Искусство

Rock on. From Elvis to Nirvana: the most important record covers in rock history

Rock Covers brings you more than 750 album covers that made rock history. From legendary to rare releases, from Elvis Presley to Iron Maiden, these indelible markers of musical memory are accompanied by fact sheets, featured interviews, and top-10 record lists from leading rock collectors.

Album art is indelibly linked to our collective musical memories; when you think of your favourite albums, you picture the covers. Many photographers, illustrators, and art directors have become celebrities from their album artworks—the best examples of which will go down in history as permanent fixtures in popular culture.

Paying tribute to this art form, Rock Covers brings you a compilation of more than 750 remarkable album covers, from legendary to rare record releases. Artists, as varied as Elvis Presley, The Beatles, The Sex Pistols, Pink Floyd, The Cure, Iron Maiden, and Sonic Youth, are gathered together in celebration of the cover art that defined their albums and their cult status. Each cover is accompanied by a fact sheet listing the art director, photographer or illustrator, year, label, and more, while nearly 250 records that marked particular turning points for a band, an artist, or the music genre, are highlighted with short descriptions.

This far-reaching catalogue of visualized rock is contextualized with insider interviews with five professionals who shaped the history of rock, and by top-10 record lists from ten leading rock collectors.

The authors:

Robbie Busch aka “McBoing Boing” is an internationally recognized record collector and DJ. He has worn many artistic hats over the years: consulter and producer for numerous record labels, writer and photographer for magazines including Wax Poetics, Big Brother and XXL, comic book artist/writer and storyboard artist.

Jonathan Kirby is a record collector and music writer. He served as an editor for Brooklyn-based music magazine Wax Poetics, has contributed in-depth articles for Oxford American and The Fader and is currently an A&R at Chicago’s famed archival label the Numero Group, where he also conceived the compilation Purple Snow: Forecasting the Minneapolis Sound.

The editor:

Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

Rock On. The most important record covers in rock history

From legendary releases to ultra-rare records, Elvis Presley to Iron Maiden, discover the 750 album covers that made rock history. Fact sheets, insider interviews, and lists from leading collectors of their top 10 records guide us through the indelible markers of musical memory, complete with bonus info on 250 milestone records that became turning points for a band, an artist, or an entire genre.

Album art is indelibly linked to our collective musical memories; when you think of your favorite albums, you picture the covers. Many photographers, illustrators, and art directors have become celebrities from their album artworks — the best examples of which will go down in history as permanent fixtures in popular culture.

Paying tribute to this art form, Rock Covers brings you a compilation of more than 750 remarkable album covers, from legendary to rare record releases. Artists, as varied as Elvis Presley, The Beatles, The Sex Pistols, Pink Floyd, The Cure, Iron Maiden, and Sonic Youth, are gathered together in celebration of the cover art that defined their albums and their cult status. Each cover is accompanied by a fact sheet listing the art director, photographer or illustrator, year, label, and more, while nearly 250 records that marked particular turning points for a band, an artist, or the music genre, are highlighted with short descriptions.

This far-reaching catalogue of visualized rock is contextualized with insider interviews with professionals who shaped the history of rock and by top-10 record lists from ten leading rock collectors.

The authors

Robbie Busch aka “McBoing Boing” is an internationally recognized record collector and DJ. He has worn many artistic hats over the years: consulter and producer for numerous record labels, writer and photographer for magazines including Wax Poetics, Big Brother and XXL, comic book artist/writer and storyboard artist.

Jonathan Kirby is a record collector and music writer. He served as an editor for Brooklyn-based music magazine Wax Poetics, has contributed in-depth articles for Oxford American and The Fader and is currently an A&R at Chicago’s famed archival label the Numero Group, where he also conceived the compilation Purple Snow: Forecasting the Minneapolis Sound.

The editor

Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Features more than two hundred full-color photographs and commentary reflecting four decades of images capturing the icons, legends, concerts, and great moments in the history of rock music, including Jimi Hendrix, Elton John, Eric Clapton, and many others.

For enthusiasts, rockabilly isn’t just a kind of music; it’s a way of life. A raw fusion of rhythm and blues with country and western, rockabilly heralded the start of teenage rebellion in America in the early 1950s. The stripped-down sound witnessed a revival in the 1970s that has continued until today, with modern rockabillies embracing not only the music, but also the clothes, cars and lifestyle of the 1950s youth counterculture. Rockin’ is photographer Andrew Shaylor’s unique portrayal of the contemporary rockabilly scene. Granted exclusive access at events on both sides of the Atlantic, Shaylor captures the raw energy of the music and the commitment of the rockabilly community to authenticity. Featuring the history of the subculture by rockabilly legend Jerry Chatabox, this striking book evokes the passion and intensity of a scene that is as exciting today as it was more than 50 years ago.

_Over 250 stunning images capture the bands, dancing, fashion and cars that define the rockabilly subculture
_Features rockabilly events in both the United States and Britain
_With a specially commissioned foreword by Jerry Chatabox, stalwart of the contemporary rockabilly scene

Since his work is categorized as illustration and was most famously featured on the cover of the Saturday Evening Post, fine art critics were slow to acknowledge the importance of Norman Rockwell (1894-1978) as true artist, though his work was enormously popular during his lifetime and has endured as a crucial element in America's perception of itself in the 20th century. Through the Roaring Twenties, the Great Depression, World War II, the 1950s and 60s, Rockwell illustrations were a part of daily life, showing, as he once said, "the America I knew and observed to others who might not have noticed."

The author:
Karal Ann Marling is professor of art history and American studies at the University of Minnesota. She is the author of numerous books on topics including American mural painting of the Depression era, illustration of the 1940s, the architecture of theme parks, and the influence of television on visual culture in the 1950s.

The editor:
Cultural anthropologist and graphic design historian Jim Heimann is Executive Editor for TASCHEN America, and author of numerous books on architecture, pop culture, and the history of the West Coast, Los Angeles, and Hollywood. His unrivaled private collection of ephemera has been featured in museum exhibitions around the world and dozens of books.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

American beauty. Painting life as it would like to be

An extraordinarily prolific artist, Norman Rockwell (1894–1978) produced some 4,000 paintings in his lifetime, not including a prodigious quantity of commissioned editorial, commercial, and advertising work. His death in 1978 was regarded the loss of a national icon, an artist who, like no other, celebrated the American Dream.

Shunning experimentation and avant-garde techniques in favour of effective composition and relatable subject matter, Rockwell created wholesome, homely paintings with accessible and aspirational appeal. Neat, quaint, and typically jovial, his subjects included classrooms, prom scenes, and Thanksgiving feasts, while his most long-standing projects were covers for The Saturday Evening Post magazine and calendars and covers for the Boys’ Life publication of the Boy Scouts of America. Imbued with optimism and patriotism, the work foregrounds classic professions such as doctor and teacher, as much as the conservative stalwarts of military, family, and faith.

Hailed by President Gerald Ford as a “beloved part of the American tradition,” Rockwell’s works reveal as much about his own talents as they do about the story of 20th-century America. This fresh artist introduction from TASCHEN brings together key paintings and illustrations from his celebratory and sunny portfolio, as well as some more unusual works tackling the underside of the United States, to understand an integrally American artist and the values and ideals that shaped his success.

About the Author:

Karal Ann Marling is professor of art history and American studies at the University of Minnesota. She is the author of numerous books on topics including American mural painting of the Depression era, illustration of the 1940s, the architecture of theme parks, and the influence of television on visual culture in the 1950s.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

About the Series:

TASCHEN portfolios feature high-quality prints that beg to be framed. Tucked in each portfolio are 14 large-format reproductions, each with a brief description. Guaranteed to brighten any day, they also make great gifts for art lovers!

Emerging out of Baroque as a more relaxed style, Rococo was dominant in interiors, decorative art, and painting throughout Europe in the 18th century. With sentiment and emotion prevailing over reason, Rococo was a dramatic and theatrical style. In the Parisian art world, gallant scenes by Watteau, Boucher and Fragonard predominated, along with the delicate still lifes and genre paintings of Chardin. In Venice, we find the magnificent cityscapes and veduta of Canaletto and Guardi, along with Tiepolo's brilliantly illuminated ceiling frescos. London society celebrated portraitists of stature such as Hogarth, Gainsborough, and Reynolds, while in Southern Germany and Austria, pious images of celestial serenity created by Asam and Troger spanned the church ceilings.

Artists featured among others: François Boucher, Canaletto, Rosalba Carriera, Jean-Baptiste Siméon Chardin, John Singleton Copley, Jean-Honoré Fragonard, Thomas Gainsborough, Francisco de Goya, Francesco Guardi, William Hogarth, Angelika Kauffmann, Nicolas Lancret, Maurice Quentin de La Tour, Thomas Lawrence, Jean-Marc Nattier the Younger, Giovanni Battista Piazzetta, Joshua Reynolds, Johann Heinrich Tischbein, Giovanni Battista Tiepolo, Jean-Antoine Watteau, Joseph Wright

About the Series:
Each book in TASCHEN's Basic Genre Series features:

* a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
* a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations

Deriving from the French word rocaille, in reference to the curved forms of shellfish, and the Italian barocco, the French created the term Rococo. Appearing at the beginning of the 18th century, it rapidly spread to the whole of Europe. Extravagant and light, Rococo responded perfectly to the offhandedness of the aristocracy of the time. In many aspects, this art was linked to its Baroque predecessor, and is thus also referred to as late Baroque style. While artists such as Tiepolo, Boucher and Reynolds carried the style to its apogee, the movement was often condemned for its superficiality. In the second half of the 18th century, Rococo began its decline. At the end of the century, facing the advent of Neoclassicism, it was plunged into obscurity. It had to wait nearly a century before art historians could restore it to the radiance of its olden age, which is rediscovered in this work by Klaus H. Carl and Victoria Charles.

About the Authors:

Victoria Charles is a professor of art history. She has published many works and has regularly contributed to Art Information, an international guide to contemporary art. Writing frequently for specialised journals and magazines, Victoria Charles recently contributed to a collective work, 1000 Paintings of Genius.
Klaus H. Carl is the author of numerous works on the history of large cities, and is also a well-known photographer of nature. A teacher by profession, he also took part, alongside Victoria Charles, in the writing of 1000 Paintings of Genius.

The movement known as Rococo began in eighteenth-century France, and has infused design objects with a sinuous, organic, and sensuous impulse for three centuries. Rococo dominated French design from 1730 to 1765, during the reign of Louis XV. Rococo ideas, transmitted by prints, objects and the traveling designers themselves, quickly spread to England, the Netherlands, the German states, Italy and America.

Rococo resurfaced in England under the flamboyant George IV and in France during the Second Empire. Its most significant revival occurred in the design concept known as Art Nouveau. In the twenty-first century, the Rococo spirit has burst forth once again as a creative force.

Rococo: The Continuing Curve, 1730-2008, featuring essays by international scholars and over 380 color illustrations, traces the movement within the historic continuum.

The name Rolex is recognized around the world. It has become an icon of beauty, quality, accuracy, style, and taste. While there are other fine manufacturers of timepieces, none has reached this pinnacle of public respect and acclaim. The watches produced by Rolex over the last 100 years are celebrated in this lavishly illustrated classic, now in a revised and expanded third edition. Over 30 newly discovered wristwatches are included in this volume, along with new information and a revised value guide. In addition there are detailed looks at some of Rolex's legendary movements. Dowling and Hess, both acknowledged Rolex authorities, have captured the watches' beauty in color photography and present the most thorough and extensive history written of the company. The watches and the extensive information this book offeres to collectors make it a truly useful volume, one that will be cherished by watch lovers around the world.

Это не первая книга о ROLLING STONES. Можно побиться об заклад, что она будет далеко не последней.

Почти 50 лет ROLLING STONES являются объектом, приковывающим внимание миллионов последователей, критиков и недоброжелателей.

С момента появления группы неоднократно объявлялось о ее закате. Но каждый раз они ломали стереотипы, создавая музыку, которая помогала передать дух своего времени и, в конечном счете, становилась вечной.

For a long time, Roman art was somewhat overshadowed by the art of ancient Greece. It was only in about 1900 that a search began for ancient Roman art and architecture. The foundations of Roman imagery were laid in the early days of the Empire under Emperor Augustus. The imperial court and the imperial family were role models for artistic style, taste and fashion - trendsetters, so to speak, which imperial society was obliged to follow. It was at court that the "new" took shape, pieced together from the vocabulary of Greek originals, copies and imitations as well as new creations, but fulfilling entirely new functions and expressing new meanings. The portrait of the ruler and the so-called state reliefs, which enhanced and embroidered real events, by depicting gods for example, had a particular influence in the shaping of the imagery. Using classical stylistic means, Roman art was able to fulfill all the desires and ideas of its patrons for more than two centuries.

Featured works include: Augustus of Primaporta; Gemma Augustea; Lycurgus beaker; funerary relief of the Roman couple Publius Aiedius and Publia Aiedia; Constantine I in a helmet with the christogram; the portrait of a man, the so-called Brutus; equestrian statue of Marcus Aurelius; colossal portrait of Emperor Constantine I; group statue of the Emperors Diocletian, Maximian, Galerius and Constantine I, the "tetrarch group"; personifications of Macedonia and Persia

Roman Polanski's ability to wring laughter from the most degrading heartbreaks will carry the same wealth of healthy shocks in a hundred years. He creates a macabre beauty to be wooed by and wondered at. But behind the laughter and the beauty is the ghostly truth that Polanski was orphaned by the Nazis and wandered Poland alone from ages 9 to 13. Consider the isolated intensity that bridges Knife in the Water, Cul de Sac, Rosemary's Baby, Chinatown, Death and the Maiden and his Oscar-winning masterpiece The Pianist. In each, the omniscient viewpoint feels "childlike" in the least innocent sense: we listen and watch, ever-wary; the truth of what's been hidden, or is being planned in secret, is always a matter of life and death; one's survival (even within the playful confines of a fantasy) depends on not missing so much as one detail.

This book has been made with full access to Roman Polanski's archives.