Книги по коллекционированию

1270 illustrations, most in full color

Updated every two years, Classic Wristwatches deals solely with vintage watches, that is, watches no longer in current production. This easy-to-use guide fully describes and illustrates each timepiece featured, as well as providing an estimated price carefully calculated by experts in the field. Including record prices at auction, this book supplies all the information that a collector needs to know about a vintage watch and its approximate current value, such as details on the movement, case, and special characteristics of the piece. A symbol also denotes whether the authors believe the value of the watch will increase, decrease, or remain the same. In addition to collectible vintage watches, the coverage in Classic Wristwatches includes important historical models by Rolex and Patek Philippe and such rare brands as Record and Enicar.

Featured Manufacturers: Angelus, Audemars Piguet, Baume & Mercier, Breitling, Cartier, Certina, Chronoswiss, Cyma, Doxa, Eberhard & Co., Enicar, Eterna, Excelsior Park, Fortis, Gigandet, Girard-Perregaux, Glashütte, Hamilton, Hanhart, Heuer, IWC, Jaeger-LeCoultre, Junghans, A. Lange & Söhne, LeCoultre, Lémania, Leonidas, Longines, Mido, Movado, Ulysse Nardin, Nivada, Officine Panerai, Patek Philippe, Piaget, Pierce, Record, Rolex, Tissot, Tudor, Universal Gené, Vacheron Constantin, Vulcain, Wakmann, Zenith

Stefan Muser has been the owner of the renowned auction house Dr. Crott in Mannheim, Germany, since 1993. He is regarded as one of the most knowledgeable auctioneers in Europe. Michael Ph. Horlbeck is a collector and journalist who writes a collecting column for the German magazine Armbanduhren. Horlbeck is also author of a book on mechanical alarm wristwatches.

The world of vintage clothing is a fun, exciting, rewarding area of collecting. This is particularly true of the fashions of 1940s, 50s, and 60s. Unlike earlier eras, these creations can be worn and enjoyed everyday. And there is something for every taste...from the formal to the whimsical and from the chic tailored suits of the 1940s to the free-style fashions of the late-1960s

Whether a cherished heirloom or state-of-the-art design, sensible or frivolous, the watches people wear are often expressions of their personalities. Watches have long been desirable collector's items, as some of the vintage models in this book show.

Collectible Wristwatches features over 500 color photographs of watches, from rare and valuable early models to recent designer creations, from deep sea diver's watches to those worn by aviators. Each photograph is accompanied by a short text explaining the significance of the item. Whether you are a novice or the proud owner of a series of beautiful watches, this book is the perfect source of new ideas for what to look for next for your collection.

Whether you’re an art fan, aficionado, or collector, this completely unique book should be on your required reading list. Like a textbook for a class given by all of the world’s leading experts, Collecting Contemporary is the one and only book to teach you everything you ever wanted to know about the contemporary art market. The introduction explains the ABCs of buying art on the primary and secondary markets, at auction, and at art fairs and gives an overview of the world art scene and its social circles. The main body of the book brings together tell-all interviews with the biggest players in the global art market: the Critic (Rimanelli), the Dealer (Boesky, Brunnet/Hackert, Coles, Deitch, Fortes, Gagosian, Gladstone, Glimcher, Hetzler, Lybke, Perrotin, Rosen, Shave, Wirth), the Consultant (Cortez, Fletcher, Heller, Segalot, Westreich), the Collector (Brant, Broad, Habsburg, Joannou, Lambert, Lehmann, Lopez, Paz, Pinault, Rothschild Foundation, Saatchi), the Auction House Expert (Cappellazzo, de Pury, Meyer), and the Museum Curator/Director (Dennison, Eccles, Heiss, Lowry, Peyton-Jones). Rounding up the book are chapters on the year in art collecting—giving a timeline of the most important annual auctions, exhibitions, fairs, etc. around the world—as well as a glossary of terms every art savvy player should know. The text is illustrated by the work of the hottest artists in today’s market, including Matthew Barney, Jean-Michel Basquiat, Damien Hirst, Mike Kelley, Martin Kippenberger, Jeff Koons, Takashi Murakami, Richard Serra, Cindy Sherman, Andy Warhol, Lisa Yuskavage, and many more. All in all, these elements add up to the equivalent of an invaluable and privileged real-world collector’s education—all between the covers of one book.

Confessions of a connoisseur

Insiders' tips on how the design art market really works

"Art is about life, the art market is about money."  - Damien Hirst

Whether you're an art fan, aficionado, or collector, this completely unique book should be on your required reading list. Like a textbook for a class given by all of the world's leading experts, Collecting Contemporary Art is the one and only book to teach you everything you ever wanted to know about the contemporary art market. The introduction explains the ABCs of buying art on the primary and secondary markets, at auction, and at art fairs and gives an overview of the world art scene and its social circles. The main body of the book brings together tell-all interviews with the biggest players in the global art market: the Critic (Rimanelli), the Dealer (Boesky, Brunnet/Hackert, Coles, Deitch, Fortes, Gagosian, Gladstone, Glimcher, Hetzler, Lybke, Perrotin, Rosen, Shave, Wirth), the Consultant (Cortez, Fletcher, Heller, Segalot, Westreich), the Collector (Brant, Broad, Habsburg, Joannou, Lambert, Lehmann, Lopez, Paz, Pinault, Rothschild Foundation, Saatchi), the Auction House Expert (Cappellazzo, de Pury, Meyer), and the Museum Curator/Director (Dennison, Eccles, Heiss, Lowry, Peyton-Jones).

Rounding up the book are chapters on the year in art collecting - giving a timeline of the most important annual auctions, exhibitions, fairs, etc. around the world - as well as a glossary of terms every art savvy player should know. The text is illustrated by the work of the hottest artists in today's market, including Matthew Barney, Jean-Michel Basquiat, Damien Hirst, Mike Kelley, Martin Kippenberger, Jeff Koons, Takashi Murakami, Richard Serra, Cindy Sherman, Andy Warhol, Lisa Yuskavage, and many more.

All in all, these elements add up to the equivalent of an invaluable and privileged real-world collector's education - all between the covers of one book.

The author:
Adam Lindemann is a private investor and influential collector of contemporary art and design. In partnership with designer Marc Newson, he re-launched Ikepod, a Swiss watch design company. He also writes a monthly column on collecting for The New York Observer.

Confessions of a connoisseur

Insiders' tips: discover the world of design with the help of thirty-two international experts and learn why the most valuable furniture is not what you think it is

Adam Lindemann’s second volume is the follow-up to Collecting Contemporary, an unprecedented success, introducing the lay reader to collecting contemporary art, with tell-all interviews by the biggest players in the global art market. The idea for this volume came when he was furnishing his new house. "Art collectors like myself who hung beautiful contemporary paintings on their walls suddenly saw their furniture look sad and tired," Lindemann writes in his preface, relating how hobby became passion and an overwhelming desire to know everything. Which is how this latest volume manages to give such a perfect introduction into collectible design: it follows the path its author took.

Today’s design market has its roots in the late eighteenth century: artists created porcelain pieces in editions that became in high demand. From Art Deco to the Wiener Werkstätte, Bauhaus to the Eameses, the French modernists, and a whole bunch of designers many haven’t heard of yet, this volume is the best guide to the collectability and overall desirability of design for connoisseurs and amateurs alike.

Collecting Design tells all about an addictive occupation, vintage pieces vs. limited editions, the big names and what to keep an eye on, all from the perspective of a passionate collector meeting market luminaries for in-depth conversations—his fellow collectors (Bruno Bischofberger, Michael Boyd, Peter M. Brant, Dennis Freedman, Dakis Joannou, Reed Krakoff, Ronald Lauder), the dealers (Anthony DeLorenzo, Suzanne Demisch, Ulrich Fiedler, Barry Friedman, Didier and Clémence Krzentowski, Zesty Meyers and Evan Snyderman, Murray Moss, Patrick Seguin, Alasdhair Willis), select tastemakers (Jacques Grange, Marc Jacobs, Karl Lagerfeld, Peter Marino, Robert Rubin, Ian Schrager, Axel Vervoordt), and auction experts (Gerti Draxler from Dorotheum, Vienna, Philippe Garner from Christie’s, Peter and Shannon Loughrey from LAMA, Los Angeles, Alexander Payne from Phillips de Pury, Richard Wright, James Zemaitis from Sotheby’s).

Lindemann writes: "Sitting down for hours with 32 experts, I can now discuss the finer points of Emile-Jacques Ruhlmann versus Eileen Gray, Carlo Mollino versus Gio Ponti, of Marc Newson versus Ron Arad, and so on. I hope you will enjoy and profit from this fascinating field as much as I have."

The author:
Adam Lindemann is a private investor and influential collector of contemporary art and design. In partnership with designer Marc Newson, he re-launched Ikepod, a Swiss watch design company. He also writes a monthly column on collecting for The New York Observer.

All wristwatches are true ‘micromarvels’ of engineering, yet some models have such enduring appeal that they attract the attention of collectors, investors and regular wearers alike. Now available in paperback for the first time, Cult Watches is a lavishly illustrated account of the world’s most popular classic timepieces – the top 30 that have achieved cult status, from the Rolex Submariner and the Tissot Banana Watch to the Ingersoll Mickey Mouse watches and the ‘quartz revolution’ Swatches. Watch-industry expert Michael Balfour introduces the great watchmaking innovators, sets their horological masterpieces in context and discusses their legacies. With future contenders for the status of cult watch also considered, this is a lively and informative history of some of the most sought-after and desirable watches ever produced.

• The first book devoted to the wristwatches with the most dedicated following
• Each model and its brand is profusely illustrated with both historical and contemporary images, for ready reference
• An elegantly produced book that will appeal to watch enthusiasts, collectors and investors worldwide

 

From Anchor Hocking's Manhattan pattern to Carder and Teague designs for Steuben, all of the major American companies who made Art Deco glass during the Depression Era-Cambridge, Consolidated, Duncan, Fostoria, Heisey, Libbey, Morgantown, Tiffin, and many others-are presented in this long-awaited book. With more than 350 color photos of both popular and rare examples, informative captions with values, plus patent drawings, company information, a bibliography, and a detailed index, this book will delight anyone interested in this highly collectible American glassware or in the Art Deco style.

Du Paquier, an independently operating Viennese porcelain factory, was established in 1718, only eight years after Meissen. Although its heyday was brief, lasting only twenty-five years, Du Paquier produced porcelain of great beauty, notable for an enchantingly graceful style and consummate sophistication of execution. In three sumptuously illustrated volumes, scholars of international standing present the distinctive style and the exciting history of Du Paquier porcelain in the context of Baroque Vienna. The first comprehensive publication on this important porcelain factory, this work has been made possible through a five-year research programme conducted by the Melinda and Paul Sullivan Foundation for the Decorative Arts. The objects shown, many of them for the first time here, are in major public and private collections.

The first volume deals with the historical and stylistic background of Du Paquier porcelain: art and architecture in early eighteenth-century Baroque Vienna; furthermore, the history of the porcelain factory, its style and its manifold sources of inspiration as well as Du Paquier’s relationship to Meissen and the role played at Du Paquier by independent porcelain painters and decorators (Hausmaler). The second volume places this Viennese porcelain in its cultural context, providing broad-ranging information on court banquet ceremony as well as private pleasures such as drinking and festive dining. Objects used in aristocratic circles are shown along with choice presents of state made to the Ottoman and Russian courts. In addition, this volume contains a new study on the Dubsky Room, the only room still in existence devoted to Du Paquier porcelain. The contents of the third volume include an annotated catalogue comprising approx. 500 objects, scholarly analysis and a chapter on the history of collecting Du Paquier porcelain, an inventory of the Dubsky Room, a bilingual glossary of terms and a complete bibliography. An enclosed CD-ROM contains transcriptions of original documents that have played an important role in the history of the Du Paquier porcelain factory.

The arts in Baroque Vienna represent the cultural background for the magnificent Du Paquier porcelain. These lavishly designed books provide a comprehensive introduction to this courtly society and the distinctive porcelain made by Du Paquier. Essays by distinguished scholars in the field make this publication a standard work, not only for specialists but also for collectors and connoisseurs of porcelain as well as anyone interested in the Baroque era.

Authors: Meredith Chilton | Johann Kräftner | Claudia Lehner-Jobst | Ghenete Zelleke | Johanna Lessmann | Sebastian Kuhn | Katharina Hantschmann | Samuel Wittwer

These pendulum clocks not only tell time but also depict magnificent bronze and gilded sculptures which more or less relate to time, especially of Greek and Roman mythology, American Indian or African origin, and inhabitants of exotic countries. The author explains the underlying stories and scenes of everyday life in panels which represent the new, post-revolutionary era of the middle class in 19th century France.

This book provides a guide to the history of Sevres porcelain as epitomised by seventy of the most important examples in the Royal Collection. Published to accompany the exhibition opening at The Queen's Gallery, London.

After more than ten years of intensive research, the first encyclopedia of GLASS MARKS from the 16th to the 20th century is now available; there has been no comparable publication until now! The starting point is the mark you are looking for. The encyclopedia is clearly arranged and easy to handle. Right next to the mark you will find all necessary information. The "mystery" of the markis solved and you will find sound information on the artists/manufacturers/or the producing glass factories, as well as when the works were produced. In addition you will find thousands of biographies of artists in glass and firms from Europe and North America. 

There is no other handbook of its kind on the market! Its unparalleled quality has already made it a standard work in the field.

Illustrations of over 11,000 signatures and marks

The creation of this important and lavishly illustrated book involved gathering material from all the major museums in Russia and abroad, as well as from public and private archives. It is a remembrance of things past and a testimonial to a great cultural and historic heritage. It is a book to fascinate anybody interested in art, collecting or Russian history.

Imperial Russia before the 1917 Revolution had a great tradition of private collecting. In this book, the authors reconstruct a tour of the great Russian collections as they would have been just prior to the fall of the Romanovs. The collections are brought back to life by watercolours and drawings of their palaces, as well as photographs of interiors, family portraits and, naturally, by the works of art that they collected, now all in Russian museums or museums abroad.

Later, among the tycoons created during the Industrial Revolution, were Pavel Tretyakov, whose gallery is now one of the most visited in Russia, and the Shchukin and Morozov families, who collected Picasso, Matisse, Braque, and all the Impressionists including Manet, Monet, Renoir, Degas, Cézanne and Gauguin.

The Japanese sword combines unbreakability, rigidity, and lethal cutting power, and it is in the resolution of these conflicting practical requirements that it emerges as a triumph of the forger's art. The mystique of the sword lingers on in our age of mechanized combat, but the aesthetic qualities for which swords are most valued by collectors today - the liveliness of the metal "skin," the confidence in every aspect of the design, the scrolling temper-line, the almost buoyant lightness of the hilt when the blade is held in the hand - all derive from what the Japanese sword demanded as a symbol of strength and as a weapon. As an instrument of clear persuasion, no other blade anywhere has ever been it's equal.

This volume, containing color and black-and-white plates, has been prepared as an introduction to the history and appreciation of the Japanese sword. Its author, until his death in 1978, was one of Japan's foremost sword experts, and his wide knowledge is here brought to bear on every aspect of sword lore, including forging techniques and problems of appraisal. Looking over the 1,500 years of sword history in Japan, Kanzan Sato notes how the major developments - the shift from the early straight blades to the tachi, which were longer curved blades slung edge downwards at the waist, to the familiar daishō pair of short and long swords worn by samurai until modern times - were the result of both technical innovation and changed fighting techniques. He examines the various fashions in sword mounts and the at times precious, highly decorated work of the smiths who specialized in sword guards, or tsuba, during the Momoyama and Edo periods.

The centerpiece of this book, however, is a detailed examination of over a dozen of Japan's most revered blades, including the Ō-Kanehira and the Dōjigiri by Yasutsuna, perhaps the two finest swords in Japan and as clear and beautiful today as when they were forged some 900 years ago. The discussion of what makes these blades special and how they have been passed down for generations offers the reader a wealth of insight into the sword in Japan as heirloom and cultural treasure.

About the author

Kanzau Sato was born in Yamagata Prefecture in 1907 and until his death in 1978 was regarded as one of Japan's foremost experts on the Japanese sword. A graduate of Kokugakuin University, he worked in the section for National Treasures, Ministry of Education, and Tokyo National Museum. He was Executive Director of the Society for the Preservation of Japanese Art Swords and Vice-Director of the Sword Museum. His publications include works on Kotetsu and Higo metal-working.

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Пролистать книгу Japanese Sword: Comprehensive Guide на Google Books.

Is a watch ever a work of art? Is a watchmaker ever an artist?

To answer these questions and many more, Michael Clerizo spent months listening to eleven of the world’s most renowned watchmakers. In mansions, villas, shops and ateliers of all sizes these extraordinary individuals told their stories.

We hear of lives mastering the skills of mechanical watchmaking, and crowned with the success of finding others willing to buy and treasure their work. These men also speak fervently of their common goal: ensuring that the mechanical watch continues to thrive in a world dominated by disposable quartz watches.

The book’s many photographs offer a retrospective exhibition of the watches of George Daniels, Svend Andersen, Vincent Calabrese, Philippe Dufour, Antoine Preziuso, Franck Muller, Aniceto Jiménez Pita, Alain Silberstein, Marco Lang, Vianney Halter and Roger Smith.

In addition, twenty other remarkable watchmakers and workshops from Switzerland, Austria, Germany, Holland, Finland, Ireland and Hungary are introduced and illustrated. Also included are a technical glossary, suggestions for further reading, and a list of specialist websites and magazines.

About the Author:

Michael Clerizo is noted for his in-depth analysis of bespoke luxury products for the Financial Times, the Wall Street Journal, the Robb Report and specialist watch and other magazines.