyle label offering new fashion made with archival prints, cool home design, and rare vintage — all distilled through a lens of pure joy and eye-popping print — and championing Italian talent. With collections sold in more than 200 stores worldwide, La DoubleJ’s first flagship store opened in Milan’s high-end fashion district in 2021, complete with a dedicated floor offering a spiritual haven for shoppers and venue for female empowerment workshops. Martin lives in Milan.
 

Pierre Frey, the leading French producer of furniture textiles and wallcoverings, seamlessly combines artisanal craftsmanship with modernity.

Enchanting brocades and damasks, luminous hand-woven silken velvets, traditional woodblock printed fabrics, striking contemporary patterns made into works of art: Pierre Frey, a family business founded in 1935, is famous for the variety and boldness of its inspired designs, and has asserted itself in the luxury market as the uncontested global leader in soft furnishing textiles and wallpapers. Having acquired the venerable houses Braquenié and Le Manach, Pierre Frey possesses one of the most important private textile heritages in the world. Pierre Frey has worked with the Louvre and the château de Versailles, decorated castle interiors, and provides the fabrics and wallpapers of elegant private homes around the world ― from Paris to Hong Kong to New York. Drawing from their archives of more than 25,000 documents, which date from the sixteenth century to the present, this indispensable volume will serve as a reference and a basis for contemporary inspiration to professional and amateur designers.

About the Authors:

Patrick Frey, artistic director at Pierre Frey, joined the family business in 1970. Here he shares the legacy he is passing on to his three sons, the beauty and variety of his current and past collections, and the secrets of the firm’s extraordinary success.
Alain Stella has written many books, including Jacques Garcia: A Sicilian Dream-Villa Elena, Jacques Garcia: Twenty Years of Passion – Château du Champ de Bataille; and Historic Houses of Paris.
Mattia Aquila is a photographer specialized in interior design and architecture. His work appears regularly in magazines including AD Italia and Archiplan, and his photographs were featured in Venice: A Private Invitation (Flammarion, 2022).

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Пролистать книгу Pierre Frey: Textiles, Wallpapers, Carpets, and Furniture: A Family Legacy of Passion and Creativity на сайте издательства.

50 step-by-step projects, plus practical advice on hanging curtains, choosing fabric, and measuring up

Learn to sew curtains, shades, pillows, and more and make your home truly your own with these 50 beautiful projects. Sewing your own home furnishings will allow you to choose exactly the fabric and style you want, and will make your home unique.

There’s never been a better time to sew for the home, with a huge range of furnishing fabrics available in stores and online. And the money you save by making these items yourself can be put towards buying the loveliest fabrics you can afford, making your home more beautiful still. Designer Vanessa Arbuthnott guides you through 50 projects, each made in one of her own beautiful printed fabrics, and all with easy-to-follow illustrated instructions.

The projects range from the simplest of pillow covers for the novice stitcher, through to lined curtains with an array of different headings, shades, bed throws, and table linen. There is also a chapter on accessories, such as a cook’s apron, and table mats, which would all be a great starting point if you want to brush up on your skills before tackling a larger project. Vanessa explains how each of her collections was developed, and what inspired her designs, but if you prefer to choose your own material, there is plenty of advice on selecting fabrics, using color, cutting out, matching pattern repeats, piping, and hand-stitching, as well as a techniques section covering the basic sewing skills you will need.

Guidance on measuring for curtains and shades, and on ways to hang them, as well as instructions for valances and an upholstered cornice, make this a complete introduction to sewing your own window treatments, and more. Previously published as The Home-Sewn Home, this new edition includes four completely new projects and inspirational photography featuring Vanessa’s most recent fabric collections throughout.

About the author

Vanessa Arbuthnott started her own fabric design business ten years ago and was soon featured in Country Living and the Saturday Telegraph. She has never looked back and her enthusiasm for designing fabric is as strong as ever. This is her first book. Vanessa is based in Gloucestershire, UK.

Gail Abbott is a home stylist and writer whose work regularly appears in interiors magazines such as The World of Interiors, Homes & Gardens and Ideal Home. She is the author of nine books, including Shoestring Chic, Living with Light, Decorating with Blue and White, Living with White, and The Newly-Wed’s Guide to Setting up Home, all published by CICO Books. Gail is based in Cambridge, UK.

This illustrated book tells the story of artists Brad Davis and Janis Provisor and their discovery of the ancient practice of carpet weaving in China.

This book provides a fascinating look at the intricate transformation of a watercolor painting to a beautiful silk carpet, examining the step-by-step process that led to a revolutionary "painterly" style in modern carpet design and manufacture.

This volume offers beautifully photographed and printed views of these sumptuous carpets in rooms designed by some of the world's leading interior designers. The carpets have been collected by luminaries in the design, fashion, and art worlds including curators Mark Rosenthal and Allan Schwartzman, Joseph Ettedgui, founder of the Joseph brand, Pierre Alexis-Dumas, creative director of Hermès, and celebrities such as Steve Martin, Madonna, and Brad Pitt, among others.

Experience the highs and humorous lows of Davis and Provisor's adventures in Asia as they track down the best in materials and craftsmanship, as well as the most authentic cuisine in each region.

About the Authors:

Brad Davis studied at St. Olaf College, the University of Chicago, the Art Institute of Chicago, and the University of Minnesota. Janis Provisor studied at the San Francisco Art Institute. Michael Boodro is an adviser to the Design Leadership Network and hosts The Chairish Podcast. He was editor in chief of Elle Decor, editor of Martha Stewart Living, Culture and Travel, and Garden Design, and features editor of Vogue. Mark Pollack is a textile designer, former associate professor at the Moore College of Art and Philadelphia College of Textiles and Science, and founder of Pollack & Associates, a renowed consultant to the interior-furnishings industry and to many museum collections. Pilar Viladas is a journalist and writer, former design editor of T: The New York Times Style Magazine, Progressive Architecture, and House & Garden magazines. She has written three books on interiors.

A landmark volume on one of the world’s major art forms, and an important influence on contemporary fashion3

The African continent is home to numerous outstanding textile traditions, many dating to antiquity and all playing a multifaceted role in their respective societies: these eye-catching fabrics proclaim wealth and status, convey symbolic meanings, and of course serve a practical function in garments both ordinary and exceptional. This magnificent book conveys the amazing diversity of African textiles, from the geometric-patterned kente cloths of Ghana, to the multicolor raffia skirts of the Democratic Republic of Congo, to the beaded barkcloths once reserved for Ugandan royalty.

The authors, all leading experts in the field, examine each region of sub-Saharan Africa and Madagascar in turn, elucidating the aesthetic qualities, cultural significance, and production methods of the most important textile traditions. Their authoritative text is illustrated with over 300 superlative textiles from public and private collections, many reproduced as full-page plates that allow the reader to appreciate each individual fiber.

This impressive clothbound volume will be a key reference for students and scholars, an essential sourcebook for designers, and a delight for all art lovers.

About the Authors:

MabatNgoup Ly Dumas textile collector and multitalented artist, is one of the queen mothers of Western Cameroon. To highlight African textile creativity and to bring recognition to their intrinsic value, she developed her fashion brand Ly Dumas (1990–2003) and organized events such as Les magiciens du fil for UNESCO (1999) and Ly Dumas and Friends, a fashion show during the Boubou c’est chic exhibition in 2002 at Musée National des Arts Africains et Océaniens in Paris. During the same year, in Bangoulap, Cameroon, she established the Fondation Jean-Félicien Gacha, an NGO dedicated to supporting education, handicrafts, social initiatives, the environment, and solidarity tourism. She has authored Perles couleurs d’Afrique (ed. Gourcuff Granedigo) and Ndop: Etoffes des cours royales et sociétés secretes du Cameroun.

Sarah Fee is a curator of global fashion and textiles at Royal Ontario Museum, and has authored many articles on Malagasy textiles.

Vanessa Drake Moraga is an independent scholar, textile dealer, and author of Weaving Abstraction: Kuba Textiles and the Woven Art of Central Africa.

Duncan Clarke is a textile dealer and has written numerous books and articles on African textiles, most recently African Textiles: The Karun Thakar Collection.

The first book to exclusively present Cleto Munaris latest creations in the field of the applied arts: a unique collection of art carpets.

Cleto Munari was born in Gorizia and he lives and works in Vicenza. After meeting Carlo Scarpa in 1973, who encouraged him in his work, he decided to focus his attention on the area of industrial design, and began to work for some of the most important companies in the world. Constantly in search of original ideas, over the years he has tirelessly been engaged in analyzing and experimenting with both forms and material. In 1985 he opened a laboratory-studio-jewelers, where, together with a group of worldclass architects, he designs and produces silver jewelry and other objects for avant-garde collections that truly represent historical revolutions in jewelry both in Italy and abroad, and have also led to the production of watches, pens and furniture.

Cleto Munaris objects have entered the permanent collections of some of the worlds top museums, including the Metropolitan Museum of Art and the Museum of Modern Art in New York.

This book is the first to exclusively present Cleto Munaris latest creations in the field of the applied arts. After his jewelery, silverware, watches and furnishings, the great designer has involved ten other designers and artists in the creation of a unique collection of art carpets. Signed by Lawrence Ferlinghetti, Dario Fo, Mario Botta, Alessandro Mendini, Javier Mariscal, Ettore Mochetti, Deisa Centazzo, Sandro Chia, Mimmo Paladino and by Cleto Munari himself, these creations are full-fledged works of art and represent the high point of the skills and expertise of one of the greatest creative designers in the world, who has been designing and producing for over forty years.

An impressive selection of extraordinary carpet designs assembled in one volume

Carpets and rugs have been part of our interiors since the beginning of time, from the first bearskin on the cave floor to the precious Savonnerie carpets of the Château de Versailles. Their secret? Their versatility! Carpets cater to our senses: they keep the cold out and are warm and soft to the touch. They are storytellers, too, unfolding a tale of materials, craftsmanship and creativity. Whatever their style or period, carpets and rugs will give an interior an individual stamp and determine the atmosphere and relevance of the room.

This book caters to all tastes, with photographs of interiors featuring breathtaking carpet designs. Within its pages you will find plenty of unexpected inspirations and surprising combinations. The carpets and rugs in this book range from bold and colourful eye-catchers to traditional and minimalist designs that tie the whole room together.

All the carpets and rugs in this book have one thing in common: they are all pure eye candy and deserve their place at the very heart of our rooms.

About the Authors:

Karin Van Opstal is an experienced journalist, specialised in interior design, furniture design, architecture, home decoration and outdoor living.
Karolien Van Cauwelaert is an experienced journalist/copywriter with a demonstrated history of working in various parts of the publishing industry. She is skilled in writing, editing, media relations, troubleshooting and people management.

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Пролистать книгу Carpets & Rugs: Every Home Needs a Soft Spot

The design revolutions of the early 20th century were woven into the very fabric of the carpets and rugs of that era. Carpets of the Art Deco Era, previously published as 'Art Deco and Modernist Carpets' and now reissued in PLC, is the most in-depth history on the subject.

It charts the evolution of carpet design out of the floral effusions of the Victorian salons and into the angular elegance of Art Deco and bold abstraction of Modernism popularized by the machine age. Such artists and designers as Picasso, Poiret, Gray, Delaunay, Matisse, Klee, and many more advanced the designs going on underfoot, making these rugs extremely collectible artworks in their own right.

Susan Day was Chief Librarian at the Institut Français d’Architecture for 23 years, and has acted as Scientific Advisor for the Louvre and Les Arts Décoratifs Museum.

The story of the French cashmere shawls of the 19th century and their rise to the heights of fashion. This treasure-trove will not only delight textile scholars and costume historians but is sure to appeal to anyone who loves gorgeous accessories

The delicate beauty of the cashmere shawl was first brought to Europe by the East India Companies and Napoleon’s campaigns. Woven in Kashmir, its fabric was so light that, according to legend, a whole shawl could be passed through a finger-ring. By the 19th century, these shawls were highly sought-after in France; French manufacturers soon saw that there was a market for more accessibly priced versions and started to create their own.

Monique Lévi-Strauss has spent more than thirty years collecting and studying these shawls and gathering rare documents to preserve their history. This completely revised, expanded and redesigned edition of her classic book on the subject illustrates nearly 300 of these beautiful items, superbly photographed to showcase their splendid original designs, alongside a wealth of archive material and contemporary paintings that show them being worn by their elegant owners.

A richly illustrated survey of advances in creative computing and its impact on fashion, textiles and related digital sectors

The invention of the Jacquard loom in the 18th-century century paved the way for computing and revolutionary change. Since then, code has evolved to enable new methods in design, visualization and production, achieving the previously unimaginable.

Digital Visions for Fashion and Textiles considers how computing has reinvented image, material and structural processes, highlighting advancing 2D, 3D and interactive output. Digital/analogue fusions are defining new contexts for innovative fabrication.

Twenty-two of the most forward-thinking practitioners are profiled here. Featured are household names, such as Hussein Chalayan, Prada and Issey Miyake, early pioneers (Vibeke Riisberg, Peter Struycken) and more independent, avant-garde individuals (Iris van Herpen, Casey Reas, Tom Gallant).

Complete with a reference section and bibliographic information, this unique book is the perfect resource and inspiration for designers, students, industry professionals, and anyone looking for an exploration of how computer technology has permeated fashion, textiles and related digital sectors.

Includes profiles of 22 designers at the vanguard of these developments:
Savithri Bartlett • Basso & Brooke • Daniel Brown • Hussein Chalayan 
Joshua Davis • Hil Driessen • Tom Gallant • Louise Goldin • Jane Harris 
Jakob Schlaepfer • Michiko Koshino • Issey Miyake • Nuno • Prada 
Casey Reas • Vibeke Riisberg • Jonathan Saunders • Peter Struycken 
Simon Thorogood • Nancy Tilbury • Iris van Herpen • Sonja Weber

The art of embroidery has been practised for thousands of years. In the West, traditions have been at the mercy of trade and fashion, but in other regions, embroidery continues to be rooted in ancient beliefs and superstitions.

This beautifully illustrated book examines in detail the fascinating symbolism of the motifs and patterns that give life to these traditional textiles from around the world.

The global range is as remarkable as the variety of materials and motifs on display. Each textile – whether Chinese court insignia, Japanese kimono, Sumatran sarong, Turkish napkin, Ghanaian banner, Native American pouch or Peruvian Nasca textile, among others – bears its own distinctive designs.

Complete with:

  -  glossary
  -  dictionary of stitches
  -  information on public collections
  -  how to collect textiles

– this is an unrivalled guide for anyone interested in textiles, costume or craft.

This easily navigable resource provides 125 swatches of the most recognized and widely used varieties of fabric to encourage consideration of not just their aesthetic appeal but also their structure, feel and weight. Natural fabrics such as cottons, silks, wools and linens are included, as are artificial and synthetic fabrics like nylons, polyesters, microfibres, metallics and soya fabrics, and fabrics made from alternative plant fibres like bamboo and hemp.

With information on fibres, basic construction of fabrics, weights, construction, and weave comparison, the book will help student fashion designers to make informed textile choices based upon an understanding of raw materials together with the processes that make up a fabric. The book will be useful for anyone who works with fabrics and is the ideal companion to Fabric for Fashion: The Complete Guide.

About the Authors:

Clive Hallett has worked in the fashion industry since 1972 and has been a design consultant since 1978. He lectures at the London College of Fashion.

Amanda Johnston teaches on several fashion design courses at London College of Fashion. She has worked as a design consultant since 1982.

Fabrics are some the most diverse architectural materials available. They can adapt to all architectural circumstances with almost endless versatility. Textiles envelope space, create atmosphere, add accents and can be imparted almost any quality. Contemporary architecture and modern interior design make use of the inexhaustible ability of textiles to take on shape, creating breathtaking structures and impressive interiors.

This generously illustrated volume provides succulent examples of the richness of innovative design implementing textiles. Architects and designers show new dimensions of the formal vocabulary opened by textiles for their projects. Fine Fabric shows that textiles, rich in tradition, are truly a material of the future, and are able to produce any effect, be it trendy or elegant to downright futuristic.

From the contents:

* Pink Project in New Orleans, USA (GRAFT)
* Sydney Olympic Park Amenities, Australia (Durbach Block Architects)
* Kvadrat Sanden Showroom in Stockholm, Sweden (Ronan & Erwan Bouroullec)
* Missoni Hotel Kuwait (Matteo Thun & Partner)
* Harisch Rutter Office in Vienna, Austria (BEHF)

A unique exploration of the close relationship between art and design, explored through the historic and contemporary fabric designs of Liberty, where avant-garde art has influenced the colourful, geometric collections for more than half a century

Liberty is renowned internationally for its fabrics, especially its floral patterns, but it also has a long history of developing bold, geometric designs. Many of these have been inspired by early 20th-century avant-garde art, notably by the Italian Futurists – by artists such as Giacomo Balla and Umberto Boccioni – and their English contemporaries the Vorticists, including Christopher Nevinson and Edward Wadsworth.

In anticipation of Liberty’s 150th anniversary, esteemed couturier and interior designer Federico Forquet has curated a striking new range of fabrics – the FuturLiberty Collection – that carries Liberty’s creative heritage into our own age.

The Futurist and Vorticist art that lies behind the new designs is explored by specialists Ester Coen and Richard Cork, while archivist Anna Buruma examines Liberty’s rich history of avant-garde designs. By illuminating the process by which the FuturLiberty Collection came into being, this highly visual study also reveals how art can inform design, making it contemporary, relevant and engaging.

About the Author:

Ester Coen is an expert on Italian Futurism and the international avant-garde. She has been Associate Professor at the University of Florence and Professor at the universities of Udine and L’Aquila. Richard Cork is an art historian, critic, curator and broadcaster. He has been an art critic for the Evening Standard, The Listener, The Times and the New Statesman, and is a past Turner Prize judge.

This fascinating exploration will appeal to anyone interested in art history, fashion and style, textile design and world history

The golden age of European navigation brought a breathtaking variety of textile designs to travel across the globe. These textiles blended the traditional designs, skills and tastes of the cultures that produced them with those of their destinations, resulting in objects that are both beautiful and historically intriguing.

While previous studies have focused on this story from the viewpoint of trade, Interwoven Globe is the first book to investigate it as a history of design — and to approach it from a universal perspective. Richly illustrated texts examine the interrelationship of textiles, commerce and taste from the Age of Discovery to the 19th century, providing detailed discussions of more than 120 works.

From India, with its renowned mastery of dyed-and-painted cotton, to the sumptuous silks of Japan and China, Turkey and Iran, the paths of influence are traced westward to Europe and the Americas. Shaped by an emerging worldwide visual culture, the fashion for the ‘exotic’ in textiles, as well as in other goods and art forms, gave rise to what can be called the first global style.