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In 2001, Nick Brandt embarked on an ambitious photographic project, a trilogy of books memorialising the vanishing natural grander of East Africa. Focusing on of the world's last great populations of large mammals; elephants, giraffes, lions, gorillas and their kin, he created two of the new century's most influential photographic books: On This Earth (2005) and A Shadow Falls (2009). His iconic portraits of these majestic animals express and empathy usually reserved for human subjects. The magisterial On This Earth, A Shadow Falls collects the most memorable images from Brandt's first two books, along with their accompanying essays. A testament to the bookmaker's craft, it is the first volume on Brandt's work to capture the superb quality of his remarkable, large format prints, which are notable for their velvet blacks and tonal subtleties. Brandt is currently completing the final volume of his trilogy documenting the fate of the great animals of East Africa.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

In 2001, Nick Brandt embarked on an ambitious photographic project, a trilogy of books memorialising the vanishing natural grander of East Africa. Focusing on of the world's last great populations of large mammals; elephants, giraffes, lions, gorillas and their kin, he created two of the new century's most influential photographic books: On This Earth (2005) and A Shadow Falls (2009). His iconic portraits of these majestic animals express and empathy usually reserved for human subjects. The magisterial On This Earth, A Shadow Falls collects the most memorable images from Brandt's first two books, along with their accompanying essays. A testament to the bookmaker's craft, it is the first volume on Brandt's work to capture the superb quality of his remarkable, large format prints, which are notable for their velvet blacks and tonal subtleties. Brandt is currently completing the final volume of his trilogy documenting the fate of the great animals of East Africa.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

More than 400 pictures of Nick Knight’s creative output of the past decade: his campaigns for Dior, Louis Vuitton, and Levi Strauss, his collaboration with Björk, Peter Saville, Massive Attack, Hussein Chalayan, and many others present Nick Knight’s inexhaustible inventiveness in combining shock and beauty, form and color, elegance and wit into a vision of what fashion photography of the future might look like.

Nick Knight, born in London in 1958, ranks among the international elite of the young generation of master photographers. Very early on, the fashion, commercial advertising and portrait photographer created an oeuvre of trailblazing aesthetic standards, a benchmark in virtually all sectors of applied and free photography. His clients are leading fashion designers, such as Yohji Yamamoto, Christian Dior, Jil Sander, Yves Saint Laurent, Jean Paul Gaultier, and international magazines. This book was first published in 1994 as a review of fifteen years of artistic activity. The getup itself was outstandingly aesthetic: bound in artificial blue velvet suede, designed by the English designer Peter Saville and printed with the Novaspace technique, which imparts to the photographs in Nicknight an unusual optical luster.

Art Ablaze. Pyrotechnics and pure self-expression at Burning Man

One hundred miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as the Black Rock Desert. The region has been an empty and windswept dry lake bed for most of the past 10,000 years. Except, that is, for one brief week at the end of each summer, when a temporary city rises out of the barren clay.

This is the surreal and amazing site of Burning Man. Baked by the sun, and blinded by dust, the gathering acquires different meanings for different people: temporary community, spiritual adventure, performance stage, desert rave, social experiment. It’s also the incubator of some of the most remarkable site-specific outdoor art ever made: a mechanized fire-breathing octopus, a towering wooden temple 15 meters tall, and the eponymous Man himself — a skeletal sculpture set ablaze at the event’s conclusion.

In this updated edition with fresh images, writer and photographer NK Guy presents 16 years of Burning Man art. His dazzling images record these participatory, collective, intrinsically ephemeral installations and happenings in the desert, which exist for no clearer purpose than because someone wanted to express something. The result is testimony to a realm far beyond the ego, commerce, and power play of mainstream cultural output: it is one of the purest, uninhibited, expressive centers of our time.

With a foreword by temple designer and artist David Best and a futureword by Founding Board Member Marian Goodell.

The photographer:

NK Guy is a Canadian writer and photographer living in Britain. He is the author of The Lens: A Practical Guide for the Creative Photographer and The Photographer’s Dictionary. He documented the art of Burning Man annually between 1998 and 2014.

Born in 1940, Nobuyoshi Araki is arguably Japan’s greatest living photographer, and certainly its most controversial. His inexhaustible creative energy is attested to by the more than 300 books he has published in the last four decades, while his work, which often challenges social taboos surrounding sex and death, has drawn critical attention both at home and abroad. In 1971 Araki privately published Sentimental Journey, an intimate account of his honeymoon with his wife Yoko. In the Preface to this book, Araki declared that his ‘point of departure as a photographer was love ... and the idea of an I-novel [a form of Japanese fiction written autobiographically and in the first person]’. With this statement, Araki established the genre of ‘I-photography’, in which his own life and feelings became the central subject of his work. The idea was to have a great impact on a new generation of Japanese photographers, especially in the 1990s. By 1990, the year of Yoko’s death, Araki had produced an immense body of work. Through his photographs he has created his own universe, where the themes of sex, life and death are closely intertwined. Tokyo, Araki’s home city, often plays a leitmotif in his work, while his rich visual vocabulary is drawn from the erotic Shunga of the Eda period (1600–1867) as well as the glossy imagery of the new commercial culture.

Through his innovative approach to his medium – sometimes combining painting, drawing and film – Araki has become an influential figure in contemporary art, beyond the field of photography. This major publication provides the most comprehensive overview yet of Araki’s prolific 40-year career. Araki’s key series of works are included alongside many rare and previously unpublished photographs. Featuring an interview and essays by writers from Japan and Europe, this book examines Araki from a broad range of perspectives and gives a cultural context to his work. Also included are a large selection of Araki’s writings, translated into English for the first time, as well as complete illustrated and annotated bibliography of his own books. Reflecting Araki’s principle of ‘I-photography’, the book is divided into three sections that follow the main recurring themes in his work: Self, Life and Death.

Noovo is an aesthetic arbiter and a cultural mediator in the fields of fashion, photography and jewellery: a platform to show the highest level of creativity from around the world.

Contemporary Portraits of Fashion, Photography & Jewellery is a collection of designers and photographers profiles and their work. Contemporary fashion, photography and jewellery are brought together in this special edition, and each discipline is represented by emerging talents and established names who share a commitment to artistic integrity and an absolute devotion to their art. The profiles give us an insight into the work, thoughts and processes of some of the most celebrated artists and designers in their fields. Each of them speaks to us in his or her own highly distinctive voice.

Noovo is an æsthetic arbiter and a cultural mediator in the fields of fashion, photography and jewellery: a platform to show the highest level of creativity from around the world.

Noovo 4: A Few of Them | Contemporary Photography contains 27 portfolios of remarkable, original and stimulating images, made by today’s most imaginative and inspired photographers. They come from a wide range of disciplines: digital, portrait, architectural, landscape and fashion. These photographers all have certain characteristics in common – extraordinary creativity, perfect execution and a novel point of view – that reflect the passion they share for what they do. All of them use their cameras as a creative tool to project fascinating thoughts and powerful images. Here you will find photography as contemporary art.

This richly illustrated encyclopedia of classic and contemporary American railroads features consise histories of 101 U.S. and Canadian railroads past and present. Illustrated with period and modern photography in both color and black and white, evocative print ads, and system maps, each profile is also accompanied by one or more fact boxes offering details on the railroads' geographic scope, hardware, and freight and passenger operations.

Spanning more than a century and a half, this giant compendium of “fallen flags,” Class I behemoths, classic regional carriers, and transportation icons is sure to become the go-to compendium for railfans of all stripes.

Kishin Shinoyama is the grandmaster of contemporary Japanese photography.

From his beginnings in 1959 he has been obsessed with the nude female body. Shinoyama's erotic oeuvre is both a visual parade of earthly passions between heaven and hell and a journey through fifty years of erotic zeitgeist oscillating between art and kitsch, the sublime and the vulgar, joy and grief, pleasure and pain, classics and pop.

A compilation of beautiful aesthetic black and white images of nude photography. A visual work, pure and glamorous.

For Greg Gorman Andresґ strong sense of composition coupled with the placement of imagery within the frame often pushed the edge of eroticism." With this high praise, the photographic collection Nudes was awarded the coveted Kodak Photography Book Prize. Out of print for years, Bitesnich's remarkable first book is now available in a slightly smaller format, and its reissue will delight the many fans of this supremely talented artist.

At the center of Bitesnich's work are the contours and surfaces of the human body-male and female figures transformed into timeless works of art. Bitesnich's adroit use of light and shadow creates a classic yet playful tension that is complemented by his precision and depth of tone. Erotic and highly charged, yet simple and technically near-perfect, Nudes is a celebration of the human body that establishes Bitesnich as one of the masters of black-and-white photography.

The nude has always been a source of inspiration and one of the main themes of photography.
Various perspectives of the naked body are presented to the observers' eyes on ca. 700 pages, representing the diverse interpretations of photographers from all over the world.
The motifs Man, Woman, and Pair open up a world of the senses that has much more to offer than just a nude that one can touch.
This feast for the eyes is a must for everyone interested in artful photography and erotic images.

- A glossy, superb collection of erotic photography
- State-of-the-art photography of females, males, and couples
- A unique survey of current nudes photography