Книги о моде и фэшн дизайне

In 1983, Japanese designer Issey Miyake told The New Yorker that he aspired “to forge ahead, to break the mould.

” With the boundary-defying fashion lines that followed, he not only broke moulds but recast clothing altogether. With a unique fusion of poetry and practicality, his creations blur the boundaries between tradition, modern technology, and everyday function.

This definitive history of Miyake’s clothes offers expert insight into the designer’s vision and daring. Initiated and conceived by Midori Kitamura, the book looks at the texture-driven originality of Miyake’s materials and techniques from the very earliest days of his career, before he had even established the Miyake Design Studio. Drawing on more than 40 years of collaborative work with Miyake, Kitamura creates an encyclopedic reference of his material and technical innovations through the clothes based on A Piece of Cloth concept, Body Series of the 1980s, Miyake Pleats series, and such practical, everyday designs as Pleats Please pieces.

Stunning photographs from Miyake’s contemporary Yuriko Takagi capture his clothes in their particular quotidian originality, including a breathtaking shoot in Iceland. In her far-reaching essay, meanwhile, leading cultural figure Kazuko Koike offers both a complete chronology of Miyake’s work, and an unprecedented personal profile, looking at the ambition and inspirations that have driven his repertoire from tender teenage years. A must-have for designers, students, and fashion devotees, this is a timeless tribute to one of the most innovative makers of our age.

Many of the most familiar sartorial images of the 20th century can be traced to the prestigious college campuses of America. The "Ivy League Look", or "Ivy Style", was once a cutting-edge look that for decades led the evolution of menswear.

Far more than a classic way of dressing, Ivy Style spread beyond the rarified walls of Harvard, Yale, and Princeton to influence countless designers. Focusing on menswear dating from the early 20th century through today, this elegant book traces the main periods of the look: the interwar years when classic items, such as tweed jackets and polo coats, were appropriated from the English man's wardrobe and redesigned by pioneering American firms such as Brooks Brothers and J. Press for young men at elite East Coast colleges; then from 1945 to the late 1960s, when the staples of Ivy Style - oxford cloth shirts, khaki pants, and penny loafers - were worn by a new, diverse group that included working-class students and jazz musicians; and finally the current revival of the Ivy look that began in the early 1980s.

"Ivy Style" celebrates both high-profile proponents of the style - including the Duke of Windsor, Steve McQueen, Paul Newman, and Miles Davis - who made the look their own, and designers such as Ralph Lauren, J. McLaughlin, Tommy Hilfiger, Michael Bastian, and Thom Browne, who have made it resonate with new generations of style enthusiasts.

ILLUSTRATIONS: 160 col., 28 b&w

For over forty years, Jan Jansen has been designing and selling shoes. His designs include the clog of 1969, the bamboo shoe of 1973 and the floating wedge of 1989. He has worked with some of the world's most renowned designers, such as Dior, Manolo Blahnik, Stephane Kélian and Charles Joudan. He has received many prestigious awards - including the Grand Seigneur Prize by the Fashion Association in 1996 - and his work has been exhibited all over the world.
This book illustrates fifty of the very best Jan Jansen designs, offering an insight into the life and the inspiration of this top designer.

Jan Jansen's shoes have been exhibited all over the world, including: Stedelijk Museum for Modern Art, Amsterdam; Gemeentemuseum den Haag, The Netherlands; Museum of Contemporary Crafts, New York; Worldexhibition, Montreal; Crafts Council, London; Matsuya Ginza, Tokyo; Hanshin, Osaka, Japan; Halle Sud, Geneva, Switzerland; Rheinisches Landenmuseum, Bonn, Germany; Ledermuseum, Offenbach , Germany; 2004 + 2005 exhibitions in Japan, sponsored by the Mainichi Newspapers, Japan.

Whether it’s Beyoncé’s wild blue jacket, Rihanna in a Donald Duck dress, or outfit queen Lady Gaga in a jacket with sewn-on Kermit the Frog puppets, they have all worn his creations and made them famous.

Jean-Charles de Castelbajac is a designer who knows how to dress women with courage and creativity. And for his somewhat unorthodox tastes, he has been nicknamed “King of the Unconventional.” After developing a collection for his mother’s fashion house in 1968, he started his own label in 1978. Since then, he has launched countless successful collections and struck up partnerships with the most unlikely people. Whether it’s robes for the Pope, costumes for the Woody Allen film Annie Hall, or clothes for TV series such as Charlie’s Angels and Sex and the City — for decades, de Castelbajac has been a style and fashion pioneer. Even better, he has always managed to fuse fashion with art, as evidenced by his partnerships with Keith Haring and Jean-Michel Basquiat.

Take a look behind the scenes at this fashion legend and learn about how this artist got his start and his ongoing history of success.

 - A very private look into the life and work of an exceptional designer
 - With commentary from Jean-Charles de Castelbajac himself, as well as many personal letters from his celebrity clients
 - A must-have for any true fashionista

JEAN-CHARLES DE CASTELBAJAC is an emblematic artist known for his polymorphic work. Since the beginning, his passion for art and design coupled with an enthusiastic and tireless character has urged him to collaborate with the best international industries and artists. His playful oeuvre and his approach to pop/rock culture has been seen around the world appealing to every generation in their own singular way.

She was a creature of contrasts: there was the Chanel of rococo mirrors and playful jewellery; but also the Chanel of the tailored suit, of the utmost restraint; of classicism à la française.
The jewellery that Chanel created presents one of the least-known aspects of her work: in complement to her ‘costume jewellery’, she invented jewellery that was unparalleled in luxury and refinement and unfettered in its imagination.

Using illustrations and documents, many of them previously unpublished, and based on archival research and interviews with Chanel’s colleagues and other witnesses of her life and career, this book presents her passion for fabulous jewels and improbable marvels.

Carrie Bradshaw adored them; Beyoncé sang about them; princesses wear them. From the first time a pair of Jimmy Choo shoes graced the red carpet, the brand has been favored by Hollywood stars, British royalty, and the world’s most fashionable women - as well as highly coveted by millions around the world. Founded in 1996 by Tamara Mellon, Jimmy Choo is known for its glamorous, creative, and whimsical designs that have inspired legions of fans worldwide.

Since launching the company, Mellon has been a creative and business visionary, turning out fashion and cultural icons regularly seen on loyal fans such as Reese Witherspoon, Madonna, Halle Berry, and countless other stars. Through red-carpet fashion photography and behind-the-scenes imagery from the company archives, this book gives an inside look at Mellon and the company’s creative inspirations, as well as showcasing the brilliant, colorful, and memorable creations that have already become fashion classics.

About the Author:

Jimmy Choo was founded by Tamara Mellon, OBE, in 1996, as a luxury footwear company. Today, Jimmy Choo encompasses a complete luxury brand with women’s shoes, handbags, small leather goods, belts, sunglasses, and eyewear. The brand’s products are available in the growing network of Jimmy Choo freestanding stores as well as in the most prestigious department stores, specialty stores, and duty-free stores worldwide.

Years after her discovery at age fourteen at New York City’s John F. Kennedy Airport and her quick ascent to the top of the supermodeling world and choice luxury-brand figurehead, Kate Moss represents an unusual success story: that of a middle-class teenager who became one of the best-paid models in the world with no apparent effort. Hers is a story of endless reinvention: more than twenty years later, despite tabloid scandals, drug use, rehab, and tumultuous high-profile romances, Kate Moss appears before us as a fresh creation each time, an ideal subject able to adapt to any circumstance, recast herself ceaselessly through self-staging and self-narration, and make the world fall in love with her over and over again.

In Kate Moss: The Making of an Icon, Christian Salmon’s insightful text, accompanied by more than sixty gorgeous images, explores this phenomenon - the story of an icon, a muse, a legend, an enigma - and how our culture has created the collective Kate Moss myth.

An extraordinary collectible, Kenzo creatively presents forty years of the Paris-based fashion house, founded by Japanese designer Kenzo Takada and now in a resurgence under artistic director Antonio Marras.

Established in 1970 by Kenzo Takada, who had arrived in Paris from Japan in 1965, Kenzo is one of the great French houses that transformed global fashion in the latter half of the twentieth century. Now under the artistic directorship of Antonio Marras, KENZO has again achieved critical and popular acclaim. Marras draws from the rich vein of Kenzo tradition as it engages the spirit of the new century. Armed with an unmatched vocabulary in prints and textiles, Marras mines both East and West, the present and the past, to create a collection that evokes, reveres, and reinvents the intentions of its founder.

The highlights of Takada’s tenure until his retirement in 1999 are also documented here. The first monograph on KENZO, this lavish volume comes in a real fabric cover, available in three different patterns, and with a pop-up that evokes the romantic textiles, envelopes, and paper craft for which the house’s fashion collection invitations are known.  Additional special features include three double-sided double gatefolds, folding out to the equivalent of eight pages, and three accordian gatefolds, folding out to five pages.  This book is truly an art object in and of itself.

About the Author

Antonio Marras was appointed designer of Kenzo’s women’s ready-to-wear collection in 2003, and in 2008 assumed artistic directorship of the entire brand. Bartabas is a renowned equestrian and performer who currently directs the Academy of Equestrian Arts at Versailles. Catherine Ormen is a curator and has written several books on fashion. Olivier Saillard is a curator at the Museum of Decorative Arts in Paris and writes on fashion. Bradley Quinn is an author and journalist with expertise in fashion, textiles, and design. Francesco Bonami is a curator, writer, and critic.

As a long-waited new volume in the best selling “The Kimono and the Colors of Japan” serial books, this fifth volume serves as an encyclopedia of motifs on kimonos. Not only motifs on kimonos and sashes but also those on various kimono ornaments are presented accompanied by the name of the motifs and some cultural backgrounds and descriptions of motifs. This is a “must” book for kimono fans,

Au moment où la mode est devenue un art, il faut qu’une gazette de la mode soit elle-même un journal d’art. Telle sera "La Gazette du Bon Ton". Les artistes les plus exquis composeront pour elle leurs pages les plus délicieuses, les Chéruit, Dœuillet, Doucet, Paquin, Poiret, Redfern, Worth – ces inventeurs de chefs-d’œuvre qui ont fait la mode française, l’admiration et l’envie de l’univers – lui réserveront la primeur de leurs créations.

“Ainsi, on y trouvera, d’une part, les derniers modèles sortis des ateliers de la rue de la Paix, et d’autre part dans les aquarelles des peintures cet esprit de la mode, cette interprétation charmante et hardie qui leur appartient. Les artistes sont aujourd’hui pour une part les inventeurs de la mode : que ne doit-elle pas à un Iribe, qui introduit la simplicité des lignes et le goût oriental, à un Drian, à un Bakst, à un portraitiste épris de la souplesse et du raffinement des étoffes comme Antonio de la Gandara?

On trouvera donc dans chaque numéro de "La Gazette du Bon Ton", à côté de sept planches hors texte qui sont des modèles créés par les couturiers, trois planches qui sont des modèles inventés par les artistes. Et cette revue sera en même temps une œuvre d’art, on a voulu que tout y plût aux yeux, papier, format, caractères, textes, illustrations, les modèles de couturiers ne seront pas de simples reproductions, ce seront de véritables portraits de robes, peints et dessinés par de subtils artistes de notre temps...”

When it comes to dress, less can most definitely be more. In this striking new book, journalist Harriet Walker surveys one of the most wide-reaching movements in fashion. Minimalism has its roots in the early twentieth century, when women’s clothes became pared down and practical after centuries of complex construction. Walker reviews the work of designers who, over the decades, have adopted minimalist principles in their work, from Coco Chanel, who liberated women from Edwardian formal dress, to Donna Karan and Jil Sander, whose workwear offered women a feminine but credible alternative to power dressing; and from the avant-garde style of Japanese masters Rei Kawakubo and Yohji Yamamoto to contemporary interpretations by Gareth Pugh, Roland Mouret, COS and Zara. With 250 colour illustrations, including specially commissioned photographs, Less is More is the engaging story of an abiding aesthetic that has subtly shaped modern fashion.

- The definitive guide to this influential fashion movement, from its origin in the early twentieth century to its current revival by cutting-edge designers and on the high street
- Includes the work of Chanel, Balenciaga, Yves Saint Laurent, Armani, Prada, Jil Sander, Helmut Lang, Hussein Chalayan and many more
- Comprehensively illustrated with archival shots, original sketches, catwalk imagery and specially commissioned photography