Книги по истории искусства

The catalogue for the exhibition 'On Translation: Museum Reinterprets Projects by Antoni Muntadas (Barcelona, 1942)' showcases his ongoing series 'On Translation.' This series was begun in 1995 and addresses the concept of translation in contemporary society. This catalog features the collection of works and installations that make up the series

A sumptuously illustrated and richly detailed catalogue of enormous appeal to anyone interested in fashion, lifestyle, the history of costume and applied arts Thanks to a prestigious private collection, this book explains how from this moment on the clothing of men, women and children acquired a social, cultural and economic importance it had never had before in the history of the Western world and in what terms, from the Napoleonic era onwards, we may rightly talk about Fashion in the sense as we understand it today. From 1800 onwards dress evolved year after year reflecting historical and political events, industrial advances and technical development, influences of the arts and culture, and the taste of the rich and powerful.

These substantial volumes on art periods vividly portray the most important achievements from the areas of European architecture, sculpture, and painting. The impressive photographs of works from all visual arts movements are at the center of these richly illustrated volumes. The books successfully provide an overview of the artistic diversity of the individual periods, and they couldn't have been written and illustrated any more clearly. The informative and interesting texts have been written by renowned authors from the fields of history, architecture and art history, providing a multifaceted view of each period. These books are a real pleasure for anyone with an interest in art.

Illustrated with some 900 color photographs and reproductions, this volume explores the complexities of Neoclassicism and Romanticism in architecture and art through in-depth articles by eleven scholars, and reveals how these seemingly antithetical styles are in fact closely related. The book looks at Europe from the renewed interest in the art and architecture of classical antiquity in the mid-18th century (following the excavations of Herculaneum and Pompeii and the arrival of new architectural theories) through the effusions of the mid-19th century, and presents the work of such artists as Johann Heinrich Füssli, Eugène Delacroix, J.M.W. Turner, William Blake, and Francisco de Goya.

TASCHEN 25—Special edition!

The avant-garde in an age of digital communication

Artists have always been early adopters of emerging media technologies, from Albrecht Dürer and his use of the printing press in the 16th century to Nam June Paik's experiments with video in the 1960s. The advent of the internet as a popular medium catalyzed a global art movement that began to explore the cultural, social, and aesthetic possibilities of such new communication technologies - the web, CCTV surveillance cameras, cell phones, hand-held computers, and GPS devices. Focusing on New Media art as a specific art historical movement, this book explores its technologies, thematic content and conceptual strategies. New Media art often involves appropriation, collaboration, and the sharing of ideas and expressions, and frequently addresses issues of identity, commercialization, privacy, and the public domain. Many New Media artists are profoundly aware of their art historical antecedents, making reference to Dada, Pop Art, Conceptual art, Performance art, and Fluxus.

Featured artists: Cory Arcangel, Jonah Brucker-Cohen and Katherine Moriwaki, Young-Hae Chang Heavy Industries, Vuk Cosic, Mary Flanagan, Ken Goldberg, Paul Kaiser and Shelly Eshkar, Jennifer and Kevin McCoy, Mouchette, MTAA, Keith and Mendi Obadike, Radical Software Group, Raqs Media Collective, RTMark, John F. Simon Jr.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

New Worlds: German and Austrian Art 1890-1940 is the inaugural catalogue for Neue Galerie New York. A distinguished group of international scholars surveys the development of modern art complemented by biographies on the artists represented in the museum's collection. Emphasis is placed upon the American reception to their work, a previously little-explored area in this field. In this context, the role of museums, art dealers, patrons and critics are examined as well.

Gustav Klimt, Egon Schiele, Oskar Kokoschka, and artists of the Wiener Werkstätte are among the featured artists. Leading figures, such as Max Beckmann, Peter Behrens, Otto Dix, Vasily Kandinsky, Paul Klee, and Ludwig Mies van der Rohe are also examined in the context of key movements in Germany such as the Brücke, the Blaue Reiter, Neue Sachlichkeit, and the Bauhaus.

Almost twenty years after the creation of the Musee d’Orsay, the 19th century seems more than ever to be the “Golden Age” of French art. It boasts names such as Ingres and Delacroix, Manet and Puvis de Chavannes, Gustave Eiffel and Charles Garnier. French art became a universally accepted benchmark, spreading the discoveries of Impressionism, the Haussmann models, and the daring of art nouveau far beyond its borders, and receiving in return, in the form of the countless artists who flocked to its hub, numerous influences from abroad. Other key movements associated with the19th century include Romanticism; Neo-Classicism, “orientalism,” and japonisme; Realism; the Barbizon School and plein-air painting; Neo-Impression, Cloissonism, and the Nabis; and Symbolism.This complete, chronological history is illustrated by more than 400 illustrations and covers painting, sculpture, and architecture, as well as the advent of photography, its impact on painting, and its emergence as an art form of its own.

Henri Loyrette, president director of the Louvre Museum, was previously director of the Musee d’Orsay (1994). Loyrette has published articles and books on 19-century art and has presided over many exhibitions focusing on the Impressionistst. Sebastien Allard is Heritage Curator in the Painting Department at the Louvre. Allard has also published a book on Paris in 1820. Laurence des Cars is curator at the Musee d’Orsay. A specialist in late 19-century painting, des Cars has published Discoveries: Preraphaelites: Romance and Realism.

Once firmly accepted social concepts such as “body”, “masculinity” and “nudity” have become less concrete over the past few decades. This volume presents an enthralling expedition into art history, tracing representations of naked men from the Age of Enlightenment to the present day.

The Visual Encyclopaedia series provide up to 300 beautiful photographic and artwork images, illustrating subjects of perennial cultural interest. Images are accompanied by narrative providing background, brief criticism, and details on relevant museums, brief biographies and time lines

The immense expanse that opens up between Asia and the coast of America represents an ancient and faascinating world. In the routes traced by the winds and currents, poluplations and cultures appeared, integrated and split up over the course of the centuries, adapting themselves to a poweful nature that generated unique religious practices that also became part of artistic manifestation.

On Beauty is neither a history of art, nor a history of aesthetics, but Umberto Eco draws on both these disciplines to define the ideas of beauty that have informed us from the classical world to modern times. In terms of form and style, On Beauty has been conceived for a vast and diverse readership. Packed with examples from painting, sculpture, architecture, film, photography, the decorative arts and literature, it offers a rich and intelligent panorama of this huge subject. In On Beauty Eco is at his most captivating and eclectic: we read not only of Botticelli and Michelangelo but of how much the fashion of the 1960s owes to ancient Egyptian dress, and how ancient Roman and eighteenth-century hairstyles have much in common. It makes the familiar new, and sheds a brilliant light on the unfamiliar. On Beauty is illustrated in full colour throughout and produced to the highest standards.

About the Author:

Umberto Eco's first novel, The Name of the Rose (1982), was a huge bestseller which brought him worldwide acclaim. With his subsequent works of fiction, philosophy, literary criticism and semiotics, he has been recognised as one of Europe's finest thinkers. He is currently President of the Scuola Superiore di Studi Humanistici and the University of Bologna. He is also known for his lavishly illustrated anthologies, On Beauty, On Ugliness, The Infinity of Lists and The Book of Legendary Lands.

This richly illustrated catalogue documents the exhibition organized by the Walters Art Museum, Baltimore, in partnership with the State Russian Museum, St Petersburg. Featuring celebrated paintings by such pioneering artists as Wasilii Kandinsky, Kazimir Malevich, Vladimir Tatlin and Natalia Goncharova, it also includes the work of more than 20 other innovative artists of the Russian avant-garde, some of whose art has rarely been reproduced in colour.

These intriguing paintings are juxtaposed with native Russian arts and crafts, including religious icons, popular prints, textiles, and even children's toys, to explore the influence of folk art on the Russian avant-garde during the early decades of the 20th century.

These objects were avidly collected during this period by artists and intellectuals, who were aware of the gradual disintegration of peasant culture in Russia and eager to preserve its artifacts.

Through a rich array of some 70 paintings, related folk art objects and works on paper, the exhibition and catalogue make clear the intermingling of "high" and "low" forms of visual culture during this exciting phase of avant-garde production.

En se fondant sur les riches collections du Musée du papier peint de Rixheim, ce livre a pour propos de faire revivre ces innombrables motifs qui ont transformé la vie de nos ancêtres, de tenter de leur redonner un sens. Le motif de papier est un monde : les manufactures en ont imprimé des milliers des années 1770 à nos jours, de façon à transformer à moindre frais le mur nu et lui donner un sens en rapport avec les désirs de chacun. Ne parle-t-on pas à son propos de seconde peau ?

Sommaire :
Les fleurs du XVIIIe, les fleurs du XIXe, les arabesques, les ornements du XIXe, les textiles du XVIIIe, les textiles du XIXe, capitons, rubans, dentelles.

Between 1919 and 1939, Paris experienced a cultural and intellectual boom. Packed with evocative illustrations, this book is a vibrant kaleidoscope of the incomparable city at its dazzling peak.

The city was ablaze with bright lights and the sound of jazz, and the ideas and fashions born there spread across the world, attracting a host of international artists, writers and performers to come and share the excitement of the period that the French called les années folles – the crazy years.

Bohemian Montparnasse, with its cafés, bars and studios, was a hub of creative energy. Cubism, Surrealism and Dada turned Paris into the home of the avant-garde, and Picasso and Matisse were just two of the leading lights in a scene that included Chagall, Giacometti, Léger, Miró and Calder.

Intellectual life was punctuated by artistic quarrels, ideological debates, rival literary schools and competing theatrical styles. In literary circles, Gide, Valéry and Malraux were at the forefront of French thought, while world writers who found inspiration there included Ernest Hemingway, F. Scott Fitzgerald and James Joyce.

But Paris was not just a city of the mind: it was a city of unsurpassed style. The International Exhibition of 1925 became a landmark event, and Art Deco and modernist designers embraced the beauty of technology, machinery and all that contemporary life had to offer.

It was a golden age for haute couture, too, with the houses of Chanel, Lanvin and Schiaparelli dressing the emancipated women who peopled Paris’s glittering social scene, while the exotic nightlife was embodied in the sensational glamour of Josephine Baker.

When the Great Depression of the 1930s cast a shadow over the world, the carefree days were over but the city’s creative spirit continued to flourish. Political and social turmoil began to be reflected in such challenging works as Picasso’s Guernica, while the films of René Clair and the photography of Brassaï and André Kertész captured a darker side to life.

The publication of the Said and Roswitha Marouf Collection focuses the viewer’s eye on the magnificent art works of the Meissen porcelain manufactory, which in 2010, on the occasion of its 300 anniversary, will celebrate the multifarious artistic wealth of the first European manufactory for porcelain. This book is not about the history of Meissen porcelain in the eighteenth century, which has been examined in numerous publications, but is rather a feast for the senses. The collection documented here provides a representative survey of the early creative period of the Meissen manufactory, especially in the area of painting, with outstanding works of art by Johann Gregorius Höroldt and his workshop.

Also the small sculptural work of Johann Joachim Kaendler and co-workers is presented in detail. The diversity of the porcelain items, chosen with care and collector’s passion, is reflected in the some 500 reproductions – including numerous large-format reproductions – of the nearly 200 art works. In the clear commentaries and in magnificent reproductions – including many details – the individual characteristics and distinctive features of these works are vividly presented.
Since 1994 the author, Dr. Ulrich Pietsch, has been director of the Porcelain Collection of the Staatliche Kunstsammlungen Dresden, the world’s largest collection of Meissen porcelain of the eighteenth century.