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Stories and photography intermingle on the pages of this gorgeous homage to ’70s and ’80s cinema and celebrity. Including rare and never-before-seen images, Through Her Lens is a wonderful collection of images and memoires that capture the spirit of the age. From unexpected late-night calls from Romy Schneider, to a stay at Paul Newman’s home in Connecticut; from working on set with Bernardo Bertolucci, Werner Herzog, Steven Spielberg and Sydney Pollack, to lounging poolside with Raquel Welch; Sereny reveals her favourite moments from working behind the lens. This is the first photographic retrospective of Sereny’s star-studded career, including nearly 100 never-before-seen images complemented by Eva’s own stories.

- One of the largest archives of film-set photography and editorial magazine shots from the '70s and '80s
- Introduction by Jacqueline Bisset and Charlotte Rampling
- Archive contains almost 100 unseen pictures, all narrated by Eva Sereny herself: a top professional photographer, working in a male-dominated field
- Includes shots from the sets of several great classical films ('The Great Gatsby', 'The Night Porter', and 'Indiana Jones and the Temple of Doom', and more)

About the Author:

Eva Sereny started to pursue her career in photography in the late '60s and she quickly rose to prominence in her field, despite that photography was very much seen as a 'male' art. She shot the greatest stars of the day - Paul Newman, Marlon Brando, Jane Fonda, Robert Redford, Mia Farrow, and many more. Her work on film sets developed her passion for cinematic direction; her short film 'The Dress', starring Michael Palin, received the British Academy Award (BAFTA) and the Chicago Golden Plaque. Having her work featured on the covers of major magazines, such as The Sunday Times Magazine, Observer Magazine, Vogue, Elle, Paris Match, Harper's Bazaar, Time and Newsweek, Eva's credentials are as glittering as her photographs. Now retired and dividing her time between London, Rome and Sydney, Eva Sereny, in collaboration with Iconic Images, is proud to present Through Her Lens.

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Пролистать книгу Through Her Lens: The Stories Behind the Photography of Eva Sereny

The first authorized pictorial autobiography for the trade by the legendary Tina Turner, containing iconic as well as never-before-seen candid photos, letters, and other personal items of The Queen of Rock 'n' Roll, from her early career to today.

Tina Turner has always been a glorious force to be reckoned with; for more than sixty years, Tina has captivated audiences all over the world. For the first time, Tina has assembled an exceptional collection of images and ephemera to mark her eightieth birthday. Lavishly illustrated, Tina Turner: That's My Life features the work of world-renowned photographers including Peter Lindbergh, Annie Leibovitz, Bruce Weber, Anton Corbijn, Herb Ritts, Andy Warhol, Lord Snowdon, and Paul Cox among others. Also showcased are illustrations by fashion designers who were inspired by Tina, including Christian Louboutin, Antonio, and Bob Mackie.

Additionally, Tina delved into her personal archive, and That's My Life showcases some of Tina's most famous dresses, wigs, and shoes. Comments handwritten by Tina Turner herself are included, and as well as handwritten letters from such friends as Beyoncé, Giorgio Armani, Bryan Adams, Oprah Winfrey, and Mick Jagger and others. Tina Turner: That's My Life is a comprehensive window into the world of Tina Turner, and is the perfect celebration of this storied performer that is sure to wow longtime and new fans alike.

About the Author:

Born November 26, 1939 Tina Turner was the first woman to bust open the male clubhouse of rock royalty. She has sold more than 200 million records worldwide and is a twelve-time Grammy Award-winning recording artist, including three Grammy Hall of Fame Awards and a Grammy Lifetime Achievement Award.

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Пролистать книгу Tina Turner: That's My Life

Compelling portraits of celebrities and politicians from four of history’s most eventful decades. An overdue and in-depth retrospective of one of the most important German photojournalists

For almost four decades Volker Hinzʼs photographs defined the look of Stern magazine. His subtle yet revealing portraits of German politicians from Willy Brandt onwards are a vivid historical and artistic record of the Federal Republic.

As masterful as any of the major figures he profiled, Hinz excelled at capturing exactly the right moment. His reportage from the U.S. and across the globe gave us memorable images of greats such as Muhammad Ali, Woody Allen, Pelé and Franz Beckenbauer. Hinz’s works are classics that linger indelibly in our collective consciousness. Unlike most celebrity photography, his images have both the crisp candor of a snapshot and the reflective depth of fine art.

When Ziggy played The Marquee Club in Soho, London, in October 1973, most of those invited to the small venue did not realise that this would be the last performance David Bowie would ever give as Ziggy Stardust. Terry O’Neill, celebrated photographer, was given unprecedented access to document the event.

O’Neill captured Bowie and his crew backstage as they went through costume changes, and Bowie transformed into the character he’d soon put to rest. On stage, dodging television cameras and lights, O’Neill snapped the incredible stage presence for which Bowie and his crew had become renowned. O’Neill remembers of Bowie: “He became a character on stage. As much as a person takes a role in a play for the West End or on Broadway, learning the lines, putting on the costumes – this was, I think, the way Bowie treated his stage. This night at the Marquee, I witnessed a modern-day Hamlet – and it was Ziggy Stardust”.

Award-winning music writer Daniel Rachel interviews key contributors of the day, including O Neill, Ava Cherry, Amanda Lear and Geoff MacCormack along with new insights and memories from fans who were in the audience who played witness to this incredible moment.

- Rare and unseen images from Terry O'Neill's unprecedented access to David Bowie's last performance as Ziggy Stardust, including candid backstage shots
- New and original interviews from a host of people who witnessed the last performance, including Geoff MacCormack - one of Bowie's long-time friends and "Spider"; Suzy Ronson - Mick's wife and stylist; Ken Scott - sound engineer and producer; Ava Cherry - backing vocals, and many more

About the Author:

Terry O'Neill has had a star-studded career. He has been in the business of capturing the most iconic, candid, and unguarded moments of the famous and infamous for six decades. His reportage photography chronicled the evolution of fashion in the post-war era, and later the emergence of bands such as The Beatles, The Rolling Stones, and The Animals, and icons like David Bowie and Elton John. He has been photographer-of-choice for a multitude of celebrities,ftom Sinatra and Audrey Hepburn to Raquel Welch and Paul Newman, and remains the only photographer to have captured shots not only of every James Bond to date, but also more than 25 Bond girls and a staggering 150 Oscar-nominated actors and actresses. O'Neill was awarded withthe Royal Society of Arts' highest honour, the Centenary Medal, in 2012.

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Пролистать книгу When Ziggy Played the Marquee: David Bowie's Last Performance as Ziggy Stardust

The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films.

Wong Kar Wai is known for his romantic and stylish films that explore — in saturated, cinematic scenes — themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life.

This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush films.

About The Author

John Powers is a writer and film critic. Powers covers film and politics for Vogue and Vogue.com and is the pop-culture critic and critic-at-large on NPR’s Fresh Air with Terry Gross. His work has appeared in numerous publications, including Harper’s, The Nation, Gourmet, the Washington Post, The New York Times, and L.A. Weekly, where he spent twelve years as a critic and columnist.

A compact revised edition of Teller’s best-selling Handbags, featuring new images of Megan Thee Stallion and Roni Horn

This revised and expanded edition of Juergen Teller’s bestselling Handbags features a careful selection of images from the original 2019 book, alongside his favorite photographs made since. As before, Teller’s advertising campaigns for distinguished brands such as Coach, Dolce & Gabbana, Loewe, Saint Laurent and Vivienne Westwood are shown with images of handbags deftly styled for fashion editorials — all worn by celebrities and models or photographed as still-life objects. Teller acknowledges the visible shift towards celebrity endorsement in recent years, which has led to exciting new encounters with a multitude of actors, musicians, artists, writers and filmmakers.

In his unmistakable subversive, raw style, Teller presents the ultimate fashion accessory as an everyday item rather than as a glamorized commodity, often in surprising contexts (a handbag perched atop supermarket vegetables) or with humorous intent (a bag sitting on a taxidermy crocodile). This time around, More Handbags has the compact size of a handbag itself, making it more accessible and tactile — and aptly more affordable for all of us who might not be able to buy the real thing.

An American once said to me, “Where’s the money shot?” Here they are: the money shots. - Juergen Teller

About the Author:

Juergen Teller, born in Erlangen, Germany, in 1964, studied at the Bayerische Staatslehranstalt für Photographie in Munich. His work has been published in influential magazines such as Vogue, System, i-D, POP and Arena Homme+, and has been the subject of solo exhibitions including those at the Institute of Contemporary Arts in London, the Fondation Cartier pour l’art contemporain in Paris and Martin-Gropius-Bau in Berlin. Teller won the prestigious Citibank Photography Prize in 2003, and from 2014 to 2019 held a professorship at the Akademie der Bildenden Künste Nürnberg. His books with Steidl include Louis XV (2005), MarcJacobs Advertising, 1998–2009 (2009), Siegerflieger (2015) and The Master IV(2019)

#girlgaze is on a mission to close the gender gap by creating visibility and tangible jobs for girls behind the lens and this timely book, from photographer and media entrepreneur Amanda de Cadenet's visionary focus, features a beautiful and powerful collection of images capturing how young women perceive the world.

This inspiring must-have for feminists and creatives alike showcases the work of a diverse collective of female-identifying photographers mixing candid and formal photos of females living their lives: moments of significance caught in a fraction of a second at home, on the streets, remote countrysides, and in war-torn countries. Spirited, elegant, and inspiring, #girlgaze promotes and highlights the work of Gen Z female photographers from all walks of life and is a stunningly beautiful representation of the female gaze.

About the Authors:

Amanda de Cadenet is a British photographer, actress, and talk-show host. Amber Valletta is a fashion model, actress, and founder of Master & Muse. Inez van Lamsweerde is a fashion and art photographer and one half of the photography duo Inez and Vinoodh. Sam Taylor-Johnson, OBE, is an English filmmaker, photographer, and visual artist. Lynsey Addario is a Pulitzer Prize–winning photojournalist whose work has appeared in the New York Times, National Geographic and Time. Amy Astley is the editor-in-chief of Architectural Digest. Collier Schorr is an artist and photographer.

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Пролистать книгу #girlgaze: How Girls See the World

A survey of the unforgettable career of legendary adman George Lois.

Legendary American adman and image-maker, George Lois was a leader of the 1960s Creative Revolution and the mastermind behind an astonishing array of witty and audacious advertising and branding campaigns, political spots, public service announcements, and unforgettable magazine covers during his 50-year career.

Among Lois' creations are the 'I want my MTV' campaign that first featured Mick Jagger; the introduction of Xerox culture showing a chimpanzee deftly making photocopies, the concept and name for the ubiquitous frozen-food product Lean Cuisine, dozens of controversial covers for Esquire magazine (including Andy Warhol drowning in a can of Campbells' soup), and the legendary 'Think Small' campaign for Volkswagen. Lois recounts all of these and more than 140 others in this historic and entertaining tome showcasing his most influential celebrity campaigns and covers and featuring the super famous, from Jacqueline Onassis to Elvis.

Illustrated with the original ads and images, $ellebrity presents the stories behind the ads, explaining how each ad was conceived and produced, and the unexpected pitfalls, scuffles, and friendships that ensued as Lois angled and tangled with the stars. $ellebrity embodies not only a mesmerizing personal album filled with exclusive insider information but an incomparable defining document of the zeitgeist of an American era spanning over half a century - as seen through Lois' dynamic eye.

About the Author

George Lois, a native New Yorker, became in 1958 Art Director of Doyle Dane Bernbach and started his first agency in 1960. He is the recipient of an AIGA Gold Medal, among other honours, and the author of two books on advertising. He continues to consult for major corporations.

The National Portrait Gallery, London, is home to an extensive collection of portraits representing people who have contributed to British history and culture, many of whom have also played an important role in fashion history. With an illustrated introductory text by Senior Curator of Photographs Magda Keaney on the role of fashion in the Gallery’s collection, this book highlights the close links between fashion and portraiture.

100 Fashion Icons showcases fashion portraits held in the collection of the National Portrait Gallery.

The sitters include historic and contemporary fashion icons, fashion musesand influential designers, in addition to portraits by notable fashion photographers, and some key works are accompanied by detailed captions. This concise publication tells a story of fashion through works from the Gallery’s collection.

The succinct format will offer readers of this title a visually engaging insight into some of the most significant fashion portraits in the Gallery’s collection, making it a well-suited addition to the growing series of 100 books including 100 Photographs and 100 Pioneering Women.

From ocean shores to some of the most remote indigenous communities in the world, photographer Cristina Mittermeier explores humanity’s relationship with the planet and possibilities for a mindful, sustainable future.

Cristina Mittermeier knows a thing or two about water. Trained as a marine biologist and a photographer, the Mexico City-born Mittermeier combines her work behind the lens with her passion for environmentalism, taking pictures around the world to explore our relationship to the earth and ocean and to draw attention to the beauty and the plight of our planet. In Amaze, Mittermeier elicits our wonder and awe at the natural world and the labyrinth or “maze” of navigating a sustainable existence. The book combines two series: “Enoughness” and “The Water’s Edge.” The first draws out Mittermeier’s philosophy for a mindful and sustainable way of being in the world. Bringing together photographs from some of the most isolated corners of the earth, the book shows wild animals, remote landscapes, and indigenous peoples — challenging the cult of material wealth and proposing alternatives for a meaningful and sustainable connection to our environment, each other, and ourselves. In “The Water’s Edge,” Mittermeier presents photographs from around the globe that capture the frontier between land and ocean and the special meaning it has for human life. Whether it is fishermen bringing in their daily haul, women washing laundry in the shallows, or surfers frolicking in the spray, the water’s edge is revealed as an integral and universal space in which ephemeral moments reveal not only our common dependency on the planet, but also our common humanity. As much an inspiration for sustainable living as a staggering collection of nature photography, Amaze is a must-have book for all those who care about our planet and those we share it with.

About the author:

Photographer and marine biologist, CRISTINA GOETTSCH MITTERMEIER, was born in Mexico City in 1966. A passionate environmentalist, she founded the International League of Conservation Photographers (ILCP) in 2005 and the non-profit organization SeaLegacy in 2015. Her work has been published in National Geographic and TIME and she has received both the Mission Award from the North American Nature Photography Association and the Smithsonian Conservation Photographer of the Year Award.

Every other breath we take comes from the ocean. What we do or fail to do in the next five years will determine what our oceans and planet look like for the next ten thousand years. That is why I co-founded SeaLegacy, an organization that, with your support, can change how the story ends. — Cristina Mittermeier

 - A pioneering book of nature photography from environmental campaigner and photographer, Cristina Mittermeier
 - Captures some of the most endangered animals, remote communities, and extreme corners on earth
 - An astonishing collection of nature photography and an inspiration for sustainable living with others and our environment

Andy Warhol’s iconic portraits of Elizabeth Taylor are images that have lost none of their explosive power in the decades that separate the present from the moment of their making. Frequently hailed as the greatest movie star of all time, Elizabeth Taylor was a friend of Andy Warhol in the 1970s and 1980s. The personification of charisma, whose highly public life was charged with drama, tragedy, and romance, this iconic muse was a perfect vehicle for Warhol’s vivid silk-screen portraiture derived from press clippings, publicity shots, and film stills. Warhol made over fifty portraits of Taylor in all her incarnations—from the ethereally beautiful child actress in National Velvet to the commanding, voluptuous screen goddess of Cleopatra. Andy Warhol: Liz sheds light on the relationship between Warhol and one of his most notorious muses.

About the Authors:

Bob Colacello began writing for Andy Warhol’s Interview in 1970. He was named editor shortly thereafter and remained at the magazine until 1982. His memoir of working with Warhol, Holy Terror: Andy Warhol Close Up, was published in 1990. He has been a regular contributor to Vanity Fair for the last two decades. John Waters is a filmmaker, writer, and visual artist. He has directed such cult films as Pink Flamingos, Hairspray, and Female Trouble.

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Пролистать книгу Andy Warhol: Liz

Ara Gallant was born Ira Gallantz in 1932 in the Bronx, but later changed his name because he felt Ara Gallant sounded more exotic. And the life he led was, indeed, an exotic one. Gallant started his career in fashion as a hair-dresser, working at Bergdorf Goodman as one of the city's top colorists. In the mid-1960s he was approached by Vogue and began working exclusively as a hairstylist on photo assignments. In fact, he was the first hairstylist to be paid for such work. Gallant worked with many of the great fashion photographers of the period, including Richard Avedon, Irving Penn and Bert Stern, among them. His most notable contribution was the introduction "flying hair" a visual gimmick he first used on an Avedon shot with Twiggy in 1966. The effect is still widely copied today. By the early 1970s, Gallant began shooting pictures himself. His first assignment was celebrity portraits for Interview magazine. His work often juxtaposed classic Horst-like compositions with contemporary scenarios. In the early 1980s, Gallant moved to L.A. to lead with his friend Jack Nicholson and to pursue a directing career. It never happened, in 1990 he committed suicide in a hotel room in Las Vegas.

As well as Anjelica Huston's introductions, this book features contributions from Polly Mellen, Veruschka, Penelope Tree, Diane Von Furstenberg, Lauren Hutton, Viva, Bert Stern, Apollonia Van Ravenstein, Paul Van Ravenstein, Pat Cleveland, Ingrid Boulting, Shelley Smith, Steven Meisel, Susan Forristal, Bob Colacello, Brigid Berlin, Barbara Lantz, David Croland, Paul Morrissey, Martin Price, Jo Anne Davidian, Drew Barrymore, Russell Todd, Virginia Hey. Australian born David Wills is an independent curator, photographic preservationist and editor who has accrued one of the world's largest independent archives of original photographs, negatives and transparencies. He has contributed material to many publications and museums, including The Museum of Modern Art, and in 2002 edited "Bernard of Hollywood's Ultimate Pin-Up Book" (Taschen). Most recently, Wills has produced a series of photography exhibitions based primarily on images from his archive. His shows include "Edie Sedgwick: Unseen Photographs of a Warhol Superstar", "Murder, Models, Madness: Photographs from the Motion Picture Blow-Up", "Blonde Bombshell", "James Bond" and "Warhology", and have received major profiles in The Los Angeles Times, The New York Times, American Photo and Vogue. In 2008 Wills co-authored "Veruschka" (Assouline).

This fine-art book discusses the phenomenon of LGBTIQ+ refugees, asylum seekers, and those subject to discrimination in their home countries based on their gender or sexual orientation.

More the 40 percent of the countries in the world today still impose prison sentences or the death penalty just for being LGBTIQ+. Asylum is an international project that arose from a collaboration between five associations around the world and photographer Umberto Nicola Nicoletti.

Through the use of beautiful “glossy images,” such as those used in fashion and advertising, the project seeks to engender empathy for the subjects involved and their stories. Asylum seekers become celebrities, idols, and heroes as they are. Therefore, it is not photographic reportage but, rather, an art project focused on restoring their dignity.

LGBTIQ+ refugees often face double discrimination: in their home country and in their destination, as they are both immigrants and LGBTIQ+. This is especially true in refugee camps, where they are subject to assaults by other migrants. The aim of this project is to give these individuals the identity they are often deprived of when they are reduced to an indistinct mass — and to show the world their true beauty.

About the Author:

Umberto Nicola Nicoletti is an Italian photographer and director. He specializes in portrait photography in the fields of advertising, music, fashion, and publishing. He has created international ad campaigns, commercials, book covers and music videos. Filippo Grandi is the United Nations High Commissioner for Refugees.

Avedon 100 celebrates Richard Avedon’s enduring influence on photography and makes clear his profound impression on visual culture worldwide.

Published on the occasion of the eponymous exhibition at Gagosian, New York, in 2023, this striking illustrated catalog celebrates the centenary of the iconic photographer’s birth. Over one hundred celebrated artists, designers, musicians, writers, curators, and figures from the world of fashion were asked to select a photograph by Avedon and elaborate on the ways in which both the image and artist have made an impact on their lives. Participants include Hilton Als, Naomi Campbell, Elton John, Spike Lee, Sally Mann, Polly Mellen, Kate Moss, Chloë Sevigny, Taryn Simon, Christy Turlington, and Jonas Wood.

Avedon 100 celebrates Avedon’s enduring influence on photography and makes clear his profound impression on visual culture worldwide. The book represents various periods from his oeuvre, including the widely known In the American West series, images of the social justice movement, classic portraiture, advertising, and fashion work. The photographs reproduced reveal the enormous and fascinating diversity of Avedon’s subjects, while the commentary offered by the celebrated selectors underscores the breadth and longevity of his legacy.

Avedon 100 includes a foreword by Larry Gagosian, texts by Derek Blasberg and Jake Skeets, and an essay by Sarah Elizabeth Lewis.

About the Author:

Derek Blasberg is a writer, fashion editor, and New York Times best-selling author. He joined Gagosian in 2014, and is the executive editor of Gagosian Quarterly.

Larry Gagosian opened his first gallery for modern and contemporary art in 1980 in Los Angeles. Today, Gagosian has nineteen exhibition spaces across the United States, Europe, and Asia designed by acclaimed architects. The gallery’s initiatives include innovative online viewing rooms coinciding with major art fairs, featuring transparent and comprehensive market analysis; a publishing arm that produces scholarly exhibition catalogues, artist monographs, catalogues raisonnés, and the Gagosian Quarterly magazine; as well as distinctive retail shops.

Sarah Elizabeth Lewis is associate professor of history of art and architecture and African and African American studies at Harvard University, and the founder of the Vision & Justice project.

Jake Skeets is the author of Eyes Bottle Dark with a Mouthful of Flowers, winner of the National Poetry Series, Kate Tufts Discovery Award, American Book Award, and Whiting Award. He is from the Navajo Nation and teaches at the University of Oklahoma.

The story of Anna Molinari’s beloved and successful fashion house, as told through a kaleidoscope of stunning images by famed photographers. Blumarine has become synonymous with fashion created for the modern woman, characterized by a sensual femininity and timeless romanticism, with a vibrant edge. Anna Molinari, known as "the queen of roses" because of her love for the flower, is the designer and creative force behind the label, which has since evolved into a range of successful lines, including Miss Blumarine, Blugirl, and Blumarine Home. With remarkable photos by legendary photographers, such as Helmut Newton, Tim Walker, Albert Watson, and Craig McDean, the story of Blumarine is told visually through the brilliant images conceived by fashion editors like Grace Coddington and Manuela Pavesi. The book also features top fashion models, such as Naomi Campbell, Cindy Crawford, and Monica Bellucci. Lavish illustrations are accompanied by an introduction about the work of Molinari and texts that explore some of Blumarine’s iconic elements: the rose; the Bluvi, a cashmere sweater with mink neckline; and animalier. At the center of the book is a fairy tale written by Elena Loewenthal, a writer and friend of Mrs. Anna Molinari.

About the Author:

Fashion critic and curator Maria Luisa Frisa is the director of the fashion design and multimedia arts program at IUAV University of Venice. Elena Loewenthal is an Italian writer and translator living in Turin.