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Among the significant projects of the last years of his life, Richard Avedon (1923–2004) completed a book of his photographs of women.

Always transcending categorization - he was both a fashion photographer and known as a “poet of portraiture” - Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries? Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half-century of rapidly changing social mores, cultural ideals, popular styles, and high fashion. As an artist, he was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects.

These ranged from celebrities (Marilyn Monroe), artists (Maria Callas, Isak Dinesen), and high-fashion models (Suzy Parker, Kate Moss) to women who simply drew his attention. Like the best of art and literature, Avedon's portraits evoke rich lives and complex experiences. An incisive essay by art historian Anne Hollander offers an overview of a half-century of Avedon's images of women.

About the Authors:

Richard Avedon was one of the most celebrated photographers of the 20th century. His portrait work comprises an authoritative record of our era and he redefined the fashion photograph. In 1992, he became the first staff photographer of The New Yorker.

Anne Hollander is the author of several books, including Feeding the Eye, Moving Pictures, and Seeing Through Clothes.

On over 400 pages, editor Michael Köckritz, author Jürgen Lewandowski and photographer Michel Zumbrunn get up close and personal with the Ferrari phenomenon: its beauty and sex appeal, its class and power.

Success is not founded on miracles, but is almost always the product of a clear concept — the pinnacle of an ambitious, even stridently innovative idea. However, the aura of Ferrari does indeed approach the miraculous. What lies behind this phenomenon? What is the source of fascination for a brand whose creative designs are internationally recognized and enthusiastically received?

First, even today — 70 years after the company was founded — the miracle of Ferrari is still due in large part to the personality of Il Commendatore, Enzo Ferrari. Patience, passion, and being hard on himself and those around him gave the brand, under the emblem of the Cavallino Rampante, the power to become what it is today: sheer fascination on four wheels. Second, the long list of international racing victories is equally important. There is no class, no competition, that Ferrari did not set its sights on and win more or less immediately during the company’s last 70 years. Finally, Ferrari is synonymous with aesthetics, elegance, and trend-setting design. The true value of a brand and its products is measured in the currency of impassioned devotion. This is the third and perhaps most vital element confirming the Ferrari miracle: The Ferrari Book – Passion for Design traces the evolution of the miracle and lets us experience passion given automotive form in a large and engrossing format.

About the Author:

Based on expertise and the single-minded pursuit of a theme over several decades, and with the resources of cars and culture magazine, ramp, a team of authors working with editor-in-chief Michael Köckritz developed a novel idea for a series: In The Ferrari Book: Passion for Design, Ferrari enthusiasts will find 40 spectacular icons, all of them selected for their design. Describing the core elements of the contemporary craze for Ferrari and automobiles, this book is a new and different treat for all ultimate fans.

#NSFW is an Erotic Greatest Hits of photographer Rankin’s nude work. Throughout his twenty-five-year career, he has returned time and again to photograph the female form. #NSFW presents a collection of his favourite shots. Unapologetic. Provocative. Beautiful. Designed on a super-size scale, the book takes nude photography to the next level, brazen yet intimate.

 - Photographer Rankin’s most daring shots
 - These images are NOT SAFE FOR WORK
 - A collection of stunning nude photography

Always intending to celebrate and empower women, Rankin brings signature humour and cheek to his nudes, creating playful images that challenge preconceptions.

This collection of stories profiling one hundred beautiful vehicles (and their owners) is the ultimate gift book for car lovers.

New York Times best-selling author and popular Wall Street Journal "My Ride" columnist A.J. Baime selects the one hundred cars, motorcycles, and other vehicles to fill the dream garage.

Stunning photography and Baime's engaging essays celebrate everything drivers love about their cars--from technical specifications to satisfy gearheads to intangibles like a driver's relationship with his or her car--making it truly "my ride."

You want fast? Step on the gas in a Koenigsegg CCX, '87 Lamborghini, or 1970 Pontiac GTO. You want classic? Here are the keys to a '62 Corvette, '57 Thunderbird, or 1930 BMW--the oldest Bimmer in the United States. You want cool? Take a '64 Shelby Cobra, Tesla Model X, or Aston Martin Vulcan for a spin. You want one-of-a-kind? How about a '52 Seagrave fire truck, '73 VW Thing, or the Batmobile?

You also get to meet the owners. There's the story of a pizza-delivery man who dodges polar bears in his Hyundai in Barrow, Alaska; an NBA star who endures Los Angeles traffic by having his Tesla drive for him; and a retired Kentucky entrepreneur with a 22-foot-long 1937 Cadillac, which he calls "the biggest, baddest car that could exist."

About the Authors:

A.J. Baime is author of numerous books, including Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans. He is also a regular contributor to the Wall Street Journal.
The name Mario Andretti is synonymous with speed. He is the only driver ever to win the Indianapolis 500, Daytona 500, and the Formula One World Championship.

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Пролистать книгу 100 Dream Cars: The Best of My Ride

This celebration of contemporary street photography — in all its edgy, strange, beautiful, haunting, colourful, and humorous glory — brings together the work of a new generation of talented artists

Over the past few decades, the long tradition of street photography has been wholly transformed by the proliferation of digital cameras, the Internet, and smartphones.

A new generation of photographers has embraced this modern technology to capture the world around us in a way that is un-staged, of-the-moment, and real. Exploring this rich seam of emergent and exciting street photography, the 100 photographs featured in this book are presented on double-page spreads along with commentary about the work and its creator. Curated by David Gibson, a street photographer and expert in the genre, this stunning book offers a truly global collection of images. Gibson’s insightful introduction gives an insider’s overview of street photography, illuminating its historic importance and its renaissance in the digital age.

About the Author

David Gibson is a street photographer, the author of The Street Photographer's Manual, and a founder of the street photography collective In-Public. He regularly leads street photography workshops in London and other cities across the globe.

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Пролистать книгу  100 Great Street Photographs

This compelling book chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond. Entertaining and intelligent, it provides a fascinating resource to dip into.

Arranged in a broadly chronological order to show the development of photography, the ideas that comprise the book include innovative concepts, cultural and social incidents, technologies and movements. Each idea is presented through lively text and arresting visuals, and explores when the idea first evolved and its subsequent impact on photography.

100 Ideas That Changed Photography chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond.

Each idea is presented through lively text and arresting visuals, and explores when the idea first evolved and its subsequent impact on photography. 

Other books in this series include 100 Ideas that Changed Fashion, 100 Ideas that Changed Art, 100 Ideas that Changed Design, 100 Ideas that Changed Graphic Design, 100 Ideas that Changed Architecture and 100 Ideas that Changed Film.

About the Author:

Mary Warner Marien is Professor Emerita in the Department of Art and Music Histories at Syracuse University, New York. She is the author of Photography: A Cultural History as well as numerous articles on photography.

For the past fifty years, Rolling Stone has been a leading voice in journalism, cultural criticism, and — above all — music.

This landmark book documents the magazine’s rise to prominence as the voice of rock and roll and a leading showcase for era-defining photography. From the 1960s to the present day, the book offers a decade-by-decade exploration of American music and history. Interviews with rock legends — Bob Dylan, Mick Jagger, Kurt Cobain, Bruce Springsteen, and more — appear alongside iconic photographs by Baron Wolman, Annie Leibovitz, Mark Seliger, and other leading image-makers. With feature articles, excerpts, and exposés by such quintessential writers as Hunter S. Thompson, Matt Taibbi, and David Harris, this book is an irresistible and essential keepsake of the magazine that has defined American music for generations of readers.

About the authors:

Rolling Stone was founded by publisher Jann S. Wenner and music critic Ralph J. Gleason in 1967. It has a circulation of more than one million readers and widespread international circulation. Wenner is also the head of Wenner Media, and the publisher of Us Weekly and Men’s Journal. In 2005, he was inducted into the Rock and Roll Hall of Fame. Rolling Stone and Wenner are based in New York City.

In the beginning, there was light. The George Eastman House Collection: photography throughout the ages

From a delivery boy to one of the most important industrialists in American history, George Eastman’s career developed in a particularly American way. The founder of Kodak died in 1932 and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world. The continually expanding photography collection contains over 400,000 images and negatives - among them the work of Alfred Stieglitz, Edward Steichen, Ansel Adams and others - as well as 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film. The George Eastman House is a pilgrimage site and a place of worship for researchers, photographers and collectors from all over the world.

This volume shows in chronological order the most impressive images and the most important developments in the art of light that is photography. It provides in its huge collection and themes a unique survey of the medium from its origins until now.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Celebrate That Special Bond Between Men and Cars, and the Stories That Connect Them

Discover actor and director Ed Burns talking about his 1969 Oldsmobile Cutlass Supreme, a model he’d been dreaming about since his days pumping gas. NBA legend Shaquille O’Neal, whose favorite cars are trucks — he loves the wow factor of an International CV Series 6.6. Or Jay Leno on his 1955 Buick Roadmaster, big enough for him to sleep in while trying to make it as a comic. Filled with stunning photographs of the whole cars and of the exquisite details that make car lovers’ hearts beat just a little faster, as well as more than 80 personal stories, it’s a joy for every reader who knows that a car is never just a car.

Man-about-town and NYC men's style fixture Matt Hranek is back with his second book, A Man & His Car.

Here is a beautiful homage to an object of men's obsession, told in firsthand and original interviews. Jay Leno, a major car collector and the host of Jay Leno's Garage, shares the story of his oldest car, a 1955 Buick Roadmaster that he bought for $350, which he literally slept in before getting his break in L.A. Kevin Costner reveals that he got so attached to the iconic Shelby Mustang he drove in the movie Bull Durham, he bought it for his own personal collection. Franz von Holzhausen, chief designer at Tesla, who worked hand in hand with Elon Musk to design the Tesla Model S prototype, says that his love of cars started when he was two (as evidenced by a picture of him sitting in a high chair drawing a car). And as for Snoop Dogg and his 1965 Cadillac "Snoop DeVille" convertible -- do we even need to explain?

A Man & His Car includes visits to some of the most exclusive collections in the world -- from that of the Petersen Automotive Museum to those of car manufacturers from Fiat to Ford -- giving us access to Steve McQueen's favorite car, a 1956 Jaguar XKSS; the 1971 DeTomaso Pantera that Elvis purchased for his then-girlfriend Linda Thompson (and which has two bullet holes in the steering wheel and one in the driver's-side floorpan from when, after an altercation with Thompson, Presley fired three rounds into the interior when the car wouldn't start); and a super-rare, 24-karat-gold-plated 1980 DeLorean DMC-12, a model that was sold exclusively to American Express Gold Card members through the 1980 American Express catalog, for an astronomical $85,000 (equivalent to more than $250,000 today). Exquisite photos of each car accompany each story, and since cars naturally hold more detail than watches, there will be more photos in this book -- of the cars head-on, of their hood ornaments and wheels, and of course full-body shots. With Hranek's storytelling, the cars become more than just vehicles for transportation and status symbols; they represent pop-culture moments, pioneering achievements, heirlooms, friendships, and more.

About the Author:

Matt Hranek is an author, photographer, director, and the founder/editor of the men's lifestyle magazine WM Brown. He is reasonably obsessed with cars, watches, bespoke tailoring, and well-crafted things. Originally from Binghamton, New York -- not too far from his Wm Brown Farm in upstate New York -- Matt currently lives in Brooklyn and can occasionally be found in old-school hotel bars throughout Europe, Negroni firmly in hand. Find him on Instagram at @wmbrownproject.

Matt Hranek was the author behind the wildly successful book A Man & His Watch, this book explores another relationship between men and an inanimate object: the car.

Published with the same care as his previous title, with the book nestled inside a slipcase this is a book for those “who know that a car is never just a car”.

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Пролистать книгу A Man & His Car: A: Iconic Cars and Stories from the Men Who Love Them на Google Books.

Miguel Flores-Vianna’s childhood in Argentina was marked by two constants that he believes shaped the life he chose to lead: travel and books. Perhaps because the country feels like it is located at the end of the world, most Argentines are born with a good dose of wanderlust, and Flores-Vianna had a higher dose than normal.

Books helped him discover places both literally and figuratively, creating romantic visions of lands he wanted to visit, and he has gone on to document his peripatetic life with his camera, recording places as he feels they should be rather than as they are. In this irresistible volume, Flores-Vianna shares some 250 of his favorite images taken all over Europe, Africa, Asia, and the Americas – captured only with his smartphone – in the hope that viewers, seeing the world through his eyes, will learn to love these most wondrous of places as much as he does.

An up-to-date edition of the authoritative history of photography widely embraced by both students and general readers

Naomi Rosenblum's classic history of photography traces the evolution of this young art form chronologically and thematically. Exploring the diverse roles that photography has played in the communication of ideas, Rosenblum devotes special attention to topics such as portraiture, documentation, advertising, and photojournalism, and to the camera as a means of personal artistic expression. Her text is illustrated with nearly nine hundred images by photographers both celebrated and little known, arranged in stimulating juxtapositions that illuminate their visual power.

This fifth edition of A World History of Photography is substantively revised and updated. The photography of the past several decades is reevaluated from a contemporary perspective, and international developments are covered in greater detail. The main strands of today's complex universe of digital image-making are masterfully summarized and placed in their historical context, and the careers of representative contemporary photographers are studied in depth.

Thoughtfully written, carefully and abundantly illustrated, and provided with a full apparatus — including a chronology, glossary, and annotated bibliography - Rosenblum's volume remains the indispensable work on its subject.

An up-to-date edition of the authoritative history of photography widely embraced by both students and general readers

Naomi Rosenblum's classic history of photography traces the evolution of this young art form chronologically and thematically. Exploring the diverse roles that photography has played in the communication of ideas, Rosenblum devotes special attention to topics such as portraiture, documentation, advertising, and photojournalism, and to the camera as a means of personal artistic expression. Her text is illustrated with nearly nine hundred images by photographers both celebrated and little known, arranged in stimulating juxtapositions that illuminate their visual power.

This fifth edition of A World History of Photography is substantively revised and updated. The photography of the past several decades is reevaluated from a contemporary perspective, and international developments are covered in greater detail. The main strands of today's complex universe of digital image-making are masterfully summarized and placed in their historical context, and the careers of representative contemporary photographers are studied in depth.

Thoughtfully written, carefully and abundantly illustrated, and provided with a full apparatus — including a chronology, glossary, and annotated bibliography - Rosenblum's volume remains the indispensable work on its subject.

A festival of Indian folk rituals and costumes bursting with colour, captured by renowned photographer Charles Fréger, the creator of a distinctive and powerful new genre of portrait photography.

Internationally renowned photographer Charles Fréger continues to explore global traditions and cultures, by celebrating the powerful visual aspects of Indian folk culture and religious ritual. India is the home to a myriad of local traditions, legends and religions, each with their own festivals, rites and rituals. Celebrations burst with vivid colours and often wildly exuberant costumes, some representing gods and goddesses, others legendary heroes from Sanskrit epics such as the Mahabharata and the Ramayana.

In Charles Fréger’s photographs, those who honour local cultural traditions are represented in single or group portraits, represented against carefully chosen landscapes and backdrops, from the heart of festivals and celebrations. Fréger’s unmistakable style of portraiture allows us to admire the complexity of their adornments – masks and headdresses, costumes and body paint – and to consider the abundance of imagination that expresses India’s countless stories and characters, both human and divine.

This spectacular gathering of warrior figures, deities, musicians, tigers, mahouts, epic characters and their avatars is accompanied by texts setting the huge variety of eclectic costumes in context, and describing the local festivals and rituals. This compelling sequence of new portraits will enthral those with an interest in folk traditions, as well as the followers of this internationally acclaimed photographer.

About the Authors:

Charles Fréger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Portraits in Lace: Breton Women (2015), Yokainoshima: Island of Monsters (2016) and Cimarron: Freedom and Masquerade (2019), all published by Thames & Hudson. Anuradha Roy is a novelist and journalist living in northeast India. Catherine Clément is a philosopher, critic and feminist.

African Twilight is the two-volume, slipcased magnum opus of the two pioneering documentary photographers of African tribal cultures and ceremonies -- a world that is quickly vanishing before our very eyes.

Now, nearly two decades after these photographer's landmark African Ceremonies and with a greater sense of urgency, this book completes the journey, covering disappearing rituals and ceremonies from some of the most inaccessible corners of the African continent, to create the definitive statement on this subject. This new landmark volume will set the standard for capturing a visual testament to the vanishing traditions of African peoples. No other book like this exists or can ever be created again, as more than 40 percent of what has been documented here has already vanished. 

For the last 15 years of their four decades of African fieldwork, world-renowned photographers Carol Beckwith and Angela Fisher have continued their journey across Africa, seeking out remote communities to record the sacred ceremonies, powerful art forms, and boundless creativity of the people living there today. This ground-breaking book is a testament to these vanishing moments and peoples. African Twilight is a celebration of the powerful artistry and boundless creativity of Africa's cultural heritage for audiences worldwide, transporting viewers into a world of connections between individual and community, body and soul, land and people. All of the photography is previously unpublished.

About the Author

Carol Beckwith was born in the United States in 1945 and educated at the Boston Museum School of Fine Arts in painting and photography. In 1974, she decided to make Africa her working base so she could live within the cultures that inspired her photography and painting. 

Born in 1947 and educated in Australia, Angela Fisher graduated with a degree in Social Science from Adelaide University. After working with the Aborigines in Australia, Fisher moved to Kenya in 1970. 

Together, Beckwith and Fisher embarked upon a study of the peoples and cultures of the Horn of Africa and published their photography in a series of books: African Ark (1990), their two-volume landmark African Ceremonies (1999), and Faces of Africa (2004). Beckwith and Fisher exhibit internationally and lecture widely at prestigious venues. Their magazine credits include National Geographic, Natural History, African Art, the Observer Magazine, Time, Life, Vogue, Marie Claire, and Elle.

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Пролистать книгу African Twilight: The Vanishing Rituals and Ceremonies of the African Continent на сайте издательства.