Искусство

Ranging from ancient to contemporary sculpture, this book is the first study of the history of sculpture to present such an original and comprehensive approach. Taking the sculptures out of the museum context (and thus off of their proverbial pedestals), this volume presents a completely new view which affords enlightening comparisons between eras and genres. This remarkable work is indispensable for artlovers of all tastes and disciplines.

Contributing authors:
Xavier Barral i Altet, Geneviève Bresc-Bautier, Philippe Bruneau, Bernard Ceysson, Jean-Luc Daval, Georges Duby, Maurizio Fagiolo dell'Arco, Sophie Guillot de Suduiraut, Reinhold Hohl, Antoinette Le Normand-Romain, Friedrich Meschede, Anne Pingeot, Barbara Rose, François Souchal, and Mario Torelli.

Jacques Lipchitz is one of the master sculptors of the 20th century, an artist whose oeuvre spans more than six decades and numerous artistic movements including Cubism and Surrealism. The first volume of the complete catalogue raisonné of his work, covering the period between Lipchitz’s arrival in Paris in 1909 and his departure to the United States in 1941, was published by Thames & Hudson in 1996.

The second volume of the catalogue raisonné documents all the known works from Lipchitz’s arrival in New York in 1941 until his death in 1973. Lipchitz’s sculptures from the American years are characterized by a new spirit of optimism, dynamic gestures and a powerful illusion of movement. They include Arrival (1941), which sums up the feelings Lipchitz had on finding sanctuary from fascism in the United States, and the brilliantly innovative ‘transparents’ of the 1940s.

Together, these two volumes provide an essential work of reference for art historians.

Ranging from ancient to contemporary sculpture, this book is the first study of the history of sculpture to present such an original and comprehensive approach. Taking the sculptures out of the museum context (and thus off of their proverbial pedestals), this volume presents a completely new view which affords enlightening comparisons between eras and genres. This remarkable work is indispensable for art lovers of all tastes and disciplines.

Посмотреть двухтомное издание Sculpture - From Antiquity to the Present Day, 2vol (Taschen 25 - special edition)

Gilles Perrault, ancien restaurateur des musées nationaux, nous offre ici un livre de référence sur la sculpture sur bois, une somme couvrant tous les aspects cette technique décorative, qu’il s’agisse de l’histoire ou des procédés mis en œuvre : dessin, modelage, moulage, connaissance du matériau, outillage, taille et ornementation.
Les techniques sont abondamment documentées par un millier d’illustrations : documents anciens, chefs d’œuvre tirés de musées ou de collections particulières, artisans au travail, ateliers, sculptures photographiées pas à pas lors des différentes étapes de réalisation, schémas et figures des principaux motifs ornementaux.
Le professionnel trouvera dans ce livre la réponse aux questions qu’il est amené à se poser dans l’exercice quotidien de son métier. L’amateur, pour qui la maîtrise des problèmes techniques est la condition préalable à toute création artistique, y cherchera de quoi enrichir ses connaissances pour accroître son plaisir.

Sommaire :
Historique : De la préhistoire au XXe siècle
Le dessin : techniques et moyens d’expression, ombres, perspective, géométrie
Le modelage et le moulage : matériaux, outillage et technique
Le bois : propriétés, défauts, abattage, séchage, collage, assemblages, essences
Les outils : évolution, outillage manuel (manches, affûtage), machines
La taille : processus, coupe, tenue des gouges, planisculpture, remplages gothiques, copies de pièces anciennes et exemples modernes (Henry Moore, Marta Pan, André Affolter Condé, José Subira Puig, Christian Renonciat)
L'ornementation et ses déclinaisons : moulures, ornements géométriques, végétaux, feuilles d’acanthe, palmettes, rosaces, fruits, coquilles, rocaille, cartouches, rubans, bestiaire ornemental.

Why is the only non-American winner of the AFI's prestigious Life Achievement Award a Scotsman? Perhaps because Sean Connery's career, though international in scope and global in appeal, made him a "genuine movie star" without any pretensions or pandering to fashion. Indisputably, Connery's incarnation of James Bond catapulted him to stardom and lay the foundation for the most successful franchise in motion picture history. Together Bond and Connery became larger-than-life; but it was Connery, not Bond, whose powerful presence went on to permeate scores of other roles. Connery can be as cool and charismatic as Steve McQueen, as elegant as Cary Grant, or as generous as Frank Sinatra. Said Audrey Hepburn: "There are only two great stars in my recollection who have not been changed by massive success: Lassie and Sean Connery."

The Movie Icon series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. Movie Icons is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life.

Spectacular Specimens. Albertus Seba’s unrivaled catalog of animals, insects and plants

Exotic plants, corals and crocodiles, birds and butterflies. Albertus Seba’s extraordinary catalog of natural specimens is not only one of the 18th century’s greatest natural history achievements, but also one of the most prized natural history books of all time. It is a beautiful tribute to the breadth and the detail of creatures great and small, as well as to some now-extinct animals.

The Cabinet of Natural Curiosities is one of the 18th century’s greatest natural history achievements and remains one of the most prized natural history books of all time. Though scientists of his era often collected natural specimens for research purposes, Amsterdam-based pharmacist Albertus Seba (1665–1736) was unrivaled in his passion. His amazing collection of animals, plants and insects from all around the world gained international fame during his lifetime.

In 1731, after decades of collecting, Seba commissioned careful and often scenic illustrations of every specimen. With these meticulous drawings, he arranged for the publication of a four-volume catalog, covering the entire collection from strange and exotic plants to snakes, frogs, crocodiles, shellfish, corals, birds, and butterflies, as well as now extinct creatures.

This reproduction is taken from a rare, hand-colored original. The introduction supplies background information about the fascinating tradition of natural collections to which Seba’s curiosities belonged.

The authors:

Irmgard Müsch, born in 1967, studied art history, history, and classical archaeology in Mainz and Berlin. Her PhD thesis from 1999 examines Johann Jakob Scheuchzer’s Kupfer-Bibel, a richly illustrated scientific commentary on the Bible from the early 18th century. She has published on art of the 18th and 20th centuries, scientific illustrations, and Kunstkammer pieces.

Jes Rust, born 1963, completed his studies in geology, paleontology, and zoology at Göttingen and Kiel. His thesis dealt with the evolution of fossil snails living in the fresh and brackish waters of prehistoric Greece. His assistantship at the Institute of Zoology in Göttingen between 1993 and 1999 was followed by his appointment in 2001 as professor of invertebrate paleontology and insect phylogeny at the University of Bonn.

Rainer Willmann holds a chair in zoology at Göttingen University, is director of its Zoological Museum, and is cofounder of its Centre for Biodiversity and Ecology Research. A specialist in phylogenetics and evolution, he conducts research into biodiversity and its history.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Curious Creatures. Albertus Seba’s unrivaled catalog of animals, insects, and “freaks of nature”

The Cabinet of Natural Curiosities is one of the 18th century’s greatest natural history achievements and remains one of the most prized natural history books of all time. Though scientists of his era often collected natural specimens for research purposes, Amsterdam-based pharmacist Albertus Seba (1665–1736) was unrivaled in his passion. His amazing collection of animals, plants, and insects from all around the world earned him international fame.

In 1731, after decades of collecting, Seba commissioned careful and often scenic illustrations of every specimen. With these meticulous drawings, he arranged for the publication of a four-volume catalog, covering the entire collection from strange and exotic plants to snakes, frogs, crocodiles, shellfish, corals, birds, and butterflies, as well as creatures that are now extinct.

Taken from a rare hand-colored original, the best-selling collection features an introduction that contextualizes the fascinating tradition of natural collections to which Seba’s curiosities belonged.

The authors:

Irmgard Müsch, born in 1967, studied art history, history, and classical archaeology in Mainz and Berlin. Her PhD thesis from 1999 examines Johann Jakob Scheuchzer’s Kupfer-Bibel, a richly illustrated scientific commentary on the Bible from the early 18th century. She has published on art of the 18th and 20th centuries, scientific illustrations, and Kunstkammer pieces.

Jes Rust, born 1963, completed his studies in geology, paleontology, and zoology at Göttingen and Kiel. His thesis dealt with the evolution of fossil snails living in the fresh and brackish waters of prehistoric Greece. His assistantship at the Institute of Zoology in Göttingen between 1993 and 1999 was followed by his appointment in 2001 as professor of invertebrate paleontology and insect phylogeny at the University of Bonn.

Rainer Willmann holds a chair in zoology at Göttingen University, is director of its Zoological Museum, and is cofounder of its Centre for Biodiversity and Ecology Research. A specialist in phylogenetics and evolution, he conducts research into biodiversity and its history.

Is a self-portrait of an artist a medium of reflection—or is it merely a black void, the “false mirror,” as the surrealist René Magritte entitled his 1928 painting of an eye? Do self-portraits reveal how artists see themselves, or how they wish others would see them? From the 15th century to today, this collection brings together many of the best examples of self-portraiture in art history whilst exploring these and many more questions pertaining to the art of self-reflection.

Featured artists: Meister Gerlachus, Fra Filippo Lippi, Albrecht Durer, Giorgione, Parmigianino, Michelangelo, Caravaggio, Peter Paul Rubens, Salvator Rosa, Nicolas Poussin, David Bailly, Diego Da Silva Y Velazquez, Rembrandt Harmensz. Van Rijn, Rosalba Carriera, Jean Baptiste Simeon Chardin, Francisco De Goya, Vincent Van Gogh, Edvard Munch, James Ensor, Pablo Picasso, Egon Schiele, Ernst Ludwig Kirchner, Frida Kahlo, Felix Nussbaum, Max Beckmann, Diego Rivera, Salvador Dali, Lucian Freud, Andy Warhol, Francis Bacon, David Hockney, Albert Oehlen, Martin Kippenberger, Jeff Koons, Gerhard Richter

About the Series:
Each book in TASCHEN's Basic Genre Series features:

* a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
* a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations

Sin and temptation, wisdom and deceit, death and damnation, but also eternity and renewal, protection and healing power - the symbolic meanings of the snake are as manifold as the myths, sagas and legends in which it plays a significant role. The snake led Adam and Eve into temptation in the Garden of Eden, the Uraeus snake was the symbol of the pharaohs in ancient Egypt, the Midgard serpent inhabited the ocean of Germanic mythology, it was the ancient symbol of the art of healing, was worshipped as the snake spirit in India and as a deity in African and Central American cultures.

In all eras and in all cultures, the snake has fascinated humankind and inspired the creation of striking works of art. Serpentina is dedicated for the first time to the whole spectrum of the snake in jewellery, for few artists, jewellers or even the jewellery industry could resist the temptation to incorporate this creature into jewellery design. The examples span everything from Hellenistic snake bangles to the glittering art nouveau creations by Lalique and Fournet, from the luxurious creations by Cartier and Fabergé to the playful objects of contemporary jewellery artists, from snake motifs from Mexico and the golden snakes of the Akan in Ghana to Indian snake jewellery and Japanese snake netsukes. In jewellery the seductive power of the snake is unfailing. Let it put you under its spell!

Sünde und Versuchung, Klugheit und List, Tod und Unheil, aber auch Ewigkeit und Erneuerung, Schutz und Heilkraft – die symbolischen Bedeutungen der Schlange sind so vielfältig wie die Mythen, Sagen und Legenden, in denen sie eine bedeutende Rolle spielt: die Schlange führte Adam und Eva im Paradies in Versuchung, war als Uräusschlange im Alten Ägypten Symbol der Pharaonen, bewohnte als Midgardschlange das Weltmeer der germanischen Mythologie, war in der griechischen Antike Symbol der Heilkunst, wurde als Schlangen-Geist in Indien, als Gottheit in afrikanischen und mittelamerikanischen Kulturen verehrt.

Zu allen Zeiten und in allen Kulturen faszinierte die Schlange den Menschen und inspirierte ihn zu herausragenden Kunstwerken. Die Publikation widmet sich erstmals der gesamten Bandbreite der Schlange im Schmuck, denn kaum ein Künstler, Juwelier oder selbst die Schmuckindustrie konnte der Versuchung widerstehen, diesem Wesen im Schmuck Gestalt zu verleihen. Die Beispiele reichen vom hellenistischen Schlangenarmreif bis zu den glanzvollen Kreationen des Jugendstils von Lalique und Fouquet, von den luxuriösen Kreationen von Cartier und Fabergé bis zu verspielten Objekten zeitgenössischer Schmuckkünstler, von Schlangenmotiven aus Mexiko, den goldenen Schlangen der Akan in Ghana über indischen Schlangenschmuck bis zu den japanischen Schlangen-Netsukes – im Schmuck ist die Verführungskraft der Schlange ungebrochen. Lassen Sie sich in ihren Bann ziehen!

Daring sexual humor from the irreverent magazine Sex to Sexty

Some call it the most vulgar magazine ever made; others see it as the last honest compendium of American sexual humor, starting just as the sexual revolution was expanding minds and stomping taboos, and ending when political correctness made all such humor socially unacceptable. Whatever your stance, the magazine Sex to Sexty was and is an outrageous collection of dirty jokes and cartoons published from 1965 to 1983 by Texas entrepreneur John Newbern, whose life was lifted straight from the pages of his publication. His partner in crime against good taste was hillbilly artist Pierre Davis, who created elaborate oil painted covers for each issue that celebrate every permutation of manly humor. No topic was safe from the lowbrow wit of these two men and the cartoonists they recruited to preserve what they called the "True Jokelore of America".

Sex to Sexty reproduces all 198 covers of the magazine and many of the original paintings that adorned them. Then, in the first in-depth analysis of American sexual humor, author and editor Dian Hanson categorizes the great themes revealed by the thousands of cartoons and jokes into spreads with titles like "Stinkfinger," "Incest on the Best," "Cannibal Cuisine," and "I Love Ewe!" Raw, irreverent, uncensored and all-American, Sex to Sexty spares no gender, sexual preference, ethnic orientation, or hygienic dysfunction in bringing you what the magazine's original publisher called the "World's Largest Accumulation of He-Man Robust Humor in the World." Special fold-out dust jacket shows every cover image and unfolds to reveal a poster of a never before seen, unreleased Sex to Sexty cover originally deemed "too tasteless" by the magazine's publisher, but definitely "suitable for framing in your bar, rumpus room or bathroom".

This pocket-book for lovers of the romantic and erotic is illustrated with the most famous paintings and sculptures of amorous encounters through the ages. It provides commentaries on the art-works as well as biographies of the artists.

A step-by-step guide to all the tricks-both freehand and digital-to creating the best manga characters, Shonen Manga is a fun, easy to read manga manual for artists of all ages and languages.

Focusing on Shonen-style manga and anime (a genre targeting young boys-”Shonen” means young boy, referring to elementary through grade school age groups), Shonen Manga is a practical, hands-on guide to learning the skills of action-packed drawing. It includes detailed information on how to apply digital colour, 3D designs, vectorial drawing, and a host of other fascinating and useful design applications. Each project in Shonen Manga includes step-by-step instructions specifying software, tools, and professional tricks to achieve the gritty eyes, roaring faces, and clenched fists of teen heroes, martial art masters, ninja girls, and violent samurai, integral to the Shonen genre.

Shonen Manga will walk an audience of manga artists, illustrators, and graphic designers through the basic stages of manga production, beginning with black-and-white sketches and ending with vibrant, fully costumed characters.

Shunga portrays the erotic expression of a couple with pleasures and pains, and the beauty of their bodies with the finest Japanese woodblock print technique. It is a type of Ukiyo-e, which was especially all the rage among people in the Edo period (17th-19th century). Almost all ukiyo-e artists made shunga at some point in their careers. 

This big book of 586 pages features various Shunga works by masters of Ukiyo-e artists such as Hokusai Katsushika, Utamaro Kitagawa, Kuniyoshi Utagawa, Kiyonaga Torii, and Eisen Keisai. 

The magic by Kazuya Tkaoka, art director for this book, and our successful title Hokusai Manga, makes this book a one-of-a-kind Shunga collection.

This fascinating and lavishly illustrated introduction to the world of Japanese erotic art includes many previously unpublished images. Demonstrating a high level of artistic and technical achievement, Shunga is an under-explored area of Japanese art. This beautiful book takes a fresh look at the centrality of eroticism in Edo urban culture, including highlights from the collections of erotic Japanese art at the British Museum, which are unrivalled in Europe.

Over the course of the Edo period (1615-1868), was extraordinarily large quantity of paintings, prints and illustrated books with sexual and erotic themes produced in Japan. From the 1760s on, printed works were produced using full-colour woodblock technology and these constitute some of the finest examples of art printing in Japan, employing deluxe materials and special printing effects.

This book features pictures by some of the most renowned artists, such as Kitagawa Utamaro and Katsushika Hokusai, who produced erotic imagery as a standard part of their work.