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120th anniversary of his birth, the life and masterpieces by Alfred Hitchcock, a British filmmaker, master of suspense and cinema genius.

“If you make a bomb go off, the audience has a shock that lasts 10 seconds, but if you simply tell them there’s a bomb, the suspense is dragged out and the audience is kept on pins and needles for five minutes” (Alfred Hitchcock).

The supreme representative of the “seventh art”, director of masterpieces, milestone of world cinema, during his long career Alfred Hitchcock (1899–1980) made over 50 films, from his debut in silent cinema to 1970s movies that have terrorised entire generations.

Enthralling plots, original editing, brilliance, skilful ability in creating constant tension, frame after frame: these are the ingredients that have made Hitchcock a true icon of cinema history, worshipped and revered by countless admirers who still today imitate and study his innovative techniques.

Through a vast selection of photos and original contents taken from the set of masterpieces like Psycho (1960), Rear Window (1954), Birds (1963), Vertigo (1958), North by Northwest (1959), Dial M for Murder (1954), readers are taken backstage to discover curious details and better understand the life of this master of suspense.

All in the Family creator Norman Lear takes fans behind the scenes of the groundbreaking sitcom on the occasion of its 50th anniversary.

The face of television was changed forever in 1971 with the premiere of All in the Family. The working-class Bunker family of Queens, New York — lovable bigot Archie (Carroll O'Connor), his long-suffering “dingbat” wife Edith (Jean Stapleton), their liberal daughter Gloria (Sally Struthers), and son-in-law Mike "Meathead" Stivic (Rob Reiner) — instantly became, and half a century later still are, four of the most iconic characters in television.

In All in the Family: The Show that Changed Television, Norman Lear shares his take on fifty essential episodes that exemplify why the show remains as funny and relevant as ever. Its boundary-pushing approach to hot-button topics is examined with commentary from co-stars O’ Connor, Stapleton, Reiner, and Struthers, as well as writers, directors, and guest stars from the show. With previously unseen notes from Lear, script pages, production designs, and a foreword by super-fan Jimmy Kimmel, this book is the ultimate companion to the seminal series and a must for fans of Lear’s shows and television comedy. “Norman Lear,” said New Yorker critic Michael Arlen, “has a feel for what people want to see before they know they want to see it.” All in the Family, like all of the Lear shows that followed, was a turning point in television’s handling of taboo subjects such as race relations, feminism, homosexuality, war, religion, gun control, social inequity, and other controversial subjects, all of which remain in the news today.

About the Author:

Producer, philanthropist, and activist Norman Lear has the distinction of being among the first seven television pioneers inducted into the Television Academy Hall of Fame. He won his first two Emmy® Awards in 1971 (for All in the Family’s premiere season) and his most recent one in 2020, for Live in Front of a Studio Audience: ”All In The Family” and ”Good Times.” His memoir, Even This I Get to Experience, was published in 2014. Jimmy Kimmel is the host and executive producer of the Emmy® Award–nominated Jimmy Kimmel Live!, ABC’s longest-running late-night talk show. Also a comedian and writer, he has hosted some of the biggest events in pop culture, including the Academy Awards, the Emmys, the American Music Awards, and the ESPY Awards, as well as executive-produced and hosted the Emmy Award–winning Live In Front Of A Studio Audience: “All In The Family” and “The Jeffersons” and Live in Front of a Studio Audience: “All In The Family” and “Good Times.”

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The first history of animation to chart the evolution of this dynamic industry around the world

Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.

Topics include:
- Development of animation
- Growth of the studio system
- Stylistic differences between the major studios
- Modernist animation
- Animation in World War II
- International animation
- Experimental animation
- Television animation
- Animation in art and video games

Barbie looking her very best!

For the press tour following the record-breaking release of Greta Gerwig’s award-winning, acclaimed Barbie movie, producer and star Margot Robbie and her stylist Andrew Mukamal immersed themselves in some of Barbie’s most iconic outfits and curated vintage pieces, then approached designers, from Giorgio Armani to Donatella Versace, to create looks inspired by the doll-size originals. Many of these looks were not seen as the official Barbie press tour was cut short — so Margot and Andrew worked with renowned fashion photographer Craig McDean to shoot her in the looks exactly as they were curated: Schiaparelli in Los Angeles, Vivienne Westwood in London, vintage Chanel with matching Steamline luggage at the airport, and beyond.

Accompanying McDean’s sumptuous photography are original Barbie dolls from the period, a treasure trove of rare materials from Mattel’s Barbie fashion archives, and the designers’ sketches and Polaroids from fittings, layered into evocative collages by Fabien Baron, who conceived and produced the shoots and art-directed the book. With text by Margot Robbie and Andrew Mukamal, as well as handwritten contributions from the designers behind the looks (from Olivier Rousteing and Michelle Ochs to Manolo Blahnik and Jeremy Scott), this unique book blends the serious chic of high fashion with the serious fun of Barbie world — the dolls, the history, and the style that have captured imaginations for 65 years.

BARBIE™ and associated trademarks and trade dress are owned by, and used under license from, Mattel. ©2024 Mattel.

About the Authors:

Margot Robbie is an award-winning Australian actress and producer, whose many roles have included Barbie in Barbie, for which she is currently nominated for a BAFTA, Harley Quinn in the DC Suicide Squad and Birds of Prey films, Tonya Harding in I, Tonya (for which she was nominated for an Academy Award and a BAFTA), Kayla Pospisil in Bombshell (for which she was nominated for an Academy Award and a BAFTA), and Sharon Tate in Quentin Tarantino’s Once Upon a Time in Hollywood (for which she was nominated for a BAFTA).  Under her LuckyChap banner, Robbie also produced Barbie, Promising Young Woman, Birds of Prey and I, Tonya, among many others, including 2023’s BAFTA-nominated Saltburn.

Andrew Mukamal is an American fashion stylist and brand consultant, whose work has appeared everywhere from Vogue and Elle to Esquire and Rolling Stone; in advertising for brands such as Gucci and Yves Saint Laurent; and whose clients include Margot Robbie, Zoe Kravitz, Carey Mulligan, and Billie Eilish. Craig McDean is a British fashion photographer now based in New York City, whose editorial work has been featured in magazines such as i-D and The Face, advertising campaigns for Jil Sander and Calvin Klein, and editorial commissions with Harper's Bazaar and Vogue. More recently, McDean has photographed fashion campaigns for clients including Gucci, Giorgio Armani, Emporio Armani, Oscar de la Renta, Yves Saint Laurent, Calvin Klein, and Estée Lauder.

Edward Enninful is the former editor-in-chief of British Vogue.

Margaret Zhang is editor-in-chief of Vogue China.

Greta Gerwig is an award-winning, Oscar- and DGA-nominated American director, writer and actress, whose acclaimed films include Lady Bird and Little Women. She co-wrote (with Noah Baumbach), directed, and executive-produced the global hit, award-winning Barbie.

The first book of photography to be published by the Academy Award-winning film director and photographer Spike Jonze. Will appeal to every fan of Beastie Boys and golden-era hip hop, as well as photography and Spike Jonze's own focused audiences.

Spike Jonze and Beastie Boys met for the first time in Los Angeles in 1991, when Jonze went out to photograph the band for the cover of Dirt magazine. A connection formed between the three MCs and the young photographer, which has lasted throughout their careers.

Almost thirty years later -- published to coincide with the release on Apple+ of a new documentary, Beastie Boys Story -- this book collects for the first time more than two hundred of Spike Jonze's personal photographs of his time spent with the group. Edited and with an afterword by Jonze, and including new writing by Mike Diamond and Adam Horovitz themselves, this book shows an intimate look at the greatest act of the hip-hop generation in their truest colors as only a close friend could see them -- from performing live onstage to writing together at Mike's apartment; getting into character for a video to dressing up as old men to hit the basketball court; recording music in the studio to goofing around on the streets of New York.

From the music video for "Sabotage" to the cover of the Sounds of Science album, Spike Jonze is responsible for some of the most iconic images of the band ever made. But here, the emphasis is on the candid, the unexpected, and the real -- just pictures of friends who like making stuff together.

About the Author:

Spike Jonze is an award-winning American film director, photographer, and writer. He has won Academy Awards for Best Director (Being John Malkovich, 2000) and for Best Original Screenplay (Her, 2013), as well as a Grammy Award for Best Music Video (Weapon of Choice, 2002). He has written, directed, or produced ten feature films, more than twenty documentaries and shorts, several television shows, and dozens of BMX, skateboarding, and music videos. He is currently the creative director of Vice Media and its television channel Viceland. He lives in Los Angeles and New York.

This comprehensive and in-depth study delves into the life and works of one of modern films most celebrated, successful and intriguing auteurs, Christopher Nolan.

‘What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient…highly contagious. Once an idea has taken hold of the brain it’s almost impossible to eradicate.’  - Cobb, Inception 

How has Nolan become this leading director? Is he the new Kubrick? What do audiences get out of his games?

Visually, he offers a steely science-fiction noir with the highlights of big stars and a magician’s flourishes, whether he is tackling Victorian London or the far reaches of outer space. In narrative terms, his films twist and turn, provoking as many questions as they answer.

This book will look to crack open the magic box of Nolan’s twisting universe. As a character, he eludes easy answers. Veteran film author Ian Nathan’s research will lean into deciphering his cryptic pronouncements and motivations alongside the history and making of his films.

Examining both the making of and the inspiration behind his many, many hit films, from The Prestige (2006) to the hugely successful Batman films, through to his mind-bending science fiction works such as Inception (2014) and Tenet (2020).

Filled with fascinating insights and illustrated throughout with cinematography from his visually stunning ouvre, this book offers a unique, important and unmissable insight into the mind of this most brilliant of directors.

About the Author:

Ian Nathan, who lives and works in London, is one of the UK’s best-known film writers. He is the author of nine previous books, including Alien Vault, the best-selling history of Ridley Scott’s masterpiece, Terminator Vault, Tarantino, Tim Burton, The Coen Brothers and Anything You Can Imagine: Peter Jackson and the Making of Middle-earth. He is the former editor and executive editor of Empire, the world’s biggest movie magazine, where he remains a contributing editor. He also regularly contributes to The Times, The Independent, The Mail on Sunday, Cahiers Du Cinema and the Discovering Film documentary series on Sky Arts. 

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Longtime creative collaborators Tilda Swinton and Olivier Saillard present an illustrated tribute to the costumes of legendary Italian director Pier Paolo Pasolini’s iconic films.

Retracing Pier Paolo Pasolini’s entire cinematography — which continues to fascinate audiences almost half a century after his passing — Embodying Pasolini explores the costumes that brought his films to life. From The Gospel According to St. Matthew (1964), The Canterbury Tales (1972), and Arabian Nights (1974) to Salò, or the 120 Days of Sodom (1975), Pasolini’s movies are known for their provocative flair — making them staples of art cinema’s golden age. Styled by Danilo Donati, the costumes — garments, coats, and hats — enlivened the films with their rich textures, volume, color, and embellishments. 

This exquisite volume documents the eponymous performance that took place in Rome on July 25, 2021, in Solomeo on April 30, 2022, and which will be presented in Paris on December 3 through 10, 2022. Conceived by Olivier Saillard and poetically interpreted by Tilda Swinton, the sold-out event — an ephemeral artwork in itself — showcased thirty of the most influential costumes of Pasolini’s films. With fascinating texts by Swinton, Saillard, and Clara Tosi Pamphili and evocative photographs by Ruediger Glatz, this publication — part art object, part catalog — is an extraordinary tribute to cinematic fashion and the sole record of the critically acclaimed production.

About the Authors:

Tilda Swinton is a performer and filmmaker. She has appeared in such critically acclaimed films as Orlando, I Am Love, and The Grand Budapest Hotel.  Olivier Saillard is a French Fashion historian, poet, and performer.  Clara Tosi Pamphili is an Italian fashion historian and the curator of Romaison. Ruediger Glatz is a German artist whose work combines classic documentary photography, video, mixed media, and installation.

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Originally published in 1970, Roald Dahl’s Fantastic Mr. Fox tells the story of the Fox Family. After twelve years, the Fox Family’s quiet home life proves too much for Mr. Fox’s natural animal instincts. When his young nephew arrives, Mr. Fox slips back into his old ways as a smart bird thief and, in doing so, endangers not only his beloved family, but the whole animal community as well. In Fall 2009, audiences will cheer as award-winning director Wes Anderson (Rushmore, The Royal Tenenbaums, The Darjeeling Limited) brings us his take on the tale: a blockbuster stop-motion animation film shot entirely in high definition. Starring the voice talents of George Clooney (Michael Clayton), Meryl Streep (Doubt), Bill Murray (Lost in Translation), and Jason Schwartzman (Marie Antoinette), the movie is sure to please fans of the original story as well as enchant new generations.

Fantastic Mr. Fox: The Making of the Motion Picture is a family-friendly behind-the-scenes look at the creation of the film. Filled with photos, script pages, storyboards, and interviews with cast and crew, this book is a delightful and intriguing peek at the magic that happens as the filmmakers bring to life one of children’s literature’s most beloved characters: the outrageous, audacious, Fantastic Mr. Fox.

About the Author:

Oscar©-nominee Wes Anderson is the writer and director of such films as Bottle Rocket, Rushmore, The Royal Tenenbaums, and The Darjeeling Limited.

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This is a new edition of the diary kept by Federico Fellini, in which the great director faithfully recorded his dreams and nightmares.

A highly colourful journey into the boundless territory of a genius's imagination, this is a work that added a fundamental element to the study of Federico Fellini and his creative experience. From the late 1960s until 1990, the great director used this diary to represent his nocturnal visions in the form of drawings or, as he himself described them, "scribbles, rushed and ungrammatical notes."

Currently out of print, this new edition will include a critical introduction, as well as updated graphic design. It will be published in collaboration with the Municipality of Rimini as well as the Museo Nazionale del Cinema, the Centro Sperimentale di Cinematografia, and the Cineteca di Bologna (the three main Italian institutions in the field of cinema).

The volume will be released to coincide with the centenary of Federico Fellini's birth (January 2020), which will be celebrated in Italy with a travelling exhibition on the director that will start its journey from Milan in December 2019.

About the Authors:

Sergio Toffetti, born in Turin in 1951, is president of the Museo Nazionale del Cinema and has published essays on Italian and international cinema, and on the conservation and restoration of film. Felice Laudadio is president of the Fondazione Centro Sperimentale di Cinematografia in Rome. He has overseen numerous cinema events, such as MystFest, EuropaCinema, and RomaFictionFest. Gian Luca Farinelli has been director of the Cineteca of Bologna since 2000. In 1986 he created, together with Nicola Mazzanti, Il Cinema Ritrovato an event dedicated to the history of cinema and the activity of film libraries. Together with Martin Scorsese, Raffaele Donato, Thierry Frémaux, and Alberto Luna he founded the World Cinema Foundation, which brings together about twenty great international directors for the restoration of third-world films.

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Пролистать книгу Federico Fellini: The Book of Dreams

A magnificent, beautifully produced slip-cased volume, showcasing the entire career of direct Franco Zeffirelli

This is the ultimate book on the extraordinary life and work of Franco Zeffirelli. Produced with the full co-operation of the director and his family and complete with a superb DVD, the book has insights by the writers Matthew Gurewitsch, Masolino d’Amico and Giovanni Gavazzeni, the noted film critic Tullio Kezich and the renowned screenwriter Suso Cecchi d’Amico.

The photographs trace the arc of Zeffirelli’s career in full detail, from the spectacular opera productions of ‘Don Giovanni’ and ‘La Bohème’, to such award-winning films as 'Jesus of Nazareth' and 'Tea with Mussolini'.

Contents List:

Preface • Zeffirelliana by Matthew Gurewitsch • Passion for Art, Passion for Life: A Conversation with Franco Zeffirelli by Caterina Napoleone • I. Theatre II. Opera • III. Film • Biography, bibliography and credits

About the Authors:

Franco Zeffirelli is one of Italy's greatest director and producer of operas, films and television.
Caterina Napoleone has published several books, including Zeffirelli at The Met: One Thousand Five Hundred and Forty-Nine Performances (So Far). In 2009 she was Zeffirelli’s historical adviser on his Omaggio a Roma, a short film about the Eternal City.

The first book to talk about the creative process of one of Hollywood's most iconic directors

From Drugstore Cowboy to Elephant, Milk and Good Will Hunting, Gus Van Sant's films have captured the imagination of more than one generation. Acclaimed as both an independent and mainstream filmmaker, he is also an artist, photographer and writer. Based on completely new and exclusive interviews, and featuring previously unseen imagery, this book provides a personal insight into how Van Sant successfully approaches these different and varied artforms, providing an inspirational look into the working life of one of America's most pivotal cultural and creative practitioners.

About the Author:

Katya Tylevich is an arts and fiction writer. She is author of Marina Abramovic: A Visual Biography, Art Oracles, Success Oracles, many book and monograph contributions, essays and interviews, and co-author of My Life as a Work of Art. Notable artist collaborations include The Marina Abramovic Method Cards, the text for Michaël Borremans' The Acrobat, as well as projects with Barry McGee, Todd Hido, and Espen Deitrichson. Katya spent years as contributing editor and writer for publications such as Elephant, Mark, Frame, Domus, and Pin-Up. With her brother Alexei she co-founded Friend & Colleague, a platform for editions, fiction and special projects. She is currently working on a fiction book titled Fear Eats the Soup.

The photographer Josh Lehrer's up-close-and-personal document of the evolution, and revolution, that is Hamilton: An American Musical.

Only the second official book, Hamilton: Portraits of the Revolution invites Hamilfans to experience the award-winning show in a brand-new and intimate way through more than 100 portraits of the cast, including Lin-Manuel Miranda (Alexander Hamilton), Leslie Odom Jr. (Aaron Burr), Daveed Diggs (Lafayette), Phillipa Soo (Eliza Schuyler Hamilton), and Renée Elise Goldsberry (Angelica Schuyler), along with personal commentary by the cast about Hamilton, their experiences, and the show's impact on them and the world. It includes contributions by creator Lin-Manuel Miranda and director Thomas Kail, as well as a curated collection of ephemera and original writings from the historical figures who served as the inspiration for their stage characters.

With book, music, and lyrics by Miranda, direction by Thomas Kail, and choreography by Andy
Blankenbuehler, Hamilton is the story of an immigrant who became George Washington's right-hand man and the new nation's first treasury secretary.

Now, with Hamilton streaming on Disney+ starting on July 3rd, the fan base for this musical smash hit will only continue to grow. From "Broadway Babies" to history buffs to anyone who appreciates photography, this is the perfect book for the millions who have been moved by, and want to reexperience, the extraordinary theatrical and musical experience.

About the Author:

Josh Lehrer is an advertising, lifestyle, and portrait photographer who has photographed for the New York Times, Elle, and many Broadway and theatrical projects. Lin-Manuel Miranda is the Tony- and Pulitzer Prize-winning creator of Hamilton: An American Musical. Thomas Kail is the director of the Tony- and Pulitzer Prize-winning Hamilton: An American Musical.

There is no post-production in Helga Fanderl’s Super 8 works, her camera is hand-held, the - mostly threeminute long - films are shot in one take with the means of in-camera editing. The film artist’s work is documented for the first time in this monograph, which she has thoroughly composed: With rich visual and textual material, the book provides an insight into the aesthetic specificity and complexity of her filmic work, conveying its origins and development, process and materiality, and form and poetic nature. Her films, varying programmes and site-specific projections evoke the permanence of the impermanent. Constellations of her own short texts as well as those of different authors; film images, photographs, documents and a catalogue raisonné represent and reflect the many facets of her work. The graphic design of the book alludes to their density and rhythms.

Many of the most famous Marilyn images were Milton Greene’s: the chiffon dress, the wicker chair, the red sweater; the Slip and Mink series; the White Series and the Black Series. Marilyn in the crux of an oak tree; Marilyn pulling up her stockings; the filming of Bus Stop and Showgirl. Nobody before and after photographed Marilyn as erotic, elegant, and seductive as Milton Greene. Composed by Milton’s son Joshua, this Marilyn classic is available again in its immortal beauty.

Featuring rare images from Pierre Passebon’s personal collection, this volume celebrates Marlene Dietrich, Hollywood’s iconic femme fatale, as immortalized by master photographers including Edward Steichen, Irving Penn, Richard Avedon, Cecil Beaton, Milton Greene, George Hurrell, Antony Armstrong-Jones, and others. An active participant in her photo sessions, she constructed her own unique image of charm and seduction.

Dietrich’s life was devoted to glamour for over forty years: in stage performances, on screen, and in concert. The public loved her. A modern and transgressive woman, she didn’t hesitate to break the rules by dressing in menswear (she was Yves Saint Laurent’s muse for his iconic tuxedos) or by being seen in public with her husband and her lovers (both male and female). Dietrich also refused to bend to Hollywood conventions around motherhood by raising her daughter in the limelight.

Her beauty, style, and elegance made her the archetypal femme fatale, but it was Dietrich’s unwavering confidence, gender fluidity, and firm stand against Nazism that made her a revolutionary and an icon. This volume reveals how her fascination lies not only in the way she inspired the greatest photographers and fashion designers of her time, but in how she continues to embody the essence of glamour and female independence today.