История архитектуры

Twenty-eight leading architects, engineers and architectural historians explore and explain the modern world’s greatest structures, charting the progress of human ingenuity and creativity in erecting buildings, from AD 500 to the present day.

• How was the Empire State Building erected right in the middle of New York?
• What machines dug the Channel Tunnel?
• Why does the Leaning Tower of Pisa lean - and not fall over?
• How can the 1.4 mile Akashi Kaikyo bridge withstand earthquakes and typhoons?
• What supports the soaring vaults of Chartres Cathedral?

Many of these structures are the tallest, longest or largest of their kind, but aesthetic power is combined with structural virtuosity in the small chapel at Ronchamp in France and the beautifully elegant wooden roof of the temple of Byodo-in, Japan. And the ability to harness or overcome the forces of nature, as seen in the Three Gorges Dam in China, or the Jungfrau Rail System in Switzerland, is equally spectacular.

Some buildings, including Hagia Sophia in Istanbul and the Potala Palace in Lhasa, were constructed using traditional methods and materials: others, such as the Guggenheim Museum in Bilbao, Spain, and Kansai Airport in Japan, represent the latest in computer-aided design and space-age technologies. All these structures transcend mere utility, they have changed landscapes and can encapsulate the identity of a city or a nation – instantly recognizable and infinitely memorable.

The definitive retrospective on the Bauhaus, the 20th century’s greatest art school

‘Architects, sculptors, painters, we all must return to the crafts!’ declared the architect Walter Gropius in his Bauhaus manifesto. Founded as an art school in 1919 and forced to close in 1933 by the Nazis, the Bauhaus established itself as a major influence on 20th-century art and design that continues to this day. Students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger and Wassily Kandinsky. The school moved from Weimar to Dessau in 1922, under its radical new director Hannes Meyer, and to Berlin in 1932 under architect Ludwig Mies van der Rohe. In 1933 the Gestapo forced the Bauhaus to close for the last time.

This volume uncovers the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and the Arts and Crafts movement. Each of the various workshops and courses at the Bauhaus is explored in detail, illustrating the extraordinary wealth of experimentation in every field: ceramics, woodwork, metalwork, textiles, glass-painting, sculpture, mural, printing and binding, typography and publicity, theatre, architecture and photography.

This accessible guide to the Bauhaus, its history and turbulent political context, provides the key to understanding why it is recognized as the most durable and influential source of modern ideas about art, design and craft.

Contents List:

Essays • Sources and Inspirations • Workshops and Lessons • In the Heart of Bauhaus • Bauhaus Lives On

About the Authors:

Olivier Gabet is Director of the Musée des Arts décoratifs in Paris.
Anne Monier, a graduate of the Sorbonne and the École Normale Supérieure, is a curator at the Musée des Arts Décoratifs. Her research focus is the Bauhaus in general and Herbert Bayer in particular.
Raphaèle Billé is an assistant curator at the Musée des Arts Décoratifs. Her university research was on the topic of French metal furniture from 1925 to 1937.
Monique Blanc is a senior curator at the Musée des Arts Décoratifs and head of the Middle Ages/Renaissance department.
Marie-Sophie Carron de la Carrière is a senior curator at the Musée des Arts Décoratifs and head of the fashion collections from 1800 to 1945.
Louise Curtis is an assistant curator at the Musée des Arts Décoratifs. She is also a PhD candidate in History of Photography at the Université de Lausanne in Switzerland.
Olivier Gabet is Director of the Musée des Arts décoratifs in Paris.
Nicholas Fox Weber is executive director of the Josef and Anni Albers Foundation.
Jean-Louis Gaillemin, founder of Beaux-Arts magazine and L’Objet d’art, is an honorary lecturer at the Université Paris-Sorbonne, specializing in architecture and decor.
Mathieu Mercier is a French visual artist. He was awarded the Marcel Duchamp prize in 2003.
Anne Monier, a graduate of the Sorbonne and the École Normale Supérieure, is a curator at the Musée des Arts Décoratifs. Her research focus is the Bauhaus in general and Herbert Bayer in particular.
Béatrice Quette is head of the Asian collections at the Musée des Arts Décoratifs.

Imagine a dwelling so splendid that the king of France, after spending the evening there as a guest, claps the owner in jail for the rest of his life for attempting to overshadow the monarchy! Vaux-le-Vicomte is but one of many chateaux featured in this volume that could incite the envy of royals. These timeless residences, many of which are still in private hands today, collectively depict the noble heritage of the French nation and a sense of its glory.

Highest-quality photographs that often bleed off the page to fill entire spreads allow the viewer to fall into the pictures, making one feel as if one is actually living the fairy tale life depicted here rather than suffering the fate of an armchair reader.

The photographs portray not only the buildings' exteriors but also their formal gardens and grounds, resplendent interior furnishings, and fabulous art treasures.

A map at the beginning of the book highlights the wide geographic distribution of the chateaux, including a number of architectural marvels from Paris and environs.

With 330 color illustrations, this is highly recommended as a sumptuous overview of the subject.

Focusing on the Gothic period, this book gives readers the tools they need to grasp the architectural language and building forms of this style.

Part of a new, accessibly written, and generously illustrated series on architecture through the ages, this book features the Gothic period’s most important architects, buildings and cities, interior and exterior photographs, detailed images, and drawings and plans. The book offers a general introduction to the Gothic period and discusses the primary characteristics of the style, along with the commonly used techniques and materials. A hallmark of the medieval period, Gothic architecture originated in twelfth-century France and lasted until the sixteenth century. Its lofty style expressed spiritual ideals, yet it was also an incredibly innovative movement that introduced such iconic forms as the pointed arch, ribbed vault, and flying buttress. Some of the world’s most famous castles, universities and churches, including Westminster Abbey in London, were designed according to Gothic principles.

The book The Story of Modern Architecture provides concise and reliable information on key cultural and historical topics.

Highlights:
• Chronological presentation of the most important themes
• More than 150 illustrations with detailed explanations
• Supplementary cards on special related themes and the history of the events
• Timelines, illustrations, and maps
• Index of subjects and names

Since its foundation in 1897, Country Life has consistently featured new British houses, thus building up an unrivalled photographic archive on twentieth-century architecture and one that covers a much wider variety of houses than any other.

This archive forms the basis for Alan Powers' new study of twentieth-century houses, illustrated with 200 stunning colour and duotone photographs, some of which are reproduced here for the first time. The book is divided into chronological chapters covering the 1920s to the 1990s, preceded by an enlightening introductory essay on the changing nature of architectural style over the course of the century.

Both town and country houses are included, as well as remodellings of earlier buildings where the result has a clear twentieth-century character, such as London's glorious Eltham Palace.

Lucca, and its surrounds, are a testament to the splendour of the Italian Renaissance. In architecture, landscape garden design and classic interiors, the influence of this pocket of countryside in the Tuscan hills has spread far beyond Italy's borders. This book, written by one of Italy's foremost experts of Renaissance architecture and art, and photographed by one of Italy's most admired architectural photographers, offers unparalleled access to some of the world's most famous properties, their homes and gardens. A superb addition to the book collections of lovers of Italy, Tuscany, and the Italian Renaissance.

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Пролистать книгу The Villas Of Lucca на Google books.

The Palladian style dominated British architecture for most of the 1700s, until the rise of the Adam style, which held sway for the final decades of the eighteenth century. Brothers Robert and James Adam were almost single-handedly responsible for infusing Georgian architecture with the sensibilities and elements of classical Hellenic and Latinate design. Their elegant, sophisticated form of Neoclassicism affected not only architecture, but also interior design, furniture design, and landscaping.

The Works in Architecture of Robert and James Adam, one of the most celebrated books in architectural history, consists of the brothers' own selections of illustrations from their commissions. Dating from the 1770s, these 106 illustrated plates epitomize the style that influenced generations of British and American architectural and furniture designs. Created by some of the finest commercial engravers of the age — including four plates by Piranesi — these illustrations are painstakingly reproduced in perfect detail and clarity. The original text imparts the Adams' own esthetic and practical aims, and an informative introduction places the brothers' work in historical perspective.

Unabridged republication of the edition published in three volumes by Priestley and Weale, et al., London, 1778-1822.

The art of the Eastern Roman Empire and of its capital, Byzantium (Constantinople), found expression throughout the ancient world, particularly in Italian architecture. This superb archive of Byzantine ornament contains a wealth of decorative architectural elements derived from sixth- and seventh-century Italian buildings in Ravenna and in the Venetian church of St. Mark's.

Depicted in more than 250 delicate line drawings are splendid perforated marble panels, intricately fashioned stone grilles and cornices, lavish candle brackets, elaborate stone mosaics for floors and ceilings, bronze window guards, as well as an abundance of decorative wreaths, rosettes, mouldings, and medallions.

A multipurpose reference for students, artists, and designers, this archive of sumptuous, royalty-free designs will also serve as a rich source of inspiration for anyone working in the fine or applied arts.

Exquisite photography of one of Frances most significant historical landmarks.

The largest château in the world holds a thousand and one secrets, even from those who know it intimately. Versailles has been described in minute detail since the reign of Louis XIV, but numerous rooms in the palace and its outbuildings are inaccessible to the public due to their fragility or state of preservation.

From the most renowned salons to the gardens, passing through the Trianon or the Queens hamlet, Versailles contains extraordinary details, transformed by light and shadow. From dusk on a summers evening to the veil of mist on a winters morning, these photographs reveal the many facets of Versailles and offer readers unprecedented access to this historical treasure.

For this book, the Château de Versailles gave photographer Francis Hammond carte blanche access to the palace and its grounds; the resulting photographs uniquely capture the exceptional ambience and light of both famous and lesser known places.

From Marie-Antoinette's boudoir, the wings of the Queens theater, or even the Orangerie on a beautiful wintery day, Versailles: A Private Invitation is richly illustrated and brings to life this extraordinary theater of unrivaled splendor, this place of hidden secrets, mysteries, and everlasting beauty, which continues to capture the hearts of visitors and aficionados of France from around the world.

About the Author:

Francis Hammond’s photographs have been published in Mariage Frères French Tea (2003) and Elegant Entertaining (2009) and in lifestyle magazines such as Elle Décor and Martha Stewart Living. Béatrix Saule is chief curator and director of the research center at the Château de Versailles.

541 beautiful full-color architectural drawings illustrating the imaginative use of brickwork and terra-cotta appliqués in Victorian revival styles, reprinted from a rare portfolio by a well-known 19th-century French architect. Includes front and side elevations, floor plans, and detailed sections. 682 illustrations.

Reprint of rare catalog by one of America's most successful, late-19th-century domestic architects, with more than 100 designs for 68 houses. Elevations and floor plans for custom-designed homes in the Colonial, Romanesque, and Queen Anne styles, as well as plans for verandas, summer pavilions, and barns. Invaluable to architectural historians, preservationists, and home restorers.

Victorian architecture, with its quirky diversity, eclectic origins and exuberant ornamentation, continues to exert a strong attraction on today's architects, builders and homeowners. For those interested in restoring, preserving, or even recreating Victorian homes, authentic plans and designs are invaluable. This volume, meticulously reproduced from a rare 19th-century publication, offers an exceptionally rich pictorial record of actual mid- to late-victorian designs.

Extremely clear and detailed engravings — drawn to scale — present elevations, floor plans, perspectives and other drawings (in some cases, complete framing plans) for country houses and cottages in a variety of styles: Queen Anne, Eastlake, Elizabethan, Colonial, Jacobean, Southern, Californian and more. There are even designs for several store and office fronts, with counters, shelving, etc.

Supplementing the large number of complete designs are nearly 700 large-scale drawings of virtually every architectural detail, many embodying the unique “gingerbread” that characterizes Victorian buildings. Included are clear, precise renderings of balusters, brackets, cornices, dormers, fireplaces, finials, gables, mantels, moldings, newels, piazzas, porches, rafters, rosettes, staircases, transoms, verandas, wainscoting, windows and hundreds of other features.

For restorers of old houses, preservationists, students of American architectural history, admirers of Victoriana, anyone interested in the “Victorian Gothic” styles that dominated American domestic architecture in the late 1800s will want to have this inexpensive treasury of authentic century-old plans and details.

This vintage volume offers a treasure trove of floor plans, elevations, and details of residences and public buildings. Artists, architects, and historians alike will find it an endless source of inspiration.
Featured buildings include villas, cottages, and farm houses as well as churches, schools, banks, and many other structures. Eighty-one remarkably detailed illustrations capture the elaborate, distinctive beauty of Victorian-era cornices, staircases, gables, verandas, doors, dormers, and other architectural elements. In addition, a fascinating "Specifications" section highlights construction guidelines for masons, bricklayers, and carpenters

The Vienna Workshop and the "total work of art"

Founded in 1903 by Josef Hoffmann, Koloman Moser, and Fritz Waemdorfer, the Wiener Werkstätte ("Vienna Workshop") was a collective of architects and craftsmen which aimed at fusing architecture and interior design into a Gesamtkunstwerk, or total work of art. Experimenting with various materials (gold, precious stones, and papier mâché, for example), the artists of the Wiener Werkstätte created buildings and objects which combined classical elegance with streamlined functionality.

Though the workshop lasted only thirty years, its influence is still strong today.