Искусство

In this richly illustrated book, Xavier Canonne, director of the Museum of Photography in Charleroi, dives into René Magritte’s photo and film archive, revealing a lesser-known side of the surrealist master.

Discovered in the 1970s, more than 10 years after the artist’s death, this collection gives us access to a family album, an informal Magritte, from his childhood to the last years of his life. We see Magritte with his parents and brothers, as a newly married man with his wife Georgette, and with his contemporaries in the Brussels Surrealist group. Spontaneous snapshots are complemented by posed scenes, including improvised tableaus with his fellow artists, parodies of famous movies consciously arranged with Georgette, portraits of Magritte at his easel at home, and staged photographs as models for his paintings.

Images where the artist and his friends hide their faces or turn away from the camera particularly resonate with his paintings and his investigation of the ‘hidden visible’. While other Surrealists such as Man Ray and Raoul Ubac made photography an essential part of their work, Magritte remained a true painter. Yet this book demonstrates that his photographs and films are so pervaded with his spirit that they are inseparable from his oeuvre of paintings. Far from being merely entertaining occasional images, they shed a familiar light on the painter’s thought and evidence the same investigation of the mysteries of the world.

La belle vie

Impressionism’s most joyful paintings

Pierre-Auguste Renoir (1841-1919) is universally acclaimed and celebrated: museums pride themselves on his paintings, crowds flock to his retrospectives. His work shows art at its most light-hearted, sensual and luminous. Renoir never wanted anything ugly in his paintings, nor any dramatic action. “I like pictures which make me want to wander through them when it’s a landscape,” he said, “or pass my hand over breast or back if it’s a woman.” Renoir’s entire oeuvre is dominated by the depiction of women - again and again he painted “these faunesses with their pouting lips” (Mallarmé) and invented a new image of feminine beauty and sensuality. A prolific painter - he made several thousand works in his lifetime - he is perhaps the most beloved of the Impressionists.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

La belle vie

Impressionism's most joyful paintings

Pierre Auguste Renoir (1841-1919) is now universally acclaimed: museums pride themselves on his paintings, crowds flock to his retrospectives. His work shows art at its most light-hearted, sensual and luminous. Renoir never wanted anything ugly in his paintings, nor any dramatic action. "I like pictures which make me want to wander through them when it’s a landscape," he said, "or pass my hand over breast or back if it’s a woman."

Renoir’s entire oeuvre is dominated by the depiction of women. Again and again he painted "these faunesses with their pouting lips" (Mallarmé) and invented a new image of feminity.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

The author:
Peter H. Feist studied art history, history and archaeology in Halle, where he was assistant lecturer from 1952-1958, receiving his doctorate in 1958. From 1958-1981 he worked at the Humboldt University, Berlin, from 1982-1990 he was the director of the Institute for Aesthetics and Art Studies of the GDR Academy of Sciences in East Berlin. Feist has published numerous books on the history and theory of art, including TASCHEN's Pierre-Auguste Renoir and, as co-author, Impressionism. He lives and works in Berlin.

Посмотреть русскоязычное издание книги Renoir - Ренуар

Pierre-Auguste Renoir (1841–1919) is so heavily associated with Impressionist painting that his last creative period has frequently been ignored. This publication devotes itself to precisely these last three creative and innovative decades, in which Renoir abandoned Impressionism.

He dedicated himself during this period to cheerful subjects such as bathers, domestic idylls, and landscapes that were influenced by both classical mythology and his move to the south ofFrance. His fluid brushstrokes and masterful use of color were much admired by the up-and-coming modernist avant-garde.

More than three hundred color illustrations graphically demonstrate the influence Renoir had on younger artists such as Bonnard, Matisse, and Picasso, as well as the ways they examined his work.

Pierre-Auguste Renoir (1841–1919) is so closely associated with Impressionist painting that the surprising diversity of his early work is frequently forgotten. His most important model during these early years was the artist’s mistress, Lise Tréhot, with whom he had a relationship between 1865 and 1872. After posing for a large group of prominent early works, including Woman in a Garden and En été (both 1868), Lise turned her back on the Bohemian lifestyle in favor of a bourgeois marriage. The paintings created between 1864 and the end of the following decade show the broad spectrum of Renoir’s art and the development of his artistic vocabulary, including the Impressionist phase. This is the first extensive examination of the painter’s early oeuvre and the strong influence of his close friendships with other artists, such as Éd0uard Manet, Claude Monet, Frédéric Bazille, and Alfred Sisley.

La Vie en Rose. The most comprehensive retrospective of Renoir’s work

Often misunderstood, Pierre-Auguste Renoir remains one of history’s most-loved painters — undoubtedly because his work exudes such warmth, tenderness, and good cheer. Gathering brilliant reproductions and sketches, as well as photos and a complete chronology illustrating his life and work, this is the essential work of reference on Renoir.

Pierre-Auguste Renoir’s (1841–1919) timelessly charming paintings still reflect our ideals of happiness, love, and beauty. Derived from our large-format volume, the most comprehensive retrospective of his work published to date, this compact edition examines the personal history and motivation behind the legend. Though he began by painting landscapes in the Impressionist style, Renoir found his true affinity in portraits, after which he abandoned the Impressionists altogether. Though often misunderstood, Renoir remains one of history’s most well-loved painters — undoubtedly because his works exude such warmth, tenderness, and good spirit.

In an incisive text tracing the artist’s career and stylistic evolution, Gilles Néret shows how Renoir reinvented the painted female form, with his everyday goddesses and their plump forms, rounded hips and breasts. Renoir’s later phase, marked by his return to the simple pleasure of the female nude in his baigneuses series, was his most innovative and stylistically influential, and would inspire such masters as Matisse and Picasso.

With a complete chronology, bibliography, photos, sketches, and brilliant reproductions, this is the essential work of reference on this enduring master artist.

The author:

Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

250 illustrations

The restaurant boom of the past two decades has been a breeding-ground for arresting graphic design. At the top end of the market a restaurant’s menu, matchbooks, business cards, signage and napkins are as important to the brand and image as its interiors. Lower down the scale, where design budgets tend to be tighter, they become absolutely vital. When you don’t have the money for endless revamps of your interior how else do you differentiate yourself in a crowded market? It’s here that graphic design takes the strain, regularly setting the entire tone of a restaurant. This book celebrates the unsung heroes of restaurant graphics and illustrates the best examples of their craft from around the world, from agencies such as Pentagram, Bruce Mau, Lippa Pearce, Frost, North and Cake Design.

A modern collector’s guide to a world of outlandish retro watches

Retro Watches is a popular, accessible collector’s guide for anyone who wants to make a statement with the watch they wear, but who wants to choose a timepiece that is very different from the ‘classic’ and very mainstream watches by the major Swiss brands. It brings together the most intriguing, visually striking and ‘out-there’ watch designs from little-known but influential watch brands, along with overlooked but brilliant pieces from the major players. One hundred watch models are featured, specially photographed for the book and accompanied by accessible, informative texts discussing the watch’s design, its intriguing features, and its rarity and value. The book also dives into the cultural and fashion history of watch design and the many innovations from the 60s, 70s and 80s.

• Features over 100 easily affordable curiosities and brilliantly designed but forgotten classics
• Spans the late 1950s, 1960s and 1970s, the golden age of avant-garde watchmaking and experimentation
• Includes features on the history of watch design and aesthetics

About the Authors:

Josh Sims is a design writer based in Margate. He is the editor of social trends journal Viewpoint and author of several books on menswear, including Icons of Men’s Style.
Mitch Greenblatt is the co-owner and founder of Xeric Watches, Horolovox and watches.com.

The Egyptian Revolution that began on 25 January 2011 immediately gave rise to a wave of popular political and social expression in the form of graffiti and street art that were almost unknown under the old regime.

Mia Gröndahl has followed and documented the rapidly changing graffiti art of the new Egypt from its beginnings, and here in more than 430 colour images celebrates the imagination, skill, humour and political will of the young artists and activists who have claimed the walls of Cairo and other Egyptian cities as their canvas.

From the simplest hand-written messages, through stencils and martyr portraits, to the elaborate murals of Mohamed Mahmoud Street, the messages on the walls are presented in sections punctuated by interviews with some of the individual artists whose work has broken fresh ground
• Revolution & Freedom,
• Egyptian & Proud,
• Cross & Crescent,
• Martyrs & Heroes

Rings are perhaps the most common and yet the most evocative pieces of jewellery. Worn as a sign of love or as a fashion accessory, to mark weddings, remember the dead, or show religious faith, the unbroken circle, decorated or elegantly unadorned, holds a multitude of meanings for every wearer.

From simple medieval hoops worn to ward off disease to the glamorous rocks worn by Hollywood starlets, to the stunning works of art created by contemporary artist jewellers, this book offers a beautifully illustrated introduction to rings.

The history of jazz, which began at the start of the 20th century, is the story of artists who developed their music especially in big cities like New Orleans, Chicago or New York. The roads of jazz are marked by great names and they present different styles; they do not end in America but reach every continent.

6 CDs present the music of different jazz styles, from classic New Orleans jazz, swing and bebop up to cool and West Coast jazz. The recordings of creative innovators or of jazz musicians who were typical at a certain time demonstrate the development of the music.

500 colour plates

This book is the first complete listing of Robert Gober’s sculptures and installations made between 1979 to 2007. It comprises around 250 catalogued works, all with large-format illustrations. Comprehensive descriptions are rounded out with the artist’s commentary on individual works, as well as technical information on how they were produced and the history behind them.

It's perhaps the relative modernity of rock 'n' roll that makes the genre a minefield of myths and legends accepted as truth. History hasn't had time to dissect the bunk. Until now.

Discover the real stories behind rock's biggest crocks, how they came to be but why they have persisted. Did Cass Elliott really asphyxiate herself with a ham sandwich? Did the Beatles spark a spliff in Buckingham? Did Willie Nelson do the same in the White House? Did Keith Richards get a complete "oil change" at a Swiss clinic in 1973 to pass a drug test necessary to embark on an American tour with the Stones?

Then there's the freaky (did Michael Jackson own the remains of the Elephant Man?), the quasi-medical (Rod Stewart and that stomach pump?), the culinary (did Alice Cooper and Ozzy Osbourne really do all those things to bats, chickens, etc. onstage?), and the apocryphal (did Robert Johnson sell his soul to the Prince of Darkness in exchange for mastery of the blues?).

In all, more than 50 enduring lies are examined, explained, and debunked.

Lynn Goldsmith’s vast body of work testifies to her passion for rock and roll. Beginning in the late 1960s, she plunged into the scene working at Electra Records making promotional films. She worked with Joshua White, of the famed Joshua Light Show, creating Video Magnification at rock concerts and went on to become the first director of Late night network Television's ABC In-Concert series. Besides directing, she managed bands and then launched her own music career as Will Powers with the help of established artists like Steve Winwood, Sting, and Todd Rundgren, among others, all the while taking brilliant photographs. Equally at home in the photo studio and shooting reportage, she compiled an unparalleled portfolio of hard-to-get images. Whether the subject be punk, alternative, commercial pop, or the rarified world of the superstars of rock, Goldsmith has a vast range of rare and unusual photographs.

Rock and Roll is a collection of her best work, accompanied by quotes from many of her subjects provided especially for this book. It includes three gatefolds with rock-mosaics made up of thousands of her photographs of the Rolling Stones, Bruce Springsteen and Kiss.

The introduction is by Iggy Pop, formerly of the Stooges, the godfather of punk.

Lynn Goldsmith’s work has appeared on and between the covers of Life, Newsweek, Time, Rolling Stone, Sports Illustrated, People and many other magazines. Among her ten books are PhotoDiary, NY Times Bestseller New Kids, Springsteen: Access All Areas, and Flower. A director as well as a photographer, Goldsmith was the youngest member ever to be inducted into the Director’s Guild of America. She lives in New York City and Aspen, Colorado