Монографии и сборники работ известных архитекторов

The innovative German company Occhio (which means 'eye' in Italian) has specialised in the design of timeless and elegant modular lighting systems for the past two decades. They see their lights ('luminaires') as part of a holistic approach to creating vibrant living and working environments. This book gathers together the best of their projects, showcasing how cutting-edge lighting technology and design can seamlessly unite the disparate functions and elements of a space.

_A beautifully produced book that explores the culture of light that this award-winning German company has developed over the past 20 years
_Highlights signature lighting solutions that combine minimalist design with state-of-the-art technology to create the perfect light for living, dining, and working

With increased attention to sustainability and environmental concerns, landscape architects now lead teams of urban planners and architects in developing new outdoor space and reconfiguring existing designs. As the preeminent landscape architecture firm in the United States, Olin is at the forefront of this movement with completed projects across the country and in Europe. The firm was awarded the gold medal of the American Society of Landscape Architects, the profession's highest honor, in 2006.

Well-known for the restorations of Bryant Park behind the New York Public Library and the landscape of the Washington Monument, Olin is also recognized for the dramatic transformation of a derelict, brownfield site into the vibrant Canary Wharf, now the financial center for all Europe, and for the landscape design of the J. Paul Getty Center in Los Angeles and Columbus Circle in New York. The firm has also designed sculpture gardens for the National Gallery of Art in Washington, D.C., and the Toledo Museum of Art in Toledo, Ohio.

In dialogues with noted colleagues and collaborators, each of the partners articulates a personal vision and philosophy of landscape and design. Laurie Olin, founding partner, speaks with the poet Michael Palmer, while Susan Weiler reflects on her collaboration with artist Jenny Holzer. Other dialogue participants are Kim Tripp, former director of the New York Botanical Garden; Niall Kirkwood, chair of the landscape architecture department at Harvard; Sean Timmons, founder of Simmons Design Engineering; and Charles Waldheim, a leading proponent of landscape urbanism. Taken together, these conversations provide a unique window into the creative process.

Яркая и насыщенная жизнь одной из знаковых фигур дизайна XX века – архитектора, декоратора Оливера Меселя. Более 200 страниц эксцентричного творчества, включающие не публиковавшиеся ранее снимки.

A vibrant study of one of the iconic figures of twentieth-century design, whose Romantic, whimsical, and wholly original style influenced a generation of architects and decorators. Oliver Messel was one of England’s foremost interior designers of the twentieth century, whose work also spanned the worlds of the stage design, film, and architecture. Born into a creative family of wealthy bankers, his career began in 1925 designing for Sergei Diaghilev’s Ballets Russes. He eventually became an internationally celebrated designer, branching out into drama, film, opera, interior design, textiles, and architecture. Romanticism and eccentricity were hallmarks of Messel’s style. His sets were famed for their exquisite delicacy, impossible detail, subtlety of color, and inventive use of materials. From the 1930s to the postwar period, Messel explored the fields of interior design and architecture, eventually designing numerous houses built on the islands of Mustique and Barbados for the jet set of the 1960s and ‘70s, among them Antony Armstrong-Jones (Earl of Snowdon) and Princess Margaret. Oliver Messel is filled with previously unpublished images that chronicle a unique, eccentric, and, until now, largely overlooked oeuvre that reached across several mediums and continues to influence insiders from the worlds of interior design, architecture, and fashion.

About the Authors:

Thomas Messel, the nephew of Oliver Messel, is a furniture designer and is responsible for the refurbishment of two of Oliver Messel's design projects: Dorchester Hotel, Flaxley Abbey. Antony Armstrong-Jones, Lord Snowdon, is a photographer and filmmaker. Anthony Powell is a costume designer for stage and screen. Stephen Calloway is the author of Obsessions: Collectors and Their Passions and The Elements of Style: A Practical Encyclopedia of Interior Architectural Details from 1485 to the Present. Sarah Woodcock is a curator at the Victoria and Albert Museum's Theatre Museum. Jeremy Musson is an architectural historian, writer, and broadcaster.

One of Austria’s most influential architects, Otto Wagner (1841-1918) played a key role in modernizing urban architecture. Forming an approach described as structural rationalism, Wagner pioneered use of materials such as glass, steel, and especially aluminum. He was associated with the Viennese Succession, a group of artists and designers headed by Gustav Klimt that initiated a departure from the conservative style of the Viennese Künstlerhaus. Among Wagner’s most important buildings are the Vienna Postsparkassenamt (Postal Savings building) and the Steinhof Church.

About the Series:
Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

The Pioneer of Viennese Modernism. Discover the groundbreaking structures of Otto Wagner

At once a realist and a visionary, an architect and a builder, Otto Wagner innovated a new era in building-making. Born in Vienna, the visionary architect made his presence felt — he pioneered the use of materials like glass, steel, and aluminum, in a ceaseless experimentation with form that would come to redefine Viennese structural identity, and urban architecture altogether.

Otto Wagner (1841–1918) is one of the most significant figures of turn-of-the-century architecture. He was associated with the Viennese Secession, a group of artists and designers headed by Gustav Klimt that initiated a departure from the conservative style of the Viennese Künstlerhaus. Wagner’s visionary approach, described as structural rationalism, pioneered the use of materials such as glass, steel, and especially aluminum to redefine Viennese structural identity.

From the imposing Austrian Postal Savings Bank to the scintillating St. Leopold Church at Steinhof, one of the most important Art Nouveau churches in the world: Discover the breadth of Wagner’s career as well as the political, economic, and social dynamics of his time. This incisive overview features a map locating all of the architect’s most renowned projects and recent, fresh photography from masters like Keiichi Tahara.

The author:

August Sarnitz is a practicing architect and professor of history and theory of architecture at the Akademie der bildenden Künste in Vienna. His many publications include books on R. M. Schindler, Lois Welzenbacher, Ernst Lichtblau, Adolf Loos, and E. A. Plischke.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

In the tradition of Addison Mizner, Maurice Fatio, John Volk, and Howard Major - the early architects of Palm Beach’s great estates and public buildings of the Gilded Age - the architecture of Jeffery W. Smith stands resplendent as a testament to the refined elegance of another time, and is as well a promise of the grandeur that the future holds.

Hailed by Town & Country as “the most adept young historicist working in Palm Beach today,” preeminent Palm Beach architect Jeffery Smith is a paragon of exquisite design sense, as is clearly evident in the houses featured here. Smith’s work - a continuation of the classical Mediterranean style characteristic of the town that has come to be known as the “American Riviera” - is showcased in Palm Beach Splendor in seventeen of his most recent projects, in magnificent full-colour photographs featuring interiors by such well-known designers as Peter Marino and David Easton.

In her prizewinning creations Milanese artist Paola Navone welds together the opposite tastes of Eastern and Western cultures into a global, multi-cultural mix of styles. She is an architect, a designer, an art director, an interior decorator as well as a host of exhibitions and events, designing for the great names in Italian furniture such as Driade, Knoll, Alessi, Armani Casa and Zanotta. This monograph features a cross-section of her work.

Success at Perkins+Will is measured by how imaginatively a client’s vision is translated into a finished product. The firm designs and strategizes with a philosophy that places people at the center of their work; collaboration is what propels their design process forward. This approach is a Perkins+Will legacy, dating back to one of the firm’s first and most prestigious projects, the 1930s Crow Island School, designed with the insight founder Larry Perkins gained from attending school with the children. This monograph explores the firm’s work through its rich history, examining a variety of completed and conceptually designed projects that promote the firm’s philosophy of ideas and buildings that honor the broader goals of society.

Пролистать книгу Perkins + Will: 75 Years  на Google books

Peter Gisolfi is an architect, landscape architect and educator whose substantial design practice extends over 20 years. Most of his work consists of carefully crafted buildings that relate to a larger setting. A variety of public and private projects completed throughout the United States are featured in this first monograph. 

The projects in this book are organised thematically as landscapes and buildings, gardens and houses, campuses, townscapes, and transformations. The common threads in these projects are that indoor and outdoor spaces are created in harmony with each other, that buildings are placed to define outdoor spaces, and that natural context and man-made context strongly influence the design. From an understanding and response to these factors comes a timeless and permanent architecture.

Peter Pran is often acclaimed as one of the world's most innovative and creative architects. This Norwegian-American has won fifteen national and international design competitions, two AIA design honor awards, including the 2004 design honor award for the Telenor Headquarters, and twelve New York design awards and two American design awards. He has designed buildings in the USA, Canada, Europe, Asia, the Middle East and South America. Currently design principal for NBBJ, one of the world's largest international firms, his portfolio of work includes work with Mies van der Rohe on the new National Gallery in Berlin, the Chicago Federal Center and the Toronto Dominion Centre. Pran has also been senior project designer with SOM on several major projects. 

Includes introductory statements by leading international architects Thom Mayne, Daniel Libeskind and Odile Decq, and an essay by Fumihiko Maki.

Philippe Starck is one of the world's most prolific and famous designers. Well known for his luxurious hotels and restaurants, he is equally celebrated for his inspirational reworkings of everyday household items.

Whether it be his iconic lemon squeezer, dubbed the 'Juicy Salif', or his colourful stylized toothbrushes, Starck's works are some of the earliest examples of 'democratic design'. This idea, that exceptional products should not be exclusive and elite, but be accessible and affordable, would eventually revolutionise modern design.

Starck has worked privately for French president Francois Mitterand, decorating a suite in the Palais d'Élysée in Paris in 1982. He has designed products for a number of internationally renowned organisations including Microsoft, Lacie, Eurostar, Alessi and Fossil.

These volumes will introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers will complete the subject.

Christina Morozzi is the editor of Design magazine and works as a curator of exhibitions in Italy and abroad. She is also a visiting professor at Domus Academy of Milan and University of Art and Design, Lausanne, Switzerland.