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Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for top studios such as Disney, Warner Bros., and DreamWorks.

Within the pages of issue 10, discover an array of enthralling artwork, interviews, and tutorials from some of the industry’s best international artists. Learn how to redesign classic characters in an in-depth tutorial by Ioana Sopov as she demonstrates how to update the evil queen character trope. And if you’re looking to create a journal of ideas for future projects, Jose Ciceraro shares tools, techniques, and mindsets for keeping a sketchbook. For aspirational experience, advice, and masterful artwork, read interviews with skillful concept artist, Haimeng Cao and whimsical designer and illustrator, Kelsey Buzzell. Plus, catch critically acclaimed artist and illustrator, Tom Booth, talking about his varied career and enchanting cover art.

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IDEAT celebrates its 20th anniversary: 360-degree creativity

In the landscape of design and décor, IDEAT, founded by Laurent and Anne-France Blanc in 1999, has always been seen as an exception. The magazine occupies a unique place among publications, covering decoration, travel, design, architecture, photography, and contemporary art. Interdisciplinary breadth is at the heart of its editorial approach. Modernity is its doctrine.

From interviews with the greatest architects or designers of the moment to a report by a buzzy interior designer, from the 40 top addresses in the metropolis of the moment to retail recommendations that seamlessly merge furniture and fashion, 20th-century design and the latest high-tech know-how, IDEAT never fails to arouse curiosity, nourish the imagination, and enrich the cultural knowledge of professionals and the public at large. Trends — but not just the hip ones, décor that surpassed the conventionally feminine, an eye for the latest fashion that still kept things classic and chic: IDEAT succeeded in such a diverse space by proposing specialized information with a warm and familiar tone. 

Design, international architecture, interior design, fashion, shopping, city breaks: IDEAT brings its readers close to its cultural sources and inspires their curiosity and creativity alike. To celebrate its 20th anniversary, IDEAT presents this book edition of its May anniversary issue. The publication features all of the magazine’s regular columns alongside never-before-published décor reports, city guides one step ahead of the game, and a throwback to some of most beautiful icons of design history. 

A magnificent portfolio — as diverse and vibrant as IDEAT always is, furiously contemporary and absolutely indispensable!

Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for top studios such as Disney, Warner Bros., and DreamWorks.

Bursting from the pages of issue 11 are dynamic tutorials, in-depth interviews, and expressive characters from a selection of the industry’s most talented creators. Delve into dynamic demonstrations by Jake W Morrison, Amanda McFarlane, and Vanessa Morales, as they create characters with a life of their own; and uncover the tools and techniques used by Sam Nassour to develop his captivating cover art.

For a little lighter reading, check out the informative mini-features to pick up top tips on how to effectively indicate scale, as well as how to approach alternative color palettes, and imbue characters with emotion. And lastly, relish a jam-packed gallery of engaging artwork by Roma Gewska, Madison Harper, and Leonard Furuberg.

Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for top studios such as Disney, Warner Bros., and DreamWorks.

Crafted by a selection of the industry’s best and brightest; adorable creatures, kooky aliens, and an array of more personable characters bound from the inside of issue 12. Devised for a range of audiences, the designers outline how best to understand your viewer, reveal some of their favorite techniques built for speed and efficiency, and impart the importance of harnessing your unique take on a client’s brief.

Absorb invaluable advice from professional visual development artist, Simon Baek (Toy Story 4, Onward), and the motivational and deeply inspiring words of whimsical illustrator, Sara Kajba of Moonchild Illustrations. Sit back and revel in the fascinating technical approaches of cover artist Sarah Conradsen, the mastermind behind this issue’s shady gang of mere criminals; Tom van Rheenen, and 2D designer for Atomic Cartoons, Lara Carson.

For over seventy-five years, domus has been hailed as the world’s most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, the magazine’s central agenda has always remained that of creating a privileged insight toward identifying the style of a particular age, from Art Deco, Modern Movement, Functionalism and Postwar to Pop, Post-Modernism and Late Modern. Beautifully designed and comprehensively documented, page after page domus presents some of the most exciting design and architecture projects from around the world.

TASCHEN’s twelve-volume reprint features selected highlights from the years 1928 to 1999. Reproducing the pages as they originally appeared, each volume is packed with articles that bring to light the incredible history of modern design and architecture. A truly comprehensive lexicon of styles and movements, the volumes are accompanied by specially commissioned introductory texts that not only outline the history of the magazine but also describe what was happening in design and architecture during each era covered. These texts have been written by many of the magazine’s renowned past editors: Mario Bellini, François Burkhardt, Cesare Maria Casati, Stefano Casciani, Germano Celant, Manolo De Giorgi, Fulvio Irace, Vittorio Magnago Lampugnani, Alessandro Mendini, Lisa Licitra Ponti, Ettore Sottsass Jr., Luigi Spinelli, and Deyan Sudjic. The volumes have also been thoroughly indexed, allowing the reader easy access to key articles —many of which have been translated into English for the first time.

TASCHEN’s domus collection is a major publishing achievement and an important must-have for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design.

domus - The quintessential works of Modernism

Volume I  -  1928–1939

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1928–1939: Birth of the International Style
The International Style of the late '20s and '30s was defined by groundbreaking buildings, interiors and furniture by Le Corbusier, Mies van der Rohe, Marcel Breuer, Robert Mallett-Stevens, Alvar Aalto, and Richard Neutra. The Italian avant-garde, including Giuseppe Terragni, Carlo Mollino, Gio Ponti, Melchiorre Bega, Franco Albini or Studio BBPR, were also central in the formative decade of Modernism. Tubular furniture, glass works by Venini and Fontana Arte, and industrial design are featured, alongside American skyscrapers and office interiors.

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1940–1949: Destruction and reconstruction
Fascism's rise and World War II led to widespread destruction in Europe, followed by reconstruction, democratization, and the search for new social values. In fascist Italy, Modernism flourished in buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni. After the war, Organic Design emerged alongside the International Style. Despite enormous obstacles, the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. This tome includes reports and features on modern industrial design and furniture, domestic and business interiors, new prefabricated houses, and American academic architecture.

domus - The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1950 – 1954: Architecture of the avant-garde
The early 1950s were characterized by great optimism, as memories of World War II receded. Architecture and design sought new forms, materials and applications – and domus captured the mood with detailed reports on Tapio Wirkkala, Finn Juhl, Carlo de Carli, Carlo Mollino, Piero Fornasetti, Harry Bertoia and George Nelson; via features on Le Corbusier’s famous Unité d’Habitation; the Case Study Houses of Charles and Ray Eames; Richard Neutra in California and Oscar Niemeyer in Brazil; and the futuristic Olivetti Showroom by Studio BBPR in New York. This book offers a superb overview of international architecture of the avant-garde in the early '50s.

domus - The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1955–1959: International affairs
The late 50s was an era of grand visions and increasing internationalization, as evidenced by the works included here by architects and designers like Oscar Niemeyer, Carlos Raúl Villanueva, Vittoriano Viganò, and Angelo Mangiarotti. Also featured are office machines by Olivetti, furniture by Ray and Charles Eames, ceramics and lights by Ettore Sottsass, the Herman Miller Showroom by Alexander Girard in San Francisco, Le Corbusier’s pilgrimage church in Ronchamp and Gio Ponti’s Villa Arreaza in Caracas.

The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1960–1964: Design goes pop
The early '60s saw the rise of Pop Art and popular culture, leading to Pop Design–particularly in interiors, where new synthetics and plastics replaced metal, glass or wood, leading to radical new designs. Volume V features designs by Ray and Charles Eames, Verner Panton, Achille and Pier Giacomo Castiglioni, and Joe Colombo. In architecture, buildings by Gio Ponti, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and Eero Saarinen are among the highlights.

domus - The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.

Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1965–1969: Looking to the future
In the late '60s, architecture and design changed radically. Functionality, elegance, and faithfulness to materials gave way to experimentation and exploration. Archizoom and Archigram questioned status symbols and consumerism, reflected in the Anti and Radical Design movements. Also featured are Joe Colombo, Ettore Sottsass, Gae Aulenti, Olivier Mourgue, Achille and Pier Giacomo Castiglioni, Verner Panton, Kenzo Tange, Luigi Moretti, Oscar Niemeyer, and Gio Ponti.

domus - The quintessential works of Modernism

For more than eight decades, domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting design and architecture projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1970–74: Individuality reigns supreme
The early '70s saw seismic changes in architecture and design, as a trend towards individuality manifested in novel styles and construction methods. Futuristic work by Luigi Moretti stood in contrast to practical designs by Renzo Piano or Richard Rogers; elsewhere the first postmodern tendencies could be detected. Japanese architect Kisho Kuramata created metabolic buildings and city planning, while the living landscapes of designers Verner Panton and Joe Colombo opened new vistas.

For more than eight decades, domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1975–1979: First signs of ecological awareness
The mid–'70s saw a global energy crisis resulting from oil shortages. As a result, architecture and design moved to embrace alternative resources, ecological building methods, and recyclable materials. Featured are postmodern buildings by Richard Meier, the modernistic structures by Foster Associates, the Centre Georges Pompidou by Renzo Piano and Richard Rogers, and the work of the Japanese architects Arata Isozaki and Kisho Kurakawa. Also included are designs for transport systems, office machines, and electrical appliances.

For over eight decades, domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, and Pop, to Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1980 – 1984: Postmodern preoccupations
The early '80s saw the rise of Postmodernism. Italian design groups Alchimia and Memphis, led by Alessandro Mendini, Andrea Branzi, Michele de Lucchi, and Ettore Sottsass, questioned the functionality of design objects. Everyday items and classic designs were reinterpreted with ironic relish. In architecture, similar ideas took shape in the buildings of Hans Hollein, Michael Graves, Studio Nizzoli, and the offices of Venturi, Rauch & Scott Brown, while deconstructivist tendencies were recognizable in early designs by Zaha Hadid.

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1985–1989: The eighties in full force
Along with the Postmodern - buildings, interior decoration, and designs by Peter Shire, Richard Meier, Gustav Peichl, Ricardo Bofill, Ettore Sottsass, Arata Isozaki, and Arquitectonica – the High-Tech Style was dominant, led by the Hong Kong & Shanghai Banking Corporation offices by Foster Associates, and the Lloyds Building by Richard Rogers. Contemporary avant-garde led with designs by Daniel Libeskind in Berlin. In product design, furniture and lamps by Alberto Meda and Philippe Starck were published in domus for the first time.