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A luxuriously illustrated book published to follow the historic and elegant Borbonese brand. This highly collectible volume takes a look at the lavish world of Borbonese, the historic Italian brand founded in Turin in 1910 that produces luxury handbags, jewelry, and accessories, combining the finest materials and manufacturing techniques with expert craftsmanship.  

With a history spanning more than a century, Borbonese designs remain classic and timeless, with the O.P. (partridge-eye) print as the brand’s symbol and trademark. It is this unique texture presented in innovative ways, along with other distinctive elements on their iconic handbags, which have helped define Borbonese as one of the most distinguished brands in Italian fashion. 

Borbonese is known for their beautiful bags and scarves, still synonymous with quality and high style; however, the accessories range has evolved over time to include clothing and leather garments, as well as goods for the home, for a style that represents true “global living.” The book is divided into four chapters, each introduced by a different writer, which correspond to the animals that inspire Borbonese’s classic designs: the butterfly, partridge, owl, and horse.

About the Author:

Ginevra Elkann is an author, curator, producer, and director based in Italy. She is on the advisory board of Christie’s and also serves as vice president of the Pinacoteca Giovanni and Marella Agnelli, Turin. Since June 2008, she has been a member of the Comité d’Acquisition and the Comité Executif of the Cartier Foundation in Paris.

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Пролистать книгу Borbonese: Inspirations

This book is published with three unique covers.  Customers will receive one of the covers at random when they purchase the book.

This magnificent survey is the first and only book that Klein has written and compiled himself and is illustrated with era-defining photographs by the most distinguished names in fashion photography, from Irving Penn and Richard Avedon to Bruce Weber, and Patrick Demarchelier — among others. In it, the world’s most iconic models like Christy Turlington and Kate Moss, are captured in images that would define their careers, and remain indelible to the consumer. Accompanied by private insights and behind-the-scenes stories that only he could tell, every image has been chosen by Calvin Klein to narrate his evolution as a designer — from couture to jeans, underwear, and fragrance — all categories in which he redefined what was chic and essential.

As an icon of minimalism, modernism, sexual provocation, and androgyny, Calvin Klein’s first book will find broad appeal with anyone interested in design, fashion, or photography. Few names in fashion are as recognizable as that of Calvin Klein.

This unique book presents a stunning archive of images that reveal his timeless influence as a designer. From founding the company in New York in 1968, he went on to change the face of fashion, bringing his visionary minimalism to the fore and defining looks for generations. Divided by theme, with characteristic simplicity and sophistication, each of the three sections in this volume looks at one singular element of Klein’s approach. In Provocative, we see the most controversial of his campaigns, from Brooke Shields’s infamous teenage portraits to the seductive photography of underwear collections. In Minimalist, we understand the simplicity, refinement, and elegance in every collection. And in the final section, we read in the designer’s own words the insights behind the campaigns and the secrets behind the successes.

About the Author:

Calvin Klein is an American fashion designer. He founded his own company in 1968 and went on to turn the label into one of the most recognizable and successful fashion brands in the world. This is his story told for the first time.

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Пролистать книгу Calvin Klein

Cool cars and international hyper architecture

Architecture and Cars: not only does this combination generate beautiful pictures - eye candy for both architecture lovers and car freaks - but it is also a fascinating marriage. Where, for instance, did the idea come from that everyself-respecting architect automatically drove a Saab? Why could Le Corbusier just as well have been called Le Carbusier? And is Frank Lloyd Wright really the inventor of the carport?

Carchitecture answers these questions and many more alongside gorgeous photography on a journey through iconic architecture and car design. Starchitecture meets supercar across six chapters: Classical Gas, Brutal Power, Contemporary Carchitecture, European Modernism, Space Rage, and Case Study Cars.

About the Authors:

Thijs Demeulemeester is a Belgian lifestyle journalist, specialising in interior design, contemporary art and architecture. He has previously published a number of well-received titles at Lannoo. Bert Voet has been working as a freelance journalist since 2004 for De Tijd, Trends and Knack, among others. He visits a car collector every week for the magazine Sabato. Thomas Debruyne is best-known for his instagram feed 'Cafeine'. Thomas is a photographer, specialising in architecture, and a graphic designer.

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Пролистать книгу Carchitecture: Houses with Horsepower

Made in close collaboration with Rams himself, this catalogue raisonné is the ultimate reference on one of the most influential product designers of all time

Dieter Rams is one of the most influential product designers of the twentieth century, who, for more than sixty years, has been defining the look, feel, and function of some of the world's best-loved consumer items. Using his 'ten principles for good design' as a philosophy and practice for improving the industry in a more holistic, responsible way, Rams has a stellar reputation with global resonance.

This extraordinary book forms a catalogue raisonné of every product that Rams has designed in his lifetime – a true celebration of his seminal contribution to the field of industrial and product design. Including 300 color illustrations, the book is organized chronologically, each product is accompanied by a detailed description and specification breakdown, making this the ultimate reference guide for Rams fans and an ideal complement to Phaidon's global bestseller Dieter Rams: As Little Design as Possible.

About the Authors:

Klaus Klemp is professor of design theory and history at the HfG Offenbach, Germany, and curator of design at the Museum Angewandte Kunst, Frankfurt am Main, where he was previously exhibition director and deputy director. Prior to his roles at the museum, Klemp was director of the cultural department of the city of Frankfurt.

Dieter Rams is an industrial designer whose career-defining collaborations with Braun and Vitsoe have produced some of the most iconic consumer products of the 20th century.

Hailed in his lifetime as the "poster king," E. McKnight Kauffer's designs for the London transport system, Alfred Hitchcock, and others are an enduring influence on contemporary advertising and graphic arts.

E. McKnight Kauffer (American, 1890-1954) was a pioneering figure who transformed the field of graphic design between the wars. He drew upon the emerging visual languages of Cubism, Vorticism, and Surrealism to create a modern graphic style that shaped the development of commercial art. Through collaborations with his avant-garde peers in art, literature, and design, including the Bloomsbury Group, Marion Dorn, T.S. Eliot, Langston Hughes, Aldous Huxley, and Man Ray, Kauffer expanded the scope and impact of his field.

This groundbreaking publication is the first to address the full range of Kauffer's career, from sophisticated designs for major clients -- including the London transport system, Random House, American Airlines, and Shell, as well as Allied propaganda posters during World War II--to book covers, rugs, costumes, and stage sets. An interdisciplinary group of authors offer critical perspectives on the cultural context of Kauffer's work, bringing new attention to the designer's depictions of race, gender, and global politics.

About the Authors:

Caitlin Condell is associate curator and head of the department of Drawings, Prints, and Graphic Design at Cooper Hewitt. Emily M. Orr is assistant curator of Modern and Contemporary American Design at Cooper Hewitt.

This elaborate volume, authored by the designer’s son, is a splendid celebration of one of the world’s most inventive design minds. Combining whimsy and elegance, Piero Fornasetti (1913 –1988) transformed everyday objects like cups, scarves, and screens into works of art featuring his idiosyncratic leitmotifs, such as the hand, the female face, and luminescent fish. Additionally, he created a wide range of works, including idealized architectural fantasy drawings, book designs, and provocative nudes, as well as the decor for the luxury liner Andrea Doria. Perhaps most famous for dazzling pieces of trompe l’oeil furniture, Fornasetti was rediscovered in the 1980s and has remained much sought-after by collectors worldwide. Featuring 2,800 illustrations, many never before published, the monograph is designed to be an artist’s book that reflects as faithfully as possible Fornasetti’s own approach to design. Fornasetti’s work is organized by type and includes paintings, sculptures and etchings, furniture, graphics, textiles, glass, screens, trays, and ceramics, as well as smaller categories. With unique and exhaustive access to the archives, this epic undertaking covers detailed technical, biographical, and bibliographical information, including a list of exhibitions and a register of the complete works. A must-have for collectors and connoisseurs alike.

For fans, collectors and dealers Rizzoli's upcoming book Fornasetti: The Complete Universe is cause for massive celebration. Nearly 700 pages long, with 3,000 images and illustrations, it is a composite catalogue raisonne and coffee table book extraordinaire. For those ever frustrated with the paucity of information on Fornasetti, the book feels like a miracle.

I like to equate Fornasetti with Andy Warhol. Both had long, prolific careers that constantly replenished their output with material that was simultaneously fresh but iconic. Both were talented illustrators and masters of appropriation. Fornasetti is remarkable in the realms of both art and design in his enthusiastic embrace of figuration, antiquity and the ornate defying not only his generations aesthetic preferences but many trends inherent in Modernism.

Unlike Warhol, whose works are mostly priced in the million-dollar range, objects by Fornasetti remain accessible to a large segment of the population. Of course, there are Fornasetti pieces (notably 1950’s furniture emblazoned with his most iconic motifs) with price tags that approach six figures. However, there is also a significant amount of material available on the secondary market today that was made by the Fornasetti atelier during his lifetime. (Full disclosure: I am a dealer who specializes in vintage Fornasetti) Such pieces, including everything from silk scarves, lamps, umbrella stands, ashtrays, mirrors and decorated porcelain can be found in the several hundred to several thousand dollar range. Fornasetti: The Complete Universe is such an astounding book as for the first time there is an attempt to document and date everything (?!) that Piero created during his lifetime. Fornasetti has numerous motifs or subjects that he applied to an array of consumer goods that are uniquely his own notably malachite, mythology, playing cards, the personification of the sun and moon, musical instruments and “Themes & Variations” (which puts a woman’s face in over 300 surrealist scenarios).

The book is composed of two halves; one dedicated to his artistic ambitions and evolution, the second how his talents were applied to creating a host of elaborate and distinctive consumer products. Fornasetti’s son, Barnaba is largely responsible for both maintaining his father’s archives, the creation of this book and the enduring popularity of Fornasetti. Since his father’s death in 1988, Barnaba has actively reissued designs and licensed certain iconic images. Some purists may find it problematic that such post-humous work is included here. After all such pieces were not created nor overseen by the creator and will likely never appreciate in value.

About the Authors:

Barnaba Fornasetti is a designer and oversees his father’s legacy. Andrea Branzi is a leading architect and designer in Milan and has published a number of books on design, including The Hot House: Italian New Wave Design. Mariuccia Casadio is the art consultant for Italian Vogue and the author of Dolce & Gabbana: Fashion Album, among other books.

A unique exploration of the close relationship between art and design, explored through the historic and contemporary fabric designs of Liberty, where avant-garde art has influenced the colourful, geometric collections for more than half a century

Liberty is renowned internationally for its fabrics, especially its floral patterns, but it also has a long history of developing bold, geometric designs. Many of these have been inspired by early 20th-century avant-garde art, notably by the Italian Futurists – by artists such as Giacomo Balla and Umberto Boccioni – and their English contemporaries the Vorticists, including Christopher Nevinson and Edward Wadsworth.

In anticipation of Liberty’s 150th anniversary, esteemed couturier and interior designer Federico Forquet has curated a striking new range of fabrics – the FuturLiberty Collection – that carries Liberty’s creative heritage into our own age.

The Futurist and Vorticist art that lies behind the new designs is explored by specialists Ester Coen and Richard Cork, while archivist Anna Buruma examines Liberty’s rich history of avant-garde designs. By illuminating the process by which the FuturLiberty Collection came into being, this highly visual study also reveals how art can inform design, making it contemporary, relevant and engaging.

About the Author:

Ester Coen is an expert on Italian Futurism and the international avant-garde. She has been Associate Professor at the University of Florence and Professor at the universities of Udine and L’Aquila. Richard Cork is an art historian, critic, curator and broadcaster. He has been an art critic for the Evening Standard, The Listener, The Times and the New Statesman, and is a past Turner Prize judge.

A survey of America's preeminent maker of fine silver and its legacy of exceptional design and innovation in the decorative arts.

Established in 1831, the Gorham Manufacturing Company adeptly coupled art and industry, rising to become an industry leader of stylistic and technological achievement in America and around the world. It produced public presentation pieces and one-of-a-kind showstoppers for important occasions, as well as tableware for everyday use. Its works trace a narrative arc not only of great design but also of American ambitions. In this volume, insightful essays are accompanied by gorgeous new photography of splendid silver pieces along with a wealth of archival images, design drawings, casting patterns, and company records that reveal a rich heritage of a giant in decorative arts and silver manufacturing.

Produced in collaboration with the RISD Museum, which has the world's most significant collection of Gorham silver, this major new book casts new light on more than 120 years of grand aesthetic styles in silver, innovative industrial practices, and American social and cultural norms.

About the Author:

Elizabeth A. Williams is David and Peggy Rockefeller Curator of Decorative Arts and Design, RISD Museum.

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Пролистать книгу Gorham Silver: Designing Brilliance, 1850-1970

Surveying applied arts and industrial design from the 18th century to the present day, this book explores the dynamic relationship between design and manufacturing, and the technological, social and commercial context in which this relationship developed. The effects of a vastly enlarged audience for the products of modern design and the complex dynamic of mass consumption are also discussed. Part of this dynamic reveals that products serve as signs for desires that have little to do with need or function.

The book also explores the impact of a wealth of new man-made industrial materials and tools on the course of modern design - from steel to titanium, plywood to plastic, cotton to nylon, wire to transistors, and microprocessors to nanotubes. The research, development and applications of these technologies are shown as depending upon far-reaching lines of communication stretching across geographical and linguistic boundaries.

Extensively revised and expanded for this second edition, History of Modern Design is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study.

Chatsworth has been home to the Cavendish family and the hereditary dukes of Devonshire since the original Elizabethan house was built on the site purchased by Sir William Cavendish in 1549. A famous historic house in England, Chatsworth is renowned as much for its fashionable history—its majestic dresses and tiaras, its magnificent lace and splendid uniforms—as its unrivaled collection of art, its palatial gardens, and its celebrated family dynasty.

House Style takes the reader through images of show-stopping ensembles by the most celebrated designers of the day, from the Victorian era’s Jean–Philippe Worth to Alexander McQueen, and also features historic examples of ceremonial, military, court costume, fancy dress, and estate liveries, as well as clothing worn by members of the family to ride, hunt, shoot, and fish. New images of the rare surviving garments and gorgeous contemporary photographs are accompanied by new essays from leading historians and fashion critics. An exclusive invitation into the glamorous world of Chatsworth, this book is a true collectible for Anglophiles, fashion-history aficionados, and those fascinated by aristocratic style.

About the Author:

The Duke and Duchess of Devonshire reside at Chatsworth, home to the family since 1549. The Countess of Burlington is an editor, and wife of William Burlington, heir to the Duke of Devonshire. Hamish Bowles is the international editor-at-large at Vogue.

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Пролистать книгу House Style: Five Centuries of Fashion at Chatsworth

This is Dieter Rams’ bilingual 808-page book about his work, back in print in its original form with a PVC softcover and slipcase. The relevance of famous Braun designer Dieter Rams in ­modern design remains unbroken.

In his more than 40 years at Braun, Dieter Rams established himself as one of the most influential designers of the twentieth century.

True to the principle of “less but better” his elegantly clear visual language not only defined product design for generations, but also our fundamental understanding of what design is and what it can and should do.

Less and More offers boundless inspiration for anyone interested in the aesthetic and functional aspects of applied design.

About the Authors:

Dieter Rams, born in Wiesbaden in 1932, initially studied architecture. He is widely considered one of the most significant industrial designers of the twentieth century. In the more than 40 years that he spent working at the electrical appliance manufacturer Braun, Rams turned out a wealth of pioneering creations that continue to influence designers around the world today. He has also generated a new awareness of the social function of design in Germany.

Professor Klaus Klemp is one of the world's leading experts in the field of product design. He has been acquainted with Dieter Rams for many years and is an authority on his work.

Keiko Ueki-Polet is one of Japan's most renowned design curators. She is well acquainted with design developments in both Asia and the Western world.

The first fully illustrated and comprehensive introduction to May Morris's work as an artist, designer and embroiderer, published in association with the V&A

May Morris (1862–1938), younger daughter of William Morris, was a significant figure in the British Arts and Crafts movement and a pioneer of ‘art embroidery’. She ran the embroidery department of Morris & Co., as well as designing textiles, wallpapers and jewellery. May was also an influential teacher and lectured in the UK and America.

May Morris: Arts & Crafts Designer is the first publication to present the full range of May Morris’s work and reveals her exceptional skill and originality. It draws together her designs, exquisite embroideries, watercolours, costume and jewellery from museums around the world, and in particular the rich collections of the Victoria and Albert Museum and the William Morris Gallery, London. The book contains more than 180 items in colour and detailed information on their materials and provenance compiled by leading experts. There are also new insights into May’s personal life and relationships, her social activism and her support for other craftswomen.

This authoritative and illuminating study places May Morris, whose reputation has been overshadowed by that of her father, firmly among the leading British designer-makers of the Arts and Crafts movement.

Designers from Denmark, Sweden, Finland, Norway and Iceland have long pursued the shared goal of social equality through design, believing that well-designed everyday goods not only enhance daily life but should also be the birthright of all.

Modern Scandinavian Design is the ultimate guide to the distinctive design tradition arising out of these five Nordic countries since 1925.  Bestselling design authors Charlotte and Peter Fiell have extensively researched all aspects of the aesthetic, along with contributions from Magnus Englund of Skandium. With sections on architecture, furniture, lighting, glass, ceramics, metalwork, woodenware, plastics, textiles, jewellery and graphic design, this will be an indispensable resource for any design enthusiast, collector or casual reader seeking inspiration for their home.

About the Author

Charlotte and Peter Fiell are leading authorities on the history, theory and criticism of design and have authored and edited over 50 books on the subject, including Design of the 20th Century, The Story of Design and the bestselling 1000 Chairs.

Magnus Englund is co-founder of Skandium, the high-end furniture retailer and contract dealer in modern Scandinavian furniture. He has previously written two bestselling books on Scandinavian design, and is a trustee of the Isokon Gallery, a London museum celebrating the 1930s Modernist movement.

An authoritative survey of the 20th century’s defining movement in design and the applied arts

The powerful aesthetic and philosophical framework that Modernism ushered in during the early part of the 20th century revolutionized the built world, transformed our living spaces and lifestyles, and fundamentally changed the way we think about design. As they experimented with new forms, materials and techniques, Modernist designers rejected historical precedents to prioritize function over history and tradition. This comprehensive volume brings together all facets and scales of Modernist design, presenting the vast breadth of both towering and lesser-known figures, and revealing unexpected connections and new insights. With sections on furniture, lighting, glass, ceramics, textiles, industrial and product design, graphic design and posters, architecture and interiors, and featuring profiles of nearly a hundred influential creators, including such iconic figures as Bruno Mathsson, Charlotte Perriand and László Moholy-Nagy, as well as architects Alvar Aalto, Le Corbusier, Eliel Saarinen and Walter Gropius, the book’s scope is unprecedented.

Complete with specially commissioned essays by established academics and subject specialists, and with over 600 illustrations, the majority in colour, Modernist Design Complete is set to become the definitive reference for a generation, indispensable for the designer’s studio, the library shelves or the collector’s desk.

About the Author:

Dominic Bradbury is a journalist and writer specializing in architecture and design. He is the author of many books on the subject, including Mountain Modern, New Brazilian House, Vertical Living, Mid Century Modern Complete, The Iconic Interior, Mediterranean Modern, New Natural Home and The Iconic House, all published by Thames & Hudson.

Contents List:

Introduction • Media & Masters: 1. Furniture • 2. Lighting • 3. Ceramics & Glass • 4. Industrial & Product Design • Houses & Interiors • A–Z of Designers, Architects & Manufacturers

Surrealism was one of the most influential art movements of the twentieth century. This book examines the dialogue between Surrealism and design and, for the first time, reveals the enormous influence the movement has had on design over the last hundred years. It has encouraged designers to question the reality beyond what is visible and to design objects that offer resistance, undermine routine, and disrupt the quotidian. The spectrum of examples ranges from Duchamp’s ready-mades and Dalí’s sensual object sculptures to works by designers like Carlo Mollino or Gae Aulenti and includes current designs that analyse new technologies or gender roles in subversive ways. Evidently, Surrealism has lost none of its relevance — for art as well as for design.

With works by Gae Aulenti, André Breton, Achille Castiglioni, Le Corbusier, Salvador Dalí, Marcel Duchamp, Dunne & Raby, Ray Eames, Max Ernst, Front Design, Iris van Herpen, Friedrich Kiesler, Shiro Kuramata, René Magritte, Lee Miller, Carlo Mollino, Isamu Noguchi, Odd Matter, Meret Oppenheim, Mimi Parent, Gaetano Pesce, Man Ray, Robert Stadler, Studio Wieki Somers, among others.