Книги про скульптуру и керамику

This book references all the artist's periods and media: sculpture (plaster, bronze), paintings, drawings, prints… It will allow a comprehensive view of Alberto Giacometti's creation, from early works to the surrealist period, from the return to figuration to his work from models, and to the invention of the great post-war icons. Over 230 works are represented, including several masterpieces such as Spoon Woman (1927), The Invisible Object (1934-35), Woman with Chariot (1945), The Nose (1947), and Walking Man (1960).

Giacometti’s works are separated into fourteen original sections revealing the themes favoured by the artist - the representation of the head, the face, the female body, etc. The book is punctuated by seven essays written by leading art historians who dwell on the detours and questions that mark Alberto Giacometti's creative process, but also allow the reader to discover his relationship to loneliness, melancholy, and his hard work with his models: his wife Annette, his brother Diego, his close friends. This catalogue aims to introduce the reader to another Giacometti, the one who experiments with the limits of sculpture, and the formidable painter who also practices, alongside the portrait, the genres of landscape or still life.

Discover the immersive art of clay sculpting with comprehensive tutorials from renowned professional sculptors including Glauco Longhi and Romain Van den Bogaert. Explore key tools and materials, following the sculpting process from developing a character and creating armatures through to perfecting the final details and setting your sculpture. Featuring an introduction to sculpting by The Shiflett Brothers, Beginner’s Guide to Sculpting Characters in Clay is suitable for both complete sculpting novices and digital sculptors wanting to explore traditional techniques, covering all the essential components needed to create beautiful, clay character sculptures.

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With the help of this unique book, all the fascinating properties of iron and other metals can be creatively explored.

52 color plates and 717 b/w photos and drawings present the ideas and examples visually. After a short history of ironwork, the author discusses the ironworking shop, forge and tools, including anvils, vises, hammers, tongs, punches, centrifugal blowers and machine tools. She presents information on building, lighting, and maintaining a fire.

Forging procedures are explicitly shown: drawing out, flattening, bending, upsetting, twisting, splitting, punching and drifting, hot cutting on a hardy, and joining and finishing techniques.

What makes a creative life? For an artist like Frances Palmer, it’s knitting all of one’s passions — all of one’s creativity — into the whole of life. And what an inspiration it is.

A renowned potter, an entrepreneur, a gardener, a photographer, a cook, a beekeeper, Palmer has over the course of three decades caught the attention not only of the countless people who collect and use her ceramics but also of designers and design lovers, writers, and fellow artists who marvel at her example. Now, in her first book, she finally tells her story, in her own words and images, distilling from her experiences lessons that will inspire a new generation of makers and entrepreneurs.

Life in the Studio is as beautiful and unexpected as Palmer’s pottery, as breathtakingly colorful as her celebrated dahlias, as intimate as the dinners she hosts in her studio for friends and family. There are insights into making pots — the importance of centering, the discovery that clay has a memory. Strategies for how to turn a passion into a business — the value to be found in collaboration, what it means to persevere, how to develop and stick to a routine that will sustain both enthusiasm and productivity. There are also step-by-step instructions (for throwing her beloved Sabine pot, growing dahlias, building an opulent flower arrangement). Even some of her most tried-and-true recipes.

The result is a portrait of a unique artist and a singularly generous manual on how to live a creative life.

About the Author:

Frances Palmer is a potter known for her handmade functional ceramics. Her pieces have been carried by Barneys New York, Bergdorf Goodman, Neue Galerie, Takashimaya, and the Philip Johnson Glass House, and featured in T: The New York Times Magazine, Vogue, Elle Decor, Martha Stewart Living, The World of Interiors, House & Garden, British House & Garden, and Veranda, among other publications. She lives and works in Weston, Connecticut. 

“Roll-up-your-sleeves advice on throwing pottery, growing dahlias, cooking her tried-and-true recipes, and everything in between.”
—Martha Stewart Living

“Suited to any type of creative, offering up lessons on inspiration and creativity that are sure to bring out your inner talent.”
—House Beautiful, Best New Design Books

Overs!ze features the best of installation art on a grand scale all around the world. 

The designers, sculptors and installation artists featured in these pages discuss considerations such as weather, wind flow, method of installation, time constraints, budgets, transportation of the piece to the site, materials used and their durability and the process of site selection. 

The finished projects interact in symbiotic or contrasting methods with their surroundings in carefully controlled ways to create new spatial meanings.

Master of the human form. Rodin's ode to flesh in bronze, marble, and clay

One of the most celebrated sculptors of all time, Auguste Rodin transformed sculptural substance not only into human forms, but into the evocation of human experience. In bronze, marble, and clay, his captivating works summon up all the passions, joys, and vices of life. 

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

The first-ever spomenik guidebook, with over 75 examples alongside map references and information on why they exist and who built them. 

Spomenik’ the Serbo-Croat/Slovenian word for ‘monument’ – refers to a series of memorials built in Tito’s Republic of Yugoslavia from the 1960s-1990s, marking the horror of the occupation and the defeat of Axis forces during World War II. Hundreds were built across the country, from coastal resorts to remote mountains. Through these imaginative forms of concrete and steel, a classless, forward-looking, socialist society, free of ethnic tensions, was envisaged. 

Instead of looking to the ideologically aligned Soviet Union for artistic inspiration, Tito turned to the west and works of abstract expressionism and minimalism. As a result, Yugoslavia was able to develop its own distinct identity through these brutal monuments, which were used as political tools to articulate Tito’s personal vision of a new tomorrow. Today, following the breakup of the country and the subsequent Yugoslav Wars of the 1990s, some have been destroyed or abandoned. Many have suffered the consequences of ethnic tensions – once viewed as symbols of hope they are now the focus of resentment and anger. 

This book brings together the largest collection of spomeniks published to date. Each has been extensively photographed and researched by the author, to make this book the most comprehensive survey of this obscure and fascinating architectural phenomenon. 

A fold-out map on the reverse of the dust jacket shows the exact location of each spomenik using GPS coordinates.

A magnificent catalogue of the V&A's collection of twentieth-century and contemporary British ceramics

Contemporary ceramicists working in Britain, including Rachel Kneebone, Grayson Perry and Edmund de Waal, are part of a broader international group of artists experimenting with clay, considering how it intersects and works in dialogue with other art forms and with culture at large. Recent experimentation with the medium owes much to the rapid evolution of ceramics into an expanded field, and to the work of mid- to late 20th-century potters and their reinvention of ceramics as a radical and contemporary art practice. The pioneering methods and rethinking of form in the work of exponents such as Bernard Leach, Michael Cardew, Lucie Rie, Hans Coper and Alan Caiger-Smith – whose reference points were drawn from East Asia, Africa, the ancient Mediterranean and the Middle East as much as from their own heritage – continue to influence and inspire contemporary makers. In his introductory essay, Alun Graves, Senior Curator at the Victoria and Albert Museum, London, provides all lovers of ceramics – collectors, practitioners, historians and those interested in modern and contemporary art and crafts – with the historical context, documenting the medium’s shift into an expressive, and sometimes interventionist, art form. An extensive visual catalogue, Studio Ceramics is the primary reference for 20th-century and contemporary British studio ceramics, and a record of the national collection of British ceramics held at the V&A.

Contents List:

Foreword by Tanya Harrod
Preface by Alun Graves
Studio Ceramics in Britain
Timeline of Ceramics
A-Z of Artists

About the Authors:

Alun Graves is Senior Curator, Ceramics and Glass 1900–now, in the Department of Decorative Art and Sculpture at the Victoria and Albert Museum, London. He has written widely on 20th and 21st-century British ceramics and sculpture, contributing to a variety of journals, collected papers and exhibition catalogues. He has curated many exhibitions and displays, including Simon Carroll: Expressionist Potter (2014–15), Barnaby Barford: The Tower of Babel (2015), and Alison Britton: Content and Form (2016).

Celebrates the contemporary revival of pottery, focusing on six inspiring cities and their makers

​Clay is back: the age-old craft of ceramics is being embraced by a new generation of urban makers and collectors. Author Katie Treggiden explores the contemporary revival of pottery, focusing on six inspiring cities and their makers. 27 young and passionate ceramicists in New York, London, Tokyo, Copenhagen, Sydney and Sao Paulo introduce us to their work, their studios and their inspiration.

Urban Potters: Makers in the City will appeal to a broad audience – not only those who practice pottery themselves, but anyone who is interested in the handmade. The book also includes a practical source list of places to buy handmade ceramics in the six cities featured.   

About the Author:

Katie Treggiden is a design writer, editor, curator, lecturer and consultant. Treggiden writes for the Guardian Magazine, the Telegraph Magazine, Elle Decoration and Icon, among others. She is the author of The Makers of East London and of The Residents: Inside the Iconic Barbican Estate.

The book presents the extraordinary three-dimensional “live sculptures” by the Russian architect, designer, writer and artist.

Having some engineering experience, Klyukin was able to experiment and derive a concept of connecting steel sheets on a non-existent, speculative axis without any actual fasteners. The principle of mobility of each individual piece was the basis for this technological innovation. Each sculpture created without physical fasteners is easily assembled and disassembled. This new experience brought new satisfaction. One of the statuettes done using the “live sculpture” technique, the Golden Madonnina, was used as the official award during Milan Design Week in 2017, a kind of Oscar for designers.

Vasily Klyukin was born in Moscow in 1979. From 1995 to 2010, he was active in business; when he left business he moved to Monaco, where he took up writing, architecture, and design. In 2013, he published Designing Legends, an album of architectural concepts that contained fifty of his visions for future buildings such as towers, office buildings, museums, and opera houses. Klyukin is recognized by many for his pronounced individuality and the unique shapes of his buildings. He strives to make each building internationally recognizable and mark it as the symbol of the city, or even the country that hosts it. In 2016, he published a sci-fi novel, Collective Mind. This is a dystopia about the creation of artificial intelligence, a computer that uses human brain as fuel. The book has been translated into English and French and published around the world. The sequel to the novel is expected in 2019. Hollywood producer Peter D. Graves has optioned Collective Mind.

His main achievement is the live sculptures technique that he created in 2017 and that he uses to craft influential and memorable installations. His first solo exhibition of live sculptures is based on Dante Alighieri’s The Divine Comedy and is called

In Dante Veritas. Currently displayed at the State Russian Museum in St. Petersburg, the collection of twenty-seven sculptures will soon be traveling to Moscow, then the Vatican, Venice, Miami, and New York.

“My sculptures are a symbiosis of engineering and meaning.” —Vasily Klyukin

5000 Years of Tiles is the essential, single-volume colour compendium of tile art and production around the world, from ancient times to the present day.

Over 350 beautiful colour illustrations showcase an incredible range of tile arts, including the first fired roof tiles in ancient Greece in the third millennium BC, English medieval floor pavements from Clarendon Palace, figural tiles from China, richly patterned Iznik tiles from the Islamic world and stylized ceramic tiles of the Arts and Crafts movement.

Placing the tiles firmly in their historical and cultural context, this richly illustrated book highlights the continuity and diversity of tiles, examining how tile art in one time and place has inspired and rejuvenated those in others. The function and form of this versatile art is examined in stunning detail, from floors to roofs, stoves to bathrooms, cathedrals to metro stations to reveal a fascinating history of design, colour and decoration.

An inspirational showcase of the work of over 50 of the world’s most creative ceramicists which offers insights into their working methods

One of the oldest human crafts, pottery is experiencing a renaissance, with a renewed desire for unique pieces and a respect for the imperfections associated with the marks of the maker. From the functional to decorative and sculptural works pushing the boundaries of the craft, Clay: Contemporary Ceramic Artisans offers a glimpse into the lives and practices of over 50 studio potters from around the world.

It is a celebration of the new pottery artisans and a behind-the-scenes look at their inspirations and working methods.

From clay to kiln and all the techniques in-between, this book is an exploration into the techniques and processes of over forty-five working ceramicists.

Earth and fire represent the two elements that produce a ceramic object. Without the other they are simply components; together they create both practical objects and pieces of art. Working as both primer and inspiration, Earth & Fire explores the techniques, practices and tools of over forty-five working ceramicists.

Creating everything from wood-fired and fine porcelain wares; sculptured vases; everyday cups, bowls, and plates; to jewelry and wall pieces, these artists work in a wide range of styles and mediums to create their ceramics. Although the methods vary, the overall sentiment is that the earth and fire that the artists use to make their objects are the ultimate masters. Just when they think they know one thing, the clay, glaze and heat will teach them another. There will always be more to learn. Working with clay is, quite simply, humbling.

Written and compiled by Kylie Johnson and Tiffany Johnson, Earth & Fire captures the diverse beauty and utility of ceramics, demonstrating that clay doesn’t just get under your fingernails: it gets under your skin.

About the Authors:

Kylie Johnson is a Brisbane-based ceramic artist, gallery owner, and writer. Over the past ten years, she has curated more than fifteen exhibitions of both Australian and Japanese artists in her studio space. Kylie has published two books of poetry and a collection of quotes from her ceramic work. Tiffany Johnson has spent her professional life in book production and publishing for over twenty years. During the same period she has been by her sister Kylie Johnson’s side, working on paper boat press ceramic exhibitions and projects.

A distinguished panel of international jurors identifies the most exciting names in sculpture today

How do you find the most promising emerging artists at work in a rapidly transforming medium? Bypassing traditional art world channels, 100 Sculptors of Tomorrow is the culmination of a major, democratic open call for up-and-coming sculptors. From thousands of entries, an internationally renowned jury has identified the most exciting names in sculpture today, all showcased in this beautifully illustrated, authoritative book. Featuring a selection of the finest emerging sculptors worldwide, 100 Sculptors of Tomorrow guides the reader with biographical summaries and first-hand artist testimonies, as well as recommended reading and jurors’ insights.

Following the much-respected 100 Painters of Tomorrow, which launched the careers of artists including Michael Armitage, Yelena Popova and Heman Chong, 100 Sculptors offers another powerful platform for artists and a fascinating, visually breathtaking experience for readers.

About the Authors:

Kurt Beers is founder and director of BEERS London gallery, which he founded in 2012, and is also the author of 100 Painters of Tomorrow.

Richard Cork is an art historian, critic, curator and broadcaster. He has been an art critic for the Evening Standard, The Listener, The Times and the New Statesman, and is a past Turner Prize judge.

This stunning two-volume set evokes the differences, as well as the affinities, between the works of groundbreaking artists Yves Klein and Alberto Giacometti.
 
Volume one of this beautiful new book features archival images of both artists among new texts by curator Joachim Pissarro and others, as well as never- before-translated texts by Isaku Yanaihara, Dino Buzzati, and Pierre Descargues. Detailed illustrated chronologies for each artist complete volume one, while the colourful second volume includes colour plates of all the works displayed during Gagosian Gallery’s 2016 London exhibition of the same title, as well as installation images.

About the authors:

Joachim Pissarro is the Bershad Professor of Art History and Director of the Hunter College Galleries at Hunter College in New York City. He was a curator at MoMA’s Department of Painting and Sculpture. 

Danielle Peterson Searls is an art historian specializing in French Modernism, Romanesque art, and Islamic textiles. 
Catherine Grenier has been the director of the Fondation Giacometti since 2014. She has organized several major exhibitions of Alberto Giacometti’s work. 

Daniel Moquay is director of the Yves Klein Archives. He has organized more than forty retrospective exhibitions of Klein’s work and published more than thirty books on the artist. 

Cecilia Braschi is an art historian and former researcher at the Fondation Alberto et Annette Giacometti (2005–2011). She has curated exhibitions of and written extensively on Alberto Giacometti. 

Richard Calvocoressi is the former curator at the Tate Gallery, London (1977–1983), as well as the former director of the Scottish National Gallery of Modern Art (1987–2007) and of the Henry Moore Foundation (2007–2015).