Книги по дизайну иллюстраций и постеров

For all the bird lovers, the definitive collection of hummingbird illustrations by 19th-century naturalist painter John Gould, the "British Audubon".

This sublime collection of 418 superbly detailed hand-colored lithographs of hummingbirds, created by John Gould, the “British Audubon,” in the mid-1800s, represents all the known species at that time and is the most complete ever produced of hummingbirds. Unlike John James Audubon, whose work focused on the avifauna of a single country, Gould’s folios illustrate species from around the world. His original set of folios — Family of Humming-Birds — reproduced here in its entirety, depicts the magnificent jewel-like birds together with botanicals native to their habitats in the most remote and exotic ecosystems of the Americas.

In her essay for the book, co-author Laura Oppenheimer tells the story of Gould’s colorful life and places his work in the context of a remarkable period when exploration and classification of the world’s natural wonders was at the forefront of scientific discovery and universally celebrated in Victorian popular culture. Joel Oppenheimer details how Gould created the prints and presents an overview of nineteenth-century printmaking and lithography techniques. He also unravels the mystery behind the gold-leaf process that Gould employed to portray the iridescent quality of the hummingbirds’ plumage, resolving a long-standing controversy regarding who should be credited for its invention. This Family of Hummingbirds will delight birdwatchers, fans of natural history art, and hummingbird lovers everywhere.

About the Author:

Joel and Laura Oppenheimer are the owners of this eponymous firm that serves as both a gallery and an art restoration workshop, with one location in Chicago's famed Wrigley building and another in Charleston on historic King Street. Founded in 1969, Oppenheimer Gallery specializes in natural history art. Oppenheimer Gallery is one of the preeminent dealers of Audubon watercolors and facsimile prints and works in partnerships with museums across the country including the New-York Historical Society. Robert Peck, curator of art and artifacts and senior fellow of the Academy of Natural Sciences of Drexel University, Philadelphia, is a writer, naturalist, and historian who has traveled extensively in North and South America, Africa, Asia, and Europe. Peck is the author of many books including Land of the Eagle: A Natural History of North America (1990); Headhunters and Hummingbirds: An Expedition into Ecuador (1987); and A Celebration of Birds: The Life and Art of Louis Agassiz Fuertes (1982).

Previously published by Taschen and Rizzoli, Mark Ryden is currently one of today s most celebrated names in the contemporary art scene. Crowned the 'godfather of pop surrealism', he is adored and followed by millions of fans.

The Gay 90's, fondly known as Ryden's greatest work. Showcased in two large galleries in New York and Los Angeles, the exhibit became the subject of a book published by Rizzoli in the United States. Now, Cernunnos brings Ryden's fans 24 collector s postcards of his most famous paintings.

Crowned the “godfather of pop surrealism”, Mark Ryden is followed and adored by millions of fans. Contained in this set are 24 collector postcards of his most famous paintings.

About the Author:

Blending pop cultural themes with art techniques reminiscent of the Old Masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His paintings have been exhibited in museums and galleries worldwide, and his work is part of the permanent collection of the Los Angeles County Museum of Art. Amanda Erlanson is a writer, art collector, and editor of the art blog "Erratic Phenomena."

The long-awaited third monograph on the work of the most important British designer of his generation, showcasing projects from the last thirty years of his career

Neville Brody’s work sits at the intersections between graphic design, communication design and graphic art, pushing boundaries and blurring lines between them as he fuses influences from art, design, fashion, music, low and high cultures. Brody has been one of the most consistently innovative and shapeshifting graphic designers of the past fifty years. He has produced a body of commercial work covering editorial, brand identity, typography, systems, information and interface design of unparalleled boldness and sophistication for global clients that include Shiseido, Coca-Cola, Samsung, Nikon, LVMH, Nike and Dom Perignon, and UK clients such as the BBC, Channel 4, Tate Modern and The Times. The Graphic Language of Neville Brody 3 also captures a body of one-off creative works and site-specific collaborations that are motivated by creativity, political and cultural viewpoints, provocation, and expression.

The Graphic Language of Neville Brody 3 brings almost thirty years of work together in thematic sections that address the key fields of his vibrant design projects, including typographic experimentation, cultural subversion, and design systems. Richly illustrated, each project is explored in detail, revealing the work that has defined Brody’s recent practice across six chapters, from major brands to magazine editorials and features, revealing how Brody’s design language has been informed, evolved and remarkably stayed true to key themes and ideas throughout his career to date. Brody has produced a rich, dynamic and surprising body of new work that will attract a new generation of designers and art directors.

This inspirational volume will be essential reading for anyone interested in the evolution of graphic design over the past three decades.

Contents List:

Forewords
Intro
1. Image and Word
2. Re:Fuse
3. Typo/Graphism
4. Anti/Pro
5. Type/DNA
6. System Addicts
Outro/Backwords
Talks

About the Authors:

Neville Brody is a globally acclaimed creative director, designer, typographer and brand strategist, whose career spans over four decades. Well-known internationally for his iconic work on album sleeve designs and as art director for The Face and Arena, he has also worked on major projects for the BBC, The Times, Tate and Channel 4.
Adrian Shaughnessy is a graphic designer, writer and publisher based in London. He is a senior tutor in Visual Communication at the Royal College of Art. His previous books include How to be a Graphic Designer Without Losing Your Soul and Graphic Design: A User’s Manual.
Steven Heller is a graphic designer, art director, art critic and author. For over thirty years he held the position of senior art director at New York Times Book Review and U&lc magazine. He has authored and co-authored over 200 books on design and popular culture.
Jo-Ann Furniss is an editor, creative director and writer based in Leigh-on-Sea who has worked on The Face, i-D and Arena Homme+ amongst many other key titles.
Naomi Hirabayashi is a Tokyo-based graphic designer and art director involved in creative direction, branding, visual identity, corporate identity systems, and design for apparel brands, stores, musicians and many other fields.

This macabre tale — part dark fantasy, part Gray’s Anatomy — tells the chilling story of a man driven mad by his search for the truth, with hypnotic and horrifying images.

Philadelphia, the late 1870s. A city of gas lamps, cobblestone streets, and horse-drawn carriages — and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: that the mythological beasts of legend and lore — including mermaids, minotaurs, and satyrs — were in fact humanity’s evolutionary ancestors. And beyond that, he wonders: what if there was a way for humanity to reach the fuller potential these ancestors implied?

The Resurrectionist offers two extraordinary books in one. The first part is a fictional biography of Dr. Spencer Black, from his childhood spent exhuming corpses through his medical training, his travels with carnivals, his cruel and crazed experiments, and, finally, his mysterious disappearance. The second part is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts, all rendered in meticulously detailed anatomical illustrations.

About the Author:

Eric was raised in Colorado but lived in several states throughout the U.S. while growing up. He worked as a snow and ice sculptor for nearly ten years, always writing and painting. His love for the arts led him all over the country and eventually to Pietrasanta, Italy where he worked as a marble sculptor. While in Italy, working on anatomy designs of impossible beings, he created the beginnings of what has become The Resurrectionist. Now living in New Jersey with his wife and two children, Eric continues to work as a professional artist.

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Посмотреть ролик о книге The Resurrectionist: The Lost Work and Writings of Dr. Spencer Black: The Lost Work of Dr. Spencer Black

A tale from the Brothers Grimm provides inspiration for three gifted students from the world-renowned Art Center College of Design in Pasadena, California. Khang Le, Mike Yamada, and Felix Yoon were guided by their instructor, Scott Robertson, to create original design solutions for the environments, characters, props, and vehicles found within The Skillful Huntsman. The trio’s sketches and full-color renderings thoroughly document the creative process of concept design, revealing a host of intriguing places — from sci-fi cities to castles, and people — from giants to royalty. A must for artists, aspiring entertainment designers, comic aficionados, and anyone interested in the creative process, The Skillful Huntsman offers insight into the mysterious world of the imagination.

An incisive and startling international review of the evolution of dentistry from the Bronze Age to the present day, presented in a beautifully crafted book of cult appeal book

This achingly jawdropping book follows the evolution of dentistry throughout the world from the Bronze Age to the present day, presenting captivating and grim illustrations of the tools and techniques of dentistry through the ages. Organized chronologically, The Smile Stealers interleaves beautiful and gruesome technical illustrations and paintings from the Wellcome Collection’s unique archive of material from Europe, America and the Far East with seven authoritative and eloquent themed articles from medical historian Richard Barnett. A comprehensive review of the development of the trade and discipline of dentistry, it covers topics as diverse as the very first dentures (produced by the Etruscans in the seventh century bce); the smile revolution in 18th-century portraiture; and the role of dentistry in forensic science – all in one beautifully illustrated volume.

Extending the cult of the medically macabre begun by its predecessors The Sick Rose and Crucial Interventions, The Smile Stealers is guaranteed to appeal to lovers of the horrific and the beautiful alike as it probes the growth of dentistry – from pulling out bad teeth to reconstructing jaws, and from painful action to pain-free interventions and the pursuit of the perfect smile.

A reunion of the world-famous masters of erotic art

Four years since the publication of the well-received Pussycat! Kill! Kill! Kill! dedicated to filmmaker Russ Meyer, three legends of erotic art, Hajime Sorayama, Rockin’ Jelly Bean, and Katsuya Terada reunite to bring fans Tokyo Sweet Gwendoline.

With a nod to fetish photographer John Willie and his legendary fetish magazine Bizarre, which established the aesthetic of modern bondage, these three legends express bondage fetish fantasy worlds in their own style, including 60 artworks in full color.

The largest unique collection of printed memorabilia from the punk and post-punk movements.

Andrew Krivine began collecting punk memorabilia in 1977 when punk exploded onto the scene. Since then, Andrew has amassed one of the world's largest collection of punk graphic design and memorabilia.

This book features a carefully curated selection of over 650 posters, club flyers, record covers and adverts from the collection. Together they represent the prime years of punk which changed the world of graphic design forever with its do-it-yourself aesthetics.

The artworks are put into context by graphic design experts, academics and commentators. Among them former art director of New York Times Steven Heller, reader in graphic design at the London College of Communication Dr Russ Bestley, graphic design writer Rick Poynor, designer Malcolm Garrett and Pulitzer Prize-winning editor Michael Wilde. The book spans the growth and evolution of punk on both sides of the Atlantic including The Clash, The Buzzocks, Iggy Pop and The Stooges, Television, The Ramones, Patti Smith, Talking Heads, Devo, Blondie, Flying Lizards, Public Image Ltd, The Only Ones, The Slits, New Order, REM and Joy Division.

A collectable item itself, the book is beautifully produced with front and back cover artwork by Malcolm Garrett and Peter Saville, the designers behind some of punk's most memorable album covers. Arguably the most essential and final work on the graphic design revolution within the punk and post-punk movements of the UK and America, Too Fast To Live Too Young To Die will appeal to punk fans and graphic designers alike.

Part of Andrew's collection is currently touring the world as the Too Fast To Live Too Young To Die exhibition and has been on display at the Museum of Arts and Design in New York among other museums.

About the Author:

Andrew Krivine owns one of the largest private collections of punk and post-punk graphic design and memorabilia in the world. He began collecting when staying with his cousin John Krivine, who founded the seminal punk stores Acme Attractions and BOY in London in the 1970s. Andrew is a resident of New York, and he continues to add to his collection.

Praised as much by Hollywood as by his fan base, Jason Edmiston is THE greatest painter of Geek culture of our time.

Adopting a classic style, he creates incredible oil paintings of Batman, Daenerys Targaryen, and Dracula, to name a few. Featured in various American and Canadian conventions, he is followed by a huge, loyal fanbase who are desperate to procure all of his posters and limited editions.

This book brings together all of Edmiston’s most famous works, including his posters for MONDO and many new drawings, as well as several pages of technical advice.

Visual Feast reveals a world where food is both an art medium and an edible eccentricity.

We eat with our eyes. People love to stage and take photos of their food. Driven by Instagram and the advertising industry, stylists, gourmandizers, and photographers continually invent new ways of presenting food as both delectable and radical. Visual Feast presents work nonpareil from this growing scene.

Sharing photos of food has become entrenched in our daily lives. Visual Feast celebrates the interplay between a myriad of styles: maps created from vegetables, lobsters painted gold to adorn tables, jelly molded into witty dishes.  These images can be readily found on social media, in magazine editorials, or transformed into infographics.

Food photographers and stylists create innovative images that make mouths water, eyes widen, and nostrils inhale imagined scents. Quenching creative curiosities and satisfying even the keenest of artistic palettes, Visual Feast explores food staging and exists as a tome of inspiration for those immersed and intrigued by its yummy and alluring realm.

Artist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Through paintings, drawings and mixed-media works, Roberts navigates a world of cosmic imagery, pop cultural detritus, and shifting geometric forms, bringing to life both the creeping unease and the uncanny humor of the psychedelic experience. Collecting over 100 new and recent works along with an introduction by Hamilton Morris (Hamilton’s Pharmacopeia), We Ate the Acid is the latest product of Roberts’ visionary journeys and a testament to his expansive, singular imagination.

About the Author:

Joe Roberts is an artist and illustrator. Born in Madison, Wisconsin, he later studied at the San Francisco Art Institute. Known for his work with found objects, Roberts creates mixed media pieces, collages, and paintings that create an ever-changing surreal world. His much sought-after work has been shown in notable galleries including Slow Culture in Los Angeles and Marlborough Gallery in New York. We Ate the Acid is the second publication from Roberts. He currently lives and works in San Francisco.

Celebrating the centenary and legacy of Charley Harper, a master of mid-century American illustration.

Ladybugs, dogs, owls, otters: Charley Harper’s geometric illustrations are more than a source of delight. With a never-ending curiosity for the natural world, especially for wildlife and flora, Harper developed a unique style that influenced generations of artists and designers.

Wild Life celebrates the centenary and legacy of Charley Harper, a master of midcentury American illustration: a vast collection of works originally created as posters, magazine covers, murals, and more. Compiled by design writer Margaret Rhodes and the artist’s son, Brett Harper, this definitive monograph offers a glimpse into Harper’s creative universe and considers him anew in different contexts: as a student, a professional artist, a husband, an honorary naturalist, and a conservationist.

Telling the story of his life and of his masterpieces, Wild Life is essential for enthusiasts of the American master and for anyone interested in midcentury visual culture.

About the Authors:

Brett Harper who wrote the preface and is the co-editor of Wild Life -The Life and Work of Charley Harper is the artist’s son. He leads the Charley Harper Art Studio, which is dedicated to preserving and promoting the American illustrator’s work. Charley Harper's art is a beloved treasure who inspired an entire generation of artists and designers.

Margaret Rhodes is an independent writer and editor specializing in design. She previously worked in-house at New York Magazine, WIRED, and Fast Company.

Illustrator and concept artist Devin Elle Kurtz shares her journey, from childhood ambitions to be an artist and finding the best educational fit, to working in the industry as she continues to develop her craft. 

The Art of Devin Elle Kurtz bursts with the stunning color, light, and storytelling that Devin has mastered, using traditional and digital methods. This is a unique opportunity to learn from a young industry professional. Devin recalls navigating educational opportunities, looking for the combination of formal classes and personal study that suited her needs. Color and light play a huge part – whether she uses traditional or digital techniques – and specially commissioned tutorials give aspiring artists the chance to sample her methods while evolving their skills. Readers will also enjoy the intriguing subject of storytelling, as Devin explores the themes that feature the most in her own work, including where they originated from. These insights and reflections are not only fascinating, but also help readers unlock their own authentic storytelling potential. Devin has been handpicked to join the ranks of superstar artists who have produced their “Art of” books with 3dtotal Publishing, creating the unique blend of advice, tutorials, inspiration, and galleries that we love to see.

About the Author:

Devin Elle Kurtz is a 23-year-old digital illustrator, visual development artist, and background painter, with a focus on fantasy creatures and colorful environments. She works full-time on the Netflix animated series Disenchantment as lead background artist, but still makes time to focus on personal projects and business interests. Of particular note is Devin’s love of nature, with her whimsical scenes often featuring animals, fantastical creatures, and people within richly-lit scenes.

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Посмотреть видео о книге Windows to Worlds: The art of Devin Elle Kurtz

Wander into the immersive illustrated mind of Beatrice Blue.

Filled with playful characters, enchanting natural scenery, and captivating narratives, Beatrice’s designs will appeal to everyone’s inner child. Her fantastic use of vibrant color and luminous finishes give her imaginative scenes life and vigor, while her expressive texturing techniques embellish her already extensively detailed works further, to create designs with depth and integrity.

Discover how Beatrice harmoniously manages her work and life schedule to stay inspired and keep producing fresh and engaging art. She also explains how she builds her stunning compositions and considers every integral detail to create balanced designs. Make sure to take note of the invaluable insights she has to share from her experiences working for industry leaders and find out how to develop designs with personality, in order to stand out from the crowd. This beautiful handheld hardback title is the perfect book to carry with you on all your exciting adventures, providing you with a portal to a colorful and deeply magical world.

About the Author:

Beatrice Blue is a freelance visual development artist and illustrator who loves to travel and explore the splendor of the natural world. Her richly colored and intricately detailed creations convey a strong sense of whimsy and invite the viewer into her fantastical realm. She has undertaken creative work for Harper Collins, Nickelodeon, Huion, DreamWorks TV, Procreate, Lightbox Animation, Frances Lincoln, Literatura, Houghton Mifflin Harcourt, and Quarto books among others and is the founder of the popular “Childhood Week” challenge on social media.

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Посмотреть видео о книге Wonder: The Art and Practice of Beatrice Blue

The only book to showcase Ashley's key works from his past exhibition catalogues- which were previously available only as single limited edition publications. Features English and Japanese text.

About the Author:

Ashley Wood is an award-winning illustrator, concept designer and art director known for work such as the character Judge Dredd