Книги о стилях архитектуры

Easily the most recognizable architectural style in America, with its brick or shingled facades trimmed in white and ornamented with restrained classical detail, the Colonial Revival emerged in the late nineteenth century and is still the basis for classical design today. The American Style surveys the evolution of the Colonial Revival from the 1890s to the present, focusing on the period from 1900 to the 1930s when New York City was a major center of architecture and decorative arts. Leading architects, including McKim Mead & White, Delano & Aldrich, and Mott B. Schmidt, used its vocabulary for private residences and clubs as well as institutional buildings - banks, schools, churches, and museums.

Richly illustrated with archival photographs and objects from the collections of the Museum of the City of New York and other major institutions, The American Style will be the definitive record of an enduring aesthetic in architecture and decorative arts.

Once in every generation comes a scholar who is a master of both the documentary evidence and the buildings themselves. Such a man is Christoph Luitpold Frommel who, after winning a world-wide reputation, here distils his learning into a new synthesis that is both up-to-date and securely based on primary sources.

The book is not only illustrated throughout with photographs, drawings, plans and reconstructions, but social context, technical innovation and aesthetic judgement are all given due weight, with particular emphasis on the way in which each architect balanced individual inspiration with the accepted canon.

Christoph Luitpold Frommel was born in 1933 and has held academic posts in Germany (Bonn University), the USA (Institute of Advanced Study, Princeton, and the University of California, Berkeley) and Italy (La Sapienza, Rome). He was Director of the Bibliotheca Herziana, Rome, from 1980 to 2001.

• A definitive account of the most innovative and most influential 150 years in the history of architecture
• A work that brings scholarship in English into line with the most advanced continental research
• Over 300 photographs, architects’ drawings and plans
• Authoritative, readable, deeply considered
• The fruit of a lifetime’s study

468 examples from L'Art International d'Aujourd'hui capture geometric, prismatic Art Deco of 20's and 30's. Gardens, dwellings, interiors, furniture, fabrics, stained glass, sculpture, jewelry, graphics by Brandt, Chareau, Fouquet, Vuitton — 171 other artists, architects, and designers.

Over 400 photographs.

The Georgian house - whether on a Georgetown street or in a leafy suburb- is considered among the most desireable and comfortable of homes. The Georgian style has stood the test of time, and continues to be popular today. Houses built over two hundred years ago still stand as proud and dignified as when they were first erected.

The book describes the development of the Georgian style, beginning with its intro in the early 18th century up to the mid 19th century. Chapters are also devoted to each element of the house to help understand the ideas, techniques, and materials employed by the original builders. The most complete study of the historical development and importance of the Georgian style, this book is also a practical guide to preserving and restoring a Georgian house.

В этой книге широко представлена одна из самых ярких страниц истории мирового искусства - Итальянский Ренессанс. Итальянский Ренессанс - это эпоха безмерного взлета творческой фантазии, невиданной прежде свободы человеческого гения, равно гармонично покорявшего все области доступной ему деятельности - архитектуру, скульптуру, живопись.

В период раннего Возрождения сосредоточившиеся и вскормленные во Флоренции и Италии искусство и культура претерпели радикальное обновление, которое постепенно распространилось по всей Европе различными средствами и стилистическими проявлениями. Возрождение основывалось на обновленном интересе к Древнему миру - от философии до литературы, от мифологии до изобразительного искусства, - неоплатонической философии и гуманизму. Научные интересы включали познание природы и человека, в том числе, его анатомии, и поиск новых технологий. Гармоничное сочетание основных искусств вырастало над уровнем механического воспроизведения, чтобы превратиться в свободное выражение теперь уже консолидированных интеллектуальных прерогатив мастера. Перечень великих имен, которые сделали этот художественный период таким плодотворным включает Мазаччо, Брунеллески, Леонардо, Микеланджело и Рафаэля.

Содержание:

Архитектура во Флоренции и Тоскане ........................4
Архитектура в Северной Италии................................50
Архитектура в Центральной и Южной Италии.........108
Скульптура во Флоренции и Тоскане .......................144
Скульптура в Северной Италии.................................224
Скульптура в Центральной и Южной Италии...........260
Живопись во Флоренции и Тоскане...........................292
Живопись в Северной Италии...................................388
Живопись в Центральной и Южной Италии..............502

Through her first book, Bringing Paris Home, Penny Drue Baird established herself as an authority on all things French - interior design, flea market and antiques shopping, Parisian life, and stylish entertaining. In The New French Interior, she moves beyond the traditional historic styles to explore the design elements that make up the fresh, clean look - architectural details adapted from art deco, a monochromatic palette based on creams and ivories highlighted with rich browns and blacks, bold forms in furniture and lighting, and restrained tabletop settings.
 
To illustrate the style, Baird draws on ten of her own recent projects, apartment and house installations, and presents French precedents and influences through specially commissioned photography of Parisian interiors. Images of cafes, markets, shops, and street scenes add to the magical Parisian ambiance she creates.

PENNY DRUE BAIRD is an internationally renowned interior designer, known not only for her design skills but also for her vast knowledge of all things French and for her entertaining and table-top flair. Her firm, Dessins, is based in Paris and New York. An AD Top 100 Designer, she is frequently featured in Architectural Digest and other prestigious magazines.

Originated by art theorists in the Nineteenth Century, the term "Romanesque" refers to a school of religious architecture and design from the early medieval period. As with all terms that attempt to summarise an epoch, "Romanesque" artificially constructs the notion of one unified style, but as this book makes clear, the Romanesque tendency consisted of many different, eclectic characteristics. The investigation back through time leads us across the ancient pilgrim routes of the Pyrenees, and then into a vast range of devotional structures - churches, tombs, monuments, cathedrals and basilicas. Each one carries its own regional imprint and spiritual iconography. Containing rigorously detailed and comprehensive insights into all aspects of Romanesque symbolism and ritual, this book includes analysis of liturgical equipment, and explores the significance of many features of the buildings.

Focusing on the Gothic period, this book gives readers the tools they need to grasp the architectural language and building forms of this style.

Part of a new, accessibly written, and generously illustrated series on architecture through the ages, this book features the Gothic period’s most important architects, buildings and cities, interior and exterior photographs, detailed images, and drawings and plans. The book offers a general introduction to the Gothic period and discusses the primary characteristics of the style, along with the commonly used techniques and materials. A hallmark of the medieval period, Gothic architecture originated in twelfth-century France and lasted until the sixteenth century. Its lofty style expressed spiritual ideals, yet it was also an incredibly innovative movement that introduced such iconic forms as the pointed arch, ribbed vault, and flying buttress. Some of the world’s most famous castles, universities and churches, including Westminster Abbey in London, were designed according to Gothic principles.

Preeminent Florentine photographer Massimo Listri uncovers the great public as well as private Tuscan treasures in this unprecedented, oversize, and deluxe volume.

Celebrating Tuscany’s renowned art and architecture, elegance, and charm, this unique volume unveils the finest Tuscan gems, both the famous as well as the hidden. Photographer Massimo Listri’s unique access affords this resplendent publication of Tuscany’s great treasures, including the architecture, art, and artistry of its frescoes, churches, palazzi, and gardens, as well as previously unseen private residence interiors, chapels, villas, and estates.

This oversize and deluxe volume features stunning gatefolds and showcases four hundred sumptuous colour and large-format photographs. From Florence to its surrounding areas, such as San Gimignano, Arezzo, Pisa, Siena, Montepulciano, Chianti, Lucca, and Pistoia, this book culls from Listri’s rich vault of visually stunning and historically noteworthy material to create a privileged journey through which Tuscany is at once marvellously displayed.

Tuscany is a superb piece of art to be enjoyed by both Italian art and culture connoisseurs as well as those discovering the region for the first time.

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Массимо Листри предлагает удивительное путешествие в Тоскану. Качественные фотографии старинной архитектуры, фресок и мозаик, дворцов, частных интерьеров раскрывают изнутри мир этого уголка, который является шедевром итальянского искусства и культуры.

541 beautiful full-color architectural drawings illustrating the imaginative use of brickwork and terra-cotta appliqués in Victorian revival styles, reprinted from a rare portfolio by a well-known 19th-century French architect. Includes front and side elevations, floor plans, and detailed sections. 682 illustrations.

Reprint of rare catalog by one of America's most successful, late-19th-century domestic architects, with more than 100 designs for 68 houses. Elevations and floor plans for custom-designed homes in the Colonial, Romanesque, and Queen Anne styles, as well as plans for verandas, summer pavilions, and barns. Invaluable to architectural historians, preservationists, and home restorers.

Victorian architecture, with its quirky diversity, eclectic origins and exuberant ornamentation, continues to exert a strong attraction on today's architects, builders and homeowners. For those interested in restoring, preserving, or even recreating Victorian homes, authentic plans and designs are invaluable. This volume, meticulously reproduced from a rare 19th-century publication, offers an exceptionally rich pictorial record of actual mid- to late-victorian designs.

Extremely clear and detailed engravings — drawn to scale — present elevations, floor plans, perspectives and other drawings (in some cases, complete framing plans) for country houses and cottages in a variety of styles: Queen Anne, Eastlake, Elizabethan, Colonial, Jacobean, Southern, Californian and more. There are even designs for several store and office fronts, with counters, shelving, etc.

Supplementing the large number of complete designs are nearly 700 large-scale drawings of virtually every architectural detail, many embodying the unique “gingerbread” that characterizes Victorian buildings. Included are clear, precise renderings of balusters, brackets, cornices, dormers, fireplaces, finials, gables, mantels, moldings, newels, piazzas, porches, rafters, rosettes, staircases, transoms, verandas, wainscoting, windows and hundreds of other features.

For restorers of old houses, preservationists, students of American architectural history, admirers of Victoriana, anyone interested in the “Victorian Gothic” styles that dominated American domestic architecture in the late 1800s will want to have this inexpensive treasury of authentic century-old plans and details.

This vintage volume offers a treasure trove of floor plans, elevations, and details of residences and public buildings. Artists, architects, and historians alike will find it an endless source of inspiration.
Featured buildings include villas, cottages, and farm houses as well as churches, schools, banks, and many other structures. Eighty-one remarkably detailed illustrations capture the elaborate, distinctive beauty of Victorian-era cornices, staircases, gables, verandas, doors, dormers, and other architectural elements. In addition, a fascinating "Specifications" section highlights construction guidelines for masons, bricklayers, and carpenters

Имя Александра Веснина широко известно художникам и архитекторам не только в нашей стране, но и за рубежом. Выдающийся архитектор, блестящий театральный декоратор, тонкий художник, один из пионеров новой книжной графики, А.Веснин был обаятельным человеком, цельной натурой. Всех, кто знал Александра Александровича, покоряло неожиданное сочетание в нем необыкновенной доброты, доброжелательности и даже наивности с непреклонной твердостью в принципиальных вопросах искусства.

Предлагаемая монография - это первая попытка нарисовать творческий портрет А.Веснина - "левого" художника, театрального декоратора и архитектора, рассмотрев в единстве все стороны его многогранной художественной деятельности.

Для архитекторов, художников, искусствоведов, студентов художественных вузов.

Серия: Мастера архитектуры