Эротика

The art of climbing dis-roped and disrobed.

Twenty years ago, Dean Fidelman asked a rock climber to take off her shoes and boulder nude, and his famous series Stone Nudes was born. The stunning black-and-white images of athletic figures captured in motion on cliffs in breathtaking wild landscapes have made Fidelman famous within the climbing community.

Fidelman followed his nomadic muses around North America and the world, framing them in the picturesque landscapes of Yosemite Valley; Joshua Tree; Moab, Utah; Patagonia; Europe; and coastal Thailand.

The sensual photographs uniquely capture the stark beauty of athletes on the stone, their muscular bodies camouflaging with the formations of the rocks they are poised on. This book will appeal to those interested in climbing, lovers of nude photography, as well as anyone who appreciates breathtaking images of improbable physical feats across stunning landscapes.

About the Author:

Dean Fidelman has been climbing and photographing climbers for more than forty years. When he was sixteen years old, he befriended legendary Yosemite climbers John Bachar and John Long, and his photographic documentation of Yosemite's legendary "Stone Masters" began. In 2009 Fidelman teamed up with John Long and coauthored The Stone Masters about Yosemite in the 1950s, and The Valley Climbers. His project Stone Nudes began in 1999, with twenty calendars and a self-published book released in 2010. John Long is an American rock climber and author of over forty book titles. His how-to books on adventure sports have been industry leaders for twenty years. His books Advanced Rock Climbing and The Stonemasters: California Rock Climbers in the Seventies both won the Banff Centre Mountain Film and Book Festival for Mountain Exposition, and he is the 2006 recipient of the Literary Award from the American Alpine Club, their highest honor.

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Пролистать книгу Stone Nudes: Climbing Bare

The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, family, and lovers ― collectively described by Goldin as her “tribe.”

Her work describes a world that is visceral, charged, and seething with life. First published in 1986, this reissue recognizes the persistent relevance and freshness of Nan Goldin’s cutting-edge photography. Her lush colour photography and candid style demand that the viewer go beyond the surface to encounter a profound intensity. As Goldin writes: “Real memory, which these pictures trigger, is an invocation of the colour, smell, sound, and physical presence, the density and flavour of life.”

Through an accurate and detailed record of her life, Ballad reveals Goldin’s personal odyssey as well as a more universal understanding of the different languages men and women speak, and the struggle between autonomy and dependency. Over the past twenty-five years, the influence of Ballad on photography and other aesthetic realms has continually grown, making the work a contemporary classic. Nan Goldin’s story of urban life on the fringe was the swan song of an era that reached its peak in the early eighties. Yet it has captured an important element of humanity that is transcendent: a need to connect.

This new edition of Ballad has been printed using new scans and separations created by master-separator Robert Hennessey from Goldin’s original transparencies, rendering them with unparalleled sumptuousness and impact.

In this beautifully designed volume, Jenny Gage and Tom Betterton present an intimate account of a year-long exploration of three women in various states of nude and undress. The resulting body of work is a subtly provocative and sensual diary built of richly textured and evocative photographs, all made in and around the couples Brooklyn home. Gage and Betterton are artists constantly fascinated by the fine line between documentary and artifice, and here they employ their signature narrative style to craft an achingly honest and thrillingly intimate body of portraits. Upstairs, Downstairs & Outside is a rare body of work that plays on our intense and endless fascination with the female form while at the same time delivering a deep and humanist connection and a collaboration between artist and subject.

Jenny Gage and Tom Betterton have been a couple and collaborators since they first met. They have produced fine art and fashion images that have shown in museums, galleries and magazines throughout the world.

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Пролистать книгу  Jenny Gage & Tom Betterton: Upstairs, Downstairs & Outside

#NSFW is an Erotic Greatest Hits of photographer Rankin’s nude work. Throughout his twenty-five year career, he has returned time and again to photographing the female form. #NSFW presents a collection of his favourite shots. Unapologetic. Provocative. Beautiful. Designed on a super-size scale, the book takes nude photography to the next level, brazen yet intimate.

 - Photographer Rankin’s most daring shots
 - These images are NOT SAFE FOR WORK
 - A collection of stunning nude photography
 
Always intending to celebrate and empower women, Rankin brings a signature humour and cheek to his nudes, creating playful images that challenge preconceptions.

#NSFW is an Erotic Greatest Hits of photographer Rankin’s nude work. Throughout his twenty-five year career, he has returned time and again to photographing the female form. #NSFW presents a collection of his favourite shots. Unapologetic. Provocative. Beautiful. Designed on a super-size scale, the book takes nude photography to the next level, brazen yet intimate.

 - Photographer Rankin’s most daring shots
 - These images are NOT SAFE FOR WORK
 - A collection of stunning nude photography
 
Always intending to celebrate and empower women, Rankin brings signature humour and cheek to his nudes, creating playful images that challenge preconceptions.

A visually stunning book that approaches erotic photography from a female point of view, curated by Iman Whitfield 

If you spend a reasonable amount of time online, chances are you may have stumbled across the phrase: #SENDNUDES. A staple of millennial lingo, the term is used to request sexually explicit photographs, typically over text messaging and dating apps. Over time, #SENDNUDES has also evolved into a meme, deployed as a common punchline in image and video internet jokes.

Today, #SENDNUDES is making another transition — as the title of a carefully curated book of nude photography. In collaboration with Iman Whitfield, MENDO reached out to photographers all over the world and asked them to send their favorite shots of female sensuality and intimacy. The result is a visually stunning photo collection approaching erotic photography from a female point of view, celebrating the diversity of female beauty and body confidence, and teasing the delicate line between that which is revealed and that which remains private.

The featured images were sent from all over the world, from such highly skilled erotic photographers as Dennis Swiatkowski, Fauve Bouwman, and Paul Bellaart — each bringing a distinctive style and approach to female sensuality, intimacy, and elegance.

Iman Whitfield is a creative director and (fashion) film director. She graduated from the Willem de Kooning Academy with a video series titled „LoveStories“ that went viral. Since then she has created fashion films for major brands like Scotch & Soda, Nike, Suitsupply, and Lois Jeans. Iman loves to observe people and their characteristics, constantly capturing those around her on film or through photographs.

The female form has been a central theme in art for as long as there has been some form of artistic expression.

This new title is a worthy addition to that veritable canon that celebrates feminine grace and strength. Compiled over a period of seven years, this volume of photographs is a visual tribute to the women of Denmark — to their womanly beauty and integrity as individuals. The subjects come from all walks of life — models, singers, artists, actresses, artists, and students. Serene and timeless, every portrait allows the individual personality to shine through. The reader is immediately struck not only by the pride these women take, both in their bodies and in their spirits, but also by their indomitable strength and sense of purpose.

With solid bodies of work in their respective fields and worldwide acclaim as top practitioners, photographer Bjarke Johansen and creative director Simon Rasmussen are vital creative presences, both in their native land of Denmark and in international circles.

 - A powerful and original addition to any photographic library
 - 100 Great Danes is an exciting project showcasing some of the most beautiful women of Scandinavia
 - A perfect gift for all admirers of the female form
 - Also available as Collector's Edition - Limited Edition of 50 copies, slipcase, and portfolio with one of two signed and numbered photo prints

Since the beginning of civilization, women have worn underwear. Justified as protection, or a hygienic necessity, this "second skin" was devised to satisfy perverse erotic instincts. A "trap laid by Venus" to entertain and stimulate the fantasies of both the woman who wears them and the man who discovers them. Corsets, bras and panties are not utilitarian items - they are elements in a mystic ritual linking man and woman. They act as an obsessive focus for fantasy, for the sex they conceal is powerless without the decorations and seductions which separate us from it. Pleasure would perish without censorship.

Women have always known how to stimulate the latent fetishism of the men around them. Under her dress, a Greek girl of the classical period would wear a belt around her hips which was of no practical use except to draw attention to her feminity. Likewise, the women of Rome already wore garters round their thighs, though the stocking had not yet been invented. In our own century, vamps, starlets, pin-ups and models have filled our cínema screens, our advertising hoardings, our office calendars and our imaginations with the erotic engineering of the garter belt and the surreptitious rustle of nylon stockings.

Dessous traces the evolution of this living mythology from its first steps in the dawn of civilization to its apotheosis in the films and advertising campaigns of the modern world. Lavishly illustrated, it demonstrates how the conflict between the need to conceal and the will to reveal has provided women with the means to explore their own sexuality and exercise an erotic ascendancy over men. The result is a richly aphrodisiacal meditation, an intimate exploration of the props of our theatre of desire.

A glimpse through the keyhole of history. From the earliest nude daguerrotypes to experimental nude photography

The history of nude photography is the history of people’s fascination with the topic. Indeed, the photographic depiction of the human body is the only subject that has enthralled photographers, theoreticians and consumers over such a long period – more than 150 years. No other motif is as prevalent as this one during all the phases of development comprising the history of photography, no other is present, whatever the technique, and is a subject of discussion within the context of nearly all aesthetic movements. Nor has any other pictorial topic produced such a variety of specialities as the nude: from the ethnological interpretation of the body to the glamour shot, from nudist photography to the pin-up of today. No other photographic field of application has inspired as much desire as it has awakened official wrath.

1000 Nudes offers a cross-section of the history of nude photography, ranging from the earliest nude daguerrotypes and ethnographic nude photographs to experimental nude photography. The period of time spanned by this work is from 1839 to roughly 1939, from the medium’s infancy to the end of the classic modernist period. Content-wise, the book pays tribute to the full range of pictorial approaches, from the manually elaborated artistic nudes of the turn of the century, enveloped in layers of theory, to the “obscene” postcard motifs which had not the slightest artistic pretension and were intended to exert a maximum effect on the buyer’s wallet.

All the pictures shown are taken from the late Uwe Scheid’s collection, one of the world’s largest and most important collections of erotic photography.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Другие книги серии 20th Century Pin-ups

1960s Glamour

1970s Glamour

1980s Glamour

A series of four picture books, compiled from the archives of the classic girlie magazines, Fiesta and Knave, which celebrates an age when glamour photography strove more for artistic ideals and risqué titillation than the sexually explicit top shelf titles of today. Statuesque models of the 1950s adopted the poses of Greek goddesses, in elaborately styled sets, while their equivalents from the Swinging Sixties displayed a more playful, almost naive innocence. A decade later, the pin-ups of the 1970s, invariably shot in luscious colour and sumptuous sets, offered a more seductive appeal, while the glamour girls of the 1980s became more sexually suggestive in their poses and attire - or lack of it. The bevy of beauties that graces the pages of these four books illustrates the changing faces - and bodies - of the glamour model over four decades, from the demure to the titillating, the seductive to the steamy, the erotic to the raunchy.

Другие книги серии 20th Century Pin-ups

1950s Glamour

1970s Glamour

1980s Glamour

A series of four picture books, compiled from the archives of the classic girlie magazines, Fiesta and Knave, which celebrates an age when glamour photography strove more for artistic ideals and risqué titillation than the sexually explicit top shelf titles of today. Statuesque models of the 1950s adopted the poses of Greek goddesses, in elaborately styled sets, while their equivalents from the Swinging Sixties displayed a more playful, almost naive innocence. A decade later, the pin-ups of the 1970s, invariably shot in luscious colour and sumptuous sets, offered a more seductive appeal, while the glamour girls of the 1980s became more sexually suggestive in their poses and attire - or lack of it. The bevy of beauties that graces the pages of these four books illustrates the changing faces - and bodies - of the glamour model over four decades, from the demure to the titillating, the seductive to the steamy, the erotic to the raunchy.

Другие книги серии 20th Century Pin-ups

1950s Glamour

1960s Glamour

1980s Glamour

Pascal Baetens' photography of nudes is critically lauded. Famous for seeking out the woman on the street rather than the super-styled and highly paid supermodel, Belgian Baetens photographs beautiful women in everyday settings. Using industrial environments and natural settings as backdrops, the natural curves of the women's bodies are superbly contrasted, revealing beauty in the superb colour and black and white images.

This new book in the Pocketful series features more than 200 beautiful photographs from one of the world's most inspired artistic photographers. Includes photographic notes and introduction by the artist.