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Buchhart Dieter
ID: 11531
Видавництво: Prestel

From his early years spray painting the walls of lower Manhattan to his first solo show in 1982 and his untimely death at the age of 27 in 1988, Jean-Michel Basquiat has become a symbol of the 1980s New York art scene

Now, more than a quarter-century since his death, this book considers Basquiat’s works in light of their transformative power. Exquisitely reproduced full-page color illustrations of his paintings cover the full thematic range of Basquiat’s work. From the autobiographical elements of "Untitled" (1981) and the powerful critique of racial justice that is "Irony of a Negro Policeman" to an exploration of black heroes, "Untitled" (1982) and the tongue-in-cheek social commentary of "A Panel of Experts", Basquiat’s limitless palette of observation, criticism, and cultural references endows his art with lasting and provocative power. Author Dieter Buchhart explores how Basquiat’s success paved the way for an entire generation of black artists and how street culture has spread into popular culture. Texts by curators, art dealers, and cultural critics discuss the significance of Basquiat’s oeuvre and show how his approach and subject matter continue to influence artists around the world.

This book is published by DelMonico Books in association with the Art Gallery of Ontario, Toronto.

Katy Siegel, Ingrid Sischy, Eckhard Schneider
ID: 3572
Видавництво: Taschen

The Art Edition, limited to 100 copies, each with an original artwork by Jeff Koons.

From kinky to kitsch to conceptual, Jeff Koons’s art is anything but conformist. Since he stirred up the art world establishment in the 1980s with his unapologetic basketball sculptures and stainless steel toy blow-ups, Koons has been known as somewhat of a bad boy - a reputation he confirmed in the early 90s via works depicting him having sex with then-wife Cicciolina, the Italian porn star-cum-politician. Following this torrid phase, he changed gears to produce the gargantuan Puppy, the 43-foot tall floral terrier that now resides at the Guggenheim Museum in Bilbao, Spain. Koons’s exploitation of the banal, in the aggrandizement and/or embodiment of kitsch and pop imagery, has become his trademark; detractors may delight in their naysaying, but Koons’s work commands millions at auction and his position at the forefront of contemporary art is indisputable.

This exhaustive monograph begins with a biographical essay by Interview magazine editor-in-chief Ingrid Sischy that puts his work into context and tells his personal story, as well as a text by Eckhard Schneider’s analyzing Koons from a European perspective. Arranged in chronological chapters by work groups, the main body of the book features art historian and critic Katy Siegel’s detailed analyses alongside hundreds of large-format images tracing Koons’s career from 1979 to today. Rounding off the book are an extended bibliography and a lavishly illustrated biography. Fans of Jeff Koons’s work will find in this publication not only a sumptuous book-object, but also the most comprehensive study of the artist’s work ever published.

Joe Sorren
ID: 11558
Видавництво: Gingko Press

Joe Sorren’s oil paintings redefine naturalist scenery such as caves, reefs, and seashores, inserting a surreal mood through soft, eerie imagery, thick Impressionist-inspired brushstrokes, and animalistic figures caught mid-motion.

Although the subjects are often childlike, the postures and weariness betray adult maturity, drawing a fine line between the vulnerable and precocious. Bulls and minotaurs parade guiltily with parasols and umbrellas through both Sorren’s original paintings and the sculptures created in collaboration with Jud Bergeron.

This monograph of work from 2004-2010 is published in conjunction with the exhibition Joe Sorren—Interruption, for the Grand Central Art Center at CSU Fullerton.

Laure Beaumont-Maillet
ID: 7010
Видавництво: Bibliotheque de l'Image

"In the middle of the seventeenth century Johann von Nassau returned to his estate and castle at Idstein, which had been devastated by the Thirty Years War. A sophisticated collector, he acquired paintings, stuffed birds and objects of every kind for his cabinet of curiosities. He created a garden full of rare plant species, grottoes decorated with shells, fountains, and flower-beds in the shape of vegetables and fruit. In the desire to immortalize his garden, Johann von Nassau engaged Johann Walter (1604-1677), a painter from Strasbourg, to record it. This was the origin of the Florilegium, a work of great artistic quality.

Now kept in the department of Prints and Photography of the BNF, it comprises 54 gouaches on vellum, including a portrait of the prince in his cabinet of curiosities, a portrait of the painter, and views of the castle and garden, following by 30 plates depicting flowers and 12 depicting fruits, all remarkable originality."

Gabrielle Townsend
ID: 9011
Видавництво: Bibliotheque de l'Image

"Au XIXe siècle, l’aquarelle n’était pas considérée comme un art à part entière, mais plutôt comme la technique préférée des amateurs, en particulier des dames de la bonne société, ou, pour les artistes de profession, comme des ébauches préparatrices en vue de tableaux achevés dans leur atelier. Il y avait des exceptions tout à fait notoires, en particulier au sein de l’école des aquarellistes anglais, dont J.M. W. Turner était l’un des plus éminents représentants. Mais, à la fin du siècle, Sargent devint l’un des premiers peintres dont les aquarelles furent appréciées pour leurs valeurs intrinsèques. À partir de 1910, il commença à les exposer, dans des expositions spécialisées d’abord, à Londres, à la Royal Watercolour Society entre autres, puis aux États-Unis.

(…) Homer, seul aquarelliste pouvant rivaliser avec Sargent, était très prisé pour ses valeurs américaines rustiques au détriment du style de Sargent considéré jusque-là comme trop mou et raffiné, ce que l’on imputait à ses influences européennes. Mais la puissance, la nouveauté et la vigueur de son art eurent le pouvoir de confondre toute critique et firent de lui un artiste de stature égale sinon plus grande."
Gabrielle Townsend

Choix lumineux de 60 aquarelles - marines, paysages, portraits... - exécutées par John Singer Sargent (Florence, 1856 - Londres, 1925) tout au long de ses différentes pérégrinations en Italie, en France, en Angleterre, en Espagne ou encore en Égypte...

Frances Morris
ID: 4980
Видавництво: Abrams

145 illustrations, 100 in full-color

Henri Rousseau (1844–1910) was a self-taught artist with a unique style, exemplified in his visionary jungle scenes. These dream-like tableaux, for which he drew heavily on visits to Paris’ Botanical Gardens, captivate with the lushness of their plant and animal life, while unsettling the viewer with their heady combination of exoticism and romanticism.

This sumptuously illustrated book provides not only a comprehensive overview of Rousseau’s career, but also penetrating insights into his inspiration. With large, color reproductions of his paintings, many previously unpublished illustrations of his sources and influences, and a wealth of new research on his life and work (including the only interview conducted with the artist), Henri Rousseau: Jungles in Paris

ID: 11555
Видавництво: Gingko Press

Sexuality is one of the most enigmatic facets of the human psyche. Writers and artists have spent untold ink in an effort to unravel the mysteries of our libidinous tendencies.

‘Erotica’, the new book from Juxtapoz, features titillating explorations of the subject matter by two dozen of the most exciting artists working today.

Some featured works are meticulously illustrated, some abstract in style, some realistic, some forays into fantastic worlds that fuel the imagination.

‘Erotica’ includes samplings from David Choe, Audrey Kawasaki, Tara McPherson, James Jean, Rockin’ Jelly Bean, Gary Baseman, Tomer Hanuka, and many more.

Ulrike Becks-Malorny
ID: 1853
Видавництво: Taschen

The inner properties of colour and form

 

The artist who pioneered new dimensions of expression in art

Wassily Kandinsky was undoubtedly one of the most exciting artists of the twentieth century. He brought an equal passion and commitment to his work as a painter, a theoretician and a teacher of art. After conventional beginnings in Munich, he devoted his intellectual and artistic energies to pioneering new dimensions of expression in art. He ultimately arrived at an abstract style of painting based on the inner properties of colour and form.

Although Kandinsky may not be the first truly abstract artist, he was nevertheless the first to experiment with non-representational forms in a logical manner and to develop out of them a homogeneous style. His writings on art, including his ground-breaking work On the Spiritual in Art, have lost none of their significance, and the Compositions which caused such a furore at the first Blaue Reiter exhibition in 1911 are still full and dazzling today.

The author:
Ulrike Becks-Malorny studied free painting in Geneva and art history in Bochum, Germany. Since gaining her doctorate in 1990, she has worked as an exhibition organizer and freelance author. She lives in Bonn, Germany.

Edited by Julian Cox and Jim Shedden. Foreword by Stephan Jost. Text by Julian Cox, Mark Kingwell. Interview by Jim Shedden
ID: 15920
Видавництво: Delmonico Books

A lavishly illustrated tour of the methods, process and sources behind the iconic pop artworks of KAWS

American artist KAWS is one of the most famous living contemporary artists today. Renowned for his iconic visual language and larger-than-life sculptures, the artist draws on beloved pop culture icons to create a new and recognizable cast of characters of his own. The broad appeal of KAWS’ style has made his artwork accessible to collectors, museum visitors and the general public alike, and has led to collaborations with coveted global brands and immense commercial success.

KAWS: FAMILY, organized by the Art Gallery of Ontario, Toronto, marks the artist’s Canadian institutional exhibition debut with an array of his drawings, paintings, sculptures and selected products. The catalog features over 60 works from the past two decades, including installation photography; essays by Julian Cox, AGO Deputy Director and Chief Curator, and Mark Kingwell, FRSC, Professor of Philosophy, University of Toronto in Toronto, Canada; and an interview with KAWS by Jim Shedden, AGO Curator of Special Projects and Director of Publishing. Together, this material provides new insights into KAWS’ influences and creative process as well as the impact his work has made across the spheres of fine art, pop culture, product design and fashion.

A graffiti artist since adolescence, Brian Donnelly (born 1974), known professionally by his moniker KAWS, received his BFA in illustration from New York’s School of Visual Arts in 1996. He has collaborated with brands such as Supreme, Nike and Comme des Garcons, and his work can be found in the collections of the High Museum of Art in Atlanta, the Modern Art Museum of Fort Worth, the Brooklyn Museum and the Museum of Contemporary Art in Los Angeles. KAWS lives and works in Brooklyn, New York.

Essays by Daniel Birnbaum and Eugenie Tsai
ID: 13725
Видавництво: Phaidon

A comprehensive monograph on the work of KAWS, one of the most sought-after artists and creative forces of our time

Drawing from Pop art traditions, KAWS's work straddles the line between fine art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and never-before-seen images of KAWS at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist's unique ability to reshape the ways we think about contemporary art and culture today.

About the Authors:

Daniel Birnbaum is an art critic, curator, and director of Acute Art, a virtual and augmented reality production company.

Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

_________

- Captures the magic of exciting talent at the intersection of traditional and current culture whose highly recognizable - and recognized - work is accessible and provocative, entertaining and challenging
- KAWS has a significant social media presence, with over 3 million followers on Instagram alone – 'There may be no other visual artist with as large a fan base.' – Observer
- KAWS has collaborated with brands such as Supreme, Nike, Dior, Uniqlo, and Comme des Garçons – making his name familiar to a wide and diverse audience
- Accompanies a major exhibition opening at the Brooklyn Museum, his city of residence, in February 2021 - and includes photographs from the show itself

Essays by Daniel Birnbaum and Eugenie Tsai
ID: 13727
Видавництво: Phaidon

A comprehensive monograph on the work of KAWS, one of the most sought-after artists and creative forces of our timee

Drawing from Pop art traditions, KAWS's work straddles the line between fine art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and never-before-seen images of KAWS at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist's unique ability to reshape the ways we think about contemporary art and culture today.

About the Authors:

Daniel Birnbaum is an art critic, curator, and director of Acute Art, a virtual and augmented reality production company.

Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

_________

- Captures the magic of exciting talent at the intersection of traditional and current culture whose highly recognizable - and recognized - work is accessible and provocative, entertaining and challenging
- KAWS has a significant social media presence, with over 3 million followers on Instagram alone – 'There may be no other visual artist with as large a fan base.' – Observer
- KAWS has collaborated with brands such as Supreme, Nike, Dior, Uniqlo, and Comme des Garçons – making his name familiar to a wide and diverse audience
- Accompanies a major exhibition opening at the Brooklyn Museum, his city of residence, in February 2021 - and includes photographs from the show itself

Essays by Daniel Birnbaum and Eugenie Tsai
ID: 13726
Видавництво: Phaidon

A comprehensive monograph on the work of KAWS, one of the most sought-after artists and creative forces of our time

Drawing from Pop art traditions, KAWS's work straddles the line between fine art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and never-before-seen images of KAWS at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist's unique ability to reshape the ways we think about contemporary art and culture today.

About the Authors:

Daniel Birnbaum is an art critic, curator, and director of Acute Art, a virtual and augmented reality production company.

Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

_________

- Captures the magic of exciting talent at the intersection of traditional and current culture whose highly recognizable - and recognized - work is accessible and provocative, entertaining and challenging
- KAWS has a significant social media presence, with over 3 million followers on Instagram alone – 'There may be no other visual artist with as large a fan base.' – Observer
- KAWS has collaborated with brands such as Supreme, Nike, Dior, Uniqlo, and Comme des Garçons – making his name familiar to a wide and diverse audience
- Accompanies a major exhibition opening at the Brooklyn Museum, his city of residence, in February 2021 - and includes photographs from the show itself

Essays by Daniel Birnbaum and Eugenie Tsai
ID: 13730
Видавництво: Phaidon

A comprehensive monograph on the work of KAWS, one of the most sought-after artists and creative forces of our time

Drawing from Pop art traditions, KAWS's work straddles the line between fine art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and never-before-seen images of KAWS at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist's unique ability to reshape the ways we think about contemporary art and culture today.

About the Authors:

Daniel Birnbaum is an art critic, curator, and director of Acute Art, a virtual and augmented reality production company.

Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

_________

- Captures the magic of exciting talent at the intersection of traditional and current culture whose highly recognizable - and recognized - work is accessible and provocative, entertaining and challenging
- KAWS has a significant social media presence, with over 3 million followers on Instagram alone – 'There may be no other visual artist with as large a fan base.' – Observer
- KAWS has collaborated with brands such as Supreme, Nike, Dior, Uniqlo, and Comme des Garçons – making his name familiar to a wide and diverse audience
- Accompanies a major exhibition opening at the Brooklyn Museum, his city of residence, in February 2021 - and includes photographs from the show itself

Essays by Daniel Birnbaum and Eugenie Tsai
ID: 13729
Видавництво: Phaidon

A comprehensive monograph on the work of KAWS, one of the most sought-after artists and creative forces of our time

Drawing from Pop art traditions, KAWS's work straddles the line between fine art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and never-before-seen images of KAWS at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist's unique ability to reshape the ways we think about contemporary art and culture today.

About the Authors:

Daniel Birnbaum is an art critic, curator, and director of Acute Art, a virtual and augmented reality production company.

Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

_________

- Captures the magic of exciting talent at the intersection of traditional and current culture whose highly recognizable - and recognized - work is accessible and provocative, entertaining and challenging
- KAWS has a significant social media presence, with over 3 million followers on Instagram alone – 'There may be no other visual artist with as large a fan base.' – Observer
- KAWS has collaborated with brands such as Supreme, Nike, Dior, Uniqlo, and Comme des Garçons – making his name familiar to a wide and diverse audience
- Accompanies a major exhibition opening at the Brooklyn Museum, his city of residence, in February 2021 - and includes photographs from the show itself

Edited with text by Andrea Karnes. Preface by Marla Price. Text by Michael Auping, Dieter Buchhart. Interview by Pharrell Williams
ID: 11454
Видавництво: Distributed Art Publishers

A major survey of KAWS and his eye-popping work, from collectible art toys to UNIQLO T-shirts, from graffiti to museum exhibitions

Appropriating characters, images and effects from pop culture, the work of KAWS blurs the lines between high and low art, and between art and fashion.

Effectively deploying film and television favourites for his toys, large-scale sculpture and bold, nearly abstract painting, KAWS recasts the familiar colours and forms of popular entertainment in cheeky and often poignantly human terms. Influenced by Andy Warhol and other Pop artists, hard-edge abstract painting and graffiti, KAWS’ work deftly straddles consumer culture and artistic innovation, and his distinctive style is as much at home in his toys as in his monumental sculpture. KAWS: Where the End Starts explores the artist’s prolific career in depth, featuring key paintings, sculptures, drawings, toys and fashion and advertising designs.

This extensive monograph, including contributions from Andrea Karnes, Michael Auping, Dieter Buchhart and Pharrell Williams, reveals critical aspects of KAWS’ formal and conceptual development over the past 20 years, as his career has shifted from graffiti to fine art and collaborations with designers and brands such as Comme des Garçons, SUPREME, Nigo (A Bathing Ape) and Nike.

Published in a hardcover edition with more than 150 color reproductions by the Museum of Modern Art, Fort Worth in conjunction with the major 2016 Fall exhibition on KAWS.

About the Authors:

Brooklyn-based KAWS (born in 1974) is widely considered one of the most relevant artists of his generation. Within the Pop art tradition, he has created a prolific body of influential work, which both engages young people with contemporary art and straddles the worlds of art and design to include both product and graphic design, paintings, murals and sculpture.

Marla Price is Director of the Modern Art Museum of Fort Worth.

Michael Auping is Chief Curator at the Modern Art Museum of Fort Worth, Texas, and the author of books on abstract expressionism, Clyfford Still, and Arshile Gorky.

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