Монографии и сборники работ известных архитекторов

The first monograph on the work of Richard Gillette, a visionary designer whose elegant interiors are inspired by the works of the great artists of history.

Richard Gillette is one of America’s leading interior designers, lauded for his comprehensively conceived and exquisitely detailed rooms. A painter by training, his work draws inspiration from the great masters, ranging from artists of the ancient world and the luminaries of the Enlightenment to such familiar figures as Rembrandt, Millais, Klimt, Miro, de Chirico, and Braque, among others.

Richard Gillette: The Art of the Interior presents twenty of the best examples of his interiors. Although his style palette ranges widely, from Cubist Illusion to Victorian Minimal, Pre-Raphaelite Deco to Rococo, all of the apartments and homes featured share a common element: each design was inspired by a central and unifying piece of art that informs the space — a cubist painting by Picasso or Braque, a neo-realist piece by de Chirico, a Pre-Raphaelite masterpiece by Millais. Stunning colour photographs highlight the hallmarks of Gillette’s work — his exceptionally fine craftsmanship and painterly attention to surface and form, elements that contribute to making his interiors works of art in their own right.

A volume rich in sumptuous detail, Richard Gillette: The Art of the Interior is a sublime integration of aesthetics and form in the realized contemporary interior.

About the Author:

Richard Gillette is a New York-based interior designer and principal of Richard Gillette Designs. His work for an international clientele has appeared in publications such as Architectural Digest, Vogue, Cosmopolitan, and the New York Times, among many others.

Lightness in glass and white. On the 50th anniversary of Richard Meier’s firm, a complete retrospective

From his early days as one of the "New York Five," Richard Meier has been a central figure in contemporary architecture; this updated 2013 trade edition of the XL version is published in the occasion of the firm’s 50th anniversary. With the Getty Center and more recent buildings such as the Jubilee Church in Rome, Meier has established a reputation for expanded the horizons of contemporary American architecture while maintaining his rigorously rational approach to design and detailing. Known for carefully conceived grid plans and frequent use of white, Meier is a master of light, space, and volume, able to adapt his style to very different circumstances and locations.

The entire span of Meier’s career is included in this exceptional volume, newly updated for this edition and created in close collaboration with the architect, and the eminent graphic designer Massimo Vignelli. This spectacular monograph displays Meier’s work in unprecedented size and brilliance, and features a preface by the noted Spanish architect Alberto Campo Baeza.
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Philip Jodidio (born 1954) studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN’s Architecture Now! series, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture.

Richard Meier is one of the most renowned architects working today. His works are characterized by their rationalism, their rather detached purity, and their large expanses of reticulated forms masterfully articulating voids and solids. An architect obsessed with visual effects, Meier is known for such large-scale projects as the Getty Center in Los Angeles.

This oversize book, however, concentrates solely on Meier's residential works. Fourteen houses are featured through dramatic colour photos of both interior and exterior side by side with drawings, plans, and reflections of both the architect and his clients. A bibliography and a chronology of all of Meier's residential projects, both built and unbuilt, complete this visually stunning volume.

This oversized book presents 14 built American houses by one of the world's most influential and widely emulated architects. New colour interior and exterior photography, as well as drawings, plans, clients' personal reflections, and the architect's insight, accompany each house. With a chronology of all of Meier's built and unbuilt residential projects, this is a most beautiful and valuable reference for admirers of his work.

The third in a series of Rizzoli monographs on Richard Meier, this volume comprehensively documents the numerous and varied works created since 1992 by one of America's most important architects and a winner of the Pritzker Prize for Architecture.

This extensively illustrated presentation, designed by Massimo Vignelli, conveys the purity and power of Meier's celebrated work. Twenty-three projects in all are featured, including federal buildings and courthouses in Islip, New York, and Phoenix, Arizona; the Barcelona Museum of Contemporary Art; the Museum of Television and Radio in Beverly Hills; the Church of the Year 2000 in Rome; and the widely acclaimed Getty Center in Los Angeles.

The development and significance of Richard Meier's work is discussed in two essays by the distinguished architectural historians and critics Kenneth Frampton and Joseph Rykwert. A postscript by Arata Isozaki, a biographical chronology, and a selected bibliography complete the monograph.

The latest installment of Rizzoli's best-selling series of monographs on one of America's most important architects, Richard Meier, Architect Volume 4 documents Meier's work since the publication of the previous volume in 1999. This extensively illustrated presentation vividly conveys the purity and power of Meier's unique and celebrated vision. Twenty-seven residential, commercial, and civic projects are featured, including the 173/176 Perry Street residential towers in New York overlooking the Hudson River, perhaps the most celebrated new apartment buildings of our time; the Yale University History of Art and Arts Library in New Haven, Connecticut; and the Vatican-sponsored competition for his winning Jubilee Church of the year 2000 for the Vicariate of Rome. The development and significance of Richard Meier's work is discussed in two essays by the distinguished architectural historians and critics Kenneth Frampton and Joseph Rykwert. A biographical chronology and a selected bibliography complete this elegant and comprehensive monograph on a modern American master.

Richard Meier, Architect: Volume 5 comprehensively documents Meier’s work since 2004. 

This extensively illustrated presentation vividly conveys the purity and power of Meier’s vision. Thirty residential, commercial, and civic projects are featured, including the Ara Pacis Museum in Rome, the Burda Collection Museum and Arp Museum in Germany, San Jose City Hall, the Broad Art Center at UCLA, apartment towers in Manhattan and Brooklyn, and master plans for Newark, New Jersey, and Manhattan’s East Side. 

Richard Meier received his architectural training at Cornell University and began his career in the early 1960s designing private residential projects whose elegant modernist style and white facades have become icons of modern architecture. 
Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing, in addition to private houses. 

He has received numerous awards for his work, including the Pritzker Prize for Architecture and the Gold Medal of the American Institute of Architects.

About the Author

Kenneth Frampton is the author of numerous volumes, essays, and articles of architectural criticism and theory, including, for Rizzoli, American Masterworks. He is the Ware Professor of Architecture at Columbia University. 

Paul Goldberger is an architecture critic for The New Yorker magazine and has won the Pulitzer Prize for his work at The New York Times. He holds the Joseph Urban Chair in Design and Architecture at the New School in New York.

This new title in the Modern Masters series is dedicated to the distinguished American architect and includes an introductory essay by Kenneth Frampton, one of the most prestigious names in the field of architecture history. This complete monograph presents 89 of Meier’s buildings, documenting the principal stages of Meier’s career in chronological order, from his early private homes and residential buildings—such as the two large complexes of Twin Parks, Bronx, New York and the Bronx Development Center—to recent major projects in the United States and in several European countries, including Italy. Among the well-known works in this volume are the Getty Center in Los Angeles, the Barcelona Museum of Contemporary Art and the church of Dives in Misericordia, Rome. In the early 1970s, Meier was one of the “New York Five,” an informal group of East Coast architects who shared a preference for new and original contributions to the modern tradition and shaped an alternative to the “gray” architecture that dominated highrise East Coast buildings at the time.

82 colour and 107 b/w illustrations

From the second half of the sixties the rise and consolidation, and more in general the creative career, of Richard Meier has been characterised by slow but steady reflection on modernity, its matrix and the possibility that it can be considered, even today, as a means of regeneration.
A positive obsession, marked by admirable persistence within an overall picture that is very heterogeneous and often confused.
This book attempts to clarify matters regarding the works and projects created over the last decade, mature works that also mark the definitive consecration of Meier as one of the masters of contemporary North American architecture and of the international scene in general.
These reflections on a modernism that is both solar and the conceptual child of abstract culture are superimposed on thoughts about contemporary cities and landscapes and easily lead us to many recent works such as the large complex of the Getty Center in Los Angeles or the museums for the Ara Pacis in Rome and contemporary art museum in Barcelona.
A project development that above all favours great public works creating the opportunity to give a definition to what imagining a collective space means and what a monument is in contemporary terms.
The recently church for the Jubilee in Rome, from this point of view, shows how it is still possible to unite considerations on the modernity of an architectural work with its deep relationship with the simplicity and emotion of form, light and material.

Born and raised in Vienna, Richard Neutra (1872-1970) came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetics, science, and nature into his designs him recognition as one of Modernist architecture`s greatest talents.

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
-an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

History is the lens through which Robert A.M. Stern and his fifteen design partners envision an architecture for today. Robert A.M. Stern Architects: Buildings and Projects 2010–2014 is the seventh volume in a series that encompasses the breadth of the firm’s work since Stern’s earliest projects in the mid-1960s.

Emphasizing the output of the office over the past five years, this volume covers the most globalized period of practice so far. Featuring profiles of well over 100 designs built domestically and abroad, Robert A.M. Stern Architects: Buildings and Projects 2010–2014 includes significant projects in Asia, from China to India. In the United States, the firm’s educational, cultural, commercial, religious, and residential work continues to broaden its exploration of traditional and contemporary architectural expression.

This volume presents the firm’s continued influence on campuses across the United States, reflecting the position that education holds in its ethic, with new additions to Drexel University in Philadelphia, Wake Forest University in Winston-Salem, North Carolina, and the University of Colorado Boulder. The office also remains key to the ongoing development of its home in New York City, with new residential towers on the High Line and in Greenwich Village.

Пролистать книгу Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Другие книги о творчестве Robert A.M. Stern

Robert A.M. Stern: Houses and Gardens

Robert A.M. Stern: Buildings and Towns

Robert A.M. Stern: Buildings and Projects 1999-2003

Robert A.M. Stern: Buildings and Projects 2004-2009

Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Robert A.M. Stern. On Campus

Evidence: The Work of Robert A. M. Stern Architects

Designs for Living: The Houses of Robert A. M. Stern Architects

In over thirty years of practice, Robert A.M. Stern has developed a distinctive architecture committed to the synthesis of tradition and innovation and, above all, to the creation and enhancement of a meaningful sense of place. This monograph, covering the years 1999–2002, is the fourth in a series on Stern's work. The volume includes more than one hundred projects, including houses and apartments, buildings for cultural institutions and universities, office and commercial structures, government facilities, and designs for products, including fabric and tableware.

Другие книги о творчестве Robert A.M. Stern

Robert A.M. Stern: Buildings and Towns

Robert A.M. Stern: Buildings and Projects 2004-2009

Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Robert A.M. Stern: Houses and Gardens

Robert A.M. Stern. On Campus

Evidence: The Work of Robert A. M. Stern Architects

Designs for Living: The Houses of Robert A. M. Stern Architects

I think that all architecture comes from what went before. And how carefully one hews to precedent or how many liberties one takes, in my view, is part of a larger set of judgments as to what is, or could be called, “appropriate.” Appropriate from every point of view, especially from the site, the cultural expectations of a community and of the specific client. — Robert A. M. Stern

Central to the work of Robert A. M. Stern is a commitment to an architecture that reinterprets the past to serve contemporary life. This monograph, the fifth volume since Stern opened his practice in 1969, explores the application of this principle to a wide range of building types, including libraries, university buildings, cultural centers, offices, towers, and private residences.

Focused on the years 2004 through 2009, an exceptionally productive period for Stern’s firm, this volume includes designs for the Miami Beach, Jacksonville, and Clearwater Public Libraries in Florida, the vast Zubiarte retail complex in Bilbao, Spain, two new residential colleges at Yale University, the widely acclaimed 15 Central Park West condominium in New York, Comcast, a crystalline addition to the Philadelphia skyline, and the George W. Bush Presidential Center in Dallas, Texas.

In a conversation with renowned architecture critic Paul Goldberger, Stern discusses the principles that have guided the firm since its inception, focusing on the collaborative nature of the work and the importance of precedent and context. He also describes his own role as an educator, as dean of the architecture school at Yale University, and his deep interest in the history of architecture, first awakened during his student days at Yale. 

About the Author
Robert A. M. Stern, the principal partner of the architectural practice he founded in 1969, is also dean of the Yale School of Architecture. In addition to monographs on the firm's work, Stern has written a series of books on New York's architecture and urbanism, including New York 1880, New York 1900, New York 1930, and New York 1960.

Projects featured include:

Guild Hall, East Hampton, New York
Miami Beach Library, Miami Beach, Florida
Peter Jay Sharp Boathouse, Swindler Cove Park, Upper Manhattan, New York, New York
Clearwater Public Library, Clearwater, Florida
Zubiarte Retail and Leisure Complex, Bilbao, Spain
Comcast Center, Philadelphia, Pennsylvania
Robinson and Merhige Courthouse, Richmond, Virginia
Baker Library | Bloomberg Center, Harvard Business School, Boston, Massachusetts
American Revolution Center at Valley Forge, Valley Forge, Pennsylvania
Residence at One Central Park, New York, New York
55 West, Las Vegas, Nevada
St. Regis Hotel, Bal Harbor, Florida
Fifteen Central Park West, New York, New York
Wasserstein Hall, Caspersen Student Center, and Clinical Wing, Harvard Law School, Cambridge, Massachusetts
Museum for African Art, Museum Mile, New York, New York
International Quilt Study Center and Museum, University of Nebraska, Lincoln, Lincoln, Nebraska
The Mansion on Peachtree, Atlanta, Georgia
Four Seasons Downtown, Hotel and Private Residences at 30 Park Place, New York, New York
Tour Carpe Diem, La Défense, Courbevoie, France
Classical Opera and Ballet Theater, Astana, Kazakhstan
George W. Bush Presidential Center, Southern Methodist University, Dallas, Texas
New Residential Colleges, Yale University, New Haven, Connecticut

Другие книги о творчестве Robert A.M. Stern

Robert A.M. Stern: Buildings and Towns

Robert A.M. Stern: Buildings and Projects 1999-2003

Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Robert A.M. Stern: Houses and Gardens

Robert A.M. Stern. On Campus

Evidence: The Work of Robert A. M. Stern Architects

Designs for Living: The Houses of Robert A. M. Stern Architects

Central to the work of Robert A. M. Stern is a commitment to architecture that reinterprets the past to serve contemporary life. Buildings and Towns explores the application of that principle to a wide range of building types, including libraries, university buildings, cultural centers, offices, health care facilities, courthouses, and recreational complexes completed throughout the world over the past twenty years. The sequel to the highly successful Robert A. M. Stern: Buildings (1996), this volume also incorporates master plans for towns and campuses.

Among the sixty-five featured projects are the Miami Beach Public Library, the new campus for the Darden School of Business at the University of Virginia, multiple projects for Disney including the Ambassador Hotel in Japan, and a range of apartment towers culminating with 15 Central Park West, the largest residential structure in New York City, opening in fall 2007.

Другие книги о творчестве Robert A.M. Stern

Robert A.M. Stern: Buildings and Projects 1999-2003

Robert A.M. Stern: Buildings and Projects 2004-2009

Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Robert A.M. Stern: Houses and Gardens

Robert A.M. Stern. On Campus

Evidence: The Work of Robert A. M. Stern Architects

Designs for Living: The Houses of Robert A. M. Stern Architects