Сборники работ

A vibrant photo book celebrating eight years of Fotografiska by interpreting the evolution of the field during the years that Fotografiska has been around to influence it

Including works of photographic masters such as Bryan Adams, Roger Ballen, Guy Bourdin, Nick Brandt, Edward Burtynsky, Anton Corbijn, Elliott Erwitt, Esther Haase, Pieter Hugo, David LaChapelle, Robert Mapplethorpe, Sarah Moon, Jimmy Nelson, Helmut Newton, Martin Parr, Andres Petersen, Bettina Rheims, Herb Ritts, Paolo Roversi, Sebastião Salgado, Martin Schoeller, Vee Speers, Christian Tagliavini, and Albert Watson.

At the waterfront of Stockholm, in an old industrial building once used by the harbor, lies Fotografiska, one of the world’s leading meeting places dedicated to photography. Ever since its opening in 2010, the best photographers in the world — including David LaChapelle, Sarah Moon, and Martin Schoeller — have all exhibited their work at the venue. Consciously creating a refined mix of emerging talents and icons in approximately 20 exhibitions a year, Fotografiska has also introduced exciting newcomers like Cooper & Gorfer, Ren Hang, and Christian Tagliavini. Grounded in world-class photographic exhibitions, Fotografiska also provides a dynamic mix of an award-winning restaurant, shop, activities including lectures, workshops, events, and artist talks — which all in all attracts over half a million guests a year.

Through carefully selected photographs from its exhibitions, The Eye not only celebrates Fotografiska’s own journey, it also interprets the evolution of the field during the years that Fotografiska has been around to influence it. Using the sensitive eye that has made Fotografiska such an outstanding success, this volume is a must-have for all photography fans, as well as collectors. Presenting masters next to emerging, yet equally remarkable talents, the book spans from the documentary and abstract to landscape, portraiture, fashion, and wildlife, providing a vivid testimony of Fotografiska’s exhibition history while showcasing the great variations within photographic practice.

“The secret of photography is hidden in its communicative power. It can show every aspect of the human condition. It can show a mountain, it can show a bird. It can show the face of a laughing baby. It freezes time.”
                                                      Albert Watson, Photographer

The images are mixed with thought-provoking and inspiring quotes and anecdotes from the photographers as well as behind-the-scenes stories from the Fotografiska founders Jan and Per Broman, who share their fascinating insights and experiences gained by working with their world-renowned program.

"The Eye is a ground-breaking book celebrating the spirit of photography. During the eight years since we opened, we have hosted amazing photographers and exhibitions. In this book, we want to show the best of the best in a way that challenge the perception of the viewer. Just as we aim to do at Fotografiska.”
                                                       Jan and Per Broman, Founders of Fotografiska

A battle of images, visual statements, and twisted viewpoints. This is The Eye. 256 images from 84 of the best photographers in the world collide in one volume. Eyes of war meet the fashion phantoms. Artsy glances confront giants of nature. A provocative, absurd, beautiful, and revolutionary book celebrating the first eight years of Fotografiska.

About Fotografiska:

Fotografiska is one of the world’s largest venues for photography in a 6,500-square meter century-old building in Stockholm next to the Baltic Sea. Originally designed as a customs house, it also houses an internationally awarded restaurant, inspiring event spaces, an acclaimed academy, and a shop featuring an extensive selection of photographic books.

With a great network of world-class photographers at the core, Fotografiska Stockholm has hosted more than 170 exhibitions since the opening in 2010, including the work of iconic masters such as David LaChapelle, Helmut Newton, Sarah Moon, Nick Brandt, and Andres Serrano, as well as up-and-coming young photographers. By taking a stand in controversial issues and stretching their responsibility far beyond the realm of traditional art institutions, Fotografiska has a history of acting as an influencer, playing an active role in Swedish society. The purpose is simple: to use the power of photography to unite, spread awareness, and create positive impact in society. To inspiring a more conscious world. Fotografiska’s restaurant won the Leading Culture Destinations prize as "Museum Restaurant of The Year 2017" with their focus on sustainable pleasure."Now we are proud to announce that Fotografiska will be opening internationally initially in London/ Whitechapel and New York/Park Avenue."

 - Features a unique selection of exhibited photography, ranging from icons to bold and exciting new talents
 - Fotografiska is a world-renowned brand and an inclusive and innovative platform for photography

An immersive, groundbreaking new monograph from Roger Ballen, one of the world’s most original and critically acclaimed art photographers

With a career spanning over four decades, Roger Ballen is best known for his psychologically powerful and masterfully composed images that exist in a space between painting, drawing, installation and photography. This book is both a departure from his existing oeuvre and the culmination of his unique aesthetic linking image-making and theatrical performance. Separated into seven chapters or 'acts', these Ballenesque images take readers on a journey deep into their subconscious.

Inspired by the sight of hand-drawn carvings on blacked-out windows in an abandoned women's prison, Ballen started to experiment using different spray paints on glass and then 'drawing on' or removing the paint with a sharp object to let natural light through. The results are like prehistoric cave-paintings: the black, dimensionless spaces on the glass are canvases onto which Ballen carves his thoughts and emotions. Fossil-like facial forms and dismembered body parts co-exist uncomfortably with vaporous, ghost-like shadows - these images have the capacity to shock, inspire, amuse and even elate viewers.

Timeless and innovative, earthly and otherwordly, physical and spiritual, his work transcends all traditional concepts of photography.

Contents List:

Introduction • Plates split into seven chapters or ‘Acts’ (each with an introduction by Roger Ballen) • Afterword by Roger Ballen (on how the photographs were created) • List of Works • Biography

About the Author:

Roger Ballen is the recipient of numerous awards, including ‘Photographer of the Year’ at Rencontres d’Arles in 2002 and ‘Photography Book of the Year’ for Outland at Photo España in 2001.

Delve into the mind of one of the most original contemporary fashion photographers and explore his fantastical and magical worlds. 

Tim Walker’s monograph Story Teller, published by Thames & Hudson, introduced audiences to this unique photographer’s fantastical, magical worlds, conjured anew with each shoot. But every point must have its counterpoint, day its night, light its dark; creativity is no different. Shoot for the Moon, Walker’s much-anticipated follow-up draws audiences close to reveal fantasy’s other, darker side.

Delving deep into the art and mind of one of the most exciting and original fashion photographers working today, Shoot for the Moon showcases the gamut of Walker’s weird, wild Wonderlands. In images that demand to be read as art as much as fashion, his signature opulence and decadent eccentricity encroach ever further beyond the ‘real’, exploring the mysteries of imagination and inspiration, and where it is they come from.

Dazzlingly designed to a lavish spec, with images featuring some of the biggest names in fashion and contemporary culture, and texts and commentary by a collection of noteworthy contributors as well as Walker himself, Shoot for the Moon is set to be an unmissable addition to the lexicon of fashion photography.

‘Shoot for the moon. Even if you miss, you will land among the stars’ Norman Vincent Peale

About the Author

Established photographer Tim Walker’s work appears regularly in the world’s best fashion magazines, including Vanity Fair, Love magazine, Harper’s Bazaar and British Vogue.

Tim Walker is one of fashion photography’s most original eyes

This exceptional and beautifully designed overview of a career caught in mid-flow reveals just how much one man’s singular vision has influenced contemporary tastes in fashion, beauty, glamour and portraiture.

When Walker turns fashion stories into fairy tales, the results are unmistakable and inimitable. Though they may soar in scale and ambition, they are painstakingly realized – and with no concession to artificial enhancement. In this new collection, everything you see was specially constructed; the make-believe really happened.

In Walker’s pursuit of the perfect picture no demand appears too unreasonable, no scenario too outlandish, no objective unattainable. So, if ever you have yearned to crashland a Spitfire in your drawing room, to paint a village yellow, to cut a car in two, to meet a real witch, to swing from several chandeliers, to ride with a pack of foxhounds led by a flying saucer, to pilot a biplane made of French loaves, Tim Walker shows you it is entirely possible. You just have to believe.

Some of the biggest names in fashion and contemporary culture are here: Alber Elbaz sporting a pair of rabbit ears; Agyness Deyn in the sand dunes of Namibia; Alexander McQueen and a memento mori of skull and cigarettes; Helena Bonham Carter poised with Ray-Bans and a Diet Coke; Stella Tennant in a pink cloud among the rhododendrons of an English country garden…

Singer and musician Kate Bush contributes a foreword and Walker himself an afterword, as well as illuminating his pictures throughout with personal observations.

About the Author:

Established photographer Tim Walker’s work appears regularly in the world’s best fashion magazines, including Vanity Fair, Love magazine, Harper’s Bazaar and British Vogue.

Новый альбом всемирно известного фешн-фотографа, Тима Уокера, представляет великолепную коллекцию фотографий, сделанных в присущем ему фантастическом стиле. Уокер – один из самых неординарных фотографов нашего времени, его яркий, завораживающий, зачастую иронический, но всегда безукоризненный стиль, ставит его в один ряд с блестящими эксцентриками, от Сесиля Битона до Дэвида Лашапель.

Когда Уокер превращает фешн-фотографию в настоящую сказку, результат всегда безошибочен и неподражаем. Хотя и предметы, и амбиции на этих снимках велики, все они тщательно выполнены, причем без каких-либо спецэффектов. Если фотографу нужна огромная голова Шалтая-Болтая, она будет специально изготовлена по его замыслу, а не воссоздана на компьютере. Какие невероятные конструкции Вы бы ни увидели на этих фотографиях, все они были сделаны специально, все эти волшебные вещи существуют на самом деле. В погоне фотографа за совершенной картинкой ни одно его требование не кажется слишком неразумным, ни один сценарий – слишком диковинным, ни одна цель – недосягаемой. Так что, если Вы когда-либо страстно желали разбить истребитель «Спитфайр» в своей гостиной, выкрасить целую деревню в желтый цвет, разрубить автомобиль напополам, встретить настоящую ведьму, прогуляться со сворой гончих по летающей тарелке, поуправлять бипланом, сделанном из французских батонов, Тим Уокер покажет Вам, что все это вполне возможно. Вам всего лишь нужно поверить в это.

Помимо оживших сказок Вы найдете здесь самых значимых представителей моды и современной культуры: Альбер Эльбаз, рискнувший надеть кроличьи уши, Агнесс Дейн в песчаных дюнах Намибии, Александр Маккуин и memento mori среди черепов и сигарет, Хелена Бонэм Картер, балансирующая с очками Ray-Ban и бутылочкой диетической колы, Стелла Теннант в розовом облаке среди рододендронов в загородном английском садике

Предисловие к книге написано певицей и музыкантом Кейт Буш, вступление – писателем Робином Мьюиром, а послесловие самим Тимом Уокером.

A behind-the-scenes look at the creative process of Tim Walker, one of the world’s most innovative and sought-after photographers

"Each shoot is a total love letter to an object from the V&A, sometimes several objects. My relationship to objects is like falling in love with someone. It relates to how we interact as people, how you become best friends with someone. It’s a search for a new friend." — TIM WALKER

Published to accompany the V&A’s mesmerizing exhibition Tim Walker: Wonderful Things, this book is a journey through the creative mind of one of the world’s most inventive photographers. It presents more than 100 compelling photographs, from ten magical photoshoots inspired by objects from the V&A’s enormous and eclectic collection. Featuring conversations between the set designers, stylists, hair and make-up artists, models, and muses who bring Walker’s imagination to life, it includes contributions by Jack Appleyard, Zoe Bedeaux, Terry Bloxham, Edie Campbell, Gwendoline Christie, Josephine Cowell, James Crewe, Malcolm Edwards, Karen Elson, Katy England, Edward Enninful, Amanda Harlech, Shona Heath, Hungry/Johannes Jaruraak, Ibrahim Kamara, Kate Phelan, James Spencer, Jerry Stafford, Tilda Swinton and Gareth Wrighton. Previously unpublished behind-the-scenes imagery and preliminary sketches combine to reveal Walker’s extraordinary creative process, from his detailed research in the labyrinth of storerooms and galleries at the V&A to his spectacular final pictures.

About the Authors:

Tim Walker is one of the world’s leading photographers. He shot his first fashion story for Vogue in 1995 and he has photographed for British, Italian and American editions, as well as W Magazine and LOVE magazine, ever since.
 Susanna Brown is a photography curator and writer. Her recent V&A projects include "Selling Dreams: One Hundred Years of Fashion Photography," "Horst: Photographer of Style," and "Queen Elizabeth II: Portraits by Cecil Beaton."

Liam Wong’s debut monograph, a cyberpunk-inspired exploration of nocturnal Tokyo

'I want to take real moments and transform them into something surreal, to make the viewer question the reality depicted in each photograph. This body of work encompasses my three years as a photographer and ultimately the completion of my debut photo series’ Liam Wong

A testament to the deep art of colour composition, this publication – art directed by Wong himself and produced to the highest printing standards – brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the book’s special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong’s method, from identifying the right scene to composition, from capturing the essence of a moment to enhancing colour values and deepening an image’s impact – insights are invaluable to admirers and photography enthusiasts alike.

About the Author:

Liam Wong is an award-winning art director, currently based in Japan. Graphic designer, game developer and photographer, he is best known for defining, designing and directing visual identities and was listed as one of Forbes magazine’s influential 30 under 30.

Liam Wong’s bestselling debut monograph, a cyberpunk-inspired exploration of nocturnal Tokyo

'I want to take real moments and transform them into something surreal, to make the viewer question the reality depicted in each photograph. This body of work encompasses my three years as a photographer and ultimately the completion of my debut photo series’ Liam Wong

A testament to the deep art of colour composition, this publication – art directed by Wong himself and produced to the highest printing standards – brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the book’s special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong’s method, from identifying the right scene to composition, from capturing the essence of a moment to enhancing colour values and deepening an image’s impact – insights are invaluable to admirers and photography enthusiasts alike.

About the Author:

Liam Wong is an award-winning art director, currently based in Japan. Graphic designer, game developer and photographer, he is best known for defining, designing and directing visual identities and was listed as one of Forbes magazine’s influential 30 under 30.

Twilight chronicles the art of photographer Gregory Crewdson’s gallery exhibitions of his fantastic, creative images.

“Crewdson is at the forefront of a movement in contemporary photography that has abandoned realism in pursuit of pure cinematic fantasy.”—New York Times Magazine

Twilight: in that zone between the certainty of day and fear of the dark, Gregory Crewdson sets his eerie, enigmatic photographs. A woman floats in her flooded living room; a cow appears to have fallen from the sky onto a front lawn; a gang of teenagers, seemingly hypnotized, pile up household objects for a bonfire. Created as elaborately staged tableaux, this series of images suggests the bizarre yet beautiful surrealities behind deceptively familiar suburban facades.

Including both production stills and the 40 finished images, all in full color, this volume features an essay by Pushcart Prize–winning author Rick Moody, a novelist equally renowned for exposing the underbelly of small-town, middle-class America.

_____________

Crewdson's most recent series of photographs, Twilight, are created as elaborately constructed film stills, catching the mysterious moment of time between before and after, revealing unknowable or unimaginable aspects of domestic reality.

A cow lies on its back on the lawn between two houses while firemen secure the area and a man searches the sky. Could the cow have rained down from above? In another image stacks and stacks of inedible slices of bread - bearing an odd resemblance to the mysterious monoliths at Stonehenge - are watched over by a gathering of birds. Both entirely foreign and oddly familiar, these images are carefully orchestrated events that challenge our very notions of familiarity, undermining our sense of certainty. These eerie and evocative photographs pair beauty with horror, obsession with disgust, and the real with the surreal, suggesting narratives open to endless interpretations. The book includes an essay written by fiction writer Rick Moody.

The book and exhibitions are comprised of the forty images from his Twilight series which was begun in 1998 - these exhibitions and this book chronicle the completion of the series and mark the first time it will be seen in its entirety.

Compelling portraits of celebrities and politicians from four of history’s most eventful decades. An overdue and in-depth retrospective of one of the most important German photojournalists

For almost four decades Volker Hinzʼs photographs defined the look of Stern magazine. His subtle yet revealing portraits of German politicians from Willy Brandt onwards are a vivid historical and artistic record of the Federal Republic.

As masterful as any of the major figures he profiled, Hinz excelled at capturing exactly the right moment. His reportage from the U.S. and across the globe gave us memorable images of greats such as Muhammad Ali, Woody Allen, Pelé and Franz Beckenbauer. Hinz’s works are classics that linger indelibly in our collective consciousness. Unlike most celebrity photography, his images have both the crisp candor of a snapshot and the reflective depth of fine art.

The last book completed by William Klein within his lifetime: A landmark retrospective encompassing Klein's legacy of creativity across photography, filmmaking, painting, book design, graphic design and beyond.

Photographer. Filmmaker. Artist. Designer. To master one of those disciplines would be a lifetime achievement for any creative individual, yet William Klein's career was celebrated in each of them over the last eight decades. Klein was one of the great image makers of the 20th century and one whose work remains an enduring creative influence on the work of contemporary artists, photographers and filmmakers.

With over 250 images, this career retrospective explores the late William Klein's entire creative and artistic arc. Directed by Klein himself, from the selection of content to book design, this large-format publication looks back at his uncompromisingly creative lifetime, showcasing Klein's prolific and relentlessly innovative contribution to the world of photography, art, design and filmmaking.

Published in association with a major retrospective at the International Center of Photography, this book is a comprehensive take on his career. While best known as a photographer who broke all the rules and conventions, William Klein: Yes focuses on the full range of Klein’s work, from his abstract paintings through to his startling, authentic street photography and photobooks and his dynamic, satirical take on filmmaking. With a flowing, chronological text by David Campany, this book will be both an introduction to William Klein for a new generation and a source of fresh insights for those who already know who William Klein was: a true original.

About the Author:

William Klein (1926-2022) was an American photographer, painter, designer and filmmaker. New York-born, Klein settled in Paris in 1948, where he studied at the Sorbonne and pursued his artistic career working briefly under Fernand Léger. Best known as a photographer, achieving fame with a series of acclaimed photobooks, including Life is Good and Good for You In New York (1956) and through his fashion photography in Vogue magazine. Klein was also a filmmaker, directing both feature films and documentaries, a graphic designer and art director.

The ultimate collection of William Wegman’s Weimaraner photographs, in an accessibly priced format, with over 250 brilliant and witty images from across five decades.

All artists have a muse. Movie directors perfect their craft working again and again with the same actor, while choreographers find their inspiration for some of their greatest works when creating for a particular dancer. Sometimes a muse is a silent partner, the object of an artist's intense and obsessive gaze. At other times the relationship is a kind of performance, a deeply collaborative act. For William Wegman, whose muses have been all of these things and more over the years, inspiration arrived in 1970 when his dog, a Weimaraner named Man Ray, appeared in front of his camera.

William Wegman is a world-renowned American artist whose paintings, photographs, videos and drawings have been exhibited in museums and galleries internationally. Today he is perhaps best known for his collaborations with his longstanding muses, an ever-expanding cast of Weimaraners, for whom performing elaborate scenarios or merely posing demurely for their portraits comes as second nature. Curated in close collaboration with distinguished photography author William A. Ewing, William Wegman: Being Human is the most extensive collection of Wegman’s photographic work yet to be published. With over 300 images made over the last four decades, many published here for the first time, Being Human will delight and engage both those who are new to Wegman’s work and those who have admired his art for many years.

The book is organized thematically, presenting a wealth of exceptional work in such a way as to highlight the versatility of Wegman’s ever-inventive mind as he explores what it means to be human. From portraits of characters we so easily recognize – a suburban housewife, a famous actor, a nightclub singer, a golfer dressed in plaid – to imagery that toys with a wide range of visual languages, Wegman quotes freely from fashion photography, Cubism, colour theory, the tradition of the nude and the history of art itself.

With insightful essays by Ewing and Wegman, and an interview that explores the key concepts of the book, Wegman’s approach to his subjects and their life in the studio, Being Human celebrates a creative partnership - a relationship between an artist and his muses - that continues to this day.

Eyes of Our Time. Wolfgang Tillmans compiles 30 years of his work to draw a picture of where we are today

Wolfgang Tillmans has explored the medium of photo-imaging with greater range than any other artist of his generation. From early portraits of his friends to abstract images made in a darkroom without a camera or works made with a photocopier, he has pushed the photographic process to its outer limits in myriad ways. For this collection of photos, his fifth book with TASCHEN, Tillmans edited his previous four books into one stream of intersecting perspectives on life around the turn of the millenium. Keeping his original layouts intact, he added some new works, bringing the scope of the publication to the present day.

Like hardly any other artist of his generation, Wolfgang Tillmans has shaped our perception of the world. From early portraits of his friends to still lifes, travel shots, nudes, landscape and sky photographs, to his abstract work, Tillmans has created a multitude of iconic works in his unmistakable visual language, opening up new paths and possibilities for both photography and contemporary art. In 2000 he was the first photographer and the first non-British person to receive the renowned Turner Prize.

His first volume for TASCHEN (1995) shows the young generation of the 1990s, of which Tillmans himself was a member, in clubs, at Gay Pride, at fashion events, and in everyday life. His dense, realistic photographs conjure up tangible utopias of community and society and are important documents of their time as well. With the follow-up volume Burg (1998), Tillmans enriches his subject matter with another array of beautiful, now-iconic photographs. In truth study center (2005), his images condense into even more subtle compositions and now stand alongside completely abstract works. Finally, Neue Welt (2012) documents Wolfgang Tillmans’ travels around the globe: from London to Tierra del Fuego, India, Papua New Guinea, Saudi Arabia, and Central Africa, we follow his ever-inquisitive eye for the realities of our planet, for social situations with people and markets, technology and architecture, and last but not least, nature and astronomy. For this volume, the artist for the first time made use of the new possibilities of digital photography. This enabled a density of information and incisiveness hardly seen in photographs until then.

This 40th-anniversary publication from TASCHEN combines the best of the four books in one volume. Wolfgang Tillmans himself has compiled this edition, partly redesigned it, added some recent works, and written a new foreword.

Paging through this collection of images, which spans three decades, there are countless moments to delight in, moments that are held not only in our collective memory but in our individual ones too.

The photographer:

Wolfgang Tillmans was born in Remscheid, Germany, in 1968 and studied at Bournemouth & Poole College of Art and Design. He is widely regarded as one of the most influential artists of his generation. His work, whilst appearing to capture the immediacy of the moment and character of the subject, also examines the dynamics of photographic representation. From the outset he ignored the traditional separation of art exhibited in a gallery from images and ideas conveyed through other forms of publication, giving equal weight to both. His expansive floor to ceiling installations feature images of subcultures and political movements, as well as portraits, landscapes, still lifes and abstract imagery varying in scale from postcard- to wall-sized prints. His work is in the collections of numerous international museums including The Museum of Modern Art, New York, Centre Pompidou, Paris, the National Museum of Modern Art, Osaka, Nationalgalerie, Berlin, and Tate, London, and was included in the Venice Biennale 2009. He was awarded the Turner Prize in 2000, the Hasselblad Award in 2014 and the Kaiserring der Stadt Goslar in 2018.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Rising star Charles Fréger brings his inimitable eye to unfamiliar Japanese folk rituals

In rural Japan the passage of the year is marked by festivals and rituals that have changed little for centuries. Elaborate outfits, crafted from textiles as well as branches, straw and elements sourced from the natural environment, are donned in agricultural and fishing communities throughout Japan to celebrate seasonal rites of fertility and abundance.

Yokainoshima (literally ‘island of monsters’) explores the extraordinary range of masks, costumes and characters that reappear with each returning season. Charles Fréger’s photographs combine acute documentary attentiveness with individual portraiture in an entirely fresh and distinctive style.

Toshiharu Ito and Akihiro Hatanaka, both specialists in Japanese folk culture and anthropology, analyse Fréger’s photographs, setting the huge variety of eclectic clothing in ethnographic context and describing the local festivals, dances and rituals. A final illustrated reference section describes individual costumes and masks.

About the Author:

Charles Fréger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Wilder Mann and Portraits in Lace.

An intimate meditation on love and loss from the acclaimed non-conformist photographer, featuring portraits of luminaries such as Vivienne Westwood

Throughout his 35-year career, Juergen Teller has been renowned for his non-conformist style, defying expectations with a unique combination of seriousness and self-irony, creating authentic narratives from his insatiable curiosity for life and the endlessly surprising world around him. i need to live, accompanying Teller’s major solo exhibition at the Grand Palais Éphémère, Paris, in 2023–24 and the Triennale Milano in 2024, captures the depth of his unmatched photographic achievement. Storytelling has always been integral to Teller’s practice, realized through the unconventional merging of his personal experience and commercial work in a range of genres: from portraiture and landscapes, to nudes, still lifes and the ever-changing self-portrait. This book embodies Teller’s interest in the unpredictable circle of life and a desire to explore his self and his familial relationships with a new poignancy — reflecting on the loss of close collaborators and friends including fashion designer Vivienne Westwood and gallerist Suzanne Tarasieve, while celebrating the arrival of his third child and the fruitful creative relationship with his wife and muse, Dovile Drizyte.

You have good experiences, bad experiences, funny experiences. Life is full of complexity, and I wanted to show that. - Juergen Teller

About the Author:

Juergen Teller, born in Erlangen in 1964, studied at the Bayerische Staatslehranstalt für Photographie in Munich. His work has been published in influential magazines such as Vogue, System, i-D, POP and Arena Homme+, and has been the subject of solo exhibitions including those at the Institute of Contemporary Arts in London, the Fondation Cartier pour l’art contemporain in Paris and Martin-Gropius-Bau in Berlin. Teller won the prestigious Citibank Photography Prize in 2003, and from 2014 to 2019 held a professorship at the Akademie der Bildenden Künste Nürnberg. His books with Steidl include Louis XV (2005), Marc Jacobs Advertising, 1998–2009 (2009), Siegerflieger (2015), Handbags (2019), Leben und Tod (2020), William Eggleston 414 (2020), Auguri (2022), The Master V (2023) and Notes About My Work (2023).

Celebrating the centennial of Saul Leiter’s birth, the official retrospective of a revolutionary figure in twentieth-century photography.

Saul Leiter photographed and painted nearly every day for over sixty years, amassing an enormous archive, most of which remained unseen during his lifetime. Finding inspiration within a few blocks of his apartment in lower Manhattan, he was a master at discovering beauty in the most ordinary places. Celebrated today for his evocative colour photographs of New York in the 1950s and 1960s, which were unknown in their day, Leiter also found success as a fashion photographer for Harper’s Bazaar. All the while he was shooting black-and-white street scenes on his daily walks, and nudes and intimate portraits back home, while continuing his painting explorations with abstract watercolours, whimsical sketchbooks and painted photographs.

Created in collaboration with the Saul Leiter Foundation, this definitive monograph brings together these diverse yet interconnected bodies of work – including much that was previously unpublished – to reveal the complete artist for the first time.

About the Authors:

Saul Leiter was born in 1923 in Pittsburgh. He pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). He died in New York in 2013.
Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.
Michael Parillo is the Associate Director of the Saul Leiter Foundation.