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Photographer of excellence, and among the most appreciated in the contemporary art scene, the Dutch photographer Erwin Olaf (1959) is to be considered one of the greatest interpreters of modern portrait photography: he is known all over the world for a photographic style dominated by mysterious and contemplative atmospheres, for his mise en scène and theatrical compositions.

In his shots Olaf weaves complex and dramatic narratives. His works are striking in their strangeness, their will to provoke, their sense of solitude and restlessness: they catch glimpses of truth, which reveal the imperfection and the fictitious nature of an apparently perfect world.

This rich catalogue represents a journey through the artist's entire production, offering a complete overview of his work: from the beginning with Chessmen, the series that made him internationally famous, awarded at the Young European Photographer competition in 1988, up to the recent Palm Springs project (2018). The volume includes a critical text by Walter Guadagnini and a conversation with the artist.

About the Authors:

Erwin Olaf (born in Hilversum, the Netherlands, 1959) is a Dutch photographer known for his highly stylized, daring, and often provocative work addressing social issues and taboos. He is the recipient of numerous awards, including the Johannes Vermeer Award (2011), a Lucie Award (2008), and Photographer of the Year in the International Color Awards (2006). Among other accolades, Olaf received the commission to design the new national side of the Dutch Euro, launched in 2013. In 2008 and 2014 Aperture published volumes one and two of Olaf’s self-titled monographs.

Mattie Boom is curator of photography at the Rijksmuseum, Amsterdam, specializing in international nineteenth- and twentieth-century photography. She is cofounder of the Nederlands Fotogenootschap.

Francis Hodgson is professor in the culture of photography at the University of Brighton, UK, and cofounder of the Prix Pictet. He was previously the photography critic of the Financial Times and head of the photographs department at Sotheby’s.

W. M. Hunt is a longtime photography collector and former art dealer who represented Erwin Olaf in the United States for many years. He is also a writer and teacher based in New York.

Laura Stamps is curator of modern and contemporary art at the Gemeentemuseum Den Haag, The Hague. She is an art history graduate of the University of Amsterdam and, amongst others, a member of the Work Field Commission at the Master Artistic Research program, Royal Academy of Art, The Hague.

Wim van Sinderen is a founding member and senior curator of the Fotomuseum Den Haag, The Hague, as well as keeper of the photography collection of Gemeente-museum Den Haag. He is, amongst others, guest curator for the Rencontres d’Arles and nominator for the Prix Pictet.

For his photographs and films, the Dutch photographer Erwin Olaf creates a world that has been staged down to its smallest detail. It seems very similar to ours, but its artificiality give it an enigmatic sense. Still, with their visuals borrowed from the film and advertising industries, the works are only flawlessly striking on the surface; in fact, they deal with questions of democracy, equality, or self-determination. Marking Olaf’s first comprehensive solo exhibition in Germany, the companion publication deals with essential aspects of Olaf’s art and offers an attractive survey of his multifaceted oeuvre from the past forty years. Olaf’s most recent works, some of which were created especially for the exhibition at the Kunsthalle Munich, will also be shown.

About the Author:

Erwin Olaf (*1959) studied journalism. He began his career as a photographer for magazines and journals, often with a socio-political background. In addition to commercial work, he produced a comprehensive body of artistic work from the 1980s onward. With his idiosyncratic style, Olaf quickly attracted international attention. His works are shown in exhibitions worldwide.

A new collection of Saul Leiter's work, much of it published here for the first time.

Saul Leiter remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter’s painterly images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour, at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment.

In recent years, Leiter has been in the spotlight more and more with a series of exhibitions and publications. His studio in New York's East Village, where he had lived since 1952 until his death in 2013, is now the home of the Saul Leiter Foundation. The foundation has begun a full-scale survey and organization of his more than 80,000 works, with the aim of compiling the ‘complete’ archive. This volume contains works discovered through this process, valuable documents that reveal the secrets of Saul Leiter's creation, unpublished works, popular colour works and black-and-white works that have not been published so far, as well as works that trace the memories of those closest to him taken in private.

As Saul Leiter said, ‘Photographs are often treated as capturing important moments, but they are really small fragments and memories of the world that never ends.’ This is Forever Saul Leiter.

About the Authors:

Saul Leiter was born in 1923 in Pittsburgh. He pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). He died in New York in 2013.
Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.
Michael Parillo is the Associate Director of the Saul Leiter Foundation.
Otake Akiko is the author of several books, including The History of Modern Photos.

Home Sweet Home. A remarkable photographic exploration of life on Earth

Frans Lanting’s photographs are a striking exploration of existence on Earth. The renowned wildlife photographer journeyed across the globe to capture these images of bountiful biodiversity. As wildly contrasting as the contours of the world may be, Lanting’s photos show us the symmetries and dependencies that bind the Earth’s ecosystems into one, creating a glorious homage to life in all its forms.

In the year 2000, world-renowned wildlife photographer Frans Lanting set out on a personal journey to photograph the evolution of life on Earth. He made pilgrimages to true time capsules, like a remote lagoon in Western Australia, spent time in research collections photographing forms of microscopic life, and even found ways to create visual parallels between the growth of organs in the human body and the patterns seen on the surface of the earth.

The resulting volume is a glorious picture book of Planet Earth, depicting the amazing biodiversity that surrounds us all. Lanting’s true gift lies beyond his technical mastery: it is his eye for geometry in the beautiful chaos of nature that allows him to show us the world as it has never been seen before. From crabs to jellyfish, diatoms to vast geological formations, jungles to flowers, monkeys to human embryos, LIFE is a testament to the magical beauty of life in all its forms and is one of Lanting’s most remarkable achievements.

The photographer:

Frans Lanting has been hailed as one of the great photographers of our time. His influential work appears in books, magazines, and exhibitions around the world, and has been commissioned frequently by National Geographic, where he has served as a Photographer in Residence. His books have received awards and acclaim: “No photographer turns animals into art more completely than Frans Lanting,” writes The New Yorker. His previous books include Okavango: Africa’s Last Eden, LIFE: A Journey Through Time, Jungles, Penguin, Eye to Eye, Bonobo: The Forgotten Ape, Living Planet, Forgotten Edens, and Madagascar: A World Out of Time. Lanting has received numerous awards for his work as a photographer and conservationist, including top honors from World Press Photo, the Sierra Club’s Ansel Adams Award, the title of BBC Wildlife Photographer of the Year, and Sweden’s Lennart Nilsson Award. Prince Bernhard of the Netherlands inducted him as a Knight in the Royal Order of the Golden Ark, that country’s highest conservation honor.

The editor:

Christine Eckstrom is a writer, editor, and videographer. She is the author of Forgotten Edens and a contributing author of more than 15 books published by the National Geographic Society. Her writing for National Geographic Traveler earned a Lowell Thomas Award for Best Magazine Article on Foreign Travel. The editor of Okavango: Africa’s Last Eden, LIFE: A Journey Through Time, Jungles, Penguin, and Eye to Eye, she has also filmed and produced stories for the National Geographic Channel. Her coverage of chimpanzees in West Africa was featured in the NOVA-National Geographic television special Ape Genius, which received a Peabody Award. Eckstrom and Lanting collaborate on fieldwork and publishing projects from their home base in Santa Cruz, California.

Pioneer of colour photography: a comprehensive overview with unreleased photo material

Fred Herzog is known for his unusual use of color in the 1950s and 1960s, a time when art photography was almost exclusively associated with black-and-white imagery. The Canadian photographer worked almost exclusively with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional colour and intensity of the Kodachrome slide. In this respect, his photographs can be seen as a prefiguration of the New Color photographers of the seventies.

This book will bring together over 230 images, many never before reproduced, and will feature essays by acclaimed authors David Campany and Hans-Michael Koetzle. Fred Herzog will be the most comprehensive publication on this important photographer to date.

About the Author:

David Campany is a curator, writer and educator, based in London. His previous books include On Photographs, Walker Evans: The Magazine Work, The Open Road: Photography and the American Road Trip and A Handful of Dust, each of which was accompanied by an exhibition. Awards received by Campany include the ICP Infinity Award and The Kraszna-Kraus Book Award.

Earth eternal. A photographic homage to our planet in its natural state

On a very fortuitous day in 1970, 26-year-old Sebastião Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward — though it took years of hard work before he had the experience to earn his living as a photographer — the camera became his tool for interacting with the world. Salgado, who “always preferred the chiaroscuro palette of black-and-white images,” shot very little color in his early career before giving it up completely.

Raised on a farm in Brazil, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his acclaimed career, three long-term projects stand out: Workers (1993), documenting the vanishing way of life of manual laborers across the world, Migrations (2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure, and this new opus, GENESIS, the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society — the land and life of a still-pristine planet. “Some 46% of the planet is still as it was in the time of genesis,” Salgado reminds us. “We must preserve what exists.” The GENESIS project, along with the Salgados’ Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future.

Over 30 trips — travelled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions — Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black-and-white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de La Tour.

What does one discover in GENESIS? The animal species and volcanoes of the Galápagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo’é tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Juruá rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska... and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado likens GENESIS to “my love letter to the planet.”

Whereas the limited Collector’s Edition is conceived like a large-format portfolio that meanders across the planet, this unlimited book presents a selection of photographs arranged in five chapters geographically: Planet South, Sanctuaries, Africa, Northern Spaces, Amazonia and Pantanal. Each in its own way, this book and the Collector’s edition — both edited and designed by Lélia Wanick Salgado — pay homage to Salgado’s triumphant and unparalleled GENESIS project.

The photographer:

Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma and Magnum Photos. In 1994 he and his wife Lélia created Amazonas images, which exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986), Sahel, L'Homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000) and Africa (2007).

The editor and author:

Lélia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s she moved on to conceiving and designing photography books and organizing exhibitions, numerous of them on Sebastião Salgado. Since 1994 Lélia Wanick Salgado has been the director of Amazonas images.

Heavenly Body. The rise and rise of Gisele Bündchen

Born in the Brazilian countryside, and nearly six feet tall by the age of 14, Gisele Bündchen grew from humble roots into the most successful supermodel in the world. This book celebrates her 20-year milestone in the industry with a unique and spectacular collection of jaw-dropping glamour and intimate, personal insights.

Gisele was just 18 when she made her breakthrough in the S/S 1998 ready-to-wear “Rain” show of Alexander McQueen, who chose “The Body” thanks to her ability to walk in towering heels on a slippery runway. The same year, Gisele secured her first British Vogue cover, and swiftly became the most in-demand cover girl of her generation. The following year, she was chosen for the cover of American Vogue, shot by Steven Meisel, and lauded as “the return of the sexy model” with her bronzed, athletic beauty defying late-’90s grunge. Since then, Gisele has appeared on more than 1,000 covers around the globe, in approximately 450 fashion shows, and in multinational campaigns for the biggest fashion and beauty brands.

With more than 300 photographs, this book is curated and art directed by Giovanni Bianco. From Gisele’s legendary nude portrait by Irving Penn, chosen as the book’s cover, to iconic shots from such industry luminaries as Steven Meisel, Mario Testino, Peter Lindbergh, David LaChapelle, Juergen Teller, Inez & Vinoodh, Mert Alas & Marcus Piggott, and Corinne Day, it is a unique artistic presentation of the most famous Brazilian export together with Pelé and Senna and the highest-earning model in the world. The breathtaking image collection is accompanied by an introduction by Steven Meisel and tributes from Gisele’s closest friends, family, and fashion leaders, who shed light on how and why she has become one of the greatest models of all time.

A collection of Damien Dufresne’s work capturing the relationship between the art of makeup and the art of photography

When the art of photography and the art of makeup come together, the resulting work is deeply original. World-renowned photographer Damien Dufresne has been living in China for several years. There, he’s developed a passion for Chinese symbolism in colors and makeup. Fusing the thousand-year-old tradition with his own sensitivity and experience has led to photographs of painted faces, staged traditional objects, and silhouettes. In this stunning monograph, Dufresne collects works that range from surprising and moving to troubling and disturbing. This tour de force will leave any viewer with a desire to see more.

About the Author:

After working in the world of luxury, beauty, and haute couture for Dior, YSL, and Chanel, Damien Dufresne decided to become a photographer in 2010. Today, after five personal exhibitions and two books published by Éditions Assouline, his photographs are distributed worldwide. Dufresne has worked in Paris, Milan, Seoul, Tokyo, and New York. He now works and lives in Shanghai.

The most complete monograph realized about the noted Austrian painter, photographer, filmmaker, performer and set designer, born in Vienna in 1948.

The works of Helnwein show the bare truth where society instead hides and removes. What emerges by leafing through the pages of this monograph is the obsession that accompanies the artistic career of this notable Austrian artist, marked by the wish to breakdown the rhetoric of war, the constructions of self-absolution, the mystifications of religious institutions in whose pitfalls men periodically fall as if they had not committed the same mistake over and over again.

Edited by Demetrio Paparoni and divided into sections that make this volume a valid tool for exposing the different aspects of Helnwein’s work, the monograph includes, aside from the editor’s text, a preface by Sean Penn and essays by Klaus Schröder (director of the Albertina in Vienna) and Martin Muller (director of Modernism Gallery in San Francisco) and a conversation between the artist and Jonathon Keats (American conceptual artist and experimental philosopher).

___________

Art critic, curator and essayist, Demetrio Paparoni has written introductions for catalogues on artists including Li Songsong, David Salle, Vik Muniz, Peter Halley,

Sean Scully, Jim Dine, Zhang Huan, Wang Guangyi and Ding Yi. He has written and edited numerous books and monographs, including those on Timothy Greenfield-Sanders (2001), Brian Eno & Mimmo Paladino (2001), Chuck Close (2002), Jonathan Lasker (2002) and Wang Guangyi (2013), Morten Viskum (2016), Natee Utarit (2017), Vibeke Slyngstad (2017), Laurent Reypens (2017), Ronald Ventura (2018), Espen Dietrichson (2018).

In this moving collection of images, exhibited to great acclaim at the Hayward Gallery in 1998, the celebrated photographer has recorded what it means to be European. Spanning the years from the late 1920s to the early 1990s, his photographs speak of the ongoing business of living for people across Europe, whether Polish priests or Abruzzi peasants.

With his remarkable ability to capture the fragile reality of European life, Henri Cartier-Bresson once again underscores his reputation as one of the 20th century’s most influential and original photographers.

Explores the key role Paris played in Cartier-Bresson's artistic career, and the way he looked at the city he lived in – and loved

An inveterate traveller, Henri Cartier-Bresson (1908–2004) captured the world with his camera, justly earning himself the title of ‘the eye of the century’. Between trips overseas, he regularly photographed Paris, although he rarely spoke about the city that he had made his home, where he had spent his formative years, made friends, and built a hard-won reputation.

Produced in collaboration with the Fondation Henri Cartier-Bresson and designed to accompany a major exhibition at the Musée Carnavalet, this book showcases more than sixty years of images of Paris. It invites you to follow in the footsteps of a master photographer as he wanders the banks of the Seine and explores the more rarely seen edges of a city in a state of perpetual change

Contents List:

1. 1929-1934: The Beginnings • 2. 1935-1939: The Time of Work Engagement • 1944: The Liberation of Paris • 1944-1994: 20th-Century People • 1951-1966: A Surveyor of life • May 1968 • 1968-1985: After Magnum • 1974-1994: A Return to Drawing

About the Authors:

Anne de Mondenard is a photography historian and curator at the Musée Carnavalet. Agnès Sire has been the director of the Fondation Henri Cartier-Bresson in Paris since its creation in 2003. Peter Galassi is a scholar and curator whose principal fields are photography and 19th-century French art. He was Chief Curator of Photography at The Museum of Modern Art from 1991 to 2011.

This book offers an outstanding retrospective collection of the master of 20th-century photography, Henri Cartier-Bresson.

Reproduced in exquisite black and white, the images in this book range from Henri Cartier-Bresson’s earliest work in France, Spain, and Mexico through his postwar travels in Asia, the US, and Russia, and even include landscapes from the 1970s, when he retired his camera to pursue drawing. While his instinct for capturing what he called the decisive moments was unparalleled, as a photojournalist Cartier-Bresson was uniquely concerned with the human impact of historic events. In his photographs of the liberation of France from the Nazis, the death of Gandhi, and the creation of the People’s Republic of China in 1949, Cartier-Bresson focused on the reactions of the crowds rather than the subjects of the events. And while his portraits of Sartre, Giacometti, Faulkner, Capote, and other artists are iconic, he gave equal attention to those forgotten by history: a dead resistance fighter lying on the bank of the Rhine, children playing alongside the Berlin Wall, and a eunuch in Peking’s Imperial Court. Divided into six thematic sections, the book presents the photographs in spare double-page spreads. In a handwritten note included at the end of the book, Cartier-Bresson writes, »In order to give meaning to the world, one must feel involved in what one singles out through the viewfinder.« His work shows how he has been able to capture the decisive moment with such extreme humility and profound humanity.

About the Author:

Henri Cartier-Bresson, born in 1908, began his career by studying painting before discovering photography in the early 1930s. In 1947 he founded the legendary cooperative agency Magnum Photos together with Robert Capa, David Seymour, William Vandivert and George Rodger. Cartier-Bresson left Magnum Photos in 1974 to devote himself to drawing and painting until his death in 2004. He is still considered one of the most important photographers of the twentieth century.

I Can Make You Feel Good is a 206-page celebration of photographer and filmmaker Tyler Mitchell's distinctive vision of a Black utopia

In his debut monograph Mitchell unifies his body of photography and film from his first US solo exhibition at the International Center of Photography (ICP) in New York. Each page of I Can Make You Feel Good is full bleed and bathed in Mitchell's signature candy-colored palette. With no white space visible, the book's design mirrors the photographer's all-encompassing vision, which is characterized by a use of glowing natural light and rich color to portray the young Black men and women he photographs with intimacy and optimism. The monograph features written contributions from Hans Ulrich Obrist (Artistic Director, Serpentine Galleries), Deborah Willis (Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University), Mirjam Kooiman (Curator, Foam), and Isolde Brielmaier (Curator-at-Large, ICP), whose critical voices examine the cultural prevalence of Mitchell's reimagining of the Black experience.

About the Author:

Based in Brooklyn, Tyler Mitchell works across many genres to explore and document a new aesthetic of Blackness. Regularly published in avant-garde magazines, commissioned by prominent fashion houses, and exhibited in renowned art institutions, Mitchell has lectured at Harvard University, Paris Photo and The International Center of Photography New York, on the politics of image making. Deborah Willis is a contemporary African-American artist, photographer, curator of photography, photographic historian, and author. Among her awards and honors, she was a MacArthur Fellow in 2000. She is currently Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts of New York University.Hans Ulrich Obrist is Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London.

This ‘Masters of Photography’ series is a new approach to photography how-to. Each volume is dedicated to the work of one key photographer who, through a series of bite-sized lessons and ideas, tells you everything you always wanted to know about their approach to taking photographs. From their influences, ideas, and experiences, to tech tips, and best shots. Joel Meyerowitz: How I Make Photographs is the first in a landmark new series of photography books where key photographers lead you through all you need to know to understand how they take their amazing shots. 

The series begins with Joel Meyerowitz, who will teach you, among other essentials: how to use a camera to reclaim the streets as your own, why you need to watch the world always with a sense of possibility, how to set your subjects at ease, and the importance of being playful and of finding a lens that suits your personality. Illustrations of Meyerowitz’s seminal work are included throughout the book.

The next volume in the series will be written by Albert Watson (April 2021).

Follow Joel on Instagram @joel_meyerowitz

About the Author:

Joel Meyerowitz started making spontaneous colour photographs on the streets of New York in 1962 with friends such as Tony Ray-Jones and Garry Winogrand. He has since become known as one of the most important street photographers of his generation. Instrumental in changing attitudes towards colour photography in the 1970s, he is known as a pioneer, an important innovator and a highly influential teacher.

Where I Find Myself is the first major single book retrospective of one of America’s leading photographers. As the title indicates, it is organized in inverse chronological order and spans the photographer’s whole career to date.

It covers all of Meyerowitz’s great projects: his work inspired by the artist Morandi, his work on trees, his exclusive coverage of Ground Zero, his trips in the footsteps of Robert Frank across the US, his experiments comparing colour and black and white pictures, and of course his iconic street photography work.

The text is all by Joel Meyerovitz himself and the book coincides with a major retrospective show in Berlin.

About the Author:

Joel Meyerowitz started making spontaneous colour photographs on the streets of New York in 1962 with friends such as Tony Ray-Jones and Garry Winogrand. He has since become known as one of the most important street photographers of his generation. Instrumental in changing attitudes towards color photography in the 1970s, he is known as a pioneer, an important innovator, and a highly influential teacher.