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89 colour and duotone plates

A tribute to Audrey Hepburn, an endearing star of ethereal beauty. Now in its sixth edition, the book assembles the best film stills, portraits, and private photographs of arguably the most charming movie actress of all times.

This book contains over 300 rap rhythms, witticisms, insults, wisecracks, politically incorrect quips, courageous stands and words of inspiration from the mind, heart and soul of the brash young Cassius Clay, as he steadily grew into the magnificent man who is Muhammad Ali. From a narcissistic self-promoter who eventually became a man of enduring spirituality through a journey of formidable tests, Ali has emerged as a true superhero in the annals of American history, and the Worldwide Ambassador of Courage and Conviction. This fresh, first-person book serves as a hilarious and moving hands-on autobiography by Muhammad Ali, the intrepid man of action who spoke in soundbites, all wittily and powerfully visualized by the provocateur graphic designer, George Lois.

Alison Jackson has photographed the Queen of England on the toilet, George Bush and Tony Blair chatting in the sauna, Mick Jagger doing gymnastics, and Monica Lewinsky lighting Bill Clinton's cigar. Or has she? The likenesses are uncanny, but of course, her subjects are look-alikes. Her photos demonstrate that while seeing is believing, the truth is another story entirely. In her work, Jackson says, "Likeness becomes real and fantasy touches on the believable. The viewer is suspended in disbelief. I try to highlight the psychological relationship between what we see and what we imagine. This is bound up in our need to look—our voyeurism—and our need to believe." Indeed, by showing "celebrities" ostensibly caught unawares, Jackson's pictures show us what we imagine might go on behind closed doors. Jackson's work causes controversy, because it threatens to cross the line between the private and public life of our contemporary icons. Because we unquestioningly accept the authenticity of the photograph, it would appear that we are being given a glimpse of something confidential, a private moment. It is only upon closer examination that we question the reality of the image, and hopefully this makes us question our unwitting tendency to believe everything we see in the media today.

This book will introduce you to another, different world of auctions. For instance: the domain "business.com" has been auctioned for $7.5 million and is therefore the most expensive web address ever. But not only are the superlatives like the highest price or having the most bidders the auction highlights. The real gems are, inconspicuously at first, among the totally normal auctions. Bizarre, funny, astonishing, unexpected, shocking - just: amazing!

Polaroids haben etwas ähnlich Magisches wie alte, verblichene Familienphotos oder Bilder, die nur vage in unserer Erinnerung existieren. Wie aus dem Nichts auftauchend, halten sie doch für den Bruchteil eines Blicks die Zeit an und trotzen einer Vergänglichkeit, der sie selbst früher oder später erliegen werden. Andrej Tarkovskij (1932-1986), einer der charismatischsten Filmemacher des ausgehenden 20. Jahrhunderts, liebte dieses magische Spielzeug, das er sich in den späten 70er Jahren zugelegt hatte, und nutzte es weniger zur Vorbereitung seiner Filme als privat, um seine häusliche Umgebung, Stimmungen, Situationen zu fixieren und dem eigenen Gedächtnis einzuspeichern. Nach Stalker, seinem verstörenden Hauptwerk, das 1979 unter enormen Schwierigkeiten fertig geworden war, beschloß er, die Sowjetunion zu verlassen und zunächst nach Italien ins Exil zu gehen. Mit der Polaroidkamera nahm er, so scheint es, Abschied von seiner vertrauten russischen Welt - und eignete sich, wieder in sehr persönlichen, poetisch-flüchtigen Bildern, die neue Umgebung an, Wohnorte und Landschaften vor allem in der Toskana, wo 1983 sein vorletzter Film entstehen sollte: Nostalghia. Wir freuen uns, dieses visuelle und literarische Kleinod jetzt wieder im Programm zu haben.

Andres Serrano is one of America's most mythologized contemporary artists. To many, he's the man responsible for Piss Christ and a national scandal over government funding of controversial art. For those who look beyond the headlines, he's a highly accomplished and ever-evolving photographic artist showing us the ordinary in extraordinary ways. With his post-Piss Christ series, Nomads, he made studio portraits of New York's ethnic homeless and juxtaposed them with members of the Ku Klux Klan. In the Morgue series he dissected violent death and found the human thread on the coroner's slab, while A History of Sex explored the human mating urge in its infinite variety.

Andres Serrano considers America his greatest achievement. Three years of work produced over one hundred 50-by-60-inch photographic portraits representing the cultural diversity of this immigrant country, as filtered through the critical lens of Serrano. There are celebrities: Arthur Miller, Snoop Dogg, Anna Nicole Smith, B.B. King, Vanessa del Rio; and ordinary citizens: a pimp, a boy scout, a doctor, a Russian Orthodox Bishop. America is intimate, honest, and demanding of response, like all Serrano's work. The second half of this big volume, Other Work, is a retrospective of Serrano's previous photographic series. Together these two impressive halves create the whole of Andres Serrano's artistic oeuvre.

In 1989 US Senator Jesse Helms accused Andres Serrano of taunting the American people. America and Other Work is the perfect rebuttal.

Cecil Beaton called him the best photographer in Britain; Lord Snowdon declared him a genius. It is no exaggeration to say that Angus McBean revolutionized portraiture in the 1930s, or that he immortalized the likes of Audrey Hepburn, Marlene Dietrich, and Elizabeth Taylor. Blending wit, drama, and fantasy with the consummate skill of a master photographer, McBean was the most prominent theater photographer of his generation and, along with Beaton, the last of the British avant-garde studio photographers.

For the first time since his death in 1990, McBean's photographs of stars such as Vivien Leigh, Peggy Ashcroft, Laurence Olivier, John Gielgud, and Audrey Hepburn and his rarely seen color prints from the 1960s of the Beatles, Maria Callas, and Shirley Bassey are brought together in this fascinating book. Terence Pepper's intriguing account of McBean's life and work includes extracts from the photographer's unpublished autobiography.

Annie’s Big Book. 40 years of era-defining photography, now in an accessible edition

When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds).

This incredible collection is now available in an accessible, XXL book format.

Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images—such as John Lennon and Yoko Ono entwined in a last embrace — as well as portraits that had rarely, if ever, been seen before.

The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga.

“What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else,” Leibovitz says. “The book is very personal, but the narrative is told through popular culture. It’s not arranged chronologically and it’s not a retrospective. It’s more like a roller coaster.”

Fans of Leibovitz and her many celebrated subjects can now enjoy that same roller coaster ride for themselves with this unlimited edition.

The photographer and author:

Annie Leibovitz is one of the most influential photographers of our time. She began working as a photojournalist for Rolling Stone in 1970 while she was still a student at the San Francisco Art Institute. By 1983, when she left Rolling Stone for the revived Vanity Fair, she was already closely identified with the conceptual, theatrical style that is her hallmark. In subsequent decades, at Vanity Fair and Vogue and in independent projects, she has worked across many photographic genres and developed a large body of work — portraits of actors, directors, writers, musicians, athletes, and political and business figures, as well as fashion photographs — that expanded her collective portrait of contemporary life. She has published several books and has exhibited widely. She is a Commandeur in the French Ordre des Arts et des Lettres and has been designated a Living Legend by the U.S. Library of Congress.

The authors:

Steve Martin is an award-winning comedian, actor, writer, producer, and musician.

Graydon Carter was the editor of Vanity Fair from 1992 to 2017.

Hans Ulrich Obrist is artistic director of the Serpentine Galleries, London. Prior to this, he was the curator of the Musée d’Art Moderne de la Ville de Paris. Since his first show “World Soup” (The Kitchen Show) in 1991, he has curated more than 300 shows.

Paul Roth is the director of the Ryerson Image Centre in Toronto.

“The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it."
— Annie Leibovitz

Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

About the Author:

Annie Leibovitz was born on October 2, 1949, in Waterbury, Connecticut. Her father was a career officer in the Air Force and her childhood was spent on a succession of military bases. While studying painting at the San Francisco Art Institute she took night classes in photography, and in 1970 she began working for Rolling Stone magazine. She became Rolling Stone’s chief photographer in 1973. By the time she left the magazine, ten years later, she had shot one hundred and forty-two covers and published photo essays on scores of stories, including her memorable accounts of the resignation of Richard Nixon and of the 1975 Rolling Stones tour. She joined the staff of Vanity Fair in 1983 and in 1993 also began working for Vogue. In addition to her magazine editorial work, Leibovitz has created influential advertising campaigns for American Express, the Gap, the Milk Board, and Louis Vuitton. She has worked with many arts organizations, including American Ballet Theatre, the Brooklyn Academy of Music, and the Mark Morris Dance Group, and with Mikhail Baryshnikov. Her books include Annie Leibovitz: Photographs (1983), Photographs: Annie Leibovitz, 1970—1990 (1991), Olympic Portraits (1996), Women (1999), American Music (2003), and A Photographer’s Life (2006). Exhibitions of her work have appeared in museums and galleries all over the world, including the National Portrait Gallery and the Corcoran Gallery in Washington, D.C.; the International Center of Photography in New York; the Brooklyn Museum; the Stedelijk Museum in Amsterdam; the Maison Européenne de la Photographie in Paris; and the National Portrait Gallery in London. Leibovitz has been designated a Living Legend by the Library of Congress and is the recipient of many other honors including the Barnard College Medal of Distinction and the Infinity Award in Applied Photography from the International Center of Photography. She was decorated a Commandeur in the Ordre des Arts et des Lettres by the French government. She lives in New York with her three children, Sarah, Susan, and Samuelle.

“The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it."
— Annie Leibovitz

Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

About the author:

Annie Leibovitz was born on October 2, 1949, in Waterbury, Connecticut. Her father was a career officer in the Air Force and her childhood was spent on a succession of military bases. While studying painting at the San Francisco Art Institute she took night classes in photography, and in 1970 she began working for Rolling Stone magazine. She became Rolling Stone’s chief photographer in 1973. By the time she left the magazine, ten years later, she had shot one hundred and forty-two covers and published photo essays on scores of stories, including her memorable accounts of the resignation of Richard Nixon and of the 1975 Rolling Stones tour. She joined the staff of Vanity Fair in 1983 and in 1993 also began working for Vogue. In addition to her magazine editorial work, Leibovitz has created influential advertising campaigns for American Express, the Gap, the Milk Board, and Louis Vuitton. She has worked with many arts organizations, including American Ballet Theatre, the Brooklyn Academy of Music, and the Mark Morris Dance Group, and with Mikhail Baryshnikov. Her books include Annie Leibovitz: Photographs (1983), Photographs: Annie Leibovitz, 1970—1990 (1991), Olympic Portraits (1996), Women (1999), American Music (2003), and A Photographer’s Life (2006). Exhibitions of her work have appeared in museums and galleries all over the world, including the National Portrait Gallery and the Corcoran Gallery in Washington, D.C.; the International Center of Photography in New York; the Brooklyn Museum; the Stedelijk Museum in Amsterdam; the Maison Européenne de la Photographie in Paris; and the National Portrait Gallery in London. Leibovitz has been designated a Living Legend by the Library of Congress and is the recipient of many other honors including the Barnard College Medal of Distinction and the Infinity Award in Applied Photography from the International Center of Photography. She was decorated a Commandeur in the Ordre des Arts et des Lettres by the French government. She lives in New York with her three children, Sarah, Susan, and Samuelle.

“I don’t have two lives,” Annie Leibovitz writes in the Introduction to this collection of her work from 1990 to 2005. “This is one life, and the personal pictures and the assignment work are all part of it.”

Portraits of well-known figures–Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, and William Burroughs–appear alongside pictures of Leibovitz’s family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes. The pictures form a narrative of a life rich in contrasts and continuities. The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while, she is working, and the public work resonates with the themes of the life.

About the Author:

Annie Leibovitz is one of the most influential photographers of our time. In 1970, she began creating what became her legendary work for Rolling Stone. Since the early 1980s, she has expanded her repertoire at Vanity Fair and Vogue and in independent projects. She is the recipient of many honors, including the International Center of Photography’s Lifetime Achievement Award and the Centenary Medal of the Royal Photographic Society.

In this new collection from Annie Leibovitz, one of the most influential photographers of our time, iconic portraits sit side by side never-before-published photographs. Afterword by Annie Leibovitz.

Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark books, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. In this new collection, Leibovitz has captured the most influential and compelling figures of the last decade in the style that has made her one of the most beloved talents of our time. Each of the photographs documents contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

About the Authors:

Annie Leibovitz is one of the most influential photographers of our time. Her career spans nearly five decades, starting in the 1970s when she was a widely acclaimed photographer at Rolling Stone. At Vanity Fair and Vogue and in independent projects, Leibovitz expanded her repertoire as a portraitist with a distinctive style. Her many honors include being designated a Living Legend by the Library of Congress, and her work is exhibited at museums around the world.

Alexandra Fuller is a prize-winning writer, whose memoirs Don't Let's Go to the Dogs Tonight and Leaving Before the Rains Come have met with public and critical acclaim. Her articles and reviews have appeared in numerous publications, including The New Yorker, Granta, The New York Times, Guardian, and National Geographic.

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Пролистать книгу Annie Leibovitz: Portraits 2005-2016

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Посмотреть новое издание книги Annie Leibovitz: Portraits 2005-2016

In this new collection from Annie Leibovitz, one of the most influential photographers of our time, iconic portraits sit side by side never-before-published photographs. Afterword by Annie Leibovitz.

Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark books, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. In this new collection, Leibovitz has captured the most influential and compelling figures of the last decade in the style that has made her one of the most beloved talents of our time. Each of the photographs documents contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

About the authors:

Annie Leibovitz is one of the most influential photographers of our time. Her career spans nearly five decades, starting in the 1970s when she was a widely acclaimed photographer at Rolling Stone. At Vanity Fair and Vogue and in independent projects, Leibovitz expanded her repertoire as a portraitist with a distinctive style. Her many honors include being designated a Living Legend by the Library of Congress, and her work is exhibited at museums around the world.

Alexandra Fuller is a prize-winning writer, whose memoirs Don't Let's Go to the Dogs Tonight and Leaving Before the Rains Come have met with public and critical acclaim. Her articles and reviews have appeared in numerous publications, including The New Yorker, Granta, The New York Times, Guardian, and National Geographic.

___________

Пролистать книгу Annie Leibovitz: Portraits 2005-2016

___________

Посмотреть новое издание книги Annie Leibovitz: Portraits 2005-2016

The second in a series of collectable books that rediscovers the ambitious photographic archives of AnOther Magazine, one of the world’s most influential fashion magazines.

Few if any modern magazines have a collection of celebrity portraits as powerful and intriguing as AnOther Magazine. Its famous covers, shot by the world’s leading fashion photographers, capture Hollywood’s most iconic women – Nicole Kidman, Jodie Foster, Gwyneth Paltrow to name a few – in ways they have never been seen before. But the original portraits here venture far beyond the world of film – Björk, Lucian Freud, Patti Smith, Marianne Faithful, Jude Law and Kate Moss are just a few of the cultural icons that have appeared in the magazine in its ten-year history

Of course, Anton Corbijn’s longtime bestseller is available again: his portrait gallery of the heroes and enfants terribles of film, literature, fashion, pop and rock.