Michael Kenna: Images of the Seventh Day











A beautifully designed monograph surveying the works of the highly acclaimed contemporary photographer.
Kenna’s photographs captivate viewers through their silent drama and magnetism: rather than being accurate descriptions of a place, the photographer seems interested in capturing the invisible lines which enclose space, and in so doing arousing a viewer’s imagination and reverie. Michael Kenna is an artist for whom the subject is above all the opportunity for a tremendous but constant variation in his view of the world.
Kenna’s photographs captivate viewers through their silent drama and magnetism: rather than being accurate descriptions of a place, the photographer seems interested in capturing the invisible lines which enclose space, and in so doing arousing a viewer’s imagination and reverie. Michael Kenna is an artist for whom the subject is above all the opportunity for a tremendous but constant variation in his view of the world.
• This catalogue showcases 290 black-and-white photographs: 200 traces the artist’s career, from early 1970s images shot in England, to the photographs of the following three decades, which result from travels and commissions in every continent throughout the world; 35 records Venice’s everlasting appeal; 20 reflect one of Kenna’s most important jobs, that of recording the Nazi concentration and extermination camps.
• Michael Kenna’s photographs have been the subject of over thirty books and catalogues, and are included in such permanent museum collections as The National Gallery, Washington, D.C.; The Shanghai Art Museum, Shanghai; and The Victoria and Albert Museum, London.
About the Author:
Michael Kenna was born in England in 1953 but has been living in the United States for thirty years. Of the many showings of his works that have been held in public venues and private galleries, mention should be made particularly of those in museums in France, Japan and the United States, the latest being in the French National Library, Paris, in 2009.
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