Книги о восточном искусстве

Superb Yokai images from the world's leading museums and private collections!

Japan's vast pantheon of supernatural creatures includes demons (yokai), monsters, ogres (oni), ghosts (yurei) and magicians--mythical beings from folklore and popular culture which continue to thrill readers of traditional stories and manga today.

This richly illustrated book by Andreas Marks, the leading authority on Japanese woodblock prints, presents authentic illustrations and descriptions of 100 different creatures, including:

- Bakeneko: Monster cats in human form who lick lamp oil and prey on humans born in the year of the Rat
- Han'nya: Female demons with sharp and pointed horns, metallic eyes and a smirking smile
- Hihi: Large ape-like monsters who live in the mountains and have superhuman strength, enabling them to kidnap and kill humans
- Mikoshi-nyudo: Yokai with an enormously extended necks who appear only at night
- And many more!

The striking visual examples in this book are drawn from the rich canon of early Japanese prints, books, and paintings--sourced from leading museums, libraries and private collections worldwide. They show the "original" forms and appearances of the creatures which form the basis for all subsequent depictions.

Also included are two long handscrolls from the Minneapolis Institute of Art (A Collection of Monsters and Night Parade of One Hundred Demons) which are reproduced here for the very first time.

Prints and Paintings sourced from the following list of museums, libraries and private collections:

Art Institute of Chicago
Christie's, London & New York
The Cleveland Museum of Art
Harold B. Lee Library, Brigham Young University
Kyoto University, Main Library
Library of Congress
Los Angeles County Museum of Art
The Metropolitan Museum of Art
Minneapolis Institute of Art
National Museum of Japanese History
Princeton University Library
Rijksmuseum, Amsterdam
Smithsonian Libraries

About the Author:

Dr. Andreas Marks is the Mary Griggs Burke Curator of Japanese and Korean Art and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. From 2008 to 2013 he was the director and chief curator of the Clark Center for Japanese Art and Culture in California. He has a Ph.D. from Leiden University in the Netherlands and a master's degree in East Asian Art History from the University of Bonn, Germany. A specialist of Japanese woodblock prints, he is the author of 18 books. In 2014, he received the International Ukiyo-e Society award in recognition of his research and publications. In 2018, he received a book award from the International Fine Print Dealers Association.

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Пролистать книгу Japanese Yokai and Other Supernatural Beings: Authentic Paintings and Prints of 100 Ghosts, Demons, Monsters and Magicians на Google Books.

An in-depth exploration of the sometimes charming, sometimes gruesome feline creatures and ghosts of Japan. Davisson illuminates the vast realm of kaibyō, or supernatural cats, with historical and modern cultural context. Lushly illustrated in full colour with dozens of ukiyo-e prints and drawings. A must-have book for the Japanophile and cat-lover alike! First in a forthcoming series about the supernatural animals of Japan.

"Kaibyō: The Supernatural Cats of Japan is an extremely diverting and stunningly produced celebration of the phantom feline in its myriad of manifestations ― some alluring, others humorous and many outright terrifying. Award-winning translator, writer, lecturer, manga scholar, Japanese folklore expert and author of Yūrei: The Japanese Ghost, Zach Davisson is the ideal guide to this furred and fanged underworld. An expertly researched and engagingly penned text is embellished by the inclusion of an intriguing selection of uncanny cat tales by other authors and centuries’ old legends newly translated by Mr. Davisson. The publishers must be congratulated for creating a book of extraordinary lavishness. Although a paperback release, no expense has been spared in an exquisitely designed book brimming with a toothsome array of full-colour artwork reproductions."

― review by Scot D. Ryersson and Michael Orlando Yaccarino, co-authors of Infinite Variety: The Life and Legend of the Marchesa Casati and The Marchesa Casati: Portraits of a Muse

About the Author:

Zack Davisson is an award-winning translator, writer, and scholar of Japanese folklore and ghosts. He is the author of Yūrei: The Japanese Ghost (Chin Music Press), translator of Eisner Award-winning and Harvey-nominated Shigeru Mizuki’s Showa 1926-1939: A History of Japan, and a 2014 nominee of the Japanese-US Friendship Commission Translation Prize. Other translation works include the famous folklore comic Kitaro (Drawn and Quarterly) and the works of Satoshi Kon (Dark Horse).

Collection of amazing one-shot drawings using only a black marker by the "Doodle King" Katsuya Terada.

This is the definitive collection of Katsuya Terada's black marker artworks, which have been displayed at his exhibitions both domestically and internationally, and of course including illustrations from his live drawing events.

Containing over 150 illustrations, each work is displayed at 16% of the original to show the whole artwork, along with the original size (real size) showing part of the artwork but revealing the detail and sensitivity of Terada's work.

The variety and the scale of these works are overwhelming. One illustration was so huge it had to be put in a gatefold page in order to make sense of what the drawing might be showing.

All the artworks were drawn with a black marker and in one shot without any rough drafts, an unbelievable fact that proves Terada's exceptional talent.

Detailed information for each illustration (artwork title, size, exhibition name, etc.) is listed at the back. The cover illustration was newly drawn for this book.

This book uses a binding called "Codex Binding" in which the book is sewed together enabling the page spreads to be opened flat enabling Katsuya Terada's work to be seen in a complete form.

About the Author:

Katsuya Terada, a.k.a. Rakugakingu ("The Sketch King") is a Japanese illustrator who is well known in the US from his work related to Ironman and Hellboy. He likes to sketch a little everywhere he goes and has done many live drawing events where he absorbs himself in drawing on walls. What is amazing is that he does this without doing any rough drafts. Each of his drawings is done in one shot. His drawing style is heavily influenced by Moebius and Katsuhiro Otomo. Terada is a versatile genius who has worked in many fields ranging from manga and anime to live-action film and character design. His notable works in character design are Blood: The Last Vampire and Virtua Fighter.

Katsuya Terada is one of Japan's most sought-after illustrators who is known as the character designer for the animated film, Blood: The Last Vampire.

This book is a catalogue for Katsuya Terada's exhibition (held at Kyoto International Manga Museum, Japan / March 16 - June 30, 2013) of his works in the recent decade.

The book contains most of the works featured in the exhibition such as mangas, illustrations, as well as preliminary sketches, production drawings, that are around 600 pieces.

It will be an ultimate book for Terada's fans and also a great reference book for illustrators and manga artists.

About the Author:

Katsuya Terada, a.k.a. Rakugakingu ("The Sketch King") is a Japanese illustrator who is well known in the US from his work related to Ironman and Hellboy. He likes to sketch a little everywhere he goes and has done many live drawing events where he absorbs himself in drawing on walls. What is amazing is that he does this without doing any rough drafts. Each of his drawings is done in one shot. His drawing style is heavily influenced by Moebius and Katsuhiro Otomo. Terada is a versatile genius who has worked in many fields ranging from manga and anime to live-action film and character design. His notable works in character design are Blood: The Last Vampire and Virtua Fighter.

A lavish survey of the Khalili Collection’s world-renowned holdings of traditional Japanese kimono, from the Edo period to the 20th century.

The Khalili Collection of kimonos comprises over 200 garments spanning 300 years of Japanese textile artistry. The form of the T-shaped, straight-seamed, front-wrapping kimono has changed very little over the centuries, yet the collection reveals an astonishing variety of designs. The garments presented here convey the remarkable creativity of designers who produced works of art that would enfold the wearer. The enormous range of patterns were executed in a complex combination of techniques, with some garments requiring the expert skills of a number of different artisans.

The Khalili Collection includes formal, semi-formal and informal kimono, underkimono and jackets, worn by women, men and children. Represented are the sophisticated garments of the samurai elite and the affluent merchant classes of the Edo period (1603– 1868), the shifting styles and new colour palette of Meiji-period dress (1868–1912) and particularly the bold and dazzling kimono of the Taisho- (1912–26) and early Sho-wa (1926–89) eras, which utilized innovative techniques and drew fresh inspiration from both past traditions and the modern world.

Here, an international team of authors examine the art and evolution of the kimono in the historical context of the 17th to the 20th centuries, under the editorship of Anna Jackson, Keeper of the Asian Department at the Victoria and Albert Museum, London.

Contents List:

Introduction • I. Edo (1603–1868) • II. Meiji (1868–1912) • III. Taisho/Showa (1912–1989)

About the Author:

Anna Jackson is Keeper of the Asian department at the Victoria and Albert Museum, and Honorary Curator of the Khalili Collection.

A comprehensive volume — overseen by the artist himself — on one of the most renowned living artists today, Takashi Murakami. 

Takashi Murakami is celebrated the world over for his deft blurring of high and low art. In this volume, accompanying a major exhibition of his work and the first in the Middle East, readers are immersed in the unique way Murakami channels the ecstasy and anxiety of contemporary culture. Conceived by the artist as a self-portrait in the guise of a cartoon, Murakami – Ego illuminates the role of the artist as a cipher and critic of pop phenomena as well as a mirror of global networks of consumerism, interpretation, and exchange. 

The book features some of the artist’s most celebrated series, including Kaikai Kiki Lots of Faces and Pom and Me. Murakami has conceived of the exhibition itself as a work of art, creating new modes of display that include sculptural pedestals with digital animation, a circus tent that doubles as an indoor cinema, and an impressive 300-foot-long painting, all of which are featured in the book. In addition to an interview by curator Massimiliano Gioni, Murakami will contribute writings on various works.

About the Author:

Takashi Murakami has become recognized as one of the most prominent contemporary artists of his time. His work has been featured in numerous solo exhibitions at museums and art institutions throughout the world. Recent shows include the travelling retrospective ©MURAKAMI and the Château de Versailles’s solo exhibition of his works on the palace grounds. Massimiliano Gioni is the associate director and director of exhibitions for the New Museum in New York and the curator of the exhibition Murakami – Ego for the Qatar Museums Authority.

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>Пролистать книгу Murakami: Ego на сайте издательства.

This 4th book in PIE International's background illustration series is a collection of dark, mysterious and strange illustrations.

Fantastical and magical scenery, desolate landscapes, and weird creatures, this book collects 111 dark fantasy artworks from 30 illustrators, including renowned illustrators such as Posuka Demizu, the illustrator for the bestselling manga series The Promised Neverland, and YoShimizu, the cover illustrator for the 2nd book in the series Beautiful Scenes from a Fantasy World. The cover Illustration was drawn by Monokubu, who, with 217K+ followers on Twitter, is also getting attention in the Japanese illustration industry. This is the perfect reference book not just for fantasy art fans but also for illustrators and designers working in the gaming industry.

About the Author:

PIE International specializes in books for graphic designers, and high-quality visual books on photography, art, and Japanese Culture (Traditional and contemporary), as well as manga and comic art, and more.
Monokubo is a Japanese artist who is known for creating digital paintings depicting a world where gentle giants peacefully coexist with humans.

Geared toward the absolute beginner, Origami 101 contains more than 40 amazing folding projects for the whole family, including models that evolve from one of four basic origami shapes.

Have you always been intrigued by origami, but often found the diagrams confusing or the models uninspiring? Origami 101 is here to help.

A revolutionary illustration enhancement called Glow Fold makes the diagrams and video steps easy to understand. With the introduction of every folding symbol, you'll find a detailed sidebar explaining what it means and a symbol index bookmark that guides you to these sidebars whenever you need to be reminded. If you need more help, just pop the accompanying DVD into your computer and go directly to the video of any model.

Just a few of the things you'll learn to create:

- roosting robin
- flowering branch
- flying dragon
- sea turtle
- Tyrannosaurus rex
- tree ornament
- tropical fish
- graceful swan

With the help of origami enthusiast Benjamin Coleman, you'll learn how this classic craft can be enjoyed by all ages. Amuse yourself and delight your friends with these captivating folded figures!

About the Author:

Benjamin John Coleman, also known as Benagami, first found success in the business world and then turned to teaching math as a creative outlet. An origami book he received from a friend brought back childhood memories of paper folding and renewed his fascination with the craft. Always intrigued by the complexity and simplicity of origami, Ben has most recently devoted his time to making bonsai botanical sculptures from recycled paper, which he calls origami bonsai. He has published a book on this art, called Origami Bonsai. Ben maintains www.bengami.com and www.origamibonsai.org, and he publishes online The Origami Bonsai Electronic Magazine. He lives in Pawtucket, Rhode Island.

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Пролистать книгу Origami 101: Master Basic Skills and Techniques Easily Through Step-by-Step Instruction на Google Books.

Otomo Katsuhiro is one of the most respected and influential Japanese artists/storytellers in the history of modern comics.

He has also worked extensively in animations; from his own, a hugely successful adaptation of his epic manga, Akira, which is widely considered to be a pinnacle of the form - a work of astonishing power and visionary scope, with unsurpassed artistry.

This book, as the second title published by PIE International, exclusively features more than 150 Posters all of which use Otomo's great illustration works. In addition, all posters are finely finished by professional graphic designers, so this title presents a variety of great hybrid works of Otomo's illustrations and professional graphic design works.

Roughly half of the inclusive works are the posters of his movies such as Akira, STEAM BOY, SHORT PEACE and so on, while the rest of the works are consist of various advertisements: are Kichijoji (Department Store), Geopolice (an indoor amusement park in Tokyo) or BRUTUS (Japanese Magazine).

A special bilingual (Japanese/ English) interview with Otomo and a graphic designer will also be included in the last 6 pages

An exploration of how war, uncertainty, and displacement inspired one of Japan’s greatest painters

Three essays by leading scholars in the field of Japanese art explore Sesson Shūkei’s unique life and unconventional painting style, as well as how scholarly perceptions of the artist have changed over time. Fifty-three entries highlight major works by Sesson as well as those by other artists before, during, and after his time.

Sesson Shūkei (ca. 1492 – ca. 1577) stands out as an anomaly in the history of Japanese art. Among the vast canon of Japanese ink painting, Sesson departed from convention. Inspired by the untamed landscape of the eastern regions of Japan, Sesson led a peripatetic existence caused by a lifetime of experiencing warfare and upheaval – yet he created some of the most visually striking images in the history of Japanese ink painting. Drawing on new art historical and sociological insights into Japan’s sixteenth century, this book considers how war, uncertainty, and displacement can spawn untamed creativity. This publication explores new ways of understanding and interpreting one of Japan’s greatest painters and the world that shaped him.

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Пролистать книгу Sesson Shukei: A Zen Monk-Painter in Medieval Japan

The painted ivories of Norman Sicily count among the most original creations known from medieval Palermo. These small, lavishly decorated objects reveal the fascination of the Norman kings for Islamic art and culture. This is the first book to be devoted exclusively to the Sicilian ivories since 1939. The text, drawn from proceedings of an international conference held in Berlin in 2007, contains essays by Marianne Barrucand, Jonathan Bloom, Anthony Cutler, Thomas Dittelbach, Erica Cruikshank Dodd, Antony Eastmond, Barry Flood, Maria Vittoria Fontana, Eva Hoffman, Lucy-Anne Hunt, Mat Immerzeel, Adeline Jeudy, Martina Müller-Wiener, David Knipp, Mourad Rammah, Mariam Rosser-Owen, Avinoam Shalem, and Bas Snelders.

About the Author:

David Knipp is an art historian and research fellow. He is a recipient of the Hanno and Ilse Hahn Prize for Outstanding Contributions to Italian Art History.

The long-awaited illustration collection by nekosuke

nekosuke is one of the most popular illustrators on social media in Japan. The atmosphere of corrupt beauty and the sense of decadence in nekosuke's artworks have made the illustrator an instant internet sensation with more than 60,000 followers on Twitter. Following this success online, nekosuke released four original doujinshi, which sold out immediately: Exotica, Exotica 2, Kaiki-to-jou, Yume ni Utsutsu. nekosuke now draws illustrations for book covers and magazines.

This book contains illustrations from nekosuke's first four doujinshi AND features original artworks, as well. Cute original characters such as "small Alice" and "cat" are also included in this book.

About the Author:

Nekosuke is one of the most popular illustrators on social media in Japan. The atmosphere of corrupt beauty and the sense of decadence in Nekosuke's artworks have made the illustrator an instant internet sensation.

Imagine life in Edo, Tokyo from the 17th-19th century, in the early modern period there were many Ukiyo-e shops which sold woodblock prints displaying then-current styles and fashions much like our fashion photography and magazines today.

Each Ukiyo-e work was sold individually people bought the beautifully printed sheets of paper to learn the trends of the day and/or to enjoy the art-works by displaying them on walls as interior decor.

Surprise! By Kuniyoshi covers a variety of subjects and themes ghosts, monsters, yokais and skulls, human beings in humorous or satiric situations any of which might shock or bring laughter to viewers in unexpected ways.

Surprise! By Kuniyoshi includes sixty reproductions of works by Utagawa Kuniyoshi (1792-1892), an outstanding Ukiyo-e great master these wonderful reproductions are removable, so that one may re-purpose the Ukiyo-e for whatever environment they choose.

The backside of each sheet includes elegantly simplified designs based on the featured Ukiyo-e designs.

Surprise! By Kuniyoshi is a must for Japanese art lovers, or anyone who might find interest in unusual and humorous delights.

About the Authors:

Nobuhisa Kaneko is a curatorial staff of the Fuchu Art Museum, Tokyo. He was born in 1962 in Tokyo and specializes in the history of Edo period (1600-1868) painting. He is the author of Tabi suru Edo kaiga: Rimpa kara dohanga made ( Travelling Edo painting: from Rinpa school to copperplate; PIE Books, 2010) and a co-author of Bessatsu Taiyo Edo Kaiga Nyumon (An Introduction to Edo Painting; Heibonsha, 2007. He has been actively conducting research, curating exhibitions, and writing in his endeavors to bridge the gap between the art of the past and people of today.

Kuniyoshi Utagawa (1797-1861) was one of the great masters of the Japanese ukiyo-e style of woodblock prints and painting. Born in 1797 to a silk dyer, he helped his father's business as a pattern designer. His drawing talent from an early age attracted the attention of the famous print master Toyokuni Utagawa, and Kuniyoshi became one of his apprentices in 1811. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, mythical animals, and cats. More than any other Japanese artist, Kuniyoshi depicted cats humorously and satirically, with great accuracy and careful observation.

A goblin with no body and a monster with no face. A resourceful samurai and a faithful daughter. A spirit of the moon and a dragon king.

This collection of 15 traditional Japanese folktales transports readers to a time of adventure and enchantment. Drawn from the works of folklorists Lafcadio Hearn and Yei Theodora Ozaki, these tales are by turns terrifying, exhilarating, and poetic.

- Striking illustrations by contemporary Japanese artist Kotaro Chiba
- Special gift edition features an embossed, textured case with metallic gold ink, and a satin ribbon page marker

Fans of Celtic Tales, Ghostly Tales, and Japanese Notebooks will love this book.

This book is ideal for:

- Fans of fairytales, folklore, or ghost stories
- Anyone interested in Japan’s history and culture
- People of Japanese heritage
- Collectors of illustrated classics

About the Author:

Kotaro Chiba is an illustrator based in Niigata, Japan.

A compelling exploration of Tantric rituals and spirituality, published to coincide with a once-in-a-generation exhibition at the British Museum

Tantra: enlightenment to revolution explores the radical force that transformed the religious, cultural and political landscape of India and beyond.

A philosophy originating in medieval India, Tantra has been linked to successive waves of revolutionary thought – from its sixth-century transformation of Hinduism and Buddhism, to the Indian fight for independence and the rise of 1960s counterculture.

Centring on the power of divine feminine energy, Tantra inspired the dramatic rise of goddess worship in medieval India and continues to influence contemporary feminist thought and artistic practice.

Presenting masterpieces of sculpture, painting, prints and ritual objects from India, Tibet and around the world, this publication offers new insights into a philosophy that has captured our imagination for more than a millennium.

Contents List:

1. The Rise of Tantra in Medieval India 2. Tantric Yoga in the Court 3. The Spread of Tantra Across Asia 4. Tantra and Revolution in Colonial India 5. Reimagining Tantra in the 20th Century

About the Author:

Imma Ramos is a curator of the South Asia collections at the British Museum.