Книги по орнаментам

These beautiful postcards have been selected from the bestselling V&A Pattern titles. 

Drawing on designs intended for textiles, wallpaper, fashion and furnishing, this richly varied collection is a resource for artists, designers and students, as well as a charming addition to the design fan's stationery collection. Presented in a colourful presentation box, these beautifully printed patterns range from the intricate floral motifs of William Morris and C.F.A. Voysey to the wit and vibrancy of Pop era design; from the cool restraint of Fifties textile design to the iconic designs of Liberty & Co. 

A desirable gift and a surprising trove of design inspiration, this postcard collection is the perfect introduction to the V&A's design collections.

About the Artist:

William Morris - textile designer, writer and social pioneer, William Morris and his work have long been associated with the V&A. In 1865, his company was commissioned to design the West Dining Room at the museum, which features early examples of a number of the organic patterns that would make his name. Born in Walthamstow in 1836, Morris was captivated by nature from childhood, spending much of his time exploring Epping Forest and the surrounding countryside. These themes informed much of his textile design, and his mastery of pattern ensured an enduring appeal.

The first publication devoted to the textile designs of one of the twentieth century’s greatest artists, showcasing a rarely discussed aspect of the Pop Art superstar’s career

Andy Warhol (1928–1987), a giant of twentieth century art, is known to most people for his iconic images of soup cans, Coke bottles, and Marilyn Monroe. Before his meteoric rise to fame in the early 1960s as a Pop Art superstar, Warhol was a highly successful commercial artist in New York.

The late Matt Wrbican, former chief archivist of the Warhol Museum in Pittsburgh, once said “there are very few stories left to tell about Warhol, but textiles is one of them”. This is the first book devoted to the commercial textile designs of this leading figure in the history of art. With stunning new photography throughout, including unpublished images of newly discovered textiles, the book sheds new light on a previously undocumented but important aspect of Warhol’s oeuvre.

Featuring over 30 different textiles, from ice cream sundaes to acrobatic clowns, Warhol: The Textiles offers a unique record of the beginnings of one of the twentieth century’s greatest artists.

About the Author:

Geoffrey Rayner and Richard Chamberlain are independent gallery owners, researchers, curators, and authors. 

Marking the 125th anniversary of William Morris’s death, this is the most wide-ranging, comprehensive – and beautiful – illustrated study of William Morris ever published

William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity and influence, places his art in the context of its time and explores his ongoing and far-reaching legacy.

A pioneer of the Arts & Crafts Movement, William Morris (1834–1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process towards a rediscovered respect for the skill of the maker. Morris’s whole approach still resonates today, and his designs are popular and much admired.

Published to mark the 125th anniversary of Morris’s death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy and publishing. Additional materials include a contextualized chronology of Morris’s life and a list of public collections around the world where examples of Morris’s work may be seen today. This study is a comprehensive, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design.

About the Author:

Anna Mason is a leading authority on the Arts & Crafts Movement. From 2009 to 2016 she was curator at the William Morris Gallery, London, and from 2019 to 2020 was curator of the Morris-designed Red House (National Trust). She was lead curator of the exhibition ‘May Morris: Art and Life’ held at the gallery in 2017, and co-author of the accompanying book May Morris: Arts & Crafts Designer (published by Thames & Hudson with the William Morris Gallery and the V&A).

40 beautiful designs by one of Victorian era's most influential designers. Modestly priced, royalty-free collection of richly detailed patterns, faithfully reproduced from rare 1890s publication. Superb designs for wallpapers, chintzes, velveteens, tapestries, tiles, carpets, more.

William Morris Textiles was the first comprehensive survey of the many hundreds of original, colourful textiles produced by William Morris and the two commercial companies he founded and managed. To this day it remains the authority in the field, and this revised edition has been completely rewritten and expanded with beautiful new photography. Linda Parry provides new insight into the embroideries, printed and woven textiles, carpets and tapestries produced by Morris & Co., giving in-depth information about their design and manufacture. The varied, often highly specialized processes involved are discussed in detail, as are Morris's working methods.

Packaged in a colourful presentation box, these beautiful, intricate patterns by visionary designer William Morris and his company offer the perfect introduction to the V&A's extensive Morris collections.

The postcards include wallpaper, textile and tile designs and are a must-have for design fans.

A beautiful book devoted to designs by William Morris that incorporate flowers, a central motif in Morris's oeuvre

A passionate advocate of craftsmanship over mass-production, William Morris (1834– 1896) designed a huge variety of objects, but it is his highly original carpet, fabric and wallpaper patterns that have continued to capture the imagination and exert their influence on the decorative arts. Around 600 such designs are attributed to Morris, of which the vast majority are based on natural forms, including trees, plants and flowers.

This beautifully designed, accessibly priced gift book offers a wealth of designs by Morris in which flowers are the principal motif, bringing together not only completed patterns but also working drawings in pen and watercolour, and examples of his pearwood, floral-pattern printing blocks. It also explores examples of the sources that inspired Morris’s flower-based designs: his own gardens at the Red House in Kent, Kelmscott Manor in Oxfordshire and elsewhere; 16th- and 17th-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and a range of decorated objects, particularly from the Islamic world, that Morris studied at the South Kensington Museum (now the V&A). Authored by Rowan Bain, curator at the William Morris Gallery in Walthamstow, north London, and lavishly illustrated with almost 100 colour illustrations, this exquisite book will both inform and delight.

About the Author:

Rowan Bain is curator at the William Morris Gallery and was formerly assistant curator at the Victoria and Albert Museum. She is the author of several books and a contributor to May Morris: Arts & Crafts Designer.

Invaluable source of information for art historians, craftspeople, dealers, collectors, and preservationists includes hundreds of finely detailed illustrations of garden seats, candelabras, moldings, gates, balcony grilles, vases, crosses, funerary ornaments and monuments, finials, doorknobs and many other ornamental features. A rich source of inspiration and royalty-free graphics, as well, for commercial artists and designers.

Hundreds of attractive royalty-free designs from all periods and styles — from Renaissance and Baroque to Art Deco and Geometric. The virtually inexhaustible supply of dynamic, black-and-white graphic devices includes elegantly rendered miniature flowers and leaves, everyday objects, holiday and abstract motifs, classical designs, and other decorative elements.

The art of embroidery has been practised for thousands of years. In the West, traditions have been at the mercy of trade and fashion, but in other regions, embroidery continues to be rooted in ancient beliefs and superstitions.

This beautifully illustrated book examines in detail the fascinating symbolism of the motifs and patterns that give life to these traditional textiles from around the world.

The global range is as remarkable as the variety of materials and motifs on display. Each textile – whether Chinese court insignia, Japanese kimono, Sumatran sarong, Turkish napkin, Ghanaian banner, Native American pouch or Peruvian Nasca textile, among others – bears its own distinctive designs.

Complete with:

  -  glossary
  -  dictionary of stitches
  -  information on public collections
  -  how to collect textiles

– this is an unrivalled guide for anyone interested in textiles, costume or craft.

A unique exploration of the close relationship between art and design, explored through the historic and contemporary fabric designs of Liberty, where avant-garde art has influenced the colourful, geometric collections for more than half a century

Liberty is renowned internationally for its fabrics, especially its floral patterns, but it also has a long history of developing bold, geometric designs. Many of these have been inspired by early 20th-century avant-garde art, notably by the Italian Futurists – by artists such as Giacomo Balla and Umberto Boccioni – and their English contemporaries the Vorticists, including Christopher Nevinson and Edward Wadsworth.

In anticipation of Liberty’s 150th anniversary, esteemed couturier and interior designer Federico Forquet has curated a striking new range of fabrics – the FuturLiberty Collection – that carries Liberty’s creative heritage into our own age.

The Futurist and Vorticist art that lies behind the new designs is explored by specialists Ester Coen and Richard Cork, while archivist Anna Buruma examines Liberty’s rich history of avant-garde designs. By illuminating the process by which the FuturLiberty Collection came into being, this highly visual study also reveals how art can inform design, making it contemporary, relevant and engaging.

About the Author:

Ester Coen is an expert on Italian Futurism and the international avant-garde. She has been Associate Professor at the University of Florence and Professor at the universities of Udine and L’Aquila. Richard Cork is an art historian, critic, curator and broadcaster. He has been an art critic for the Evening Standard, The Listener, The Times and the New Statesman, and is a past Turner Prize judge.

An intricate tracing book, source book and colouring book to help you create a wide range of Islamic patterns

The exquisite geometric patterns that adorn buildings inside and out across the Islamic world all have an underlying geometry, ranging from the serenely simple to the extraordinarily complex. Presented here are 48 Islamic patterns, from locations such as Samarkand, Delhi, Fez, Isfahan and Cairo, and 48 loose-leaf sheets, each lightly printed with the geometry of the corresponding featured design.

Creative, inventive and fun, this book will give you the skills needed to produce a wide range of Islamic patterns of varying complexity, and then to complete them in colours of your own choice.

About the Author:

Eric Broug runs Broug Ateliers for Islamic Architecture, Arts and Crafts. He is also the author of Islamic Geometric Patterns and Islamic Geometric Design, both published by Thames & Hudson.

The beauty of Islamic geometric designs, and the breathtaking skill of the craftsmen who created them, are admired the world over. The intricacy and artistry of the patterns can seem almost beyond the powers of human ingenuity.

In this handsomely illustrated volume, artist and teacher Eric Broug analyses and explains 
these complex designs for the first time in their historical and physical context. His own original drawings accompany magnificent photographs of mosques, madrasas, palaces and tombs from the Islamic world, ranging from North Africa to Iran and Uzbekistan, and from the 8th to the 19th centuries.

The creators of these patterns were usually anonymous and there is little evidence for their working practices, but a close and detailed study of the designs can tell us much. Combining wide-ranging empirical research with his own artistic skills and sensibility, Eric Broug shows how, over the centuries, craftsmen were able to adorn beautiful buildings with wonderful geometric patterns using the simplest of tools and without recourse to mathematical calculations. Design elements created from straight lines and circles were placed in grids and then repeated and varied to generate seemingly limitless arrays of dazzling patterns.

Chapters are devoted to each of the main ‘families’ of geometric design – fourfold, fivefold and sixfold – and to the complex ‘combined’ patterns. Every design is carefully explained, and illustrated with a wealth of stunning photographs and clear, meticulously detailed drawings.

Readers can follow the design processes by which these patterns were created and even 
learn to reproduce and invent geometric patterns for themselves, using exactly the same tools as the Islamic craftsmen of old: a ruler and a pair 
of compasses.

About the Author:

Eric Broug received his Masters Degree in History of Islamic Art and Architecture from London’s School of Oriental and African Studies. He now runs Broug Ateliers Ltd, a design and educational company specializing in Islamic geometric design. He is the author of Islamic Geometric Patterns.

The official 70th-anniversary publication by Marimekko, celebrating the classic design collaborations, pattern designs and vibrant textiles from the much-loved Finnish lifestyle design house

In 1951, Marimekko, Finnish for ‘Mary’s Dress’, held its first fashion show at a hotel in Helsinki. By 1960, Jacqueline Kennedy was wearing Marimekko on the cover of Sports Illustrated. Marimekko: The Art of Printmaking celebrates seventy years of the much-loved Finnish brand's joyful, liberatory approach to dressing and living, featuring over 100 of its most iconic prints, a multitude of colour-ways and a wealth of archival and brand-new imagery.

Delving into the bold, creative world of Marimekko, this is essential reading for any lover of print and pattern.

About the Authors:

Marimekko is a Finnish lifestyle and design house, celebrated worldwide for its lively, original prints and products.

Laird Borelli-Persson is Archive Editor at Vogue.com and author of seven books, including Fashion Illustration Now and Fashion Illustration Next, both published by Thames & Hudson.