Сборники работ по искусству

This generously illustrated volume on the work of Leonardo da Vinci makes the world’s greatest art accessible to readers of every level of appreciation

Although less than twenty of Leonardo da Vinci's paintings are known to exist today, some of them - the Mona Lisa, The Last Supper, along with his drawing of the Vitruvian Man - are among the most identifiable, reproduced, and popular works in the world. This monograph explores Leonardo as not just a painter but also a scientist, naturalist, architect, and engineer, showing how the artist's oeuvre reflected his boundless curiosity and imagination. Overflowing with impeccably reproduced images, this book offers full-page spreads of masterpieces as well as highlights of smaller details - allowing the viewer to appreciate every aspect of the artist's technique and oeuvre. Chronologically arranged, the book covers important biographical and historic events that reflect the latest scholarship. Additional information includes a list of works, timeline, and suggestions for further reading.

This generously illustrated volume on the work of Monet makes the world’s greatest art accessible to readers of every level of appreciation.

Monet’s dazzling depictions of flowers, sunsets, fields, and oceans, in which line and shape are suggested through pure color, changed the way we perceive our natural surroundings. His numerous series, in which he depicts the same object at varying times of the day and in different seasons, pushed the limits of representational art. His final series of water lilies are considered to have ushered in the abstract movement of the twentieth century. Overflowing with images, this book offers full-page spreads of masterpieces as well as highlights of smaller details, allowing every aspect of the artist’s technique and oeuvre to be appreciated. Chronologically arranged, the book covers important biographical and historic events that reflect the latest scholarship. Additional information includes a list of works, timeline, and suggestions for further reading.

Spot on: Amedeo Modigliani in an exciting joint catalogue

Amedeo Modigliani (1884–1920) moved to Paris as a 22-year-old art student and is regarded as probably the last true bohémien in Montmartre. The exhibition catalogue to mark the 100th anniversary of his death shows him for the first time as a leading member of the avant-garde who carried the revolution of Primitivism well into the 20th century.

Modigliani’s famous nudes, unusual portraits and unique sculptures are contrasted with works by Pablo Picasso, Constantin Brâncusi and André Derain as well as artefacts from so-called “primitive” cultures. In doing so the volume focuses in particular on Modigliani’s lifelong study of the art of Primitivism, which also interested the artist friends who influenced his work. Some 100 works are on view, including numerous main works by Modigliani from the great museums and most important private collections from America to Asia.

This magnificent boxed-set features stunning, accordion-fold, color reproductions of Monet’s essential works, accompanied by a separate booklet with a background and descriptions of each painting.

Fans of Impressionism will delight in seeing some of their favorite works presented in generously sized accordion fold pages, which bring Monet’s representations of nature to exquisite life. Arranged chronologically, this volume helps readers appreciate the achievements of a long and fruitful career. Natural beauty, color and light were the object of Monet’s incessant research, and he never lost sight of what was essential to him — the truth of his sensations. From the faithful transcription of the landscape in his early days to the gestural drawing of the final water lilies at Giverny, this book allows us to follow and understand the evolution of his creativity. The themes of Monet’s work (the seashore, the Seine, gardens, the seasons) are discussed, as well as the techniques he used, such as the decomposition of light and color through the brushstroke; the use of repetition and series to better reflect atmospheric variations; and the progressive dissolution of forms, which led to him being considered the precursor of abstraction. Packaged in an elegant slipcase, this volume reflects the beautiful artistry and timeless traditions that are embodied in the artworks themselves.

Mighty nature: The pioneering forms of Georgia O'Keeffe

Georgia O'Keeffe (1887-1986) was a major figure in modern American art for some seven decades. Importantly, her fame was not associated with shifting art styles and trends, but rather with her own unique vision, based on finding essential and abstract forms in nature.

O'Keeffe s primary subjects were landscapes, flowers, and bones, each explored in successive series over several years. Certain works went on for decades, producing 12 or more variations of an original image. Among these, O'Keeffe s magnified pictures of calla lilies and irises are her most famous. Enlarging the tiniest petals to fill an entire canvas, O'Keeffe created a proto-abstract vocabulary of shapes and lines, earning her the moniker mother of American modernism. In 1946, O'Keeffe became the first female artist to be given a solo show at the MoMA in New York.

This introductory book from TASCHEN Basic Art 2.0 traces O'Keeffe s long and luminous career through key paintings, contemporary photographs, and portraits taken by Alfred Stieglitz, to whom O'Keeffe was married. We follow the artist through her pioneering innovations, major breakthroughs, and her travels and inspirations in Southeast Asia, India, the Middle East, and, above all, New Mexico, where she was particularly inspired by the majestic landscapes, vivid colours and exotic vegetation.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Portrait of an Artist in the Early Days of Modernism

The incomparable play of light and color in Paul Cezanne’s work was the foundation of his reputation as a forerunner of modernism. From the start he went his own way, and his paintings initially evoked a lack of understanding in art critics of the time, as well as ridicule. Despite his Romantic, Baroque, Impressionist, and finally Classical influences, it is still difficult to ascribe Cezanne to any particular art movement. Still, which specific places left lasting impressions on the scion of a provincial banker’s family? What and who were major influences supporting and advancing his innovative oeuvre? James H. Rubin traces Cezanne’s life and work from A to Z in this brief volume, creating an image of a painter who wanted to transform painting itself. The author—and established connoisseur — succeeds in closely approaching the artist while at the same time maintaining the necessary distance to his inimitable paintings.

Paul Cezanne (1839–1906) was one of the most influential painters in the early days of modernism and has often been described as a pioneer of Neues Sehen, or New Vision. His work still exercises undiminished influence to this day.
James H. Rubin (*1944) is an art historian and professor at the State University of New York in Stony Brook. His research focuses on nineteenth-century European art, especially the history, theory, and critique of French Modernism.

Now available again, this beautiful volume offers high-quality reproductions and the latest biographical information on Paul Klee, who helped pave the way for Modernism.

Readers of this book will find much to discover and relish in Paul Klee’s art. Reproductions of his iconic works as well as those that are more rarely exhibited are featured alongside in-depth biographical information that looks beyond his many artistic achievements to explore the life and times of the artist. Photographs of Klee and his circle, as well as entertaining and enlightening anecdotes, offer a multifaceted perspective on a groundbreaking artist and the events that helped shape his colorful and imaginative work.

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Пролистать книгу Paul Klee: Life and Work

New insights into Picasso’s Blue Period, through innovative technology that reveals hidden compositions, motifs and alterations, plus hitherto unknown information on the artist's materials and process

This lavishly illustrated volume reexamines Pablo Picasso’s famous Blue Period (1901–04) in paintings, works on paper and sculpture. Relying on new information gleaned from technical studies performed on The Blue Room (Le Tub) (1901), Crouching Beggarwoman (La Miséreuse accroupie) (1902) and The Soup (La Soupe) (1903), this multidisciplinary volume combines art history and advanced conservation science in order to show how the young Picasso fashioned a distinct style and a pronounced artistic identity as he adapted the artistic lessons of fin-de-siècle Paris to the social and political climate of an economically struggling Barcelona.

Essays, a chronology and a summary of conservation findings contextualize Picasso’s experimental approach to painting during the Blue Period. A major contribution to the burgeoning field of technical art history, Picasso: Painting the Blue Period advances new scholarship on one of the most critical episodes in 20th-century modernism.

To commemorate the 50th anniversary of Picasso’s death, this spectacular volume of the artist’s early paintings and sculptures is being reissued.

The paintings from his so-called Blue and Rose periods to early Cubism, created between 1901 and 1907, are milestones on Picasso’s path to becoming the most famous artist of the twentieth century. In 2019, the Fondation Beyeler presented some 80 masterpieces from renowned museums and private collections in its most prestigious exhibition to this date. They are not only among the most valuable works of art ever to exist, but are widely viewed as some of modernism’s most beautiful and emotive artworks. This volume brings the early work of this exceptional artist to life in a unique way.

About the Artist:

Pablo Picasso is regarded as the epitome of the twentieth-century artist. In addition to his paintings and sculptures, his graphic works also enjoy special fame.

These pages are intended as a compact up-to-date guide for readers wishing to find out more about one of the greatest artistic geniuses of all time, an artist epitomising the highest ideals of the age of Humanism whose complex personality challenges even the experts in this field of studies.

This monograph is dedicated to one of the greatest Italian masters, Piero della Francesca (San Sepolcro 1416/1417 approx. - 1492), whose towering multifaceted genius dominates the entire artistic and cultural panorama of the early Italian Renaissance.

Each work, from the Baptism of Christ to the Nativity at National Gallery in London, is presented with full-page images and is analysed in depth from the historical point of view, as well as for its style and considering its critical fortune during the centuries.

A specific focus is on the magnificent cycle of frescoes of the Legend of the True Cross, in the Basilica of San Francesco in Arezzo, which is considered as Piero's masterpiece.

The author of the book, in charge of a conservation and restoration project of the Chapel, presents in her study the results of the conservation work on half of the painting surface, completed with the images of the frescoes after their cleaning.

This book is intended as a compact up-to-date guide for readers wishing to find out more about one of the greatest artistic geniuses of all times, who was numbered among the greatest artists of his time and highly praised by his contemporaries, beginning with Vasari in the Life that he dedicated to the artist of excellence from Sansepolcro.

Windmills, Foxtrot and Yves Saint-Laurent

Pivotal in modern art’s move towards abstraction, Piet Mondrian’s oeuvre is extraordinarily versatile and complex. Not only did he paint and draw, he also wrote extensively about his thoughts and theories on art and life. Moving from traditional Dutch landscape painting to a pronounced rhythmic framework focusing on compositional structure rather than naturalistic representation, Mondrian was profoundly impressed by contemporary culture. Thus, he was not only inspired by the pattern of the extensive Dutch canal system, but also by the rhythm of jazz and the foxtrot. Demonstrating the impact of his oeuvre, Yves Saint-Laurent's famous "Mondrian Dress" even made him a fashion icon posthumously.

Celebrating the 150th anniversary of his birth, Ulf Küster entertainingly leads through well- and lesser-known aspects of Mondrian's life and work offering inspiring impulses for reflection and further engagement with the fascinating artist.

Piet Mondrian’s (1872–1944) early work was influenced by the Dutch landscape painting of the 19th century. However, it was his strictly abstract geometric compositions that gained the artist world fame. He worked in Paris, London and New York, where he was active in the avant-garde circles of his time.

The art historian Ulf Küster (*1966, Stuttgart) has been working at the Fondation Beyeler in Riehen | Basel since 2004, where he curates internationally acclaimed exhibitions. He has written numerous publications, among them his text on Louise Bourgeois in the series Art to Read and Edward Hopper A-Z, published by Hatje Cantz.

The Art of Dave Cooper is the first comprehensive monograph encompassing all of the illustrations, paintings, comics, toys, and animations created by Dave Cooper.

From his first published cartoons, created when he was a teenager, to his most recent oil paintings and exhibitions, this beautiful compilation delivers an intimate look into Cooper's life and work.

Containing an impressive 300 pages of detailed reproductions with an accompanying introduction by Guillermo del Toro and essays by famous friends, The Art of Dave Cooper will be a great addition to your art book library.

The first exploration of Piranesi’s work as a draughtsman, published to coincide with an exhibition at the British Museum

The Venetian-born artist Giovanni Battista Piranesi (1720–1778) is best known for his dramatic etchings of the architecture and antiquities of his adopted city, Rome, and for his extraordinary flights of spatial fancy, such as Le Carceri (‘Prisons’).

Published to coincide with an exhibition at the British Museum, this original volume explores Piranesi’s skill as a draughtsman. While many studies focus on Piranesi’s activities as a printmaker, this beautifully illustrated book examines the many unanswered questions about his drawings. It establishes a clear relationship between his drawings and his prints, discuss the involvement of studio hands in his late works, and examine how his style as a draughtsman evolved. Piranesi Drawings reveals the quality and impact of the pen and chalk studies of a remarkably talented artist, as shown by the British Museum’s superb collection.

Contents List:

Preface by Hugo Chapman • Introduction • Catalogue • Chronology • Notes • Bibliography

About the Author:

Sarah Vowles is Hamish Swanston Curator of Italian and French Prints and Drawings at the British Museum. Hugo Chapman is Simon Sainsbury Keeper of Prints and Drawings at the British Museum.

Abstract Action. The splattered oeuvre of a cultural icon

The rebel hero of Abstract Expressionism, Jackson Pollock careened through his life like a firework across the American art landscape, with his urgent, splattered drip paintings his most explosive legacy. This essential introduction traces Pollock’s work and his fame to understand his masterpieces in the greater modernist story and explore his making as a cultural icon.

The rebel hero of Abstract Expressionism, Jackson Pollock (1912–1956) careened through his life like a firework across the American art landscape. Channeling ideas from sources as diverse as Picasso and Mexican surrealism, he rejected convention to develop his own way of seeing, interpreting, and expressing.

Pollock’s most famous works are his drip paintings, where he dripped and poured household enamel paint over the canvas with a variety of instruments, from sticks to syringes, hardened brushes to broken bits of glass. The splattered results pulsate with energy, replacing the refinement of easel and brush with something altogether more immediate, vivid, and physical. To evade the viewer’s search for figurative elements in his paintings, Pollock abandoned titles and identified each work with a neutral number only.

Notoriously reclusive and volatile, struggling with alcoholism, married to fellow Abstract Expressionist Lee Krasner, and killed in a car crash aged just 44, Pollock is as much a compelling celebrity icon as an artistic pioneer. This essential artist introduction explores both his work and his fame to shed light on masterpieces of the modernist story, and the making of a cultural icon.

The author

Leonhard Emmerling received his doctorate from the University of Heidelberg for a thesis titled “Jean Dubuffet’s Art Theory.” He is the Director of South Asia Programmes at the Goethe-Institute’s office in New Delhi and was previously active as a curator at various art institutions in Germany. His publications include TASCHEN’s Jean-Michel Basquiat and Jackson Pollock.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Whaam! When the kitschy, banal, and mass-market became art

Peaking in the 1960s, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, the role of the artist, and of what constituted an artwork.

Focusing on issues of materialism, celebrity, and media, Pop Art drew on mass-market sources, from advertising imagery to comic books, from Hollywood's most famous faces to the packaging of consumer products, the latter epitomized by Andy Warhol's Campbell's soup cans. As well as challenging the establishment with the elevation of such popular, banal, and kitschy images, Pop Art also deployed methods of mass-production, reducing the role of the individual artist with mechanized techniques such as screen printing.

With featured artists including Andy Warhol, Allen Jones, Ed Ruscha, Robert Indiana, Jasper Johns, Robert Rauschenberg, and Roy Lichtenstein, this book introduces the full reach and influence of a defining modernist movement.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist