Книги о восточном искусстве

Takashi Murakami’s irreverent, pop culture-infused art has made him one of the most recognized Japanese artists today. His bright, contemporary boisterousness, however, belies his deep scholarship and engagement with traditional Japanese art.

Takashi Murakami: Lineage of Eccentrics presents key examples of Murakami’s work alongside a rich selection of Japanese masterpieces spanning several centuries and arranged here according to concepts laid out by his mentor and foil, leading Japanese art historian Nobuo Tsuji. Beautifully illustrated with Tsuji’s selections from the pre-eminent Japanese art collection at the Museum of Fine Arts, Boston, as well as some of Murakami’s best-known works of painting and sculpture, the combination of old and new in this groundbreaking volume enriches our understanding of each, and ultimately shows us how contemporary art can be seen as part of a continuum or lineage.

About the Author:

Takashi Murakami has become recognized as one of the most prominent contemporary artists of his time. His work has been featured in numerous solo exhibitions at museums and art institutions throughout the world. Recent shows include the travelling retrospective ©MURAKAMI and the Château de Versailles’s solo exhibition of his works on the palace grounds. Massimiliano Gioni is the associate director and director of exhibitions for the New Museum in New York and the curator of the exhibition Murakami – Ego for the Qatar Museums Authority.

This book surveys the astonishing array of textiles made, worn, used and displayed throughout the Islamic world, from the glorious fabrics of the past to those still being produced today.

Lavish illustrations feature examples from around the globe, including embroidered Persian prayer cloths, Anatolian ikat coats, Ottoman knitted purses, Caucasian striped silk bags, Berber women’s shawls, Arab appliquéd tent decorations, Yemeni indigo robes, Indonesian batik sarongs, West African strip-woven cloths, and much else besides.

Region-by-region coverage offers concise details of local history, particular textile traditions, materials, dyes, special forms of decoration and information on current practice. Also explored is the fascinating fusion promoted by the merchants, missionaries, migrants and conquerors who travelled the world promulgating Islam and trading textiles widely.

The variety on display is stunning, from hemp to sumptuous velvets and silks; from quilting, felting, beading and knitting to block-printing, tie-dyeing and hand-weaving.

For centuries, the art and culture of China and Japan have exerted a particular fascination on the West. Items from Imperial China once filled the porcelain cabinets of European courts, and Japanese painting and woodcarving made their way to Europe in the nineteenth century. The impressive illustrations in this volume present the reader with the unique wealth of art forms in China and Japan, forms which have also exerted tremendous influence on Western art: artful ceramics, woodcarvings, small sculptures and bronzes, porcelains and ink drawings from China; and from Japan, temple districts, imperial villas and Zen gardens, ukiyo paintings of the Edo period, the famed No masques, as well as precious textiles and costumes. These are only a few of the many aspects selected by the authors to convey the wealth and unbelievable variety of artistic forms of East Asia. An illustrated glossary and extensive bibliography complete the book.

For centuries, the art and culture of China and Japan have exerted a particular fascination on the West. Items from Imperial China once filled the porcelain cabinets of European courts, and Japanese painting and woodcarving made their way to Europe in the nineteenth century. The impressive illustrations in this volume present the reader with the unique wealth of art forms in China and Japan, forms which have also exerted tremendous influence on Western art: artful ceramics, woodcarvings, small sculptures and bronzes, porcelains and ink drawings from China; and from Japan, temple districts, imperial villas and Zen gardens, ukiyo paintings of the Edo period, the famed No masques, as well as precious textiles and costumes. These are only a few of the many aspects selected by the authors to convey the wealth and unbelievable variety of artistic forms of East Asia. An illustrated glossary and extensive bibliography complete the book.

This magnificent publication presents the highlights of the largest and finest privately owned collection of Islamic art in the world.

Nearly 500 masterpieces have been selected from over 20,000 works in the Khalili Collection. The result is a fascinating and diverse body of material, representing a collection that ranks among the best in the world.

Created for sultans, princes and merchants between the 7th and the early 20th centuries, these precious objects reveal the extensive contact between the Islamic empires and their conquered lands from Spain and Morocco, across Northern Africa and Egypt, the Middle Eastern nations of Iran, Iraq, Syria and Palestine, and stretching as far east as Mongolia, India and China.

The treasures presented here include rare Qur’ans and illustrated manuscripts, exquisite glass, ceramics and jewellery, magnificent textiles, carpets and paintings, from the dawn of Islam until recent times. Professor Khalili’s collection illustrates the great artistic and cultural achievements of Islam and provides a synoptic vision of the arts of the entire Islamic world. It was formed with an acute awareness of the criteria by which Muslims themselves have judged and still judge their art.

With texts by an international team of scholars and specialists, headed by Professor J. M. Rogers, honorary curator of the Khalili Collection, this volume is a beautiful and inspiring celebration of the masterpieces of the arts of Islam.

­Professor Rogers was the inaugural holder of the Nasser D. Khalili Chair of Islamic Art and Archaeology at the University of London’s School of Oriental and African Studies, and is currently honorary curator of the Khalili Collection. He was previously Deputy Keeper in the Department of Oriental Antiquities at the British Museum in charge of the Islamic collections. He is the author of numerous articles and books on Islamic art, architecture and history.

On an island behind Tibet’s Potala Palace is a small pagoda roofed Khang, or temple, a place reserved exclusively for the Dalai Lamas as a place of meditation and spiritual retreat.

During the brief reign of the Sixth Dalai Lama, who built the Lukhang Temple in the 18th century, unknown artists created a series of mysterious paintings on its chapel walls; comparable in quality and ambition to the Sistine Chapel in Rome. These masterpieces of Tibetan art are superbly reproduced here in this extraordinary publication.

This treasure of Tibetan Buddhist spirituality is presented in a magnificent and sumptuous large format edition. The vivid detail, rich colour and awe-inspiring impact of this path to spiritual liberation can be experienced outside the Lukhang Chapel.

During the last two centuries BC, the Western Han dynasty of China forged the first stable empire covering all of China and presided over a golden age that shaped much of subsequent Chinese art and culture. From family values to the structure of the civil service, Han thinking and philosophy continue to pervade Chinese society up to the present day - indeed, the majority of Chinese people consider themselves 'Han Chinese'. In their search for immortality, the Han imperial family left an artistic legacy of spectacular beauty and power.

The finest of these treasures to have survived - including exquisite jades, silver and goldwork, bronzes and ceramics - have been found in the tombs of the Han imperial family and of a rival 'emperor' of Nanyue and are brought together for the first time in a landmark exhibition at The Fitzwilliam Museum, Cambridge. The accompanying catalogue, written by an international team of leading scholars in the field, presents a ground-breaking account and is sumptuously illustrated by nearly 500 striking photographs, many of them specially commissioned.

280 colour and b/w illustrations, hardcover

This richly illustrated book presents the Jeffrey Montgomery collection of Japanese folk art, one of the foremost collections of this art in the world. Superb examples of lacquer and metalwork, basketry, textiles, furniture, masks, sculpture, paintings, toys and ceramics, organised by medium into five sections. These utilitarian objects of everyday life date from the Muromachi period (1392-1568) to the early Meiji period (1868-1912), and were crafted by hardworking artisans for farmers, fishermen, town merchants and the upper-class elite. The pieces these artisans produced reflect an honesty and respect for all things both animate and inanimate, while at the same time they served as vehicles of ritual and symbols of cultural identity. The significant feature of all the objects in the collection is that they possess a unique and inherent quality of timeless beauty. The introduction written by Dr. Edward de Waal, a potter and a writer whose works are held in many museum collections, focuses on the history of the appreciation of Japanese Folk arts in the West. Indeed, the influence of Japanese folk art on modernist design and on the growth of the craft movement within the West has been extremely important. The book continues with extensive texts written by four highly respected Japanese art historians. The entries are divided into five sections: ceramics, textiles, metalworks, masks, and additional objects (furniture, toys, sculptures, etc.) The book includes a chronology, a map of Japan, an index and bibliography.

This is a sister book of “The Traditional Japanese Color”, and focuses on the beauty of Japanese traditional color combination. This book explores the aesthetic of color combination in the traditional Japanese art works, which show its various aspects and constitute the exquisite world of color. About 100 examples of two, three or more color combinations in various fields from painting to annual events in the Japanese art and culture will be included. Color name list of 250 traditional Japanese colors and index with CMYK/ RGB date in the back page.

The art of ukiyo-e (the floating world) originated in the city of Edo (1603–1867, now Tokyo), when the political and military power of Japan was in the hands of the shoguns. Comprising six essays, six plate sections and over 600 illustrations this beautiful book provides a perfect introduction to the art of this period. The paintings, scrolls and prints reproduced here demonstrate not only the new urban pleasures of the theatre, restaurants, teahouses and geisha, but also Japan’s love of nature and tradition. Professor Calza’s accessible style provides a fascinating yet scholarly study of such masters as Hokusai, Hiroshige and Utamaro.

Ukiyo-e art is a wood engraving technique, representing the last traditional Japanese figurative art before the Meiji period (1868). Its pictures of the floating world imitate ancient aristocratic traditions and reflect the tastes and traditions of the people of Edo (the present-day Tokyo) through landscapes and scenes from everyday life. Ukiyo-e inspired such Western artists as Manet, Degas and van Gogh, and gave birth to Japonism.

Over the course of the past two decades a previously unrecognized genre of startlingly modern looking large flat woven hangings and covers (gelims) has emerged from an isolated highland region in Mazandaran Province in northern Iran. No one had imagined that hidden in the forests south of the Caspian Sea there could have existed such sophisticated treasures, which in their deceptive simplicity of abstract patterning and subtle colouring are much in accord with the aesthetic canons of contemporary ‘minimalist’ art. Published in association with Hali.

About the Author
Parviz Tanavoli is an internationally recognized contemporary Iranian painter and sculptor, his work has been exhibited in museum and art galleries around the world and can be found in the British Museum, MOMA, New York, the Walker Art Center, Minneapolis, among other public and private collections. He lives and works between Vancouver, Canada and Tehran.

135 illustrations

If sensuality had a name, it would be without doubt Utamaro. Delicately underlining the Garden of Pleasures that once constituted Edo, Utamaro, by the richness of his fabrics, the swan-like necks of the women, the mysterious looks, evokes in a few lines the sensual pleasure of the Orient.
If some scenes discreetly betray lovers’ games, a great number of his shungas recall that love in Japan is first and foremost erotic.

The Author
Edmond de Goncourt was a French writer belonging to the naturalist movement. He was friends with Zola, Flaubert and Daudet. From 1850, he wrote on art history with his brother. Together, they were the witnesses of the artistic life of the second half of the nineteenth century. His last will was to create a literary academy to honour the memory of this brother. The Goncourt Prize is today the most prestigious literary distinction in France.

The following pages are going to convey fantasy, sweetness and delight, accompanied by various artists from the world of illustration and customized toys.

The artists have personally selected the featured illustrations. Established professionals and up-and-coming novices alike, all avant-gardes of today’s social panorama amongst which we have Yosuke Ueno, Olla Boku, Yosiell Lorenzo, Misa Tsutsui, Tado…The following pages are going to convey fantasy, sweetness and delight, accompanied by various artists from the world of illustration and customized toys.

The artists have personally selected the featured illustrations. Established professionals and up-and-coming novices alike, all avant-gardes of today’s social panorama amongst which we have Yosuke Ueno, Olla Boku, Yosiell Lorenzo, Misa Tsutsui, Tado…

Weapons of Warriors is a photographic study containing many of the most renowned, prestigious, and historical Arabic and Turkish swords from the 12th through the 19th century. Every sword is professionally photographed at the studio, in the highest resolution and correct color. Each weapon is presented in multiple angles, many at actual size across two pages to provide the reader with the most detailed appreciation of the skill, craftsmanship, and artistry involved in the hand crafting of these famous Shamshirs, Kilics, Nimchas, Yatagans, and Saifs. The Askeri Military Museum of Istanbul, Turkey, has set a new standard in international art and cultural exchange by opening its entire collection to the authors. The museum staff provided every assistance to be certain that their most magnificent and important weapons were photographed for this study. The museum director of edged weapons even took the time to pen an essay (included herein) on the Turkish Yatagan. Working with the authors was an international team of writers from Germany, India, and Egypt who provided additional information on the science behind these historically significant blades, traditional "koftgari" decoration, as well as the translation of ancient passages that adorn the edged weapons in this study. This beautiful book is produced for everyone who loves the lore and lure of edged weapons, whether they are beginning students, historians, collectors, or connoisseurs of these most artistic and deadly weapons of warriors.