Книги для художников и дизайнеров

In this book, Michel Lauricella presents both his artistic and systematic methods for drawing the human body — with drawing techniques from the écorché (showing the musculature underneath the skin) to sketches of models in action. In more than 1000 illustrations, the human body is shown from a new perspective — from bone structure to musculature, from anatomical detail to the body in motion. Morpho is a rich, fascinating, and helpful book that can go with you everywhere on your sketching journey.

Table of Contents:

- Foreword
- Introduction
- Head and Neck
- Torso
- Arms
- Upper Limbs
- Lower Limbs
- Overviews

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

In Morpho: Fat and Skin Folds, artist and teacher Michel Lauricella presents a unique approach to learning to draw the human body. The typical approach to teaching anatomy and the sketching of the human form most often focuses on the skeleton and musculature. What often goes ignored is the skin itself -- how it moves and the expressions it creates as the body moves and changes positions. This book presents a simplified and practical vision of the fat and skin folds of the human body to help you in your drawing studies, encouraging both accuracy and a rich, diverse representation of the human form. Geared toward artists of all levels -- from beginners through professionals -- this handy, pocket-sized book will help spark your imagination and creativity.

Table of Contents:

- Foreword
- Introduction
- Head and Neck
- Torso and Shoulders
- Upper Limbs
- Lower Limbs
- Resources

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

In Morpho: Hands and feet, artist and teacher Michel Lauricella presents a unique approach to learning to draw the human body. In this book, Lauricella focuses exclusively on the hands and feet—arguably the most popular and, for many, the most challenging parts of the body to draw successfully. Breaking the subject matter down into the underlying skeletal shapes, followed by the musculature, then skin and fat, and finally, the veins, Lauricella offers multiple approaches—from simple forms to complex renderings—and a plethora of positions and gestures are included to help you improve your drawing skills.

Geared toward artists of all levels, from beginners through professionals, this handy, pocket-sized book will help spark your imagination and creativity.

Table of Contents: 
- Foreword
- Introduction
- Hands
- Feet
- Resources

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

In Morpho: Joint forms and muscular functions, artist and teacher Michel Lauricella presents a mechanical view of the human body. In the same way that paleontologists work, we can deduce the body’s muscular functions by studying the shapes of the bones. Starting with the joints, which are reduced to simple shapes such as pulleys and spheres, Lauricella teaches you their connections and correspondences with the muscular system, which is necessary for understanding movement.

Geared toward artists of all levels, from beginners through professionals, this handy, pocket-sized book will facilitate your practice of imaginative drawing and will enrich your drawing from observation.

Table of Contents:
- Foreword
- Introduction
- Head and Neck
- Torso
- Upper Limbs
- Lower Limbs
- Resources

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

This book provides a simplified and practical vision of the human skeleton to help you in your drawing studies. Here you will find the most common and useful approaches to the body’s underlying skeleton and bone structure, which will fuel your imagination and enrich your observational skills as you draw the living form. In this small, portable guide, artist and teacher Michel Lauricella focuses on the essentials you need to know, creating a book that is highly usable and helpful for artists of all kinds.

Table of Contents:
- Foreword
- Introduction
- Head and Neck
- Torso and Shoulders
- Upper Limbs
- Lower Limbs
- Resources

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

Learn to draw by sketching what surrounds you everyday. In Observational Sketching, author Mariko Higaki — an ISDA Gold Award-winning industrial designer based in Japan — teaches you how to practice and learn to sketch by using well-established observational techniques.

Perspective, proportion, lines, shapes, shading, and many other techniques can be learned through everyday practice and observation of the items you come in contact with everyday, from a backpack to your sunglasses. This book addresses how to approach sketching a range of shapes and materials and how to disassemble each object to accurately capture its unique design elements. Inspiration and examples from the author and other well-known artists accompany a variety of projects that you can try right away and skill-building projects that will strengthen your talent. Find within:

- An introduction to observational sketching
- The basic concepts and tools used in observational sketching
- Observation techniques
- Illustrated step-by-step instructions for creating observational sketches of 20 common objects, from an alarm clock to a wooden stool 

Hone your artistic skills with this daily sketching practice. Whether you are an urban sketcher or an industrial designer, this book should be part of your reference collection.

About the Author:

After graduating from the Faculty of Environmental Information of Keio University in 2007, Mariko Higaki joined Leading Edge Design, founded by design engineer Shunji Yamanaka, where she was involved in projects related to industrial design, exhibitions, and education. She later studied at the ArtCenter College of Design in Pasadena, California, completing their Product Design course in 2015, and has worked as an independent product designer since 2016. Higakil has received many awards and recognitions, including the IDSA Gold Award and the Pentawards Bronze Award, and was a Top 20  International Finalist for the James Dyson Award. She is based in Los Angeles. To see more of her work, visit: https://marikoproduct.com/

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Пролистать книгу Observational Sketching: Hone Your Artistic Skills by Learning How to Observe and Sketch Everyday Objects на Google Books.

Designing a captivating creature simply for it to exist against a white background and going no further is a purely academic exercise. Designing a creature that can survive in a world, interact with its own and other species, and go on to make an impact, is designing with intent. This is the end goal of creature design and what you will witness in this latest book from industry expert Terryl Whitlatch.

With decades of experience in the entertainment industry, developing creatures for Star Wars: Episode I — The Phantom Menace and Beowulf, among other films, Whitlatch offers an abundance of valuable advice throughout the Principles of Creature Design. For Whitlatch, there’s no limit to what can be imagined with an open mind, though the journey may not always be an easy one. It’s what she calls “chasing the unicorn.” We will surely enjoy joining her on her journey, filled with creatures so vivid, whimsical, and elaborate that we will wish — or wonder if — they are real.

About the Author:

Terryl Whitlatch is an accomplished, scientifically and academically trained illustrator who extensively studied vertebrate zoology and animal anatomy. She has worked for various zoos and museums in the United States and as senior consultant on Wildlife Art and Animal Anatomy for the World Wildlife Fund. She is considered to be one of the top creature designers and animal anatomists working in the field today. In a career spanning more than 25 years, Whitlatch has many projects to her credit, including Star Wars: The Phantom Menace, Star Wars: The Special Edition, Jumanji, Men in Black, Brother Bear, Dragonheart, Alvin and the Chipmunks, Curious George, The Polar Express, and Beowulf. For over seven years, she worked for Lucasfilm, Industrial Light & Magic, and George Lucas's JAK Films. Her illustration skills and comprehensive knowledge of animal anatomy and movement are essential in the development of believable creature creation.

The human body is a challenging subject to depict because of its intricate complexity and movement. “To do it well requires an in-depth knowledge of anatomy and an awareness of what lies beneath all parts of the body, for the greatest figurative art gives the impression that there is a living skeleton inside the body,” notes artist and veteran art educator Rey Bustos. With Rey’s Anatomy: Figurative Art Lessons from the Classroom, Bustos provides essential anatomical information, detailed studies, and valuable drawing tutorials to equip artists with a basic understanding of the skeletal structure and muscle system of the human body.

Having taught figure drawing for 30 years, he presents complex concepts in a remarkably accessible manner, referencing works from the Old Masters to demonstrate how an artist can take the same anatomical knowledge and express it in diverse and personal ways and, with study and practice, portray the human form without being hindered by the process or the intellect. Rey’s Anatomy explores anatomy first, followed by daily drawing exercises to help refine one’s figurative work, while featuring the extraordinary work of his students throughout the book ― alongside his own ― a testament to how his lessons have benefited generations of artists.

About the Author:

Rey Bustos is one of the country's preeminent artistic-anatomy teachers. He graduated with honors from the prestigious ArtCenter College of Design in 1989, and has been teaching figure drawing, composition, and 2D and 3D anatomy ever since. Bustos currently teaches at ArtCenter College of Design in Pasadena, CA, Los Angeles Academy of Figurative Art, and Kline Academy of Art in Culver City, CA and conducts online classes for Computer Graphics Masters Academy (CGMA), New Masters Academy and Gnomon School of Visual Effects.

The human body is a challenging subject to depict because of its intricate complexity and movement. “To do it well requires an in-depth knowledge of anatomy and an awareness of what lies beneath all parts of the body, for the greatest figurative art gives the impression that there is a living skeleton inside the body,” notes artist and veteran art educator Rey Bustos. With Rey’s Anatomy: Figurative Art Lessons from the Classroom, Bustos provides essential anatomical information, detailed studies, and valuable drawing tutorials to equip artists with a basic understanding of the skeletal structure and muscle system of the human body.

Having taught figure drawing for 30 years, he presents complex concepts in a remarkably accessible manner, referencing works from the Old Masters to demonstrate how an artist can take the same anatomical knowledge and express it in diverse and personal ways and, with study and practice, portray the human form without being hindered by the process or the intellect. Rey’s Anatomy explores anatomy first, followed by daily drawing exercises to help refine one’s figurative work, while featuring the extraordinary work of his students throughout the book ― alongside his own ― a testament to how his lessons have benefited generations of artists.

About the Author:

Rey Bustos is one of the country's preeminent artistic-anatomy teachers. He graduated with honors from the prestigious ArtCenter College of Design in 1989, and has been teaching figure drawing, composition, and 2D and 3D anatomy ever since. Bustos currently teaches at ArtCenter College of Design in Pasadena, CA, Los Angeles Academy of Figurative Art, and Kline Academy of Art in Culver City, CA and conducts online classes for Computer Graphics Masters Academy (CGMA), New Masters Academy and Gnomon School of Visual Effects.

What is creature design? We all have a notion — mostly consisting of evocative images of otherworldly beings galloping, swimming, flying, and often attacking the hero of an epic film or story. But what makes a creature believable? In the follow-up to her best seller, Animals Real and Imagined: The Fantasy of What Is and What Might Be, world-renowned artist Terryl Whitlatch reveals the secret behind believable creature design: anatomy.

Anatomy is the cornerstone of successful creature design, whether the creature is real or imaginary. Accurate anatomy is often the key to suspension of disbelief, allowing you to draw imaginary creatures that viewers will believe in.

We invite you to delve into the intricate workings of numerous animal anatomies — and the beauty they possess — in the Science of Creature Design: Understanding Animal Anatomy. Whitlatch’s delightful and charismatic illustrations will inform and thrill readers with every turn of the page. She shares valuable techniques reaped from years working for Lucasfilm and Walt Disney Feature Animation, and on such films as Jumanji, Brother Bear, and The Polar Express. In addition, Whitlatch possesses an endless love for real animals that continues to inspire her fantastic imaginary creatures, which have captivated audiences around the world.

About the Author:

Terryl Whitlatch is an accomplished, scientifically and academically trained illustrator who extensively studied vertebrate zoology and animal anatomy. She has worked for various zoos and museums in the United States and as senior consultant on Wildlife Art and Animal Anatomy for the World Wildlife Fund. She is considered to be one of the top creature designers and animal anatomists working in the field today. In a career spanning more than 25 years, Whitlatch has many projects to her credit, including Star Wars: The Phantom Menace, Star Wars: The Special Edition, Jumanji, Men in Black, Brother Bear, Dragonheart, Alvin and the Chipmunks, Curious George, The Polar Express, and Beowulf. For over seven years, she worked for Lucasfilm, Industrial Light & Magic, and George Lucas's JAK Films. Her illustration skills and comprehensive knowledge of animal anatomy and movement are essential in the development of believable creature creation.

An exclusive selection of awe-inspiring concept designs and sketches from some of the world’s most talented artists.

Whether scribbled in a sketchpad or on a napkin, concepts are a way for artists to develop their skills and discover interesting shapes and forms that can be developed into their next masterpiece. In Sketching from the Imagination, 50 talented traditional and digital artists have been chosen to share their sketchbooks and explain the reasons behind their design decisions. A visually stunning collection packed full of useful tips, Sketching from the Imagination is a master class in concept design to inspire artists of all abilities.

Drawings are the foundations of great fantasy art where concepts, thoughts and inspirations first become images.

In Sketching from the Imagination: Fantasy, 50 talented traditional and digital artists have been chosen to share their sketchbook works. Ranging from Hollywood film concept designers to talented students, each artist is handpicked from a vibrant international online art community. From doodles and sketches of creative creatures to fully rendered drawings of invented worlds, this book explores how 50 artists develop their ideas to create incredible images.

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Unlock your creativity.

An inspiring guide to creativity in the digital age, Steal Like an Artist presents ten transformative principles that will help readers discover their artistic side and build a more creative life.

Nothing is original, so embrace influence, school yourself through the work of others, remix and reimagine to discover your own path. Follow interests wherever they take you — what feels like a hobby may turn into your life’s work. Forget the old cliché about writing what you know: Instead, write the book you want to read, and make the movie you want to watch.

And finally, stay Smart, stay out of debt, and risk being boring in the everyday world so that you have the space to be wild and daring in your imagination and your work.

From the Back Cover

Unlock your creativity.

1. Steal like an artist.
2. Don't wait until you know who you are to get started.
3. Write the book you want to read.
4. Use your hands.
5. Side projects and hobbies are important.
6. The secret: do good work and share it with people.
7. Geography is no longer our master.
8. Be nice. (The world is a small town.)
9. Be boring. (It's the only way to get work done.)
10. Creativity is subtraction.

About the Author:

Austin Kleon is a writer and artist living in Austin, Texas. He's the author of two bestselling books: Steal Like an Artist, a manifesto for creativity in the digital age, and Newspaper Blackout, a collection of poetry made by redacting newspaper articles with a permanent marker. He speaks about creativity for organizations such as Pixar, Google, SXSW, TEDx, and The Economist. Visit him online at www.austinkleon.com.

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Пролистать книгу Steal Like An Artist: 10 Things Nobody Told You About Being Creative на Google Books

Costume design is storytelling. And to do it successfully, you need to understand the five functions of a costume: to connect to plot and theme, establish the structure of society, put in a specific time and place, indicate personality, and reveal a passage of time. It is an exciting and challenging craft that involves a thoughtful and thorough examination of these various elements in order to give a costume life. In animation, games, and illustration, in particular, the designer needs to be acutely aware of the unique characteristics and limitations of each medium ― from solid research approaches and basic production pipelines to audience experience and ideal tools of the trade. 

Talking Threads: Costume Design for Entertainment Art, backed by decades of experience of five industry professionals, provides an in-depth exploration of these functions and format considerations to equip artists with the necessary knowledge and mindset to develop strong narrative-informed costume designs. Each chapter is packed with creative exercises, detailed tutorials, inspiring designs, and invaluable insights that will help artists of all levels confidently and efficiently tackle their next costume adventure.

About the Authors:

Jessie Kate is a design mentor. With her background working with her father, a master craftsman and furniture designer, she gained experience with complex creative problem-solving. Her mother's musical focus nurtured a love of entertainment, and Jessie Kate combined the two influences to choose a path in entertainment design. Her past experience includes freelance design, educational program design, production coordination for TV animation, creative direction for startups, and indie project development. When she brought her curiosity and analytical approach to the animation industry and found a gap in costume-design education, Jessie Kate decided to fill the void by gathering a team of specialists to create this book. She specializes in using personality psychology to develop authentic character arcs and immersive costume designs, guiding her mentees through narrative analysis, practical research methodology, and concept development.Jessie Kate co-instructs History of Fashion at ArtCenter College of Design with Gwyn Conaway.

Gwyn Conaway is a member of the Costume Designers Guild Local 892. She's a costume designer, fashion historian, and culture specialist living in southern California. Although she works primarily in historical and dramatic film, Gwyn also consults on costume simulation for major animation and gaming studios. She specializes in Marvelous Designer and garment model fit.Considered an authority on the intersection between clothing and social psychology, Gwyn is on the cutting edge of how the entertainment industry thinks about costume and culture as a visual language. She is often called upon to design and consult for conceptual projects in post-apocalyptic and fantasy settings. Conaway is on the faculty at ArtCenter College of Design in Pasadena, California. Her course, History of Fashion, is the first of its kind. Geared directly towards entertainment design students, the class explores Gwyn's burgeoning expertise: building cultures for film, television, and gaming from the ground up.

Rebecca Black-Gliko descends from a long line of quilters and has been sewing in some form or another since a very young age. Her devotion to learning led to a degree in illustration as well as studying abroad in Japan and New Zealand. Beki has worked for Laika Studios on the films Kubo and the Two Strings and Missing Link in both the rapid prototype and costume departments. Living in Oregon with her husband, Raul Ramos, she continues to work on projects that explore and combine a variety of mediums. She is currently working on a stop-motion graphic novel, Oni-san, that combines her love of animation, illustration, and stop-motion. Beki enjoys the challenge of translating a design on paper into a functional final product--whether the end result is digital or physical--and choosing the format that best translates the intentions of the narrative.

Maria Kercher is a visual development artist specializing in material behavior and cultural stylization for animation. She has also worked in design for indie games and illustration for live-action films. Born and raised in Brazil, Maria visited the opera and ballet frequently and participated in dance and figure skating competitions, nurturing a fascination with how costumes are used to enhance performance. Through figure skating, she gained an interest in how countries or people can be represented through simplified shapes, colors, movement, and music. Learning to sew from her mother, she began exploring her fascination through fashion.When her father introduced her to US animation, Maria fell in love with the idea of breathing life into a fictional world and came to the US to study animation. Now based in Seattle, Washington, she is focused on expanding her knowledge of materials and world cultures to better connect audiences to each other.

Blythe Russo is an illustrator and puppet builder living in Ohio. She earned a master's in illustration from the Savannah College of Art and Design and is an active member and supporter of the Kidlit community. Blythe made her debut as a children's book illustrator with the counting book, One More Wheel (Macmillan/August 2019). Her favorite stories to tell are those of friendship--that give the reader both the giggles and the warm fuzzies.As a self-taught puppet-builder, she has worked as the lead puppet builder for Madcap Puppets. She has designed and fabricated pieces for a variety of their shows, including The Case of the Kidnapped Backpack, The Wonderful Wizard of Oz, and Pinocchio. She's also been known to teach a puppet-building class every so often.

Technical Drawing for Fashion explains how to create a technical fashion drawing using a simple and straightforward step-by-step method. This second edition includes more information on rendering drawings by hand and using a computer, and a brand new section on knitwear.

The main part of the book presents over 600 technical drawings of garment types, styles and construction details, the basic key shapes of which are shown alongside a specially created and photographed calico toile. This unique presentation illustrates the relationship between the three-dimensional garment and the two-dimensional drawing, allowing readers to really understand how to render technical drawings

About the Author:

Basia Szkutnicka is a successful freelance writer, design consultant, educator and creative, specializing in womenswear, footwear, forecasting, colour, range planning and technical drawing. She has lectured all over the world on design process, was a course director at the London College of Fashion for 15 years, and is now head of the MA in Fashion at Hong Kong University.

Contents:

Technical Drawing for Fashion, second edition – Table of Contents

Downloads & extras:

Technical Drawing for Fashion Test

Technical Drawing for Fashion Answer Key

Technical Drawing for Fashion Exercises

Technical Drawing for Fashion Web Resources

Technical Drawing for Fashion Template Intros

Figure Templates 1

Figure Templates 2 – Teen and Plus Size

Sleeves Template