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This beautifully illustrated book celebrates the Parisian mansion that has served as the residence of successive British Ambassadors to France since 1814.

The British Ambassadors Residence in Paris is one of the most splendid historic homes in the French capital and the most impressive of all British ambassadorial residences abroad. The author, Tim Knox, charts the stirring story of the house, from its origins as the home of the Ducs de Charost, to its opulent heyday under Napoleons sister, Pauline Bonaparte, Princess Borghese, much of whose luxurious furniture and decoration survives intact. Since 1814, when Pauline sold the house to the 1st Duke of Wellington, the mansion has served as the residence of successive British Ambassadors to France, who altered the house to suit their taste and character, notably Sir Duff Cooper and his beautiful wife, Lady Diana, whose Empire-style study is still redolent of their brilliant social circle in post-war Paris.

This beautiful house on the rue du Faubourg St. Honoré, furnished with masterpieces of French Empire furniture and decorative arts, English silver, and paintings by British artists, remains a splendid but hard-working setting for promoting the Franco-British relationship.

Over 150 superb photographs from the Country Life archive are selected especially here to highlight 25 major houses and their architects in a stunning and astoundingly thorough display.

In The Classical Country House architectural historian David Watkin takes a fresh and innovative look at the traditional British country house and shows how Classicism has been a seminal influence on British architecture since the seventeenth century. He demonstrates how the antecedents of the British Classical house, which lie in both Greek and Roman antiquity, were vigorously revived in the masterpieces of the Italian Renaissance, and enjoyed new life when transplanted to Britain by Inigo Jones, after his Grand Tour of the Continent in 1613 14. The book consists of five parts. The first looks at the birth of English Classicism in the seventeenth century, when houses such as Wilton House in Wiltshire (where Jones and John Webb designed the celebrated Double Cube Room) and Coleshill in Berkshire, reflect a rejection of contemporary styles in favour of a Renaissance-influenced design. The second part shows how the flowering of Classic design in the eighteenth century led to the creation of some of the most celebrated houses of the period: Chiswick House, Holkham Hall, Sir John Soane's Pitzhanger Manor, and the Grecian templar house, Grange Park. The third part recounts how the austerity of many buildings designed in the 18th century gave way to the richer styles of the Italian Renaissance Revival in the 19th century seen, for example, in Kingston Lacy, Dorset and Brodsworth Hall, Yorkshire. The final two chapters, on the twentieth century and beyond, reveal how even as individual an architect as Sir Edwin Lutyens immersed himself in a Classical language of design, in houses as diverse as Nashdom, Gledstone and the British Embassy in Washington D.C; and how, as the influence of Modernist design has waned, Classical styles have been revived most notably in the houses of Raymond Erith after the Second World War, and more recently by architects such as Quinlan Terry. David Watkin has selected over 150 of the finest images from the Country Life archive to illustrate an incisive study of 26 major houses and their architects. This highly informative and enlightening survey of Classicism through the centuries is a major addition to architectural history.

A revealing look at new city living, featuring seventy of the world’s most innovative, extreme and ingenious houses

Featuring some of the world’s most innovative, extreme and ingenious urban interventions, The Contemporary House looks at the many ways in which modern residential design is integrated into the existing urban fabric. Every house represents a challenge, from new takes on traditional typologies through to radical proposals for unconventional sites. As well as the houses themselves, the book provides an insight into the conditions that shape the architecture of some of the world’s major cities, through recent history, signature styles and current conditions on the ground.

With seventy spectacular houses from around the world, including London, New York, Paris, Tokyo, Cape Town, Sydney and beyond, this is a vital look at new city living.

Contents List:

Introduction • 1. North America • 2. Latin America • 3. Europe • 4. Africa • 5. Asia • 6. Australia

About the Authors:

Jonathan Bell is an Editor-at-Large at Wallpaper* magazine. He is also the author and editor of nine books, including Carchitecture, The 21st Century House, Penthouse Living and The Modern House.

Ellie Stathaki is Architecture Editor at Wallpaper* magazine. She trained as an architect at the Aristotle University of Thessaloniki and studied architectural history at the Bartlett in London. She is the co-author of The New Modern House: Redefining Functionalism and Todd Saunders: Architecture in Northern Landscapes.

Block and solid wood make up one of the oldest construction methods and one that ever more people are opting for when building their homes. Not only are contemporary log homes environmentally sustainable and planet-friendly, they provide comfortable and healthy living. In addition, many of these buildings use sustainable heating and power systems, taking advantage of renewable energies and raw materials. Their natural beauty enhances the quality of life for both home and work. In over 300 photos and plans, this book offers 30 ambitious, contemporary block and solid wood houses that have been built around the globe. They show the diversity of available designs that can be achieved in today’s wooden homes. If you are fascinated with building with logs and living closer to nature, this book is for you.

The magnificent country houses built in Britain between 1890 and 1939 were the last monuments to a vanishing age. Many of these great mammoths of domestic architecture were unsuited to the changes in economic and social priorities that followed the two world wars, and rapidly became extinct. Those that survive, however, provide tangible evidence of the life and death of an extraordinarily prosperous age.

Originally published in 1980, long out of print and now thoroughly revised and reillustrated, this book recounts the architectural and social history of the era, describing the clients, the architects, the styles and accoutrements of the country houses. The people who could afford them - the Carnegies, the Astors, the Leverhulmes - had grown rich by exploiting the new economic opportunities of the age, and the houses they built in the years before the First World War reflect the desire for two contrasting ways of life. The social country house was the setting for the opulent world associated with Edward VII. The romantic country house was simpler, more genuinely rural, for those who wanted to be in closer contact with the countryside and the vanishing rural crafts, or who wanted an idyll of the past that did not suggest the world of the motor car. These traditions lost coherence after the war, and the period ended with a number of spectacular, and often eccentric, houses. Some of the most remarkable were those that not only replicated the look of old buildings, but used genuinely old materials and even incorporated whole Tudor buildings moved from other places.

Clive Aslet writes of the immense changes in the way country houses of this period were lived in and used. The shortage of servants, aggravated by the First World War, spurred numerous developments in the technology of the country house - vacuum cleaners, washing machines, telephones and central heating were called upon to replace the army of servants who never returned from the trenches or the factories. Interior decorators, becoming increasingly in vogue, developed the style Louis Seize into the last word in Edwardian chic. Gardens came to be seen as integral to the concept of the country house and reconciled formal planning with informal planting.

This fascinating world, so popularly depicted in Downton Abbey, can now be viewed from a new perspective. The Edwardian Country House will enlighten and entertain all those interested in glimpsing the lost life style of another age.

Ranging from Kentchurch Court, a former fortified medieval manor house that has been the seat of the Scudamore family for nearly 1,000 years, to a delightful Strawberry Hill-style Gothic house in rural Cornwall to a ducal palace (Badminton) to car-crazed Goodwood House, this beautifully illustrated book showcases ten outstanding British country houses all still in the hands of descendants of the original owners.

James Peill recounts the ups and downs of such deep-rooted clans as the Cracrofts, landowners in Lincolnshire since the twelfth century, whose late 18th-century Hackthorn Hall is a perfect example of the kind of house Jane Austen describes in her novels (indeed, she appears on their family tree), as well as the relatively newly arrived Biddulphs, who constructed Rodmarton, an Arts & Crafts masterpiece, in the first decades of the last century.

James Fennell has once again provided superb photographs of a wealth of gardens, charming interiors, bygone sporting trophies, fine art collections and fanciful family memorabilia, making The English Country House a delicious treat for Anglophiles and lovers of old houses.

This title guides the reader on a tour of the interiors and exteriors of some of the most alluring buildings in England. It reveals the rich span of architectural and interior styles from the decorative to the humble dwelling. A beautifully illustrated book featuring houses that have been decorated by some of the most famous British designers, 'The English House' is a great reference book providing inspiration for all those interested in English architecture and interior design.

The English House is a vivid photographic tour of the private homes and lifestyles of the storied English countryside that offers England's rich span of architectural and interior styles as wonderfully inspiring and intriguing examples of current influential decorating trends. Whether a charming and humble cottage or a grand Georgian and Palladian manor house, all the homes featured in this stunning book illustrate the epitome of styles that define the English house.

The delightful text details each house's quirks while highlighting the decorating approaches and design ideas-startling juxtapositions, new takes on tradition, witty visual puns, and bold new combinations. This is an ideal book for any anglophile and is equally appealing to anyone with an interest in interior decoration, with many design ideas that easily translate into interiors on either side of the Atlantic.

About the Author:

Sally Griffiths started writing after her own home was featured in British House & Garden 20 years ago. She runs a photo library called Red Cover and is the author of The English Country Cottage.

An English Manor House represents an architectural ideal. For generations it has embodied civilised taste. These houses have formed a core part of "Country Life" features over the decades and this book contains fantastic photography of them. Here are Cranborne, Canons Ashby and Chastleton which are houses of timeless charm and tranquillity. Also, there are many houses that fell upon hard times only to rise again, such as Sissinghurst and Hidcote. The architects of the English manor House are many of the great names in the field and here are examples by Lutyens, Blow and Blomfield.

The book is a magnificent reminder of the architectural glory of the English manor house and charts the evolution of their different styles. There are over 200 images beautifully produced in duotone which conjure up the era of the Manor House.

This is the first of 2 launch titles of paperback versions of the sumptuous "Country Life" series. It covers the great manor houses in England. It is illustrated with the pick of "Country Life's" archive of photographs of manor houses taken over the past hundred years. It is written by the foremost expert on manor houses.

The French Country House celebrates what the French call l'art de vivre (“the art of good living”) within the intimacy of private dwellings deep in the countryside. Here are places of retreat—old manor houses, small châteaux, stud farms, even a former convent—that, because of their great age and accumulated memories, are beloved by their owners and provide no end of delight for family and friends. Each country house is a treasure trove of history, with beautiful furnishings as well as family albums, faded love letters, attics full of old toys, fancy dresses, retired pianos, left-over brocades and wallpapers—even libraries hidden at the tops of towers. With 220 photographs in full color—illustrating rooms from the salon to the kitchen below and the attic above, together with details of silver, crystal, tapestries, paintings, and much more—The French Country House is rich in the colors, textures, and history of these treasured homes. Franco- philes as well as lovers of décor, architecture, and gardens will be captivated by this inside look at life in the French countryside.

The Georgian house - whether on a Georgetown street or in a leafy suburb- is considered among the most desireable and comfortable of homes. The Georgian style has stood the test of time, and continues to be popular today. Houses built over two hundred years ago still stand as proud and dignified as when they were first erected.

The book describes the development of the Georgian style, beginning with its intro in the early 18th century up to the mid 19th century. Chapters are also devoted to each element of the house to help understand the ideas, techniques, and materials employed by the original builders. The most complete study of the historical development and importance of the Georgian style, this book is also a practical guide to preserving and restoring a Georgian house.

This beautiful book reveals eight grand houses that have remained in the same families from the time they were built until the present day, and which are still lived in by those families.

The Great Family Houses of Europe reveals the secrets that kept these homes in private hands despite wars, revolutions and ever-escalating taxes. Each family found its own solutions to the problems, most involving compromises, but after the public leaves for the day, the beautiful rooms are again filled with candlelight and liveried servants, the Sevres or Nymphenberg services come out of the pantry, guests arrive in evening dress, entertaining conversation replaces the babble of guided tours.

This is the inside view we see in atmospheric photographs, and in a revealing text made possible by the author’s long friendships with the owners of these great houses.

The houses include:
Seville’s Casa de Pilatos, owned by Spain’s most illustrious grandee;
Harewood House in Yorkshire, owned by a cousin of Queen Elizabeth
Schloss Regensburg, occupied by the flamboyant Princess Gloria von Thurn and Taxis
Palazzo Sachetti near Vatican City, whose enormous Sala dei Mapi is entirely frescoed by Francesco Salviati (1510–1563).

From the arid deserts of Tucson, Arizona to the icy forests of Poori, Finland to the tropical beaches of New South Wales, Australia to the urban jungle of downtown Manhattan, critics Alanna Stang and Christopher Hawthorne have traveled to the farthest reaches of the globe to find all that is new in the design of sustainable, or "green," homes. The result: more than thirty-five residences in fifteen countries--and nearly every conceivable natural environment -- designed by a combination of star architects and heretofore unknown practitioners.

Six different climactic zones are presented in The Green House - waterfront, forest and mountain, tropical, desert, suburban, and urban; there is also a section on mobile dwellings. Each chapter features a series of homes that show the diversity and possibility of sustainable design. Projects are presented with large color images, plans, drawings, and an accompanying text that describes their green features and explains how they work with and in the environment.

Architects included: Santiago Calatrava, Shigeru Ban, Miller/Hull, Rick Joy, Lake Flato, Kengo Kuma, Glenn Murcutt, Pugh & Scarpa, Werner Sobek, and many others.

The Green House is not only a beautiful object in its own right, but is sure to be an indispensable reference for anyone building or interested in sustainable design -- and if you ask us, that should be everyone.

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Пролистать книгу The Green House: New Directions in Sustainable Architecture

Jump into the cold water, right off the front porch, for an early swim; take hot coffee alfresco in a rooftop deck chair as the sunrise lights a panorama of sea birds and skyline; then, kayak off to a meeting downtown. Live on a houseboat and you see wildlife and city life converge to make every day feel like vacation. That's what they say. Thousands of permanent water citizens-ranging from young tycoons to elder hippies-have rejected big houses, chattel, and land for the rich neighborhood life of dense residential marinas. This isn't a lifestyle look, it's the real thing. Adventurous living: independent, expressive, and fun. The most comprehensive book on the floating dwellings of North America, The Houseboat Book reveals intriguing villages (floating on century-old cedar logs, concrete barges, Styrofoam blocks, plastic barrels, fiberglass, and painted wood) in British Columbia, Canada, and in Washington, Oregon, California, Florida, New York, and New Jersey. One sees wonderfully inventive architecture-a thatched cabana in paradisiacal Key West, a barged train car (as family home/circus stage) in industrial Brooklyn-imaginative design at its best.